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Tiorbino
A tiorbino, a little theorbo (''tiorbo'' in Italian), is a rare stringed instrument, a type of long-necked lute resembling a theorbo but significantly smaller and pitched an octave higher. The tiorbino was created in the late 16th century and was played in the 17th century, as in the 1622 composition ''Capricci a due stromenti cioe tiorba e tiorbino e per sonar varie sorti de balli..'' by Bellerofonte Castaldi. The tiorbino was then abandoned, only to return in the late 20th century with the renaissance of interest in early music. The sound of the tiorbino has been described by the lutist Paul O'Dette as "a cross between a lute, a baroque guitar The Baroque guitar (c. 1600–1750) is a string instrument with five courses of gut strings and moveable gut frets. The first (highest pitched) course sometimes used only a single string. History The Baroque guitar replaced the Renaissance lute ..., and a harp." Although the tiorbino is not large, its sound carries well. It was use ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pandura
The pandura ( grc, πανδοῦρα, ''pandoura'') or pandore, an ancient string instrument, belonged in the broad class of the lute and guitar instruments. Akkadians played similar instruments from the 3rd millennium BC. Ancient Greek artwork depicts such lutes from the 3rd or 4th century BC onward. Ancient Greece The ancient Greek ''pandoura'' was a medium or long-necked lute with a small resonating chamber, used by the ancient Greeks. It commonly had three strings: such an instrument was also known as the ''trichordon'' (three-stringed) (τρίχορδον, McKinnon 1984:10). Its descendants still survive as the Kartvelian panduri, the Greek tambouras and bouzouki, the North African kuitra, the Eastern Mediterranean saz and the Balkan tamburica and remained popular also in the near east and eastern Europe, too, usually acquiring a third string in the course of time, since the fourth century BC. Renato Meucci (1996) suggests that the some Italian Renaissance descendants ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Angélique (instrument)
The ''angélique'' (French, from Italian ''angelica'') is a plucked string instrument of the lute family of the baroque era. It combines features of the lute, the harp, and the theorbo. It shares the form of its pear-shaped body as well as its vibrating string length of 54 to 70 cm with the lute. Differing from the lute, the 16 string angelica was single-strung like a theorbo, with which it shares its extended neck with a second peg box, bearing six bass strings. Overview The angelica was tuned diatonically, like a harp: C – E – F – G – A – B – c – d – e – f – g – a – b – c’ – d’ – e’. That range is the same as that of the French or lesser theorbo, but the latter differs in that its tuning is reentrant: C – D – E – F – G – A – B – c – d – g – c' – e'– a – d'. The diatonic tuning limited its compass, but produced a full and clear tone by the increased use of open strings. Little surviving music for the angelic ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Archlute
The archlute ( es, archilaúd, it, arciliuto, german: Erzlaute) is a European plucked string instrument developed around 1600 as a compromise between the very large theorbo, the size and re-entrant tuning of which made for difficulties in the performance of solo music, and the Renaissance tenor lute, which lacked the bass range of the theorbo. Essentially a tenor lute with the theorbo's neck-extension, the archlute lacks the power in the tenor and the bass that the theorbo's large body and typically greater string length provide. Overview The main differences between the archlute and the "baroque" lute of northern Europe are that the baroque lute has 11 to 13 courses, while the archlute typically has 14, and the tuning of the first six courses of the baroque lute outlines a d-minor chord, while the archlute preserves the tuning of the Renaissance lute, with perfect fourths surrounding a third in the middle for the first six. The archlute was often used as a solo instrument ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Chitarra Italiana
Chitarra Italiana (; 'Italian guitar') is a lute-shaped plucked instrument with four or five single (sometimes double) strings, in a tuning similar to that of the guitar. It was common in Italy during the Renaissance era. According to Renato Meucci, the designation of 'Italiana' followed the introduction to Italy of the flat-backed development of the instrument – referred to as ''chitarra alla spagnola '' (literally 'Spanish guitar'); to distinguish between the two versions. It is believed to have descended from panduras, the Mediterranean lutes of Antiquity, and to be related to North African quitra (or kwitra). Its bass variety was known as chitarrone. Musicologist Laurence Wright talked about the chitarrone in a letter to the ''Early Music'' journal (October 1976), saying it implied "large guitar", that it had a rounded back and was likely to be taken for a smaller lute, and that it was found from the 13th century to the 18th century, but was much rarer in the later centuri ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Necked Bowl Lutes
{{disambiguation ...
