Tommaso Redi (painter)
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Tommaso Redi (painter)
Tommaso Redi (22 December 1665 – 10 October 1726) was an Italian painter, active during the late-Baroque in his native Florence. He initially apprenticed with the Florentine painter Anton Domenico Gabbiani (1652–1726), and then moved to Rome to work in the Medici Academy in that city, which employed Carlo Maratti and Ciro Ferri as teachers. He returned to Florence to paint in the Palazzo Pitti and also was a respected portrait painter. When the Czar Peter visited Florence, he was particularly struck with the works of Redi, and being desirous of establishing an academy for the promotion of the fine arts at Moscow, attempted to have Redi run the academy, but the latter did not accept the offer. Redi died in Florence. Among his pupils were Giovanni Domenico Campiglia (1692–1768) and Giuseppe Grisoni Giuseppe Pierre Joseph Grisoni (''bapt.'' 24 October 1699–1769), also known as Grifoni or Grison, was an Italian painter and sculptor, noted for his landscapes and ...
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Tommaso Redi - Paisaje Acuático Con Figuras
Tommaso is an Italian given name. It has also been used as a surname. Notable people with the name include: Given name A * Tommaso Acquaviva d'Aragona (1600–1672), Roman Catholic prelate * Tommaso Aldrovandini (1653–1736), Italian painter of the Baroque period * Tommaso de Aleni (16th century), Italian painter of the Renaissance period * Tommaso Allan, Italian rugby union player * Tommaso Amantini (1625–1675), Italian sculptor and painter of the Baroque period * Tommaso Ammirato (died 1438), Roman Catholic prelate * Tommaso d'Ancora (1583–1656), Roman Catholic prelate * Tommaso d'Aquino (other), multiple people * Tommaso Arrigoni (born 1994), Italian football midfielder * Tommaso Audisio (1789–1845), Italian priest and architect * Tommaso D'Avalos (1610–1642) was a Roman Catholic prelate B * Tommaso Badia (1483–1547), Italian Dominican cardinal * Tommaso Balestrieri (18th century), Italian luthier * Tommaso Barnabei (c. 1500–1559), Italian painter * Tomm ...
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Giovanni Domenico Campiglia
Giovanni Domenico Campiglia (1692–1768) was an Italian painter and engraver from Florence, active under the patronage of the House of Medici. He initially trained under Tommaso Redi and Lorenzo del Moro, then in Bologna under Giovanni Gioseffo dal Sole. During his career, Campiglia was employed in Rome and Florence, painting and engraving historical subjects and portraits. Campiglia worked with Antonio Francesco Gori for over a decade on the ''Museum Florentinum'', a collection of images of all the famous artists of Florence. Campiglia's contributions were published in 1734, which induced Pope Clement XII to bring him to Rome. There he worked with historian Giovanni Gaetano Bottari Giovanni Gaetano Bottari (15 January 1689, Florence – 5 June 1775, Rome) was Vatican librarian and counsellor to Pope Clement XII. Biography Before he became Vatican librarian, he was director of the grand-ducal press of Tuscany and professo ... in engravings for his multi-volume ''Musei Capi ...
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Painters From Florence
Painting is the practice of applying paint, pigment, color or other medium to a solid surface (called the "matrix" or "support"). The medium is commonly applied to the base with a brush, but other implements, such as knives, sponges, and airbrushes, can be used. In art, the term ''painting ''describes both the act and the result of the action (the final work is called "a painting"). The support for paintings includes such surfaces as walls, paper, canvas, wood, glass, lacquer, pottery, leaf, copper and concrete, and the painting may incorporate multiple other materials, including sand, clay, paper, plaster, gold leaf, and even whole objects. Painting is an important form in the visual arts, bringing in elements such as drawing, composition, gesture (as in gestural painting), narration (as in narrative art), and abstraction (as in abstract art). Paintings can be naturalistic and representational (as in still life and landscape painting), photographic, abstract, narrative, ...
