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Timoleon (play)
''Timoleon'' is a 1730 tragedy by the British writer Benjamin Martyn. It is based on the life of the Greek statesman Timoleon, leader of Syracuse during the Sicilian Wars against Carthage. The original Drury Lane cast included John Mills as Timoleon, Roger Bridgewater as Timophanes, William Mills as Olinthus, John Corey as Orthagoras, Charles Williams as Dinarchus, James Rosco as Pheron, John Bowman as Ghost, John Roberts as Aeschylus Mary Porter as Eusensia and Jane Cibber as Cleone. The prologue was spoken by Robert Wilks, and the epilogue by Anne Oldfield Anne Oldfield (168323 October 1730) was an English actress and one of the highest paid actresses of her time. Early life and discovery She was born in London in 1683. Her father was a soldier, James Oldfield. Her mother was either Anne or Eliz .... References Bibliography * Burling, William J. ''A Checklist of New Plays and Entertainments on the London Stage, 1700-1737''. Fairleigh Dickinson Univ Press, 1992. * Ni ...
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Benjamin Martyn
Benjamin Martyn (1698–1763) was an English writer and government official. He served as the only secretary for the Trustees for the Establishment of the Colony of Georgia in America from 1732 to 1752. He then served as the colony’s agent for the Crown from February, 1753 until 1763. Literary career Before he was retained by the Georgia Trustees, Martyn authored a well-received tragedy, ''Timoleon'', in 1730, an effort supported by Alexander Pope. He and Pope collaborated on an effort to erect a monument to Shakespeare. Martyn was instrumental in founding the society for the Encouragement of Learning in 1736. Martyn was retained by Anthony Ashley Cooper, 4th Earl of Shaftesbury, a Georgia Trustee, to write a biography of his great grandfather, Anthony Ashley Cooper, 1st Earl of Shaftesbury. The 1st earl was a notable figure in seventeenth century English politics and with philosopher John Locke designed the settlement plan for the Carolina Colony. The Georgia Trustees Martyn ...
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John Bowman (actor)
John Bowman (1651–1739) was a British stage actor.''The Routledge Anthology of Restoration and Eighteenth-Century Drama'' p.XXXVIII He began his career in the Duke's Company at the Dorset Garden Theatre. In 1692 he married Elizabeth Watson, who acted under the name Elizabeth Bowman. He later switched to act at the Drury Lane Theatre. He is also referred to as John Boman. Selected roles * Peter Santloe in ''The Counterfeit Bridegroom'' by Aphra Behn (1677) * Saunter in '' Friendship in Fashion'' by Thomas Otway (1678) * Patroclus in '' The Destruction of Troy'' by John Banks (1678) * Pisander in '' The Loyal General'' by Nahum Tate (1679) * Crotchett '' The Virtuous Wife'' by Thomas D'Urfey (1679) * Patroclus in ''Troilus and Cressida'' by John Dryden (1679) * Mr Shatter in '' The Revenge'' by Aphra Behn (1680) * Duke of Clarence in ''The Misery of Civil War'' by John Crowne (1680) * Atticus in ''Theodosius'' by Nathaniel Lee (1680) * Dreswell in ''The City Heiress'' by Aphra Be ...
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British Plays
British may refer to: Peoples, culture, and language * British people, nationals or natives of the United Kingdom, British Overseas Territories, and Crown Dependencies. ** Britishness, the British identity and common culture * British English, the English language as spoken and written in the United Kingdom or, more broadly, throughout the British Isles * Celtic Britons, an ancient ethno-linguistic group * Brittonic languages, a branch of the Insular Celtic language family (formerly called British) ** Common Brittonic, an ancient language Other uses *''Brit(ish)'', a 2018 memoir by Afua Hirsch *People or things associated with: ** Great Britain, an island ** United Kingdom, a sovereign state ** Kingdom of Great Britain (1707–1800) ** United Kingdom of Great Britain and Ireland (1801–1922) See also * Terminology of the British Isles * Alternative names for the British * English (other) * Britannic (other) * British Isles * Brit (other) * Briton (d ...
