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Tombeau
A tombeau (plural tombeaux) is a musical composition (earlier, in the early 16th century, a poem) commemorating the death of a notable individual. The term derives from the French word for "tomb" or "tombstone". The vast majority of tombeaux date from the 17th century and were composed for lute or other plucked string instruments. The genre gradually fell out of use during the 18th century, but reappeared in the early 20th. History "In instrumental music, ''tombeau'' signifies a musical 'tombstone' (French ''le tombeau'' = tomb). The musical genre of the tombeau is generally connected with music for the lute of the 17th and 18th centuries. Of some 60+ surviving pieces, most are intended for the lute or theorbo, 5 for the baroque guitar, 7 for the viola da gamba and 3 for harpsichord. The earliest example of this genre seems to be the ''Tombeau de Mezangeau'' (1638) by French lutenist Ennemond Gaultier." "Musical predecessors are memorial pavans like those by Anthony Holborne (' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Maurice Ravel
Joseph Maurice Ravel (7 March 1875 – 28 December 1937) was a French composer, pianist and conductor. He is often associated with Impressionism along with his elder contemporary Claude Debussy, although both composers rejected the term. In the 1920s and 1930s Ravel was internationally regarded as France's greatest living composer. Born to a music-loving family, Ravel attended France's premier music college, the Paris Conservatoire; he was not well regarded by its conservative establishment, whose biased treatment of him caused a scandal. After leaving the conservatoire, Ravel found his own way as a composer, developing a style of great clarity and incorporating elements of modernism, baroque, neoclassicism and, in his later works, jazz. He liked to experiment with musical form, as in his best-known work, ''Boléro'' (1928), in which repetition takes the place of development. Renowned for his abilities in orchestration, Ravel made some orchestral arrangements of other compose ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Johann Jakob Froberger
Johann Jakob Froberger (baptized 19 May 1616 – 7 May 1667) was a German Baroque composer, keyboard virtuoso, and organist. Among the most famous composers of the era, he was influential in developing the musical form of the suite of dances in his keyboard works. His harpsichord pieces are highly idiomatic and programmatic. Only two of Froberger's many compositions were published during his lifetime. Froberger forbade publication of his manuscripts, restricting access to his noble patrons and friends, particularly the Württembergs and Habsburgs who had the power to enforce these restrictions. After his death the manuscripts went to his patroness Sibylla, Duchess of Württemberg (1620–1707) and the music library of the Württemberg family estate. Life 1616–1634: Early years in Stuttgart Johann Jakob Froberger was baptized on 19 May 1616 in Stuttgart. The exact date of his birth is unknown. His family came from Halle, where his grandfather Simon livedSchott, Grove and hi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jacques Gallot
Jacques Gallot (or Jacques de Gallot, le vieux Gallot de Paris) (c. 1625 – c. 1695 in Paris, France) was a French lutenist and composer. He came from a Parisian family of lutenists and composers. He was a student of Ennemond Gaultier. In Paris, he published ''Pièces de luth composées sur différens mode'' introduced by a brief treatment of the lute. The pieces in this work are organized by tone and include also minuets. Some pieces signed ''vieux Gallot'' can be also found in the manuscript II 614 in Musikbibliothek Leipzig. His compositions include musical portraits, such as ''La Fontange'', ''La Montespan'' and also ''tombeaux'' (Turenne, Condé, Madame). He was one of the developers of this musical form. His brother Alexander Gallot (ca. 1625 – 1684) was also a composer and lutenist. A ''tombeau'' in his memory was composed by Robert de Visée. One of Gallot's works was transcribed for orchestra by Ottorino Respighi as part of his suite ''Gli Uccelli ''T ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Denis Gaultier
