Tone-Lok
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Tone-Lok
Tone-Lok Effects are guitar effects pedals from a (now discontinued) product line, introduced by Ibanez is a Japanese guitar brand owned by Hoshino Gakki. Based in Nagoya, Aichi, Japan, Hoshino Gakki were one of the first Japanese musical instrument companies to gain a significant foothold in import guitar sales in the United States and Europe, as ... in 1999. In contrast with other guitar pedals, they included a "Lok" feature, engaged for each adjustment by pressing down on its corresponding potentiometer's control knob. Pedals Guitar AP7 Analog Phaser AW7 Autowah CF7 Stereo Chorus/ Flanger DE7 Delay/Echo DS7 Distortion FZ7 Fuzz LF7 Lo Fi PH7 Phaser PM7 Phase Modulator SH7 Seventh Heaven SM7 Smashbox TC7 Tri Mode Chorus TS7 Tubescreamer WD7 Weeping Demon WD7JR Weeping Demon Junior Bass PD7 Phat-Hed Bass Overdrive SB7 Synthesizer Bass References Audio electronics Signal processing {{guitar-stub ...
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Tubescreamer
The Ibanez Tube Screamer (TS808/TS9) is a guitar overdrive pedal, made by Ibanez. The pedal has a characteristic mid-boosted tone popular with blues, rock and metal players. The Tube Screamer has been used by many guitarists to create their signature sound, and is one of the most successful, widely copied, and custom-modified ("modded") overdrive pedals in the history of the electric guitar. Description The Tube Screamer has a drive knob, a tone knob, and a level knob. The drive knob adjusts gain (which can affect the amount of distortion), the tone knob adjusts treble and the level knob adjusts the output volume of the pedal. The Tube Screamer name refers to the pedal's ability to drive the preamp section of a tube amplifier, resulting in more gain from the amp itself. The pedal also provides a slight boost to mid-range frequencies, helping to reduce muddiness by cutting bass frequencies when used in this way. Some guitarists prefer this sort of equalization, as it helps to keep ...
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Effects Pedals
An effects unit or effects pedal is an electronic device that alters the sound of a musical instrument or other audio source through audio signal processing. Common effects include distortion/overdrive, often used with electric guitar in electric blues and rock music; dynamic effects such as volume pedals and compressors, which affect loudness; filters such as wah-wah pedals and graphic equalizers, which modify frequency ranges; modulation effects, such as chorus, flangers and phasers; pitch effects such as pitch shifters; and time effects, such as reverb and delay, which create echoing sounds and emulate the sound of different spaces. Most modern effects use solid-state electronics or digital signal processors. Some effects, particularly older ones such as Leslie speakers and spring reverbs, use mechanical components or vacuum tubes. Effects are often used as stompboxes, typically placed on the floor and controlled with footswitches. They may also be built into guitar ...
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Product Line
Product may refer to: Business * Product (business), an item that serves as a solution to a specific consumer problem. * Product (project management), a deliverable or set of deliverables that contribute to a business solution Mathematics * Product (mathematics) Algebra * Direct product Set theory * Cartesian product of sets Group theory * Direct product of groups * Semidirect product * Product of group subsets * Wreath product * Free product * Zappa–Szép product (or knit product), a generalization of the direct and semidirect products Ring theory * Product of rings * Ideal operations, for product of ideals Linear algebra * Scalar multiplication * Matrix multiplication * Inner product, on an inner product space * Exterior product or wedge product * Multiplication of vectors: ** Dot product ** Cross product ** Seven-dimensional cross product ** Triple product, in vector calculus * Tensor product Topology * Product topology Algebraic topology * Cap product * Cup product ...
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Ibanez
is a Japanese guitar brand owned by Hoshino Gakki. Based in Nagoya, Aichi, Japan, Hoshino Gakki were one of the first Japanese musical instrument companies to gain a significant foothold in import guitar sales in the United States and Europe, as well as the first brand of guitars to mass-produce the seven-string guitar and eight-string guitar. Ibanez manufactures effects, accessories, amps, and instruments in Japan, China, Indonesia and in the United States (at a Los Angeles-based custom shop). they marketed nearly 165 models of bass guitar, 130 acoustic guitars, and more than 300 electric guitars. After Gibson and Fender, Ibanez is considered the third biggest guitar brand. History The Hoshino Gakki company began in 1908 as the musical instrument sales division of the ''Hoshino Shoten'', a bookstore chain. Hoshino Gakki decided in 1935 to make Spanish-style acoustic guitars, at first using the "Ibanez Salvador" brand name in honor of Spanish luthier Salvador Ibáñez, and l ...
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Potentiometer
A potentiometer is a three-terminal resistor with a sliding or rotating contact that forms an adjustable voltage divider. If only two terminals are used, one end and the wiper, it acts as a variable resistor or rheostat. The measuring instrument called a potentiometer is essentially a voltage divider used for measuring electric potential (voltage); the component is an implementation of the same principle, hence its name. Potentiometers are commonly used to control electrical devices such as volume controls on audio equipment. Potentiometers operated by a mechanism can be used as position transducers, for example, in a joystick. Potentiometers are rarely used to directly control significant power (more than a watt), since the power dissipated in the potentiometer would be comparable to the power in the controlled load. Nomenclature There are a number of terms in the electronics industry used to describe certain types of potentiometers: * slide pot or slider pot: a potentiomete ...
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Auto-wah
Auto-wah (also known as a "Q-wah", "T-wah", "envelope following filter", "envelope follower" or "envelope filter") is a type of wah-wah effects pedal typically used with electric guitar, bass guitar, clavinet, and electric piano etc. The distinctive choppy rhythm guitar sound on many funk and disco recordings from the 1970s popularized the effect. Operation Instead of the effect being controlled by a pedal, as on a standard wah-wah, the effect alters in response to the volume of the input signal.''The Boss Book: The Ultimate Guide to the World's Most Popular Compact Effects for Guitar'', 2002, Hal Leonard Corporation Like a wah, it works by adjusting the central frequency of a peaking filter, which amplifies a specific frequency and cuts off other selected frequencies. Since the electronic circuits in the effect can respond much faster than a human musician can physically move a pedal, certain effects that a standard wah cannot achieve are only possible with auto-wah. The respo ...
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Chorus Effect
Chorus (or chorusing, choruser or chorused effect) is an audio effect that occurs when individual sounds with approximately the same time, and very similar pitches, converge. While similar sounds coming from multiple sources can occur naturally, as in the case of a choir or string orchestra, it can also be simulated using an electronic effects unit or signal processing device. When the effect is produced successfully, none of the constituent sounds are perceived as being out of tune. It is characteristic of sounds with a rich, shimmering quality that would be absent if the sound came from a single source. The shimmer occurs because of beating. The effect is more apparent when listening to sounds that sustain for longer periods of time. The chorus effect is especially easy to hear when listening to a choir or string ensemble. A choir has multiple people singing each part ( alto, tenor, etc.). A string ensemble has multiple violinists and possibly multiples of other stringed instr ...
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Flanger
Flanging is an audio effect produced by mixing two identical signals together, one signal delayed by a small and (usually) gradually changing period, usually smaller than 20 milliseconds. This produces a swept comb filter effect: peaks and notches are produced in the resulting frequency spectrum, related to each other in a linear harmonic series. Varying the time delay causes these to sweep up and down the frequency spectrum. A flanger is an effects unit that creates this effect. Part of the output signal is usually fed back to the input (a "re-circulating delay line"), producing a resonance effect which further enhances the intensity of the peaks and troughs. The phase of the fed-back signal is sometimes inverted, producing another variation on the flanger sound. Origin As an audio effect, a listener hears a "drainpipe" or "swoosh" or "jet plane" sweeping effect as shifting sum-and-difference harmonics are created analogous to use of a variable notch filter. The term "flang ...
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Distortion
In signal processing, distortion is the alteration of the original shape (or other characteristic) of a signal. In communications and electronics it means the alteration of the waveform of an information-bearing signal, such as an audio signal representing sound or a video signal representing images, in an electronic device or communication channel. Distortion is usually unwanted, and so engineers strive to eliminate or minimize it. In some situations, however, distortion may be desirable. For example, in noise reduction systems like the Dolby system, an audio signal is deliberately distorted in ways that emphasize aspects of the signal that are subject to electrical noise, then it is symmetrically "undistorted" after passing through a noisy communication channel, reducing the noise in the received signal. Distortion is also used as a musical effect, particularly with electric guitars. The addition of noise or other outside signals (hum, interference) is not considered di ...
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Fuzzbox
Distortion and overdrive are forms of audio signal processing used to alter the sound of amplified electric musical instruments, usually by increasing their gain, producing a "fuzzy", "growling", or "gritty" tone. Distortion is most commonly used with the electric guitar, but may also be used with other electric instruments such as electric bass, electric piano, synthesizer and Hammond organ. Guitarists playing electric blues originally obtained an overdriven sound by turning up their vacuum tube-powered guitar amplifiers to high volumes, which caused the signal to distort. While overdriven tube amps are still used to obtain overdrive, especially in genres like blues and rockabilly, a number of other ways to produce distortion have been developed since the 1960s, such as distortion effect pedals. The growling tone of a distorted electric guitar is a key part of many genres, including blues and many rock music genres, notably hard rock, punk rock, hardcore punk, acid rock, an ...
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Phaser (effect)
A phaser is an electronic sound processor used to filter a signal, and it has a series of troughs in its frequency-attenutation graph. The position (in Hz) of the peaks and troughs are typically modulated by an internal low-frequency oscillator so that they vary over time, creating a sweeping effect. Phasers are often used to give a "synthesized" or electronic effect to natural sounds, such as human speech. The voice of C-3PO from ''Star Wars'' was created by taking the actor's voice and treating it with a phaser. Process The electronic phasing effect is created by splitting an audio signal into two paths. One path treats the signal with an all-pass filter, which preserves the amplitude of the original signal and alters the phase. The amount of change in phase depends on the frequency. When signals from the two paths are mixed, the frequencies that are out of phase will cancel each other out, creating the phaser's characteristic notches. Changing the mix ratio changes the d ...
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Phase Modulator
Phase modulation (PM) is a modulation pattern for conditioning communication signals for transmission. It encodes a message signal as variations in the instantaneous phase of a carrier wave. Phase modulation is one of the two principal forms of angle modulation, together with frequency modulation. In phase modulation, the instantaneous amplitude of the baseband signal modifies the phase of the carrier signal keeping its amplitude and frequency constant. The phase of a carrier signal is modulated to follow the changing signal level (amplitude) of the message signal. The peak amplitude and the frequency of the carrier signal are maintained constant, but as the amplitude of the message signal changes, the phase of the carrier changes correspondingly. Phase modulation is widely used for transmitting radio waves and is an integral part of many digital transmission coding schemes that underlie a wide range of technologies like Wi-Fi, GSM and satellite television. It is also used for ...
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