Tinct
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Tinct
''Tinct'' is the eighth studio album by the American experimental electronic music ensemble Biota, released in 1988 by Recommended Records. Track listing Personnel Adapted from the ''Tinct'' liner notes. ;Biota * Tom Katsimpalis – organ, guitar, bass guitar, autoharp, harmonica, recorder, bells, spoken word, production, mixing * Mark Piersel – trumpet, guitar, banjo, sheng, psaltery, ukulele, organ, percussion, spoken word, production, engineering, mixing * Steve Scholbe – alto saxophone, bass clarinet, flute, guitar, sheng, bells, percussion, production, mixing * William Sharp – tape, organ, bass clarinet, percussion, spoken word, production, engineering, mixing * Jim Steinborn – pipe organ, production, mixing * Gordon H. Whitlow – bass guitar, guitar, piano, accordion, production, mixing * Larry Wilson – drums, congas, bongos, bodhrán, production, mixing * Randy Yeates – mbira, piano, production, mixing ;Prod ...
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Biota (band)
Biota is an American experimental electronic music ensemble. Musical career Amid a fertile creative environment in Fort Collins, Colorado, in the late 1970s, Biota's first recording projects were produced under the name Mnemonist Orchestra (shortened soon after to Mnemonists). Founded by fellow scientists and community radio engineers Mark Derbyshire and William Sharp, the Mnemonists ensemble of artists, musicians, and college-town bohemians released five self-styled albums between 1980 and 1984 on the group's Dys label. '' Horde'' (1981, Dys), a seminal album of electronically processed music, garnered critical attention — including from the Recommended Records/RēR label, who rereleased the LP in 1984 — for its groundbreaking use of unconventional sound manipulation and musique concrète techniques. After the release of '' Gyromancy'' in 1984, the group split into two collaborative factions: a visual-arts collective, which retained the name Mnemonists, and the musical grou ...
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Mark Piersel
Biota is an American experimental electronic music ensemble. Musical career Amid a fertile creative environment in Fort Collins, Colorado, in the late 1970s, Biota's first recording projects were produced under the name Mnemonist Orchestra (shortened soon after to Mnemonists). Founded by fellow scientists and community radio engineers Mark Derbyshire and William Sharp, the Mnemonists ensemble of artists, musicians, and college-town bohemians released five self-styled albums between 1980 and 1984 on the group's Dys label. ''Horde'' (1981, Dys), a seminal album of electronically processed music, garnered critical attention — including from the Recommended Records/RēR label, who rereleased the LP in 1984 — for its groundbreaking use of unconventional sound manipulation and musique concrète techniques. After the release of '' Gyromancy'' in 1984, the group split into two collaborative factions: a visual-arts collective, which retained the name Mnemonists, and the musical group ...
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Randy Yeates
Biota is an American experimental electronic music ensemble. Musical career Amid a fertile creative environment in Fort Collins, Colorado, in the late 1970s, Biota's first recording projects were produced under the name Mnemonist Orchestra (shortened soon after to Mnemonists). Founded by fellow scientists and community radio engineers Mark Derbyshire and William Sharp, the Mnemonists ensemble of artists, musicians, and college-town bohemians released five self-styled albums between 1980 and 1984 on the group's Dys label. ''Horde'' (1981, Dys), a seminal album of electronically processed music, garnered critical attention — including from the Recommended Records/RēR label, who rereleased the LP in 1984 — for its groundbreaking use of unconventional sound manipulation and musique concrète techniques. After the release of '' Gyromancy'' in 1984, the group split into two collaborative factions: a visual-arts collective, which retained the name Mnemonists, and the musical group ...
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William Sharp (musician)
Biota is an American experimental electronic music ensemble. Musical career Amid a fertile creative environment in Fort Collins, Colorado, in the late 1970s, Biota's first recording projects were produced under the name Mnemonist Orchestra (shortened soon after to Mnemonists). Founded by fellow scientists and community radio engineers Mark Derbyshire and William Sharp, the Mnemonists ensemble of artists, musicians, and college-town bohemians released five self-styled albums between 1980 and 1984 on the group's Dys label. ''Horde'' (1981, Dys), a seminal album of electronically processed music, garnered critical attention — including from the Recommended Records/RēR label, who rereleased the LP in 1984 — for its groundbreaking use of unconventional sound manipulation and musique concrète techniques. After the release of '' Gyromancy'' in 1984, the group split into two collaborative factions: a visual-arts collective, which retained the name Mnemonists, and the musical group ...
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Steve Scholbe
Biota is an American experimental electronic music ensemble. Musical career Amid a fertile creative environment in Fort Collins, Colorado, in the late 1970s, Biota's first recording projects were produced under the name Mnemonist Orchestra (shortened soon after to Mnemonists). Founded by fellow scientists and community radio engineers Mark Derbyshire and William Sharp, the Mnemonists ensemble of artists, musicians, and college-town bohemians released five self-styled albums between 1980 and 1984 on the group's Dys label. ''Horde'' (1981, Dys), a seminal album of electronically processed music, garnered critical attention — including from the Recommended Records/RēR label, who rereleased the LP in 1984 — for its groundbreaking use of unconventional sound manipulation and musique concrète techniques. After the release of '' Gyromancy'' in 1984, the group split into two collaborative factions: a visual-arts collective, which retained the name Mnemonists, and the musical group ...
