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Tomb Of Wang Chuzhi
The Tomb of Wang Chuzhi (Chinese 王處直墓 / 王处直墓 Wang Chizhi mu) is the grave of Wang Chuzhi (863-923 CE), a senior military governor of the late period of the Tang dynasty and the Later Liang from the time of the Five Dynasties. It was rediscovered in 1980 in Xiyanchuan village in Quyang district of the Chinese province of Hebei. The grave was robbed in July 1994 because of the high artistic level of its wall paintings and reliefs which are of great historical value. Thieves used dynamite to blast their way into the tomb before removing several painted marble relief panels. The tomb was subsequently excavated officially in 1995. One of the panels was advertised for sale in a Christie's New York Fine Chinese Ceramics, Paintings and Works of Art auction catalogue in 2000. It was seized by US Customs in response to a request made by the Chinese authorities and the stolen panel was returned to China in 2001, and is now on display at the National Museum of China in Beijing. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Painted Stone Relief Of A Warrior
Paint is any pigmented liquid, liquefiable, or solid mastic composition that, after application to a substrate in a thin layer, converts to a solid film. It is most commonly used to protect, color, or provide texture. Paint can be made in many colors—and in many different types. Paint is typically stored, sold, and applied as a liquid, but most types dry into a solid. Most paints are either oil-based or water-based and each has distinct characteristics. For one, it is illegal in most municipalities to discard oil-based paint down household drains or sewers. Clean-up solvents are also different for water-based paint than they are for oil-based paint. Water-based paints and oil-based paints will cure differently based on the outside ambient temperature of the object being painted (such as a house.) Usually, the object being painted must be over , although some manufacturers of external paints/primers claim they can be applied when temperatures are as low as . History Paint was ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Fang Xiang
Fang Xiang (; born October 1957) is a lieutenant general in the People's Liberation Army of China. He was an alternate member of the 19th Central Committee of the Chinese Communist Party. Biography Fang was born in Chun'an County, Zhejiang, in October 1957. He was deputy secretary-general of the Office of the People's Liberation Army General Political Department in 2010 and then head of its Organization Division in 2013. In July 2015, he was promoted to become director of Political Department of the People's Armed Police (PAP), a position he held until December 2015. On 31 December 2015, he was made director of the newly founded Political Department of the People's Liberation Army Rocket Force (PLARF), and served until June 2017, when he was appointed political commissar of the PLA Academy of Military Science. He was promoted to the rank of major general ('' shaojiang'') in 2010 and lieutenant general Lieutenant general (Lt Gen, LTG and similar) is a three-star military ran ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Chinese Music
Music of China refers to the music of the Chinese people, which may be the music of the Han Chinese The Han Chinese () or Han people (), are an East Asian ethnic group native to China. They constitute the world's largest ethnic group, making up about 18% of the global population and consisting of various subgroups speaking distinctive va ... in the course of History of China, Chinese history as well as Ethnic groups in China, ethnic minorities in today's China. It also includes music produced by people of Chinese origin in some territories outside mainland China using traditional Chinese instruments or in the Chinese language. It includes forms from the traditional and modern, Western inspired, commercial popular music, folk, art, and classical forms, and innovative combinations of them. Documents and archaeological artifacts from early History of China, Chinese civilization show a well-developed musical culture as early as the Zhou dynasty (1122 BC – 256 BC) that set ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Chinese Sculpture
Chinese art is visual art that originated in or is practiced in China, Greater China or by Chinese artists. Art created by Chinese residing outside of China can also be considered a part of Chinese art when it is based in or draws on Chinese culture, heritage, and history. Early "Stone Age art" dates back to 10,000 BC, mostly consisting of simple pottery and sculptures. After that period, Chinese art, like Chinese history, was typically classified by the succession of ruling dynasties of Chinese emperors, most of which lasted several hundred years. The Palace Museum in Beijing and the National Palace Museum in Taipei contains extensive collections of Chinese art. Chinese art is marked by an unusual degree of continuity within, and consciousness of, tradition, lacking an equivalent to the Western collapse and gradual recovery of Western classical styles of art. Decorative arts are extremely important in Chinese art, and much of the finest work was produced in large workshops ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tombs In China
A tomb ( grc-gre, τύμβος ''tumbos'') is a repository for the remains of the dead. It is generally any structurally enclosed interment space or burial chamber, of varying sizes. Placing a corpse into a tomb can be called ''immurement'', and is a method of final disposition, as an alternative to cremation or burial. Overview The word is used in a broad sense to encompass a number of such types of places of interment or, occasionally, burial, including: * Architectural shrines – in Christianity, an architectural shrine above a saint's first place of burial, as opposed to a similar shrine on which stands a reliquary or feretory into which the saint's remains have been transferred * Burial vault – a stone or brick-lined underground space for multiple burials, originally vaulted, often privately owned for specific family groups; usually beneath a religious building such as a church ** Cemetery ** Churchyard * Catacombs * Chamber tomb * Charnel house * Chur ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
List Of Traditional Chinese Musical Instruments