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1730 Plays
Year 173 ( CLXXIII) was a common year starting on Thursday (link will display the full calendar) of the Julian calendar. At the time, it was known as the Year of the Consulship of Severus and Pompeianus (or, less frequently, year 926 '' Ab urbe condita''). The denomination 173 for this year has been used since the early medieval period, when the Anno Domini calendar era became the prevalent method in Europe for naming years. Events By place Roman Empire * Gnaeus Claudius Severus and Tiberius Claudius Pompeianus become Roman Consuls. * Given control of the Eastern Empire, Avidius Cassius, the governor of Syria, crushes an insurrection of shepherds known as the Boukoloi. Births * Maximinus Thrax ("the Thracian"), Roman emperor (d. 238) * Mi Heng, Chinese writer and musician (d. 198) Deaths * Donatus of Muenstereifel, Roman soldier and martyr (b. AD 140 Year 140 ( CXL) was a leap year starting on Thursday (link will display the full calendar) of the Julia ...
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Anne Oldfield
Anne Oldfield (168323 October 1730) was an English actress and one of the highest paid actresses of her time. Early life and discovery She was born in London in 1683. Her father was a soldier, James Oldfield. Her mother was either Anne or Elizabeth Blanchard. Her grandfather owned a tavern and left her father several properties, he however mortgaged these which resulted in Anne and her mother being placed in financial difficulty when he died young. It appears that Oldfield received some education because her biographers state that she read widely in her youth. Oldfield and her mother went to live with her aunt, Mrs Voss, in the Mitre tavern, St James. In 1699, she attracted George Farquhar's attention when he overheard her reciting lines from Francis Beaumont and John Fletcher's play ''The Scornful Lady'' (1616) in a back room of her tavern. Soon after, she was hired by Christopher Rich to join the cast of the Theatre Royal, Drury Lane. Career A year later she was cast in he ...
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Epilogue
An epilogue or epilog (from Greek ἐπίλογος ''epílogos'', "conclusion" from ἐπί ''epi'', "in addition" and λόγος ''logos'', "word") is a piece of writing at the end of a work of literature, usually used to bring closure to the work. It is presented from the perspective of within the story. When the author steps in and speaks directly to the reader, that is more properly considered an afterword. The opposite is a prologue—a piece of writing at the ''beginning'' of a work of literature or drama, usually used to open the story and capture interest. Some genres, for example television programs and video games, call the epilogue an "outro" patterned on the use of "intro" for "introduction". Epilogues are usually set in the future, after the main story is completed. Within some genres it can be used to hint at the next installment in a series of work. It is also used to satisfy the reader's curiosity and to cover any loose ends of the story. History of the term T ...
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Robert Wilks
Robert Wilks (''c.'' 1665 – 27 September 1732) was a British actor and theatrical manager who was one of the leading managers of Theatre Royal, Drury Lane in its heyday of the 1710s. He was, with Colley Cibber and Thomas Doggett, one of the "triumvirate" of actor-managers that was denounced by Alexander Pope and caricatured by William Hogarth as leaders of the decline in theatrical standards and degradation of the stage's literary tradition. The family was based for many generations in Bromsgrove, Worcestershire. His great-uncle, Judge Wilks, had served Charles I of England during the English Civil War, for whom he raised a troop at his own expense. After Oliver Cromwell won the civil war, Wilks' father moved to Dublin, where Robert Wilks was born. He was a clerk to Robert Southwell until he joined the Williamite army. As soon as he was discharged from the army, he worked in the Smock Alley Theatre in Dublin from 1691 to 1693. According to Wilks's version of the story ...
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Prologue
A prologue or prolog (from Greek πρόλογος ''prólogos'', from πρό ''pró'', "before" and λόγος ''lógos'', "word") is an opening to a story that establishes the context and gives background details, often some earlier story that ties into the main one, and other miscellaneous information. The Ancient Greek ''prólogos'' included the modern meaning of ''prologue'', but was of wider significance, more like the meaning of preface. The importance, therefore, of the prologue in Greek drama was very great; it sometimes almost took the place of a romance, to which, or to an episode in which, the play itself succeeded. Latin On the Latin stage the prologue was often more elaborate than it was in Athens, and in the careful composition of the poems which Plautus prefixes to his plays we see what importance he gave to this portion of the entertainment; sometimes, as in the preface to the ''Rudens'', Plautus rises to the height of his genius in his adroit and romantic prolo ...