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Larry Wilson (band Member)
Biota is an American experimental electronic music ensemble. Musical career Amid a fertile creative environment in Fort Collins, Colorado, in the late 1970s, Biota's first recording projects were produced under the name Mnemonist Orchestra (shortened soon after to Mnemonists). Founded by fellow scientists and community radio engineers Mark Derbyshire and William Sharp, the Mnemonists ensemble of artists, musicians, and college-town bohemians released five self-styled albums between 1980 and 1984 on the group's Dys label. ''Horde'' (1981, Dys), a seminal album of electronically processed music, garnered critical attention — including from the Recommended Records/RēR label, who rereleased the LP in 1984 — for its groundbreaking use of unconventional sound manipulation and musique concrète techniques. After the release of '' Gyromancy'' in 1984, the group split into two collaborative factions: a visual-arts collective, which retained the name Mnemonists, and the musical group ...
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Tom Katsimpalis
Biota is an American experimental electronic music ensemble. Musical career Amid a fertile creative environment in Fort Collins, Colorado, in the late 1970s, Biota's first recording projects were produced under the name Mnemonist Orchestra (shortened soon after to Mnemonists). Founded by fellow scientists and community radio engineers Mark Derbyshire and William Sharp, the Mnemonists ensemble of artists, musicians, and college-town bohemians released five self-styled albums between 1980 and 1984 on the group's Dys label. '' Horde'' (1981, Dys), a seminal album of electronically processed music, garnered critical attention — including from the Recommended Records/RēR label, who rereleased the LP in 1984 — for its groundbreaking use of unconventional sound manipulation and musique concrète techniques. After the release of '' Gyromancy'' in 1984, the group split into two collaborative factions: a visual-arts collective, which retained the name Mnemonists, and the musical grou ...
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Bellowing Room
''Bellowing Room'' is the seventh studio album by experimental electronic music ensemble Biota, released in 1987 by Recommended Records. Track listing Personnel Adapted from the ''Bellowing Room'' liner notes. ;Biota * Tom Katsimpalis – instruments, illustrations, production, mixing * Mark Piersel – instruments, production, engineering, mixing * Steve Scholbe – instruments, production, mixing * William Sharp – instruments, production, engineering, mixing * Gordon H. Whitlow – instruments, production, mixing * Larry Wilson – instruments, production, mixing ;Production and additional personnel * Ti Birchrose – illustrations * Heidi Eversley – illustrations * Jean Michel Papillon – illustrations * Dana Sharp – illustrations * Mareye Yeates – illustrations Release history References External links ''Bellowing Room''at Discogs Discogs (short for discographies) is a database of inf ...
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Awry
''Awry'' is a 10" vinyl EP by the American experimental electronic music ensemble Biota, released in 1988 by Bad Alchemy. Track listing Personnel Adapted from the ''Awry'' liner notes. ;Biota * Tom Katsimpalis – organ, guitar, bass guitar, banjo, harmonica, tape, percussion * Mark Piersel – trumpet, guitar, bass guitar, psaltery, electronics, bells, percussion, engineering * Steve Scholbe – alto saxophone, bass clarinet, flute, guitar, bells, percussion * William Sharp – tape, electronics, soprano clarinet, engineering * Gordon H. Whitlow – bass guitar, guitar, piano, organ, accordion, percussion * Larry Wilson – drums, bongos * Randy Yeates – mbira, concertina ;Additional musicians * C.W. Vrtacek – piano (B5) ;Production and additional personnel * Bill Tindall – engineering Engineering is the use of scientific method, scientific principles to design and build machines, structures, and other item ...
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Autoharp
An autoharp or chord zither is a string instrument belonging to the zither family. It uses a series of bars individually configured to mute all strings other than those needed for the intended chord. The term ''autoharp'' was once a trademark of the Oscar Schmidt company, but has become a generic designation for all such instruments, regardless of manufacturer. History Charles F. Zimmermann, a German immigrant in Philadelphia, was awarded a patent in 1882 for a “Harp” fitted with a mechanism that muted strings selectively during play. He called a zither-sized instrument using this mechanism an “autoharp.” Unlike later designs, the instrument shown in the patent was symmetrical, and the damping mechanism engaged with the strings laterally instead of from above. It is not known if Zimmermann ever produced such instruments commercially. Karl August Gütter of Markneukirchen, Germany, built a model that he called a ''Volkszither'', which was more clearly the prototype of the ...
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Sheng (instrument)
The ( zh, c=笙) is a Chinese mouth-blown polyphonic free reed instrument consisting of vertical pipes. It is one of the oldest Chinese instruments, with images depicting its kind dating back to 1100 BCE, and there are original instruments from the Han dynasty that are preserved in museums today. Traditionally, the has been used as an accompaniment instrument for solo or performances. It is one of the main instruments in and some other forms of Chinese opera. Traditional small ensembles also make use of the , such as the wind and percussion ensembles in northern China. In the modern large Chinese orchestra, it is used for both melody and accompaniment. The has been used in the works of a few non-Chinese composers, including Unsuk Chin, Jukka Tiensuu, Lou Harrison, Tim Risher, Daníel Bjarnason, Guus Janssen and Christopher Adler. Some believe that Johann Wilde and Pere Amiot traveled to China and brought the first to Europe in 1740 and 1777 respectively, although th ...
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Banjo
The banjo is a stringed instrument with a thin membrane stretched over a frame or cavity to form a resonator. The membrane is typically circular, and usually made of plastic, or occasionally animal skin. Early forms of the instrument were fashioned by African Americans in the United States. The banjo is frequently associated with folk, bluegrass and country music, and has also been used in some rock, pop and hip-hop. Several rock bands, such as the Eagles, Led Zeppelin, and the Grateful Dead, have used the five-string banjo in some of their songs. Historically, the banjo occupied a central place in Black American traditional music and the folk culture of rural whites before entering the mainstream via the minstrel shows of the 19th century. Along with the fiddle, the banjo is a mainstay of American styles of music, such as bluegrass and old-time music. It is also very frequently used in Dixieland jazz, as well as in Caribbean genres like biguine, calypso and mento. Histo ...
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