Necking can refer to: * Making out, a term for heavy kissing of the neck or petting of that area * Necking (engineering), the process by which a ductile material deforms under tension forming a thin ''neck'' * Necking (electronics), thinning of traces in PCB layouts * Necking, a behavior of giraffes * Necking up or necking down, methods of modifying a firearm cartridge to make a wildcat cartridge or a new production cartridge (e.g. the US .60 caliber T17 round being shortened and necked up to create the 20×102 mm M61 Vulcan cannon cartridge) See also * Neck (other) * Rubbernecking Rubbernecking is a derogatory term primarily used to refer to bystanders staring at accidents. More generally, it can refer to anyone staring at something of everyday interest compulsively (especially tourists). The term ''rubbernecking'' derive ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Liuqin
The ''liuqin'' (Chinese: , pinyin: ) is a three, four or five -stringed Chinese mandolin with a pear-shaped body. The range of its voice is much higher than the ''pipa'', and it has its own special place in Chinese music, whether in orchestral music or in solo pieces. This has been the result of a modernization in its usage in recent years, leading to a gradual elevation in status of the ''liuqin'' from an accompaniment instrument in folk Chinese opera, to an instrument well-appreciated for its unique tonal and acoustic qualities. The position of the instrument is lower than the pipa, being held diagonally like the Chinese ruan and yueqin. Like the ruan and unlike the pipa its strings are elevated by a bridge and the soundboard has two prominent soundholes. Finally, the instrument is played with a pick with similar technique to both ruan and yueqin, whereas the pipa is played with the fingers. Therefore, the liuqin is most commonly played and doubled by those with rua ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lute
A lute ( or ) is any plucked string instrument with a neck and a deep round back enclosing a hollow cavity, usually with a sound hole or opening in the body. It may be either fretted or unfretted. More specifically, the term "lute" can refer to an instrument from the family of European lutes. The term also refers generally to any string instrument having the strings running in a plane parallel to the sound table (in the Hornbostel–Sachs system). The strings are attached to pegs or posts at the end of the neck, which have some type of turning mechanism to enable the player to tighten the tension on the string or loosen the tension before playing (which respectively raise or lower the pitch of a string), so that each string is tuned to a specific pitch (or note). The lute is plucked or strummed with one hand while the other hand "frets" (presses down) the strings on the neck's fingerboard. By pressing the strings on different places of the fingerboard, the player can shor ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mandocello
The mandocello ( it, mandoloncello, Liuto cantabile, liuto moderno) is a plucked string instrument of the mandolin family. It is larger than the mandolin, and is the baritone instrument of the mandolin family. Its eight strings are in four paired courses, with the strings in each course tuned in unison. Overall tuning of the courses is in fifths like a mandolin, but beginning on bass C (C2). It can be described as being to the mandolin what the cello is to the violin.''The New Grove Dictionary of Music and Musicians, Second Edition'', edited by Stanley Sadie and others (2001) Construction Mandocello construction is similar to the mandolin: the mandocello body may be constructed with a bowl-shaped back according to designs of the 18th-century Vinaccia school, or with a flat (arched) back according to the designs of Gibson Guitar Corporation popularized in the United States in the early 20th century. The scale of the mandocello is longer than that of the mandolin. Gibson example ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mandola
The mandola (US and Canada) or tenor mandola (Ireland and UK) is a fretted, stringed musical instrument. It is to the mandolin what the viola is to the violin: the four double courses of strings tuned in fifths to the same pitches as the viola ( C3-G3-D4-A4), a fifth lower than a mandolin. The mandola, though now rarer, is an ancestor of the mandolin. (The word ''mandolin'' means ''little mandola''.) Overview The name ''mandola'' may originate with the ancient pandura, and is also rendered as mandora, the change perhaps having been due to approximation to the Italian word for "almond". The instrument developed from the lute at an early date, being more compact and cheaper to build, but the sequence of development and nomenclature in different regions is now hard to discover. Historically related instruments include the mandore, mandole, vandola (Joan Carles Amat, 1596), bandola, bandora, bandurina, pandurina and – in 16th-century Germany – the quinterne or chiterna. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pipa
The pipa, pípá, or p'i-p'a () is a traditional Chinese musical instrument, belonging to the plucked category of instruments. Sometimes called the "Chinese lute", the instrument has a pear-shaped wooden body with a varying number of frets ranging from 12 to 31. Another Chinese four-string plucked lute is the liuqin, which looks like a smaller version of the pipa. The pear-shaped instrument may have existed in China as early as the Han dynasty, and although historically the term ''pipa'' was once used to refer to a variety of plucked chordophones, its usage since the Song dynasty refers exclusively to the pear-shaped instrument. The pipa is one of the most popular Chinese instruments and has been played for almost two thousand years in China. Several related instruments are derived from the pipa, including the Japanese biwa and Korean bipa in East Asia, and the Vietnamese đàn tỳ bà in Southeast Asia. The Korean instrument is the only one of the three that is no longer w ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mandolin
A mandolin ( it, mandolino ; literally "small mandola") is a stringed musical instrument in the lute family and is generally plucked with a pick. It most commonly has four courses of doubled strings tuned in unison, thus giving a total of 8 strings, although five (10 strings) and six (12 strings) course versions also exist. There are of course different types of strings that can be used, metal strings are the main ones since they are the cheapest and easiest to make. The courses are typically tuned in an interval of perfect fifths, with the same tuning as a violin (G3, D4, A4, E5). Also, like the violin, it is the soprano member of a family that includes the mandola, octave mandolin, mandocello and mandobass. There are many styles of mandolin, but the three most common types are the ''Neapolitan'' or ''round-backed'' mandolin, the ''archtop'' mandolin and the ''flat-backed'' mandolin. The round-backed version has a deep bottom, constructed of strips of wood, glued tog ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Erhu
The ''erhu'' (; ) is a Chinese two-stringed bowed musical instrument, more specifically a spike fiddle, which may also be called a ''Southern Fiddle'', and is sometimes known in the Western world as the ''Chinese violin'' or a ''Chinese two-stringed fiddle''. It is used as a solo instrument as well as in small ensembles and large orchestras. It is the most popular of the huqin family of traditional bowed string instruments used by various ethnic groups of China. As a very versatile instrument, the erhu is used in both traditional and contemporary music arrangements, such as pop, rock and jazz. History The ''Erhu'' can be traced back to proto-Mongolic instruments which first appeared in China during the Tang dynasty. It is believed to have evolved from the '' Xiqin'' ( 奚 琴). The xiqin is believed to have originated from the Xi people located in current northeast China. The first Chinese character of the name of the instrument ( 二, ''èr'', two) is believed to come f ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
