|
Tomás Yepes
Tomás de Yepes or Hiepes (also known as Thomas de Yepes or Hiepes; 1595 or 160016 June 1674) was a Spanish painter in the Kingdom of Valencia. An artist of the Spanish Baroque painting, Baroque movement, he worked as a painter of still life and ''bodegón''—still life paintings depicting pantry items. He made paintings both for clients and public events. Although his activity started in the second decade of the 17th century, most of the works attributed to him come after 1642. He continued to paint until the year of his death. Yepes' depictions of flower vases, fruits (particularly grapes), and everyday objects were prominent in the region during the 17th and 18th century, and he has been regarded as one of the major rediscoveries of art history. He is best known for his distinctive style of flower painting that he focused on throughout his career. His paintings are exhibited in museums and in private collections worldwide, with Museo del Prado hosting the most extensive coll ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kingdom Of Valencia
Kingdom commonly refers to: * A monarchy ruled by a king or queen * Kingdom (biology), a category in biological taxonomy Kingdom may also refer to: Arts and media Television * ''Kingdom'' (British TV series), a 2007 British television drama starring Stephen Fry * ''Kingdom'' (American TV series), a 2014 US television drama starring Frank Grillo * ''Kingdom'' (South Korean TV series), a 2019 South Korean television series *'' Kingdom: Legendary War'', a 2021 South Korean television series Music * Kingdom (group), a South Korean boy group * ''Kingdom'' (Koda Kumi album), 2008 * ''Kingdom'' (Bilal Hassani album), 2019 * ''Kingdom'' (Covenant Worship album), 2014 * ''Kingdoms'' (Life in Your Way album), 2011 * ''Kingdoms'' (Broadway album), 2009 * ''Kingdom'' (EP), a 1998 EP by Vader * "Kingdom" (Dave Gahan song), 2007 * "Kingdom" (Maverick City Music and Kirk Franklin song), 2022 * "Kingdom", a song by Battle Beast on their 2013 album '' Battle Beast'' * "Kingdom", a so ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Chiaroscuro
Chiaroscuro ( , ; ), in art, is the use of strong contrasts between light and dark, usually bold contrasts affecting a whole composition. It is also a technical term used by artists and art historians for the use of contrasts of light to achieve a sense of volume in modelling three-dimensional objects and figures. Similar effects in cinema, and black and white and low-key photography, are also called chiaroscuro. Further specialized uses of the term include chiaroscuro woodcut for coloured woodcuts printed with different blocks, each using a different coloured ink; and chiaroscuro drawing for drawings on coloured paper in a dark medium with white highlighting. Chiaroscuro is one of the canonical painting modes of the Renaissance (alongside cangiante, sfumato and unione) (see also Renaissance art). Artists known for using the technique include Leonardo da Vinci, Caravaggio Rembrandt, Vermeer and Goya, and Georges de La Tour. History Origin in the chiaroscuro drawing The term ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Zeuxis (painter)
Zeuxis (; grc-gre, Ζεῦξις) (of Heraclea) was a Greek painter who flourished during the 5th century BCE and became famous for his ability to imitate nature and especially still life with his art. Life and work Zeuxis was an innovative Greek painter. Although his paintings have not survived, historical records state they were known for their realism, small scale, novel subject matter, and independent format. His technique created volumetric illusion through manipulating light and shadow, a change from the usual method of filling in shapes with flat color. Preferring small scale panels to murals, Zeuxis also introduced genre subjects (such as still life) into painting. He contributed to the composite method of composition, and may have originated an approach to, and thus influenced the concept of the ideal form of the nude, as described by art historian Kenneth Clark. As the story goes, according to Cicero, Zeuxis could not find a woman beautiful enough to pose as Helen of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Marcos Antonio Orellana
Marcos Antonio Orellana (1731–1813) was a Spanish erudite, jurist and writer. Works (''in Spanish'') * ''Valencia antigua y moderna. Historia y descripción de las calles, plazas y edificios de Valencia''. No se publicó hasta 1923. * ''Catálogo y descripció dels pardals de l' Albufera de València''. (sic). (1795). * ''Catálogo dels peixos qu'es crien e peixquen en lo mar de València''. (sic). (1802). * ''Biografía pictórica valentina, o vida de los pintores, arquitectos, escultores y grabadores valencianos''. Esta obra la escrita basándose en informaciones directas. * ''Historia lúdica, o tratado de los juegos antiguos y modernos, y otras diversiones usadas en varias partes, particularmente en la Ciudad y Reino de Valencia''. * ''Tratado de la monedas de España , image_flag = Bandera de España.svg , image_coat = Escudo de España (mazonado).svg , national_motto = ''Plus ultra'' (Latin)(English: "Further Beyond") , national_anthem ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pedro De Camprobín
Pedro de Camprobín Passano (1605, Almagro - 22 July 1674, Seville) was a Spanish Baroque painter who specialized in still-lifes; primarily flowers. Life and work His father, Pedro, was a silversmith and his mother, Juana (née Passano) was descended from the Peroli brothers; painters from Genoa who had worked on the frescoes at the . At the age of fourteen, he was apprenticed to Luis Tristán in Toledo. He does not appear on the official record again until 1630, when he passed the exam for the painter's guild in Seville. It is presumed that he completed his training in Madrid with Juan van der Hamen, due to comparable stylistic elements in his early works.Pérez Sánchez, Alfonso E. (1992). ''Pintura barroca en España 1600-1750''. Madrid : Ediciones Cátedra. From 1632 to 1634, he created the "Magdalena Repentant" at the , which is the only religious work he is known to have produced. The figures show the influence of Francisco de Zurbarán, but his still-life sensibility ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Francisco De Zurbarán
