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Tobi Lou
ToBI (; an abbreviation of tones and break indices) is a set of conventions for transcribing and annotating the prosody of speech. The term "ToBI" is sometimes used to refer to the conventions used for describing American English specifically, which was the first ToBI system, developed by Mary Beckman and Janet Pierrehumbert, among others. Other ToBI systems have been defined for a number of languages; for example, J-ToBI refers to the ToBI conventions for Tokyo Japanese, and an adaptation of ToBI to describe Dutch intonation was developed by Carlos Gussenhoven, and called ToDI. Another variation of ToBI, called IViE (Intonational Variation in English), was established in 1998 to enable comparison between several dialects of British English. Overview A full ToBI transcription consists of six parts: (a) an audio recording, (b) an electronic print-out or paper record of the F0 (fundamental pitch), (c) a tones tier, with an analysis of the tonal events in terms of H and L, (d) a words ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Prosody (linguistics)
In linguistics, prosody () is concerned with elements of speech that are not individual phonetic segments (vowels and consonants) but are properties of syllables and larger units of speech, including linguistic functions such as intonation, stress, and rhythm. Such elements are known as suprasegmentals. Prosody may reflect features of the speaker or the utterance: their emotional state; the form of utterance (statement, question, or command); the presence of irony or sarcasm; emphasis, contrast, and focus. It may reflect elements of language not encoded by grammar or choice of vocabulary. Attributes of prosody In the study of prosodic aspects of speech, it is usual to distinguish between auditory measures ( subjective impressions produced in the mind of the listener) and objective measures (physical properties of the sound wave and physiological characteristics of articulation that may be measured objectively). Auditory (subjective) and objective ( acoustic and articulatory) ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sun-Ah Jun
Sun-Ah Jun (born November 6, 1959) is a Korean-American professor of linguistics at the University of California, Los Angeles. Education Jun received her Ph.D. in Linguistics from Ohio State University in 1993, with a dissertation entitled, ''The Phonetics and Phonology of Korean Prosody''. Career As a professor at UCLA's Department of Linguistics, Jun is known for her research in the areas of Phonetics, Laboratory Phonology, Intonational Phonology, Prosody, and Language Acquisition Language acquisition is the process by which humans acquire the capacity to perceive and comprehend language (in other words, gain the ability to be aware of language and to understand it), as well as to produce and use words and sentences to .... She is the editor of ''Prosodic Typology: The Phonology of Intonation and Phrasing'' as well as of ''Prosodic Typology II: The Phonology of Intonation and Phrasing''. References {{DEFAULTSORT:Jun, Sun-Ah 1959 births Living people Ohio ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pitch Accent (intonation)
Pitch accent is a term used in autosegmental- metrical theory for local intonational features that are associated with particular syllables. Within this framework, pitch accents are distinguished from both the abstract metrical stress and the acoustic stress of a syllable. Different languages specify different relationships between pitch accent and stress placement. Typology Languages vary in terms of whether pitch accents must be associated with syllables that are perceived as prominent or stressed. For example, in French and Indonesian, pitch accents may be associated with syllables that are not acoustically stressed, while in English and Swedish, syllables that receive pitch accents are also stressed. Languages also vary in terms of whether pitch accents are assigned lexically or post-lexically. Lexical pitch accents are associated with particular syllables within words in the lexicon, and can serve to distinguish between segmentally similar words. Post-lexical pitch accen ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Boundary Tone
The term boundary tone refers to a rise or fall in pitch that occurs in speech at the end of a sentence or other utterance, or, if a sentence is divided into two or more intonational phrases, at the end of each intonational phrase. It can also refer to a low or high intonational tone at the beginning of an utterance or intonational phrase. The term was first introduced in a PhD thesis on English intonation by Mark Liberman in 1975 but without being developed further. It was taken up again in 1980 in another PhD thesis on English intonation by Janet Pierrehumbert. In Pierrehumbert's model, which later developed into the ToBI system of intonational transcription, every intonational phrase is marked as ending in a boundary tone, written either H% when the speaker's voice rises up or remains high, or L% when it falls or remains low. In modern intonational studies the term 'boundary tone' replaces the notion of 'terminal junctures' (falling #, rising //, and level /) used in earlier ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Phonological Hierarchy
The phonological hierarchy describes a series of increasingly smaller regions of a phonological utterance, each nested within the next highest region. Different research traditions make use of slightly different hierarchies. For instance, there is one hierarchy which is primarily used in theoretical phonology, while a similar hierarchy is used in discourse analysis. Both are described in the sections below. Theoretical phonological hierarchy Listed in order from highest to lowest are the categories of the hierarchy that are most commonly used in theoretical phonology. There is some disagreement on the arrangement and inclusion of units, especially those that reside higher in the hierarchy. For example, the clitic group is not considered to be a separate level in Selkirk's version of the hierarchy, while the minor phrase or accentual phrase are not considered to be separate from the phonological phrase in Hayes' and Nespor & Vogel's hierarchies. #Utterance ( U) # Intonational p ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |