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To Sir, With Love (song)
"To Sir with Love" is the theme from James Clavell's 1967 film ''To Sir, with Love''. The song was performed by British singer and actress Lulu (who also starred in the film), and written by Don Black and Mark London (husband of Lulu's longtime manager Marion Massey). Mickie Most produced the record, with Mike Leander arranging and conducting. The song peaked at the top of the ''Billboard'' Hot 100, and became the best-selling single of 1967 in the United States. Background At the time, it made Lulu only the second British female artist to top the US charts during the listing's Rock era after Petula Clark's " Downtown" in 1965—and third in the overall history of the US charts after "Downtown" and Vera Lynn's "Auf Wiederseh'n Sweetheart" in 1952—and so far the first of two Scottish female solo artists to achieve the feat. Sheena Easton became the second when she topped the US charts with " Morning Train (9 to 5)" in May 1981. For 44 years, Lulu and Easton were the only ...
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Lulu (singer)
Lulu Kennedy-Cairns (born Marie McDonald McLaughlin Lawrie; 3 November 1948) is a Scottish singer, actress, and television personality. Noted for her powerful singing voice,Lulu, ''I Don't Want to Fight'', Time Warner Books, 2002. p. 214 Lulu began her career in the UK but soon became known internationally. She had major chart hits with "To Sir with Love" from the 1967 film of the same name, which topped the ''Billboard'' Hot 100, and with the title song to the 1974 James Bond film '' The Man with the Golden Gun''. In European countries, she is also widely known for the Eurovision Song Contest 1969 winning entry "Boom Bang-a-Bang", and for her 1964 hit " Shout", which she performed at the closing ceremony of the 2014 Commonwealth Games in Glasgow. Life and career Marie McDonald McLaughlin Lawrie was born in Lennoxtown, Stirlingshire, and grew up in Dennistoun, Glasgow, where she attended Thomson Street Primary School and Onslow Drive School. She lived in Gallowgate for a ...
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Auf Wiederseh'n Sweetheart
"Auf Wiedersehen", or "Auf Wiederseh'n, Sweetheart", is a song written by German composer Eberhard Storch around 1950. Storch wrote the song in the hospital for his wife Maria as he was ill for a long time. It was originally sung in German by Rudi Schuricke and released on the 78 rpm record Polydor 48 374 H in 1950. Vera Lynn version The English language lyrics were written by John Turner and Geoffrey Parsons. The best-known version of the song was recorded by English singer Vera Lynn. The story goes that Vera was on holiday in Switzerland and heard people singing the song in beer parlours, and when she got back she felt she had to record it, so found the music and had lyrics written. Charts The recording of the song by Vera Lynn, which featured accompaniment by Soldiers and Airmen of HM Forces and the Johnny Johnston Singers, was the first song recorded by a foreign artist to make number one on the U.S. ''Billboard'' charts, in 1952. Reaching the summit on the ''Billboard'' "B ...
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Kent Music Report
The Kent Music Report was a weekly record chart of Australian music singles and albums which was compiled by music enthusiast David Kent from May 1974 through to January 1999. The chart was re-branded the Australian Music Report (AMR) in July 1987. From June 1988, the Australian Recording Industry Association, which had been using the top 50 portion of the report under licence since mid-1983, chose to produce their own listing as the ARIA Charts. Before the Kent Report, ''Go-Set'' magazine published weekly Top-40 Singles from 1966, and Album charts from 1970 until the magazine's demise in August 1974. David Kent later published Australian charts from 1940 to 1973 in a retrospective fashion, using state by state chart data obtained from various Australian radio stations. Background Kent had spent a number of years previously working in the music industry at both EMI and Phonogram records and had developed the report initially as a hobby. The Kent Music Report was first release ...
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UK Singles Chart
The UK Singles Chart (currently titled Official Singles Chart, with the upper section more commonly known as the Official UK Top 40) is compiled by the Official Charts Company (OCC), on behalf of the British record industry, listing the top-selling Single (music), singles in the United Kingdom, based upon physical sales, paid-for downloads and music streaming, streaming. The Official Chart, broadcast on BBC Radio 1 and MTV (Official UK Top 40), is the UK music industry's recognised official measure of singles and albums popularity because it is the most comprehensive research panel of its kind, today surveying over 15,000 retailers and digital services daily, capturing 99.9% of all singles consumed in Britain across the week, and over 98% of albums. To be eligible for the chart, a Single (music), single is currently defined by the Official Charts Company (OCC) as either a 'single bundle' having no more than four tracks and not lasting longer than 25 minutes or one digital audio ...
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RPM (magazine)
''RPM'' ( and later ) was a Canadian music-industry publication that featured song and album charts for Canada. The publication was founded by Walt Grealis in February 1964, supported through its existence by record label owner Stan Klees. ''RPM'' ceased publication in November 2000. ''RPM'' stood for "Records, Promotion, Music". The magazine's title varied over the years, including ''RPM Weekly'' and ''RPM Magazine''. Canadian music charts ''RPM'' maintained several format charts, including Top Singles (all genres), Adult Contemporary, Dance, Urban, Rock/Alternative and Country Tracks (or Top Country Tracks) for country music. On 21 March 1966, ''RPM'' expanded its Top Singles chart from 40 positions to 100. On 6 December 1980, the main chart became a top-50 chart and remained this way until 4 August 1984, whereupon it reverted to a top-100 singles chart. For the first several weeks of its existence, the magazine did not compile a national chart, but simply printed the cur ...