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18th-century Italian Painters
The 18th century lasted from January 1, 1701 (Roman numerals, MDCCI) to December 31, 1800 (Roman numerals, MDCCC). During the 18th century, elements of Age of Enlightenment, Enlightenment thinking culminated in the American Revolution, American, French Revolution, French, and Haitian Revolution, Haitian Revolutions. During the century, History of slavery, slave trading and human trafficking expanded across the shores of the Atlantic Ocean, Atlantic, while declining in Russian Empire, Russia, Qing dynasty, China, and Joseon, Korea. Revolutions began to challenge the legitimacy of monarchical and aristocratic power structures, including the structures and beliefs that Proslavery, supported slavery. The Industrial Revolution began during mid-century, leading to radical changes in Society, human society and the Natural environment, environment. Western historians have occasionally defined the 18th century otherwise for the purposes of their work. For example, the "short" 18th cen ...
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Italian Male Painters
Italian(s) may refer to: * Anything of, from, or related to the people of Italy over the centuries ** Italians, an ethnic group or simply a citizen of the Italian Republic or Italian Kingdom ** Italian language, a Romance language *** Regional Italian, regional variants of the Italian language ** Languages of Italy, languages and dialects spoken in Italy ** Italian culture, cultural features of Italy ** Italian cuisine, traditional foods ** Folklore of Italy, the folklore and urban legends of Italy ** Mythology of Italy, traditional religion and beliefs Other uses * Italian dressing, a vinaigrette-type salad dressing or marinade * Italian or Italian-A, alternative names for the Ping-Pong virus, an extinct computer virus See also * * * Italia (other) * Italic (other) * Italo (other) * The Italian (other) * Italian people (other) Italian people may refer to: * in terms of ethnicity: all ethnic Italians, in and outside of Italy * ...
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17th-century Italian Painters
The 17th century lasted from January 1, 1601 ( MDCI), to December 31, 1700 ( MDCC). It falls into the early modern period of Europe and in that continent (whose impact on the world was increasing) was characterized by the Baroque cultural movement, the latter part of the Spanish Golden Age, the Dutch Golden Age, the French ''Grand Siècle'' dominated by Louis XIV, the Scientific Revolution, the world's first public company and megacorporation known as the Dutch East India Company, and according to some historians, the General Crisis. From the mid-17th century, European politics were increasingly dominated by the Kingdom of France of Louis XIV, where royal power was solidified domestically in the civil war of the Fronde. The semi-feudal territorial French nobility was weakened and subjugated to the power of an absolute monarchy through the reinvention of the Palace of Versailles from a hunting lodge to a gilded prison, in which a greatly expanded royal court could be more easily ...
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1726 Deaths
Seventeen or 17 may refer to: *17 (number), the natural number following 16 and preceding 18 * one of the years 17 BC, AD 17, 1917, 2017 Literature Magazines * ''Seventeen'' (American magazine), an American magazine * ''Seventeen'' (Japanese magazine), a Japanese magazine Novels * ''Seventeen'' (Tarkington novel), a 1916 novel by Booth Tarkington *''Seventeen'' (''Sebuntiin''), a 1961 novel by Kenzaburō Ōe * ''Seventeen'' (Serafin novel), a 2004 novel by Shan Serafin Stage and screen Film * ''Seventeen'' (1916 film), an American silent comedy film *''Number Seventeen'', a 1932 film directed by Alfred Hitchcock * ''Seventeen'' (1940 film), an American comedy film *''Eric Soya's '17''' (Danish: ''Sytten''), a 1965 Danish comedy film * ''Seventeen'' (1985 film), a documentary film * ''17 Again'' (film), a 2009 film whose working title was ''17'' * ''Seventeen'' (2019 film), a Spanish drama film Television * ''Seventeen'' (TV drama), a 1994 UK dramatic short starring Christ ...
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1665 Births
Events January–March * January 5 – The ''Journal des sçavans'' begins publication of the first scientific journal in France. * February 15 – Molière's comedy '' Dom Juan ou le Festin de pierre'', based on the Spanish legend of the womanizer Don Juan Tenorio and Tirso de Molina's Spanish play '' El burlador de Sevilla y convidado de piedra'', premieres in Paris at the Théâtre du Palais-Royal''. * February 21 – In India, Shivaji Bhonsale of the Maratha Empire captures the English East India Company's trading post at Sadashivgad (now located in the Indian state of Karnataka). * February – In England, Dr. Richard Lower performs the first blood transfusion between animals. According to his account to the Royal Society journal ''Philosophical Transactions'' in December, Dr. Lower "towards the end of February... selected one dog of medium size, opened its jugular vein, and drew off blood, until its strength was nearly gone. Then, to make ...