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Jane Cibber
Jane Cibber ( Johnson; 1704/1706 — 1733) was a British stage actress.''The Routledge Anthology of Restoration and Eighteenth-Century Drama'', pg. XIII Life She was born in 1704 or 1706 as Jane Johnson. Her guardian was the writer Richard Savage. Originally appearing at Drury Lane Theatre as Jane Johnson, in 1725 she married Theophilus Cibber the son of actor-manager Colley Cibber.Koon p. 109 She had four children with him while continuing to act on the stage in a mixture of comedies and tragedies. When Elizabeth Younger defected to work for the Lincoln's Inn Fields Theatre company, she took over the roles she had been playing. In 1731, she played the title role in '' Caelia'' by Charles Johnson. She died after childbirth in 1733. Her husband said he would never remarry. He did in 1734. Selected roles * Polyxena in ''Hecuba'' by Richard West (1726) * Jenny in ''The Provoked Husband'' (1728) * Ianthe in ''Love in a Riddle'' (1729) * Cleone in ''Timoleon'' by Benjamin Martyn ...
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Mary Porter (actress)
Mary Porter (died 24 February 1765) was an English actress. Life She was brought to the attention of Betterton by Elizabeth Barry, who had seen her play the Fairy Queen at Bartholomew Fair. In his company she made her first appearance in 1699, in tragedy, in which she was at her best, although she also played a long list of comedy parts. When her friends, Mrs Barry, Mrs Bracegirdle and Mrs Oldfield, had retired from the stage, she was left its undisputed queen. In 1713 she appeared in John Gay's comedy '' The Wife of Bath'' at Drury Lane. In 1724 she featured in his tragedy '' The Captives'' as Astarbe, Queen of Media. Selected roles * Mirabel in ''The Rival Fools'' by Colley Cibber (1709) * Alicia in ''Jane Shore'' by Nicholas Rowe (1714) * Lady Woodvill in '' The Non-Juror'' by Colley Cibber (1717) * Eudocia in ''The Siege of Damascus'' by John Hughes (1720) * Astarbe in '' The Captives'' by John Gay John Gay (30 June 1685 – 4 December 1732) was an English poet and ...
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John Roberts (stage Actor)
John Roberts was a British stage actor of the eighteenth century. During the early 1720s he was a member of the Drury Lane company. He then left the company for a number of years before returning in 1728. He remained in the Dury Lane company until 1734, but also made appearances at the Haymarket Theatre and in summer performances at Bartholomew Fair. From 1734 he primarily appeared at the Covent Garden Theatre. His career was generally overshadowed by that of his wife, billed as Mrs Roberts during their marriage.Highfill, Burnim & Langhans p.10 Selected roles * Messenger in '' The Briton'' by Ambrose Philips (1722) * Roberto in ''Love in a Forest'' by Charles Johnson (1723) * First Centurion in ''Caesar in Egypt'' by Colley Cibber (1724) * Talthybius in ''Hecuba'' by Richard West (1726) * Old Apeall in ''The Humours of Oxford'' by Charles Johnson (1730) * Aeschylus in ''Timoleon'' by Benjamin Martyn (1730) * Narva in ''Sophonisba'' by James Thomson (1730) * Trapwell in ''Pasqui ...
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James Rosco
James Rosco (died 1761) was a British stage actor. His name is also written as James Roscoe. From 1722 to 1729 he acted at the Smock Alley Theatre in Dublin. Moving to London he appeared at a variety of venues, including the Drury Lane and Haymarket Theatres before spending several years as a member of Henry Giffard's company at the Goodman's Fields Theatre near the Tower of London. After Giffard's attempt to challenge the patent theatres was ended by the Licensing Act he joined Covent Garden where he performed regularly between 1737 and 1748. He was generally a secondary performer at the company, scarcely playing leading roles. In 1739 he was accidentally stabbed during a performance of ''Mariamne''. While at Covent Garden, he appeared during the summer at the Jacobs Well Theatre in Bristol playing leading roles. He eventually settled in the city and established an academy there with his wife Anne Barbara Roscoe. Their daughter briefly appeared at Drury Lane in 1757 before acting ...
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