Denis Gaultier (''Gautier'', ''Gaulthier''; also known as Gaultier le jeune and Gaultier de Paris) (1597 or 1602/3 – 1672) was a French lutenist and composer. He was a cousin of Ennemond Gaultier. Life Gaultier was born in Paris; two conflicting sources point to either 1597 or 1603 as the year of birth. The former can be deduced from an account by Thorian, who claimed that Gaultier died in 1672 at the age of seventy-five. However, an archival document from the Hôtel-Dieu de Paris hospital states that Gaultier was twenty-three at the time of his convalescence in the hospital, which was from 24 October 1626 to 12 December 1626. Very little is known about Gaultier's career. He may have studied under Charles Racquet, since he commemorated the lutenist's death with a tombeau. Until at least 1631 Denis's career was closely linked to that of his older cousin, Ennemond; so much that contemporary writers referred to either composer by surname only, making no attempt to distinguish bet ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
François Dufault
François Dufault (or Dufaut) (before 1604 (?)ca. 1672?) was a French lutenist and composer. Dufault was born in Bourges, France. As a student of Denis Gaultier, he enjoyed an excellent reputation as an instrumentalist, which is demonstrated in many contemporary sources where he was described as one of the greatest lutenists of his time. Almost no information is preserved about his life. He died, probably during the end of the 1660s or early 1670s, in England. From his works has survived a collection of twelve lute compositions in tablature besides a few individual works in manuscript or other compilations. His works are written with a lot of harmonic freedom and nearly in an improvisatory style. Life * François Dufaut composed music for the lute. His rhythmic sensitivity is remarkable. He left: * twelve pieces of tablature in the collection entitled ''Tablature de luth de différents autheurs sur des accords nouveaux'''','' published by P. Ballard in 1631, * a certain n ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Allemande
An ''allemande'' (''allemanda'', ''almain(e)'', or ''alman(d)'', French: "German (dance)") is a Renaissance and Baroque dance, and one of the most common instrumental dance styles in Baroque music, with examples by Couperin, Purcell, Bach Johann Sebastian Bach (28 July 1750) was a German composer and musician of the late Baroque period. He is known for his orchestral music such as the ''Brandenburg Concertos''; instrumental compositions such as the Cello Suites; keyboard wor ... and Handel. It is often the first movement of a Baroque suite (music), suite of dances, paired with a subsequent courante, though it is sometimes preceded by an introduction or Prelude (music), prelude. A quite different, later, Allemande, named as such in the time of Mozart and Beethoven, still survives in Germany and Switzerland and is a lively triple-time social dance related to the waltz and the ''Ländler''.Scholes P., 1970, article: ''Allemande''. History The allemande originated in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ennemond Gaultier
Ennemond Gaultier (Gaultier le Vieux, Gaultier de Lyon; also spelled ''Gautier'' or ''Gauthier'') (c. 157517 December 1651) was a French lutenist and composer. He was one of the masters of the 17th century French lute school. Gaultier was born in Villette, Dauphiné, France. He worked first in Lyon and in 1620, he became valet of the Queen Mother Marie de' Medici and court lutenist in Paris. It is possible that he was a pupil of René Mezangeau. In 1631, he retired to Nèves and spent the rest of his life there. Works His cousin Denis Gaultier Denis Gaultier (''Gautier'', ''Gaulthier''; also known as Gaultier le jeune and Gaultier de Paris) (1597 or 1602/3 – 1672) was a French lutenist and composer. He was a cousin of Ennemond Gaultier. Life Gaultier was born in Paris; two conflic ... published a printed lute book in 1669, which contained compositions by Ennemond as well. However, assignment of the authorship to one of them is difficult. This is similar also for other c ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Charles Fleury
Charles Fleury, Sieur de Blancrocher (c. 1605 – November 1652) was a French lutenist. Known principally under the name Blancrocher (''Blanrocher'', ''Blancheroche''), he was one of the leading performers of his day, active in Paris. Whether he composed or not is unknown; a single dance movement survives, attributed to him, in the so-called Manuscrit Vaudry de Saizenay. His name became well known in the late 20th century, for after his sudden death (he fell down a flight of stairs) as many as four major composers wrote ''tombeaux'' in his memory: lutenists Denis Gaultier and François Dufaut, and harpsichordists Louis Couperin and Johann Jakob Froberger Johann Jakob Froberger (baptized 19 May 1616 – 7 May 1667) was a German Baroque composer, keyboard virtuoso, and organist. Among the most famous composers of the era, he was influential in developing the musical form of the suite of dances in hi .... The latter witnessed Blancrocher's death, and the lutenist apparently died i ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Louis Couperin