Francisco de Zurbarán ( , ; baptized 7 November 1598 – 27 August 1664) was a Spanish Painting, painter. He is known primarily for his religious paintings depicting monks, nuns, and martyrs, and for his still-lifes. Zurbarán gained the nickname "Spanish Caravaggio", owing to the forceful use of chiaroscuro in which he excelled. He was the father of the painter Juan de Zurbarán. Biography Zurbarán was born in 1598 in Fuente de Cantos, Extremadura; he was baptized on 7 November of that year. His parents were Luis de Zurbarán, a haberdasher, and his wife, Isabel Márquez. In childhood he set about imitating objects with charcoal. In 1614 his father sent him to Seville to apprentice for three years with Pedro Díaz de Villanueva, an artist of whom very little is known. Zurbarán's first marriage, in 1617, was to María Paet who was nine years older. María died in 1624 after the birth of their third child. In 1625 he married again to wealthy widow Beatriz de Morales. On 17 Ja ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Juan Fernández El Labrador
Juan Fernández, nicknamed El Labrador, was a Spanish Baroque painter active between 1629 and 1636, specializing in still life painting. Biography Fernández was an enigmatic painter, who lived away from the court and turned to painting flowers and fruits, especially grapes as inventories collecting paintings of the time, a task with which he reached international reputation. Art historian Antonio Palomino, devoted a few lines to "Juan Labrador Painter Illustrious", supposing him to be a disciple of Luis de Morales and who died in Madrid, very old, around 1600. Sir Arthur Hompton, secretary to Sir Francis Cottington, British diplomat at the court of Madrid, evident in his correspondence (1629-1635) was requested to acquire works of the painter, a task not without difficulty. Hopton stated in February 1635 that he had encouraged Fernández on occasion to paint flowers, and that "If they are as good as his fruits, his lordship must send for some of them". At least two works of t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Delftware
Delftware or Delft pottery, also known as Delft Blue ( nl, Delfts blauw) or as delf, is a general term now used for Dutch tin-glazed earthenware, a form of faience. Most of it is blue and white pottery, and the city of Delft in the Netherlands was the major centre of production, but the term covers wares with other colours, and made elsewhere. It is also used for similar pottery, English delftware. Delftware is one of the types of tin-glazed earthenware or faience in which a white glaze is applied, usually decorated with metal oxides, in particular the cobalt oxide that gives the usual blue, and can withstand high firing temperatures, allowing it to be applied under the glaze. Delftware forms part of the worldwide family of blue and white pottery, using variations of the plant-based decoration first developed in 14th-century Chinese porcelain, and in great demand in Europe. Delftware includes pottery objects of all descriptions - such as plates, vases, figurines and othe ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Manises
Manises (, ) is a municipality in the ''comarca'' of Horta Oest in the Valencian Community, Spain. Located in the province of Valencia, it had 30,693 inhabitants in 2018 (NSI) and is famous for its pottery and being the location of Valencia Airport. Physical Geography The town is situated at the western end of the ''Horta de València'' ( es, link=no, Huerta de Valencia), on the right bank of the river Turia. Climate The climate is typically Mediterranean but with some variations, due to its inland location, Manises has warmer summers and cooler winters than the coast. History Manises extends to the right bank of the river Turia (the northern boundary of the term) and is uneven in the western sector for the first mountains that dominate the alluvial plain of Turia. Agriculture is predominantly carob trees, olive trees and small areas of vineyards and almond trees. The irrigation uses water from the river Turia through the ditch of Manises. The main economic activity i ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Juan Van Der Hamen
Juan van der Hamen y (Gómez de) León (baptized 8 April 1596 – 28 March 1631) was a Spanish painter, a master of still life paintings, also called bodegón, bodegones. Prolific and versatile, he painted allegories, landscapes, and large-scale works for churches and convents. Today he is remembered mostly for his still lifes, a genre he popularized in 1620s Madrid. Life Juan van der Hamen was baptism, baptized on 8 April 1596 in Madrid and was probably born there just days before that date. His father was Jan van der Hamen, a Flemish people, Flemish courtier, who had moved from Brussels to Madrid as an archer before 1586. According to 18th-century sources, he was also a painter, but there is no evidence for this. Juan van der Hamen's mother was Dorotea Witman Gómez de León, a half-Flemish mother of noble Toledo, Spain, Toledan ancestry. Van der Hamen and his two brothers Pedro and Lorenzo, both of whom were writers, emphasized their Spanish roots by using all or part of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Landscape Painting
Landscape painting, also known as landscape art, is the depiction of natural scenery such as mountains, valleys, trees, rivers, and forests, especially where the main subject is a wide view—with its elements arranged into a coherent composition. In other works, landscape backgrounds for figures can still form an important part of the work. Sky is almost always included in the view, and weather is often an element of the composition. Detailed landscapes as a distinct subject are not found in all artistic traditions, and develop when there is already a sophisticated tradition of representing other subjects. Two main traditions spring from Western painting and Chinese art, going back well over a thousand years in both cases. The recognition of a spiritual element in landscape art is present from its beginnings in East Asian art, drawing on Daoism and other philosophical traditions, but in the West only becomes explicit with Romanticism. Landscape views in art may be entirely ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