Chinese musical instruments are traditionally grouped into eight categories known as (). The eight categories are silk, bamboo, wood, stone, metal, clay, gourd and skin; other instruments considered traditional exist that may not fit these groups. The grouping of instruments in material categories in China is one of the first musical groupings ever devised. Silk (絲) Silk () instruments are mostly stringed instruments (including those that are plucked, bowed, and struck). Since ancient times, the Chinese have used twisted silk for strings, though today metal or nylon are more frequently used. Instruments in the silk category include: Plucked Bowed Struck Combined * () – a combination of the , , and with 50 or more steel strings. * () - strucked and bowed zither from Shandong, China. Bamboo ( 竹) Bamboo () mainly refers to woodwind instruments, which includes; Flutes Free reed pipes Single reed pipes Double reed pipes Wood (木) Most wood () instrume ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Epitaph
An epitaph (; ) is a short text honoring a deceased person. Strictly speaking, it refers to text that is inscribed on a tombstone or plaque, but it may also be used in a figurative sense. Some epitaphs are specified by the person themselves before their death, while others are chosen by those responsible for the burial. An epitaph may be written in prose or in poem verse. Most epitaphs are brief records of the family, and perhaps the career, of the deceased, often with a common expression of love or respect—for example, "beloved father of ..."—but others are more ambitious. From the Renaissance to the 19th century in Western culture, epitaphs for notable people became increasingly lengthy and pompous descriptions of their family origins, career, virtues and immediate family, often in Latin. Notably, the Laudatio Turiae, the longest known Ancient Roman epitaph, exceeds almost all of these at 180 lines; it celebrates the virtues of an honored wife, probably of a consul. So ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dizi (instrument)
The ''dizi'' (, pronounced ), is a Chinese transverse flute. It is also sometimes known as the ''di'' () or ''héngdi'' (), and has varieties including Qudi (), Bangdi (), and Xindi (instrument), Xindi (). It is a major List of Chinese musical instruments, Chinese musical instrument that is widely used in many genres of Music of China, Chinese folk music, Chinese opera, as well as the modern Chinese orchestra. The ''dizi'' is also a popular instrument among the Chinese people as it is simple to make and easy to carry. Most ''dizi'' are made of bamboo, which explains why ''dizi'' are sometimes known by simple names such as Chinese bamboo flute. However, "bamboo" is perhaps more of a Chinese instrument classification like "woodwind" in the West. Northern Chinese ''dizi'' are made from purple or violet bamboo, while ''dizi'' made in Suzhou and Hangzhou are made from white bamboo. ''Dizi'' produced in southern Chinese regions such as Chaozhou are often made of very slender, lightweig ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Guan (instrument)
The ''guan'' () is a Chinese double reed wind instrument. The northern Chinese version is called ''guanzi'' ( 管子) or ''bili'' (traditional: 篳篥; simplified: 筚篥) and the Cantonese version is called ''houguan'' ( 喉管). It is classified as a bamboo instrument in the Ba Yin (ancient Chinese instrument classification) system. Unlike other instruments in the double-reed family of woodwinds which mostly have conical bores, such as the Chinese ''suona'' or the Western oboe, the ''guan'' has a cylindrical bore, giving its distinctive mellow, yet piercing buzz-like timbre. History The earliest use of the word ''guan'' can be traced back to Zhou Dynasty records, where it refers to end-blown bamboo flutes such as the '' xiao'' or ''paixiao''. The earliest double-reed instrument appears in the late Zhou Dynasty and is referred as ''hujia'' ( 胡笳; literally "reed pipe of Hu people") because it had been introduced from the northwestern region of China. During that tim ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kakko (instrument)
The is a Japanese double-headed drum. drums are usually laid sideways on stands, and are played on both drumheads with sticks known as . drums have been used in taiko ensembles, but are also used in the form of older Japanese court music. History The is derived from the Chinese , a drum popular in China during the Tang Dynasty The Tang dynasty (, ; zh, t= ), or Tang Empire, was an Dynasties in Chinese history, imperial dynasty of China that ruled from 618 to 907 AD, with an Zhou dynasty (690–705), interregnum between 690 and 705. It was preceded by the Sui dyn ...; the Korean is also derived from this drum. Construction One way in which the differs from the regular drum is in the way in which it is made taut. Like the and , the skin of the heads are first stretched over metal hoops before they are placed on the body, tying them to each other and tightening them making them taut. See also * * References External links Drums Japanese musical instrument ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jiegu
The ''jiegu'' ( 羯鼓; Wade–Giles: chieh2-ku3; pinyin: jiégǔ; sometimes translated as " wether drum"; also written as 鞨鼓) was a drum used in ancient China. It was hourglass-shaped and played with two wooden sticks. As for the structure, the leather on both sides is thin and the size is the same, and it is played with sticks in both hands. History The ''jiegu'' was adopted from the Central Asian region of Kucha during the Tang Dynasty, and became a popular instrument for dancing, particularly among nobles. Emperor Xuanzong of Tang (reigned 712–756) was known as a skilled player of the instrument. A Korean instrument derived from the ''jiegu'' called the ''galgo'' is still occasionally used in Korea. In Japan, the '' kakko'' is also derived from the ''jiegu'', and is still used in ''gagaku'' music. The Korean ''galgo'' is almost the same size and shape as the ''Janggu'', but the Japanese one is smaller and played on a pedestal. See also *Galgo *List of traditional Chines ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Metallophone
A metallophone is any musical instrument in which the sound-producing body is a piece of metal (other than a metal string), consisting of tuned metal bars, tubes, rods, bowls, or plates. Most frequently the metal body is struck to produce sound, usually with a mallet, but may also be activated by friction, keyboard action, or other means. Metallophones have been used in music in Asia for thousands of years. There are several different types used in Balinese and Javanese gamelan ensembles, including the gendér, gangsa and saron. These instruments have a single row of bars, tuned to the distinctive pelog or slendro scales, or a subset of them. The Western glockenspiel and vibraphone are also metallophones: they have two rows of bars, in an imitation of the piano keyboard, and are tuned to the chromatic scale. In music of the 20th century and beyond, the word ''metallophone'' is sometimes applied specifically to a single row of metal bars suspended over a resonator box. Metallopho ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
