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Titania And Bottom
''Titania and Bottom'' is an oil painting by the Anglo-Swiss painter Henry Fuseli. It dates to around 1790 and is displayed at Tate Britain, in London. It was commissioned for the Boydell Shakespeare Gallery and depicts a scene from ''A Midsummer Night's Dream'' by William Shakespeare. Background Henry Fuseli had become familiar with William Shakespeare's plays as a student in Zürich. He used them as the basis for paintings throughout his career. He became famous for his treatment of supernatural matters, which gave a special appeal to ''A Midsummer Night's Dream'', along with plays like ''The Tempest'', ''Hamlet'' and ''Macbeth''. ''Titania and Bottom'' was commissioned by the publisher John Boydell for his Boydell Shakespeare Gallery, Shakespeare Gallery. Fuseli also made a large pendant for Boydell's gallery, ''Titania's Awakening'', which depicts a later moment from the same scene. Subject and composition The painting depicts a moment from the first scene of the fourth act ...
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Henry Fuseli
Henry Fuseli ( ; German: Johann Heinrich Füssli ; 7 February 1741 – 17 April 1825) was a Swiss painter, draughtsman and writer on art who spent much of his life in Britain. Many of his works, such as ''The Nightmare'', deal with supernatural subject matter. He painted works for John Boydell's Shakespeare Gallery, and created his own "Milton Gallery". He held the posts of Professor of Painting and Keeper at the Royal Academy. His style had a considerable influence on many younger British artists, including William Blake. Biography Fuseli was born in Zürich, Switzerland, the second of 18 children. His father was Johann Caspar Füssli, a painter of portraits and landscapes, and author of ''Lives of the Helvetic Painters''. He intended Henry for the church, and sent him to the Caroline college of Zurich, where he received an excellent classical education. One of his schoolmates there was Johann Kaspar Lavater, with whom he became close friends. After taking orders in 1761, ...
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Nick Bottom
Nick Bottom is a character in Shakespeare's ''A Midsummer Night's Dream'' who provides comic relief throughout the play. A weaver by trade, he is famously known for getting his head transformed into that of a donkey by the elusive Puck. Bottom and Puck are the only two characters who converse with and progress the three central stories in the whole play. Puck is first introduced in the fairies' story and creates the drama of the lovers' story by messing up who loves whom, and places the donkey head on Bottom's in his story. Similarly, Bottom is performing in a play in his story intending it to be presented in the lovers' story, as well as interacting with Titania in the fairie's story. Overview While they are in the woods rehearsing a play for the Duke, the fairy Puck, a mischievous sprite and minion of Oberon, king of the fairies, happens upon their rehearsal. He decides to have some fun with them, carrying out part of Oberon's orders in the process, and when Bottom exi ...
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Abraham Bloemaert
Abraham Bloemaert (25 December 1566 – 27 January 1651) was a Dutch painter and printmaker in etching and engraving. He was initially working in the style of the "Haarlem Mannerists", but in the 16th century altered his style in line with the new Baroque style that was then developing. He mostly painted history subjects and some landscapes. He was an important teacher, who trained most of the Utrecht Caravaggisti, at least for a period. Life Bloemaert was born in Gorinchem, Habsburg Netherlands, the son of the architect Cornelis Bloemaert I, who moved his family to Utrecht in 1575, where Abraham was first a pupil of Gerrit Splinter (pupil of Frans Floris) and of Joos de Beer. [Baidu]  


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The Oyster Eater
''The Oyster Eater'' (Dutch: ''Het oestereetstertje'') or ''Girl Offering Oysters'' (''Meisje, oesters aanbiedend'') is a small oil-on-panel painting by Jan Steen dating to c.1658–1660. Since 1936, it has been in the collection of the Mauritshuis in the Hague. It is a genre painting that demonstrates Steen's intricate style and use of domestic settings. It also shows Steen's use of symbolism with oysters to create a theme of earthly lust. Visual analysis Subject matter The main subject of the painting is a young woman salting oysters while making direct eye contact with the viewer. Her expression is flirtatious and communicates to viewers that she is salting the oysters for them. Composition In ''The Oyster Eater'', Steen uses framing to create a complicated yet skillful composition. He uses the vertical and horizontal lines of the door frame, bed curtains, and the edge of the table to create an imaginary border around the young woman. The arched top of the paintin ...
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Jan Steen
Jan Havickszoon Steen (c. 1626 – buried 3 February 1679) was a Dutch Golden Age painter, one of the leading genre painters of the 17th century. His works are known for their psychological insight, sense of humour and abundance of colour. Life Steen was born in Leiden, a town in Southern Holland, where his well-to-do, Catholic family were brewers who ran the tavern ''The Red Halbert'' for two generations. Steen's father even leased him a brewery of his own in Delft from the years 1654 until 1657. He was the eldest of eight or more children. Like his even more famous contemporary Rembrandt van Rijn, Jan Steen attended the Latin school and became a student in Leiden. Though no official records of Steen's artistic training are preserved, contemporary sources tell us he received his painterly education from three men, Nicolaes Knupfer (1603–1660), a German painter of historical and figurative scenes in Utrecht, Adriaen van Ostade, and Jan van Goyen, who would later become ...