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Giuseppe Grisoni
Giuseppe Pierre Joseph Grisoni (''bapt.'' 24 October 1699–1769), also known as Grifoni or Grison, was an Italian painter and sculptor, noted for his landscapes and historical tableaux. Biography Born in Mons, he studied in Florence under Tommaso Redi, abandoning his Flemish influences for the Italian tradition. In 1715 he travelled to London with John Talman and tried to establish himself as a portrait painter. He did not achieve enough success to stay, however, and returned to Florence in 1728 to teach at the Academy of Fine Arts. In 1740, he briefly relocated to Pisa before settling in Rome where he died. One of his pupils was William Hoare (1707–1792). Works *Family of William Talman ( National Portrait Gallery) *Self-portrait (Uffizi The Uffizi Gallery (; it, Galleria degli Uffizi, italic=no, ) is a prominent art museum located adjacent to the Piazza della Signoria in the Historic Centre of Florence in the region of Tuscany, Italy. One of the most important ...
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Palazzo Pitti
The Palazzo Pitti (), in English sometimes called the Pitti Palace, is a vast, mainly Renaissance, palace in Florence, Italy. It is situated on the south side of the River Arno, a short distance from the Ponte Vecchio. The core of the present palazzo dates from 1458 and was originally the town residence of Luca Pitti, an ambitious Florentine banker. The palace was bought by the Medici family in 1549 and became the chief residence of the ruling families of the Grand Duchy of Tuscany. It grew as a great treasure house as later generations amassed paintings, plates, jewelry and luxurious possessions. In the late 18th century, the palazzo was used as a power base by Napoleon and later served for a brief period as the principal royal palace of the newly united Italy. The palace and its contents were donated to the Italian people by King Victor Emmanuel III in 1919. The palazzo is now the largest museum complex in Florence. The principal palazzo block, often in a building of this ...
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Tommaso Redi
Tommaso Redi (22 December 1665 – 10 October 1726) was an Italian painter, active during the late- Baroque in his native Florence. He initially apprenticed with the Florentine painter Anton Domenico Gabbiani (1652–1726), and then moved to Rome to work in the Medici Academy in that city, which employed Carlo Maratti and Ciro Ferri as teachers. He returned to Florence to paint in the Palazzo Pitti and also was a respected portrait painter. When the Czar Peter visited Florence, he was particularly struck with the works of Redi, and being desirous of establishing an academy for the promotion of the fine arts at Moscow, attempted to have Redi run the academy, but the latter did not accept the offer. Redi died in Florence. Among his pupils were Giovanni Domenico Campiglia (1692–1768) and Giuseppe Grisoni Giuseppe Pierre Joseph Grisoni (''bapt.'' 24 October 1699–1769), also known as Grifoni or Grison, was an Italian painter and sculptor, noted for his landscapes an ...
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Ciro Ferri
Ciro Ferri (1634 – 13 September 1689) was an Italian Baroque sculptor and painter, the chief pupil and successor of Pietro da Cortona. He was born in Rome, where he began working under Cortona and with a team of artists in the extensive fresco decorations of the Quirinal Palace (1656–59). He collaborated with Cortona and completed for him the extensive frescoed ceilings and other internal decorations begun in the Pitti Palace, Florence (1659–65). His independent masterpiece is considered an extensive series of scriptural frescoes in the church of Basilica di Santa Maria Maggiore (Bergamo). Also well known is his an altarpiece of ''St Ambrose Healing the Sick'' in the church of Sant'Ambrogio della Massima in Rome. In 1670, he began the painting of the cupola of Sant'Agnese in Agone in central Rome, in a style recalling of Lanfranco's work in the dome of Sant'Andrea della Valle; but died before it was completed in 1693 by his successor Sebastiano Corbellini. He executed ...
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