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I'm A Believer
"I'm a Believer" is a song written by Neil Diamond and recorded by the Monkees in 1966 with the lead vocals by Micky Dolenz. The single, produced by Jeff Barry, hit the number-one spot on the U.S. ''Billboard'' Hot 100 chart for the week ending December 31, 1966, and remained there for seven weeks, becoming the last No. 1 hit of 1966 and the biggest-selling single for all of 1967. ''Billboard'' ranked the record as the No. 5 song for 1967. While originally published by Screen Gems-Columbia Music (BMI), it is now published by Stonebridge Music/EMI Foray Music ( SESAC), with administration passed to Sony/ATV Music Publishing and Universal Music Publishing Group. The song was No. 1 in the UK Singles Chart for four weeks in January and February 1967 and reached the top spot in numerous countries, including Australia, New Zealand, Canada, and Ireland. '' Billboard'' described the song as 'an easy-go dance mover' that 'will hit with immediate impact'. '' Cash Box'' said the sing ...
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The Monkees
The Monkees were an American rock and pop band, formed in Los Angeles in 1966, whose lineup consisted of the American actor/musicians Micky Dolenz, Michael Nesmith and Peter Tork alongside English actor/singer Davy Jones. The group was conceived in 1965 by television producers Bob Rafelson and Bert Schneider for the situation comedy series of the same name. Music credited to the band was released on LP, as well as being included in the show, which aired from 1966 to 1968. While the sitcom was a mostly straightforward affair, the music production generated tension and controversy almost from the beginning. Music supervisor Don Kirshner was dissatisfied with the quartet's musical abilities, and he limited their involvement during the recording process, relying instead on professional songwriters and studio musicians. This arrangement yielded multiple hit albums and singles, but it did not sit well with the band members, who were facing a public backlash for not playing on the ...
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Billboard Year-End Hot 100 Singles Of 1967
This is a list of ''Billboard'' magazine's Top Hot 100 songs of 1967. See also * 1967 in music *List of Billboard Hot 100 number-one singles of 1967 *List of Billboard Hot 100 top-ten singles in 1967 This is a list of singles that have peaked in the Top 10 of the ''Billboard'' Hot 100 during 1967. Aretha Franklin scored five top ten hits during the year with "I Never Loved a Man (The Way I Love You)", " Respect", " Baby I Love You", "(You ... References {{DISPLAYTITLE:''Billboard'' Year-End Hot 100 singles of 1967 1967 record charts Billboard charts ...
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40th Academy Awards
The 40th Academy Awards honored film achievements of 1967. Originally scheduled for April 8, 1968, the awards were postponed to two days later, April 10, 1968, because of the assassination of civil rights leader Martin Luther King Jr. Bob Hope was once again the host of the ceremony. Due to the increasing rarity of black and white feature films, the awards for cinematography, art direction and costume design were merged into single categories rather than having a distinction between color and monochrome. The Best Picture nominees were an eclectic group of films reflecting the chaos of their era. The event was the first one since the 1948 awards show to feature film clips from the Best Picture nominated films. This year's nominations also marked the first time that three different films were nominated for the "Top Five" Academy Awards: Best Picture, Director, Actor, Actress and Screenplay. The three films were '' Bonnie and Clyde'', ''The Graduate'' and ''Guess Who's Coming to ...
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Academy Award For Best Original Song
The Academy Award for Best Original Song is one of the awards given annually to people working in the motion picture industry by the Academy of Motion Picture Arts and Sciences (AMPAS). It is presented to the ''songwriters'' who have composed the best ''original'' song written specifically for a film. The performers of a song are not credited with the Academy Award unless they contributed either to music, lyrics, or both in their own right. The songs that are nominated for this award are typically performed during the ceremony and before this award is presented. The award category was introduced at the 7th Academy Awards, the ceremony honoring the best in film for 1934. Nominations are made by Academy members who are songwriters and composers, and the winners are chosen by the Academy membership as a whole. Fifteen songs are shortlisted before nominations are announced. Eligibility , the Academy's rules stipulate that "an original song consists of words and music, both of whic ...
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We Found Love
"We Found Love" is a song by Barbadian singer Rihanna from her sixth studio album, ''Talk That Talk'' (2011). Scottish DJ Calvin Harris wrote, produced, and features on the song, which also appears on his third album '' 18 Months'' (2012). "We Found Love" premiered on September 22, 2011, on the Capital FM radio station in the United Kingdom, and was made available to download on the same day as the lead single from ''Talk That Talk''. "We Found Love" is an uptempo electro house song, with elements of dance-pop, techno and Europop. The song's lyrics speak of a couple who "found love in a hopeless place". The song was a major worldwide success. It topped the US ''Billboard'' Hot 100 for ten non-consecutive weeks, becoming the longest running number-one single of 2011. The single also surpassed "Umbrella" and became Rihanna's longest running number one single. It was the singer's eleventh song to top the Hot 100, placing her in third place among female recording artists amassing t ...
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Rihanna
Robyn Rihanna Fenty ( ; born February 20, 1988) is a Barbadian singer, actress, and businesswoman. Born in Saint Michael and raised in Bridgetown, Barbados, Rihanna auditioned for American record producer Evan Rogers who invited her to the United States to record demo tapes. After signing with Def Jam in 2005, she soon gained recognition with the release of her first two studio albums, ''Music of the Sun'' (2005) and '' A Girl Like Me'' (2006), both of which were influenced by Caribbean music and peaked within the top ten of the US ''Billboard'' 200 chart. Rihanna's third album, ''Good Girl Gone Bad'' (2007), incorporated elements of dance-pop and established her status as a sex symbol in the music industry. The chart-topping single "Umbrella" earned Rihanna her first Grammy Award and catapulted her to global stardom. She continued to mix pop, dance, and R&B genres on her next studio albums, ''Rated R'' (2009), '' Loud'' (2010), ''Talk That Talk'' (2011), and ''Unapolog ...
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