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Joshua Reynolds
Sir Joshua Reynolds (16 July 1723 – 23 February 1792) was an English painter, specialising in portraits. John Russell said he was one of the major European painters of the 18th century. He promoted the "Grand Style" in painting which depended on idealization of the imperfect. He was a founder and first president of the Royal Academy of Arts, and was knighted by George III in 1769. Early life Reynolds was born in Plympton, Devon, on 16 July 1723 the third son of the Rev. Samuel Reynolds, master of the Plympton Free Grammar School in the town. His father had been a fellow of Balliol College, Oxford, but did not send any of his sons to the university. One of his sisters was Mary Palmer (1716–1794), seven years his senior, author of ''Devonshire Dialogue'', whose fondness for drawing is said to have had much influence on him when a boy. In 1740 she provided £60, half of the premium paid to Thomas Hudson the portrait-painter, for Joshua's pupilage, and nine years later a ...
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Paradiso (Dante)
''Paradiso'' (; Italian for "Paradise" or "Heaven") is the third and final part of Dante's ''Divine Comedy'', following the ''Inferno'' and the ''Purgatorio''. It is an allegory telling of Dante's journey through Heaven, guided by Beatrice, who symbolises theology. In the poem, Paradise is depicted as a series of concentric spheres surrounding the Earth, consisting of the Moon, Mercury, Venus, the Sun, Mars, Jupiter, Saturn, the Fixed Stars, the Primum Mobile and finally, the Empyrean. It was written in the early 14th century. Allegorically, the poem represents the soul's ascent to God. Introduction The ''Paradiso'' begins at the top of Mount Purgatory, called the Earthly Paradise (i.e. the Garden of Eden), at noon on Wednesday, March 30 (or April 13), 1300, following Easter Sunday. Dante's journey through Paradise takes approximately twenty-four hours, which indicates that the entire journey of the ''Divine Comedy'' has taken one week, Thursday evening (''Inferno'' I and II ...
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Sandro Botticelli
Alessandro di Mariano di Vanni Filipepi ( – May 17, 1510), known as Sandro Botticelli (, ), was an Italian Renaissance painting, Italian painter of the Early Renaissance. Botticelli's posthumous reputation suffered until the late 19th century, when he was rediscovered by the Pre-Raphaelite Brotherhood, Pre-Raphaelites who stimulated a reappraisal of his work. Since then, his paintings have been seen to represent the linear grace of late Italian Gothic and some Early Renaissance painting, even though they date from the latter half of the Italian Renaissance period. In addition to the mythological subjects for which he is best known today, Botticelli painted a wide range of religious subjects (including dozens of renditions of the ''Madonna and Child'', many in the round tondo (art), tondo shape) and also some portraits. His best-known works are ''The Birth of Venus'' and ''Primavera (painting), Primavera'', both in the Uffizi in Florence, which holds many of Botticelli’s w ...
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Leonardo Da Vinci
Leonardo di ser Piero da Vinci (15 April 14522 May 1519) was an Italian polymath of the High Renaissance who was active as a painter, Drawing, draughtsman, engineer, scientist, theorist, sculptor, and architect. While his fame initially rested on his achievements as a painter, he also became known for #Journals and notes, his notebooks, in which he made drawings and notes on a variety of subjects, including anatomy, astronomy, botany, cartography, painting, and paleontology. Leonardo is widely regarded to have been a genius who epitomized the Renaissance humanism, Renaissance humanist ideal, and his List of works by Leonardo da Vinci, collective works comprise a contribution to later generations of artists matched only by that of his younger contemporary, Michelangelo. Born Legitimacy (family law), out of wedlock to a successful Civil law notary, notary and a lower-class woman in, or near, Vinci, Tuscany, Vinci, he was educated in Florence by the Italian painter and sculptor ...
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Leda And The Swan (Leonardo)
The story of Leda and the Swan was the subject of two compositions by Leonardo da Vinci from perhaps 1503–1510. Neither survive as paintings by Leonardo, but there are a number of drawings for both by him, and copies in oils, especially of the second composition, where Leda stands. First version Leonardo began making studies in 1504 for a painting, apparently never executed, of Leda seated on the ground with her children. Three sketches of Leda by Leonardo exist: * ''Leda and the Swan'', pen and ink and wash over black chalk on paper, 160 x 139 mm. 1503–1507, Devonshire Collection, Chatsworth (pictured) * ''Study for kneeling Leda'', black chalk, pen and ink on paper, 126 x 109 cm. 1503–1507, Museum Boijmans Van Beuningen, Rotterdam * ''Studies of Leda and a Horse'', black chalk, brush and ink on paper, 1503–1507, Royal Library, Windsor It has been proposed that Leonardo's Chatsworth sketch for ''Leda and the Swan'' (pictured) may have been inspired by the ...
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Leda Col Signo (Copy Of Leonardo Da Vinci) September 2015-1
Leda may refer to: Mythology * Leda (mythology), queen of Sparta and mother of Helen of Troy in Greek mythology Places * Leda, Western Australia, a suburb of Perth, Western Australia * Leda makeshift settlement, Bangladesh, a refugee camp for Rohingya refugees fleeing persecution in Myanmar * Leda, Burkina Faso, a town * Leda, Adamawa State, Nigeria, a village - see List of villages in Adamawa State * Leda (river), a tributary of the Ems in Germany * Leda Ridge, Antarctica Astronomy * Leda (moon), a moon of Jupiter * 38 Leda, an asteroid * Leda, the original proposed name for exoplanet Thestias * Lyon-Meudon Extragalactic Database, an astronomical catalog of galaxies * Large Aperture Experiment to Detect the Dark Ages, a radio interferometer Entertainment * '' Leda: The Fantastic Adventure of Yohko'', a 1985 Japanese OVA * ''Web of Passion'', a French film released in the US as ''Leda'' * Project Leda, a set of female clones in the TV series '' Orphan Black'' Ships ...
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