Tomb Effigy Of Jacquelin De Ferrière
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Tomb Effigy Of Jacquelin De Ferrière
The Tomb Effigy of Jacquelin de Ferrière is usually on display in the Medieval Art Gallery of the Metropolitan Museum of Art in New York. The effigy is of the French knight, Sir Jacquelin de Ferrière, who was from Montargis, near Sens in northern France. The effigy is dated between 1275-1300 CE. It is long, wide, and deep, and carved into a flat limestone slab, which now has a wooden frame. Effigies were often commissioned by the nobles or their families, as a means of remembrance. They would normally be found covering the sarcophagi of the knight, or installed in or near a church that the family were patrons of. Although the inscription on this effigy is not clear, most effigies contained similar inscriptions that would include the name and title, dates of birth and death–or approximates, a link between the date of death and a notable holy figure or day, and petitions of prayer that would offer pardons to those that prayed for the depicted soul–largely an attempt to cre ...
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Tomb Effigy Of Jacquelin De Ferrière
The Tomb Effigy of Jacquelin de Ferrière is usually on display in the Medieval Art Gallery of the Metropolitan Museum of Art in New York. The effigy is of the French knight, Sir Jacquelin de Ferrière, who was from Montargis, near Sens in northern France. The effigy is dated between 1275-1300 CE. It is long, wide, and deep, and carved into a flat limestone slab, which now has a wooden frame. Effigies were often commissioned by the nobles or their families, as a means of remembrance. They would normally be found covering the sarcophagi of the knight, or installed in or near a church that the family were patrons of. Although the inscription on this effigy is not clear, most effigies contained similar inscriptions that would include the name and title, dates of birth and death–or approximates, a link between the date of death and a notable holy figure or day, and petitions of prayer that would offer pardons to those that prayed for the depicted soul–largely an attempt to cre ...
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Longsword
A longsword (also spelled as long sword or long-sword) is a type of European sword characterized as having a cruciform hilt with a grip for primarily two-handed use (around ), a straight double-edged blade of around , and weighing approximately . The "longsword" type exists in a morphological continuum with the medieval knightly sword and the Renaissance-era Zweihänder. It was prevalent during the late medieval and Renaissance periods (approximately 1350 to 1550), with early and late use reaching into the 12th and 17th centuries. Names English The longsword has many names in the English language, which, aside from variant spellings, include terms such as "bastard sword" and "hand-and-a-half sword." Of these, "bastard sword" is the oldest, its use being contemporaneous with the weapon's heyday. The French ' and the English "bastard sword" originate in the 15th or 16th century, originally in the general sense of "irregular sword, sword of uncertain origin", but by the mid ...
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Tombs In France
A tomb ( grc-gre, τύμβος ''tumbos'') is a repository for the remains of the dead. It is generally any structurally enclosed interment space or burial chamber, of varying sizes. Placing a corpse into a tomb can be called ''immurement'', and is a method of final disposition, as an alternative to cremation or burial. Overview The word is used in a broad sense to encompass a number of such types of places of interment or, occasionally, burial, including: * Architectural shrines – in Christianity, an architectural shrine above a saint's first place of burial, as opposed to a similar shrine on which stands a reliquary or feretory into which the saint's remains have been transferred * Burial vault – a stone or brick-lined underground space for multiple burials, originally vaulted, often privately owned for specific family groups; usually beneath a religious building such as a church ** Cemetery ** Churchyard * Catacombs * Chamber tomb * Charnel house * Church monum ...
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Sculptures Of The Metropolitan Museum Of Art
Sculpture is the branch of the visual arts that operates in three dimensions. Sculpture is the three-dimensional art work which is physically presented in the dimensions of height, width and depth. It is one of the plastic arts. Durable sculptural processes originally used carving (the removal of material) and modelling (the addition of material, as clay), in stone, metal, ceramics, wood and other materials but, since Modernism, there has been an almost complete freedom of materials and process. A wide variety of materials may be worked by removal such as carving, assembled by welding or modelling, or moulded or cast. Sculpture in stone survives far better than works of art in perishable materials, and often represents the majority of the surviving works (other than pottery) from ancient cultures, though conversely traditions of sculpture in wood may have vanished almost entirely. However, most ancient sculpture was brightly painted, and this has been lost.
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Homage (feudal)
Homage (from Medieval Latin , lit. "pertaining to a man") in the Middle Ages was the ceremony in which a feudal tenant or vassal pledged reverence and submission to his feudal lord, receiving in exchange the symbolic title to his new position (investiture). It was a symbolic acknowledgement to the lord that the vassal was, literally, his man (''homme''). The oath known as " fealty" implied lesser obligations than did "homage". Further, one could swear "fealty" to many different overlords with respect to different land holdings, but "homage" could only be performed to a single liege, as one could not be "his man" (i.e., committed to military service) to more than one "liege lord". There have been some conflicts about obligations of homage in history. For example, the Angevin monarchs of England were sovereign in England, i.e., they had no duty of homage regarding those holdings; but they were not sovereign regarding their French holdings. Henry II was king of England, but he wa ...
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Late Middle Ages
The Late Middle Ages or Late Medieval Period was the Periodization, period of European history lasting from AD 1300 to 1500. The Late Middle Ages followed the High Middle Ages and preceded the onset of the early modern period (and in much of Europe, the Renaissance). Around 1300, centuries of prosperity and growth in Europe came to a halt. A series of famines and Plague (disease), plagues, including the Great Famine of 1315–1317 and the Black Death, reduced the population to around half of what it had been before the calamities. Along with depopulation came social unrest and endemic warfare. France and England experienced serious peasant uprisings, such as the Jacquerie and the Peasants' Revolt, as well as over a century of intermittent conflict, the Hundred Years' War. To add to the many problems of the period, the unity of the Catholic Church was temporarily shattered by the Western Schism. Collectively, those events are sometimes called the Crisis of the Late Middle Ages. D ...
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Farrier
A farrier is a specialist in equine hoof care, including the trimming and balancing of horses' hooves and the placing of shoes on their hooves, if necessary. A farrier combines some blacksmith's skills (fabricating, adapting, and adjusting metal shoes) with some veterinarian's skills (knowledge of the anatomy and physiology of the lower limb) to care for horses' feet. History While the practice of putting protective hoof coverings on horses dates back to the first century, evidence suggests that the practice of nailing iron shoes into a horse’s hoof is a much later invention. One of the first archaeological discoveries of an iron horseshoe was found in the tomb of Merovingian king Childeric I, who reigned from 458-481/82. The discovery was made by Adrien Quinquin in 1653, and the findings were written about by Jean-Jacques Chifflet in 1655. Chifflet wrote that the iron horseshoe was so rusted that it fell apart as he attempted to clean it. He did, however, make an ill ...
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Spur
A spur is a metal tool designed to be worn in pairs on the heels of riding boots for the purpose of directing a horse or other animal to move forward or laterally while riding. It is usually used to refine the riding aids (commands) and to back up the natural aids (the leg, seat, hands, and voice). The spur is used in many equestrian disciplines. Most equestrian organizations have rules in about spur design and use and penalties for using spurs in any manner that constitutes animal abuse. Etymology This very old word derives from Anglo-Saxon ''spura, spora'', related to ''spornan, spurnan'', to kick, ''spurn''; cf. Medieval High German ''Sporn'', modern German ''Sporn'', Dutch ''spoor''. The generalized sense of "anything that urges on, stimulus" is recorded in English from'' circa'' 1390. Design The parts of a spur include: *The "yoke", "branch", or "heel band", which wraps around the heel of the boot. *The "shank" or "neck", which extends from the back of the yoke and is the ...
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Squire
In the Middle Ages, a squire was the shield- or armour-bearer of a knight. Use of the term evolved over time. Initially, a squire served as a knight's apprentice. Later, a village leader or a lord of the manor might come to be known as a "squire", and still later, the term was applied to members of the landed gentry. In contemporary American usage, "squire" is the title given to justices of the peace or similar local dignitaries. ''Squire'' is a shortened version of the word ''esquire'', from the Old French (modern French ), itself derived from the Late Latin ("shield bearer"), in medieval or Old English a ''scutifer''. The Classical Latin equivalent was ("arms bearer"). Knights in training The most common definition of ''squire'' refers to the Middle Ages. A squire was typically a young boy, training to become a knight. A boy became a page at the age of 7 then a squire at age 14. Squires were the second step to becoming a knight, after having served as a page. Boys s ...
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Shield
A shield is a piece of personal armour held in the hand, which may or may not be strapped to the wrist or forearm. Shields are used to intercept specific attacks, whether from close-ranged weaponry or projectiles such as arrows, by means of active blocks, as well as to provide passive protection by closing one or more lines of engagement during combat. Shields vary greatly in size and shape, ranging from large panels that protect the user's whole body to small models (such as the buckler) that were intended for hand-to-hand-combat use. Shields also vary a great deal in thickness; whereas some shields were made of relatively deep, absorbent, wooden planking to protect soldiers from the impact of spears and crossbow bolts, others were thinner and lighter and designed mainly for deflecting blade strikes (like the roromaraugi or qauata). Finally, shields vary greatly in shape, ranging in roundness to angularity, proportional length and width, symmetry and edge pattern; different s ...
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Metropolitan Museum Of Art
The Metropolitan Museum of Art of New York City, colloquially "the Met", is the largest art museum in the Americas. Its permanent collection contains over two million works, divided among 17 curatorial departments. The main building at 1000 Fifth Avenue, along the Museum Mile on the eastern edge of Central Park on Manhattan's Upper East Side, is by area one of the world's largest art museums. The first portion of the approximately building was built in 1880. A much smaller second location, The Cloisters at Fort Tryon Park in Upper Manhattan, contains an extensive collection of art, architecture, and artifacts from medieval Europe. The Metropolitan Museum of Art was founded in 1870 with its mission to bring art and art education to the American people. The museum's permanent collection consists of works of art from classical antiquity and ancient Egypt, paintings, and sculptures from nearly all the European masters, and an extensive collection of American and modern ...
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Plate Armour
Plate armour is a historical type of personal body armour made from bronze, iron, or steel plates, culminating in the iconic suit of armour entirely encasing the wearer. Full plate steel armour developed in Europe during the Late Middle Ages, especially in the context of the Hundred Years' War, from the coat of plates worn over mail suits during the 14th century. In Europe, plate armour reached its peak in the late 15th and early 16th centuries. The full suit of armour, also referred to as a panoply, is thus a feature of the very end of the Middle Ages and the Renaissance period. Its popular association with the " medieval knight” is due to the specialised jousting armour which developed in the 16th century. Full suits of Gothic plate armour were worn on the battlefields of the Burgundian and Italian Wars. The most heavily armoured troops of the period were heavy cavalry, such as the gendarmes and early cuirassiers, but the infantry troops of the Swiss mercenaries and the La ...
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