Louis Couperin (; – 29 August 1661) was a French Baroque composer and performer. He was born in Chaumes-en-Brie and moved to Paris in 1650–1651 with the help of Jacques Champion de Chambonnières. Couperin worked as organist of the Church of St. Gervais in Paris and as musician at the court. He quickly became one of the most prominent Parisian musicians, establishing himself as a harpsichordist, organist, and violist, but his career was cut short by his early death at the age of thirty-five. None of Couperin's music was published during his lifetime, but manuscript copies of some 200 pieces survive, some of them only rediscovered in the mid-20th century. The first historically important member of the Couperin family, Couperin made contributions to the development of both the French organ school and the French harpsichord school. His innovations included composing organ pieces for specific registrations and inventing the genre of the unmeasured prelude for harpsi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Musical Scale
In music theory, a scale is any set of musical notes ordered by fundamental frequency or pitch. A scale ordered by increasing pitch is an ascending scale, and a scale ordered by decreasing pitch is a descending scale. Often, especially in the context of the common practice period, most or all of the melody and harmony of a musical work is built using the notes of a single scale, which can be conveniently represented on a staff with a standard key signature. Due to the principle of octave equivalence, scales are generally considered to span a single octave, with higher or lower octaves simply repeating the pattern. A musical scale represents a division of the octave space into a certain number of scale steps, a scale step being the recognizable distance (or interval) between two successive notes of the scale. However, there is no need for scale steps to be equal within any scale and, particularly as demonstrated by microtonal music, there is no limit to how many notes can be ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Clavecin
A harpsichord ( it, clavicembalo; french: clavecin; german: Cembalo; es, clavecín; pt, cravo; nl, klavecimbel; pl, klawesyn) is a musical instrument played by means of a keyboard. This activates a row of levers that turn a trigger mechanism that plucks one or more strings with a small plectrum made from quill or plastic. The strings are under tension on a soundboard, which is mounted in a wooden case; the soundboard amplifies the vibrations from the strings so that the listeners can hear it. Like a pipe organ, a harpsichord may have more than one keyboard manual, and even a pedal board. Harpsichords may also have stop buttons which add or remove additional octaves. Some harpsichords may have a buff stop, which brings a strip of buff leather or other material in contact with the strings, muting their sound to simulate the sound of a plucked lute. The term denotes the whole family of similar plucked-keyboard instruments, including the smaller virginals, muselar, and sp ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jan Antonín Losy
Jan Antonín Losy, Count of Losinthal (German: ''Johann Anton Losy von Losinthal''); also known as Comte d'Logy (''Losi'' or ''Lozi''), (c. 1650 – 22 August 1721) was a Bohemian aristocrat, Baroque lute player and composer from Prague. His lute works combine the French '' style brisé'' with a more Italian cantabile style. He was probably the most significant lutenist-composer in Bohemia at the height of the lute's popularity there. Life Count Losy's family were of Swiss origin (Poschiavo in the canton of Graubünden). His father, Johann Anton Losy senior (c. 1600–1682), was perhaps born in Purz in the Swiss canton of Grisons. By 1627 he had moved to Bohemia and purchased a house in Prague. Losy senior had a number of business interests and was appointed a Councillor of the Exchequer and Deputy of the Salt, Beer and Wine Council by the Bohemian Court Chamber. As a result of helping to defend Prague against the assault of Swedish troops in 1648, Losy senior was ennobled, bec ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
