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Tinted Photograph
Tinted photograph is a photograph produced on dyed printing papers produced by commercial manufacturers or a hand-colored photograph. A single overall colour underlies the images printed on dyed photographic papers and is most apparent in the highlights and mid-tones. From the 1870s albumen printing papers were available in pale pink or blue and from the 1890s gelatin silver printing-out papers in pale mauve or pink were available. There were other kinds of tinted papers. Over time such colouration often becomes very faded.The paper is also used to highlight the important thing or part on it. Other meanings ''Tinted photograph'' is also one of a number of names for a hand-colored photograph, i.e. a black-and-white photographic print to which color has been added by hand. Other names are hand-painted photograph and hand-tinted photograph. See also *Photochrom *Hand-colouring Hand-colouring (or hand-coloring) refers to any method of manually adding colour to a Monochrome pho ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Photographic Paper
Photographic paper is a paper coated with a light-sensitive chemical formula, like photographic film, used for making photographic prints. When photographic paper is exposed to light, it captures a latent image that is then developed to form a visible image; with most papers the image density from exposure can be sufficient to not require further development, aside from fixing and clearing, though latent exposure is also usually present. The light-sensitive layer of the paper is called the emulsion. The most common chemistry was based on silver halide (the focus of this page) but other alternatives have also been used. The print image is traditionally produced by interposing a photographic negative between the light source and the paper, either by direct contact with a large negative (forming a contact print) or by projecting the shadow of the negative onto the paper (producing an enlargement). The initial light exposure is carefully controlled to produce a gray scale image on th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hand-colored Photograph
Hand-colouring (or hand-coloring) refers to any method of manually adding colour to a monochrome photograph, generally either to heighten the realism of the image or for artistic purposes. Hand-colouring is also known as hand painting or overpainting. Typically, watercolours, oils, crayons or pastels, and other paints or dyes are applied to the image surface using brushes, fingers, cotton swabs or airbrushes. Hand-coloured photographs were most popular in the mid- to late-19th century before the invention of colour photography and some firms specialised in producing hand-coloured photographs. History Pre-1900 Monochrome (black and white) photography was first exemplified by the daguerreotype in 1839 and later improved by other methods including: calotype, ambrotype, tintype, albumen print and gelatin silver print. The majority of photography remained monochrome until the mid-20th century, although experiments were producing colour photography as early as 1855 and som ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Albumen Print
The albumen print, also called albumen silver print, was published in January 1847 by Louis Désiré Blanquart-Evrard, and was the first commercially exploitable method of producing a photographic print on a paper base from a negative. It used the albumen found in egg whites to bind the photographic chemicals to the paper and became the dominant form of photographic positives from 1855 to the start of the 20th century, with a peak in the 1860–90 period. During the mid-19th century, the carte de visite became one of the more popular uses of the albumen method. In the 19th century, E. & H. T. Anthony & Company were the largest makers and distributors of albumen photographic prints and paper in the United States.Welling, William. Photography in America (1978 & 1987) Creation process # A piece of paper, usually 100% cotton, is coated with an emulsion of egg white (albumen) and salt (sodium chloride or ammonium chloride), then dried. The albumen seals the paper and creates ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gelatin-silver Process
The gelatin silver process is the most commonly used chemical process in black-and-white photography, and is the fundamental chemical process for modern analog color photography. As such, films and printing papers available for analog photography rarely rely on any other chemical process to record an image. A suspension of silver salts in gelatin is coated onto a support such as glass, flexible plastic or film, baryta paper, or resin-coated paper. These light-sensitive materials are stable under normal keeping conditions and are able to be exposed and processed even many years after their manufacture. This was an improvement on the collodion wet-plate process dominant from the 1850s–1880s, which had to be exposed and developed immediately after coating. History The gelatin silver process was introduced by Richard Leach Maddox in 1871 with subsequent considerable improvements in sensitivity obtained by Charles Harper Bennett in 1878. Gelatin silver print paper was made as ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hand-colouring
Hand-colouring (or hand-coloring) refers to any method of manually adding colour to a Monochrome photography, monochrome photograph, generally either to heighten the realism of the image or for artistic purposes. Hand-colouring is also known as hand painting or overpainting. Typically, Watercolor painting, watercolours, Oil paint, oils, crayons or pastels, and other paints or dyes are applied to the image surface using brushes, fingers, cotton swabs or airbrushes. Hand-coloured photographs were most popular in the mid- to late-19th century before the invention of color photography, colour photography and some firms specialised in producing hand-coloured photographs. History Pre-1900 Monochrome (black and white) photography was first exemplified by the daguerreotype in 1839 and later improved by other methods including: calotype, ambrotype, tintype, albumen print and Gelatin-silver process, gelatin silver print. The majority of photography remained monochrome until the mid-20th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Photochrom
Photochrom, Fotochrom, Photochrome or the Aäc process is a process for producing colorized images from a single black-and-white photographic negative via the direct photographic transfer of the negative onto lithographic printing plates. The process is a photographic variant of chromolithography (color lithography). Because no color information was preserved in the photographic process, the photographer would make detailed notes on the colors within the scene and use the notes to hand paint the negative before transferring the image through colored gels onto the printing plates. History The process was invented in the 1880s by Hans Jakob Schmid (1856–1924), an employee of the Swiss company Orell Gessner Füssli—a printing firm whose history began in the 16th century. Füssli founded the stock company Photochrom Zürich (later Photoglob Zürich AG) as the business vehicle for the commercial exploitation of the process and both Füssli and Photoglob continue to exist today. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
