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Tizita
Tizita/Tezeta/tazata ( am, ትዝታ; en, memory, "nostalgia" or "longing") is one of the Pentatonic scales or Qañat of the Amhara ethnic group. Etymology and origin The term ''tizita'' is distinctly Amharic, there's no Geez equivalent, contrarily to the term ''nafkot'' which belong to both languages with the same meaning (regret, emotion linked to a remembrance). Tizita folk songs developed in the countryside by the Amhara peasantry and the village musicians called the Azmaris. Tizita music genre Tizita songs are a popular music genre in Ethiopia and Eritrea. It's named after the Tizita Qañat mode/scale used in such songs. Tizita is known for strongly moving listener's feelings not only among the Amhara, but a large number of Ethiopians, in general. Western sources often compare tizita to the blues. Other musical equivalent are the Portuguese ''Saudade'', ''Assouf'' for the Tuareg people, or ''Dor'' in Romania. In Slovakia, the closest word is ''clivota'' or '' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ethiopia
Ethiopia, , om, Itiyoophiyaa, so, Itoobiya, ti, ኢትዮጵያ, Ítiyop'iya, aa, Itiyoppiya officially the Federal Democratic Republic of Ethiopia, is a landlocked country in the Horn of Africa. It shares borders with Eritrea to the north, Djibouti to the northeast, Somalia to the east and northeast, Kenya to the south, South Sudan to the west, and Sudan to the northwest. Ethiopia has a total area of . As of 2022, it is home to around 113.5 million inhabitants, making it the 13th-most populous country in the world and the 2nd-most populous in Africa after Nigeria. The national capital and largest city, Addis Ababa, lies several kilometres west of the East African Rift that splits the country into the African and Somali tectonic plates. Anatomically modern humans emerged from modern-day Ethiopia and set out to the Near East and elsewhere in the Middle Paleolithic period. Southwestern Ethiopia has been proposed as a possible homeland of the Afroasiatic langua ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Qenet
Qañat/Qeñet ( amh, ቅኝት) sometimes written Kignit, Keniet, Gegnet, Gignit are secular musical scales developed by the Amhara ethnic group of Ethiopia. Qañat consists in a set of intervals defining the mode of a musical piece or the tuning scale of the instrument playing the piece. There are four main qañat scales that are used, all of which are pentatonic: tizita (ትዝታ), bati mode, bati (ባቲ), Ambassel scale, ambassel (ዐምባሰል), and anchihoye (አንቺሆዬ). Three additional modes are variations on the above: tezeta minor, bati major, and bati minor.Abatte Barihun, liner notes of the album Ras Deshen (album), Ras Deshen, 200. Some songs take the name of their qañat, such as tizita Tizita/Tezeta/tazata ( am, ትዝታ; en, memory, "nostalgia" or "longing") is one of the Pentatonic scales or Qañat of the Amhara ethnic group. Etymology and origin The term ''tizita'' is distinctly Amharic, there's no Geez equivalent, c ..., a song of reminiscence ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ethiopian Music
Ethiopian music is a term that can mean any music of Ethiopian origin, however, often it is applied to a genre, a distinct modal system that is pentatonic, with characteristically long intervals between some notes. The music of the Ethiopian Highlands uses a fundamental modal system called '' qenet'', of which there are four main modes: , , , and . Three additional modes are variations on the above: tezeta minor, bati major, and bati minor. Abatte Barihun, liner notes of the album Ras Deshen, 200. Some songs take the name of their qenet, such as tizita, a song of reminiscence. When played on traditional instruments, these modes are generally not tempered (that is, the pitches may deviate slightly from the Western-tempered tuning system), but when played on Western instruments such as pianos and guitars, they are played using the Western-tempered tuning system. Music in the Ethiopian highlands is generally monophonic or heterophonic. In certain southern areas, some music is p ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Music Of Ethiopia
Ethiopian music is a term that can mean any music of Ethiopian origin, however, often it is applied to a genre, a distinct modal system that is pentatonic, with characteristically long intervals between some notes. The music of the Ethiopian Highlands uses a fundamental modal system called ''qenet'', of which there are four main modes: , , , and . Three additional modes are variations on the above: tezeta minor, bati major, and bati minor.Abatte Barihun, liner notes of the album Ras Deshen, 200. Some songs take the name of their qenet, such as tizita, a song of reminiscence. When played on traditional instruments, these modes are generally not tempered (that is, the pitches may deviate slightly from the Western-tempered tuning system), but when played on Western instruments such as pianos and guitars, they are played using the Western-tempered tuning system. Music in the Ethiopian highlands is generally monophonic or heterophonic. In certain southern areas, some music is polyph ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Aster Aweke
Aster Aweke ( am, አስቴር አወቀ; born 1959) is an Ethiopian singer who sings in Amharic. Aster's voice has attracted broader public popularity, especially tracing back in 1990s singles and her single "Abebayehosh" in Ethiopian New Year. She is best known for her 1999 album ''Hagere'' and her 2006 album ''Fikir''. She moved to the United States in 1981, and she returned to Ethiopia in 1997. Early life Born in Gondar in 1959. She moved to Addis Ababa as a child with her father, who was senior civil servant in the imperial government of Haile Selassie. Aster hails from the Amhara ethnic group. In a 1990 interview with Amy Duncan of The Christian Science Monitor, Aster told the opposition of her music ambition from her parents: "My family opposed me, but i just kept going and going....That's my life. I tried everything, but music makes me so happy." Career Aster enjoyed listening musicians like Tilahun Gessesse and Bizunesh Bekele, and Donna Summer and Aretha Franklin f ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Saudade
''Saudade'' (, , , ; plural ''saudades'') is an emotional state of melancholic or profoundly nostalgic longing for something that one loves despite it not necessarily being real. It often carries a repressed knowledge that the object of longing may never be had again or attained in one's lifetime. It is the recollection of feelings, experiences, places, or events (often illusive) that once are thought to have somehow brought excitement, pleasure, or well-being, but now trigger the painful sense of separation from the perceived joyous sensations. It derives from the Latin word for solitude. Nascimento and Meandro (2005) cite Duarte Nunes Leão's definition of saudade: "Memory of something with a desire for it." In Brazil, the day of ''Saudade'' is officially celebrated on 30 January. It is not a widely acknowledged day in Portugal. History ''Saudade'' ultimately derives from the Latin ''solitās, solitātem'', meaning "solitude". The word ''saudade'' was used in the Cancion ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mahmoud Ahmed
Mahmoud Ahmed ( Amharic: ማሕሙድ አህመድ; born 8 May 1941) is an Ethiopian singer. He gained great popularity in Ethiopia in the 1970s and among the Ethiopian diaspora in the 1980s, before rising to international fame with African music fans in Europe and the Americas. Biography Born in Addis Ababa, Mercato district, Mahmoud was enthralled with the music he heard on Ethiopian radio from an early age. Having poorly learned in school, he worked as a shoeshiner before becoming a handyman at the Arizona Club, which was the after hours hangout of Emperor Haile Selassie I's Imperial Bodyguard Band. One night in 1962 when the band's singer didn't show up, Mahmoud asked to sing a few songs. He soon became part of the band's regular lineup, where he remained until 1974. After cutting his first single with Venus Band "Nafqot New Yegodagn" and "Yasdestal" in 1971, Mahmoud continued to record with several bands for the Amha and Kaifa record labels throughout the 1970s. The o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Meklit Hadero
Meklit Hadero, known simply as Meklit, is an Ethiopian-born American singer and songwriter based in San Francisco, California. She is known for her soulful performing style, and for combining jazz, folk, and East African influences in her music. She sings in her native Amharic, and English. Biography Meklit Hadero was born in the Ethiopian capital, Addis Ababa, to an ethnic Kambata father and an Amhara mother. She was raised in the U.S. and attended Yale University, where she studied political science. Shortly after graduation, Meklit moved to San Francisco and became immersed in the city's thriving arts scene. " eklitis an artistic giant in the early stages," wrote a reporter from the ''San Francisco Chronicle'' after witnessing an early performance in the city's Mission District. "She sings of fragility, hope and self-empowerment, and exudes all three. What's irresistible, above all, is her cradling, sensuous, gentle sound. She is stunning." Named a TED Global Fellow in 200 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mulatu Astatke
Mulatu Astatke (; French pronunciation: Astatqé; born 19 December 1943) is an Ethiopian musician and arranger considered as the father of "Ethio-jazz". Born in Jimma, Mulatu was musically trained in London, New York City, and Boston where he combined his jazz and Latin music interests with traditional Ethiopian music. Mulatu led his band while playing vibraphone and conga drums—instruments that he introduced into Ethiopian popular music—as well as other percussion instruments, keyboards, and organs. His albums focus primarily on instrumental music, and Mulatu appears on all three known albums of instrumentals that were released during the Ethiopian Golden Age in 1970s.. Namely, _Ethiopian Modern Instrumentals Hits_ (Amha, 1974), _Yekatit Ethio Jazz_ (Amha, 1974), and _Hailu Mergia and The Band Wallias_ (Ethio Sound Records, 1975). Biography Early life Mulatu Astatke is of Christian Amhara descent. Mulatu's family sent the young Mulatu to learn engineering in Wales duri ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Teddy Afro
Teddy is an English language given name, usually a hypocorism of Edward or Theodore. It may refer to: People Nickname * Teddy Atlas (born 1956), boxing trainer and fight commentator * Teddy Bourne (born 1948), British Olympic epee fencer * Teddy Bridgewater (born 1992), Minnesota Vikings quarterback * Teddy Dunn (born 1981), American actor * Teddy Edwards (1924–2003), American jazz saxophonist * Tivadar Farkasházy (born 1945), Hungarian humorist, author, mathematician, economist and journalist * Teddy Gipson (born 1980), American basketball player * Teddy Higuera (born 1957), former Major League Baseball pitcher * Teddy Hoad (1896–1986), West Indian cricketer * Ted Kennedy (1932–2009), long-serving American Senator from Massachusetts * Teddy Kollek (1911–2007), six-time mayor of Jerusalem * Theodore Long (born 1947), general manager for World Wrestling Entertainment * Teddy Morgan (1880–1949), Welsh international rugby union player * Teddy Park (born 1978), record produc ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hailu Mergia
Hailu Mergia () is an Ethiopian keyboardist, now based in Washington D.C., United States. He is best known for his role in the Walias Band in the 1970s, one of the most significant groups in Ethiopia’s "golden age" of music. Biography Hailu Mergia was born in 1946 in the Shewa Province of the Ethiopian Empire and moved to Addis Ababa at age 10. He had grown up on traditional Oromo, Amhara and Tigrinya songbook melodies, and taught himself the accordion at age 14. His mastering of the accordion, as well as the keyboard and his talent for "re-purposing folk songs into funkier modern melodies," defined his contribution to popular music in Ethiopia. In the 1970s, Hailu Mergia was the keyboardist in the Walias Band, a jazz and funk band with a hard polyrhythmic funk sound influenced by western artists like King Curtis, Junior Walker and Maceo Parker. In the period, it was harder for working bands in the region to make a living, after Mengistu's Derg government imposed breaks t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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