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Time–space Compression
Time–space compression (also known as space–time compression and time–space distanciation) is an idea referring to the altering of the qualities of space–time and the relationship between space and time that is a consequence of the expansion of capital. It is rooted in Karl Marx's theory of the "annihilation of space by time" originally elaborated in the ''Grundrisse'', and was later articulated by Marxist geographer David Harvey in his book ''The Condition of Postmodernity''. A similar idea was proposed by Elmar Altvater in an article in ''PROKLA'' in 1987, translated into English as "Ecological and Economic Modalities of Time and Space" and published in '' Capitalism Nature Socialism'' in 1990. Time–space compression occurs as a result of technological innovations driven by the global expansion of capital that condense or elide spatial and temporal distances, including technologies of communication (telegraph, telephones, fax machines, Internet) and travel (rail, cars, t ...
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Capital (economics)
In economics, capital goods or capital are "those durable produced goods that are in turn used as productive inputs for further production" of goods and services. At the macroeconomic level, "the nation's capital stock includes buildings, equipment, software, and inventories during a given year." A typical example is the machinery used in factories. Capital can be increased by the use of the factors of production, which however excludes certain durable goods like homes and personal automobiles that are not used in the production of saleable goods and services. Adam Smith defined capital as "that part of man's stock which he expects to afford him revenue". In economic models, capital is an input in the production function. The total physical capital at any given moment in time is referred to as the capital stock (not to be confused with the capital stock of a business entity). Capital goods, real capital, or capital assets are already-produced, durable goods or any non-fi ...
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Moishe Postone
Moishe Postone (April 17, 1942 – March 19, 2018) was a Canadian historian and social theorist. He was a professor of history at the University of Chicago, where he was part of the Committee on Jewish Studies. Life and career Postone was born on April 17, 1942, the son of a Canadian rabbi. He received his PhD from University of Frankfurt in 1983. His research interests included modern European intellectual history; social theory, especially critical theories of modernity; 20th-century Germany; antisemitism; and contemporary global transformations. He was co-editor with Craig Calhoun and Edward LiPuma of ''Bourdieu: Critical Perspectives'' and author of '' Time, Labor and Social Domination: A Reinterpretation of Marx's Critical Theory''. He was also co-editor with Eric Santner of ''Catastrophe and Meaning: The Holocaust and the Twentieth Century'', a collection of essays that consider the meaning of the Holocaust in twentieth-century history and its influence on historical p ...
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History Of Telecommunications
The history of telecommunication began with the use of smoke signals and drum (communication), drums in Africa, Asia, and the Americas. In the 1790s, the first fixed semaphore line, semaphore systems emerged in Europe. However, it was not until the 1830s that electrical telecommunication systems started to appear. This article details the history of telecommunication and the individuals who helped make telecommunication systems what they are today. The history of telecommunication is an important part of the larger history of communication. Ancient systems and optical telegraphy Early telecommunications included smoke signals and drum (communication), drums. Talking drums were used by natives in Africa, and smoke signals in North America and China. These systems were often used to do more than announce the presence of a military camp. In Azazel#Rabbinical_Judaism, Rabbinical Judaism a signal was given by means of kerchiefs or flags at intervals along the way back to the high p ...
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Perception
Perception () is the organization, identification, and interpretation of sensory information in order to represent and understand the presented information or environment. All perception involves signals that go through the nervous system, which in turn result from physical or chemical stimulation of the sensory system.Goldstein (2009) pp. 5–7 Vision involves light striking the retina of the eye; smell is mediated by odor molecules; and hearing involves pressure waves. Perception is not only the passive receipt of these signals, but it is also shaped by the recipient's learning, memory, expectation, and attention. Gregory, Richard. "Perception" in Gregory, Zangwill (1987) pp. 598–601. Sensory input is a process that transforms this low-level information to higher-level information (e.g., extracts shapes for object recognition). The process that follows connects a person's concepts and expectations (or knowledge), restorative and selective mechanisms (such as ...
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Jeff Lewis (professor)
Jeffrey Norman Lewis is a professor of media and cultural studies at Royal Melbourne Institute of Technology (RMIT University), Melbourne, Australia. He is the author of numerous refereed articles and books which focus on cultural interface and conflict. His work on political violence and terrorism has been particularly important for government, community and media debate. Lewis is also a documentary-maker and musician. Lewis's academic work has sought to re-politicise the concept of 'culture', re-building poststructural and psychoanalytic theory into a more distinctive zone of political critique. He argues, for example, that militant organisations like al-Qa'eda and ISIS (Islamic State of Iraq and the Levant) represent the failure of Enlightenment liberalism and the ideals of freedom. According to Lewis, it is simply inadequate to define these militant organisations as the ideological opposite to western democratic states. Consequently, it is too simplistic to explain the war ...
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Space Of Flows
The space of flows is a high-level cultural abstraction of space and time, and their dynamic interactions with digital age society. The concept was created by the sociologist and cybernetic culture theoretician Manuel Castells to "reconceptualize new forms of spatial arrangements under the new technological paradigm"; a new type of space that allows distant synchronous, real-time interaction.Castells, Manuel. "An Introduction to the Information Age" in ''The Information Society Reader'', Frank Webster, Raimo Blom, Erkki Karvonen, Harri Melin, Kaarle Nordenstreng, and Ensio Puoskari, editors. London and New York: Routledge, 2004. pp 138–49. The space of flows first was mentioned in ''The Informational City: Information Technology, Economic Restructuring, and the Urban Regional Process'' (1989). Definitions Castells defines the concepts as follows: "The material arrangements that allow for simultaneity of social practices without territorial contiguity. It is not purely electronic s ...
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Social Production Of Space
The social production of space is a concept in the sociology of space which contends that space is neither a thing nor a container, but a product and means of production. Thus, space is produced and constructed socially and a set of human relations. It was pioneered by philosopher Henri Lefebvre in his 1974 book . Trichotomy According to Lefebvre, there are different modes of production of space: natural and social space. Lefebvre developed a conceptual triad of space: # Spatial practice (perceived space): The physical organization of space, such as daily routines and activities; # Representations of space (conceived space): The space created and imagined by urban planners, architects, and other professionals; # Representational space (lived space): The individual, subjective experience of space, shaped by symbols, images, and personal emotions. Physical space is constructed by various actors, e.g. the state, landowners and architects. Discursive space is mentally constructed by ...
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Late Modernism
In the visual arts, late modernism encompasses the overall production of most recent art made between the aftermath of World War II and the early years of the 21st century. The terminology often points to similarities between late modernism and post-modernism although there are differences. The predominant term for art produced since the 1950s is contemporary art. Not all art labelled as contemporary art is modernist or post-modern, and the broader term encompasses both artists who continue to work in modern and late modernist traditions, as well as artists who reject modernism for post-modernism or other reasons. Arthur Danto argues explicitly in ''After the End of Art'' that contemporaneity was the broader term, and that postmodern objects represent a subsector of the contemporary movement which replaced modernity and modernism, while other notable critics: Hilton Kramer,''The Citadel of Modernism Falls to Deconstructionists'', 1992 critical essay, ''The Triumph of Modernism'', ...
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Late Capitalism
Late capitalism, late-stage capitalism, or end-stage capitalism is a term first used in print by German economist Werner Sombart around the turn of the 20th century. In the late 2010s, the term began to be used in the United States and Canada to refer to perceived absurdities, contradictions, crises, injustices, inequality, and exploitation created by modern business development. Later capitalism refers to the historical epoch since 1940, including the post–World War II economic expansion called the "golden age of capitalism". The expression already existed for a long time in continental Europe, before it gained popularity in the English-speaking world through the English translation of Ernest Mandel's book ''Late Capitalism'', published in 1975. The German original edition of Mandel's work was subtitled in "an attempt at an explanation", meaning that Mandel tried to provide an orthodox Marxist explanation of the post-war epoch in terms of Marx's theory of the capitalist mode ...
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Global Village
Global village describes the phenomenon of the entire world becoming more interconnected as the result of the propagation of media technologies throughout the world. The term was coined by Canadian media theorist Marshall McLuhan in his books '' The Gutenberg Galaxy: The Making of Typographic Man'' (1962) and ''Understanding Media'' (1964). Literary scholar Sue-Im Lee describes how the term global village has come to designate “the dominant term for expressing a global coexistence altered by transnational commerce, migration, and culture” (as cited in Poll, 2012). Economic journalist Thomas Friedman's definition of the global village as a world “tied together into a single globalized marketplace and village” is another contemporary understanding of the term (as cited in Poll, 2012). Overview Marshall McLuhan, who was a Canadian thinker, coined the term 'global village' in the 1960s. It indicates the daily production and consumption of media, images, and content by globa ...
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Emancipation
Emancipation generally means to free a person from a previous restraint or legal disability. More broadly, it is also used for efforts to procure economic and social rights, political rights or equality, often for a specifically disenfranchised group, or more generally, in discussion of many matters. Among others, Karl Marx discussed political emancipation in his 1844 essay "On the Jewish Question", although often in addition to (or in contrast with) the term ''human emancipation''. Marx's views of political emancipation in this work were summarized by one writer as entailing "equal status of individual citizens in relation to the state, equality before the law, regardless of religion, property, or other 'private' characteristics of individual people." "Political emancipation" as a phrase is less common in modern usage, especially outside academic, foreign or activist contexts. However, similar concepts may be referred to by other terms. For instance, in the United States t ...
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Commodity
In economics, a commodity is an economic good, usually a resource, that has full or substantial fungibility: that is, the market treats instances of the good as equivalent or nearly so with no regard to who produced them. The price of a commodity good is typically determined as a function of its market as a whole: well-established physical commodities have actively traded spot and derivative markets. The wide availability of commodities typically leads to smaller profit margins and diminishes the importance of factors (such as brand name) other than price. Most commodities are raw materials, basic resources, agricultural, or mining products, such as iron ore, sugar, or grains like rice and wheat. Commodities can also be mass-produced unspecialized products such as chemical substance, chemicals and computer memory. Popular commodities include Petroleum, crude oil, Maize, corn, and gold. Other definitions of commodity include something useful or valued and an alternative ter ...
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