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Tibor Kneif
Tiburtius Tibor Kneif (9 October 1932 – 26 July 2016) was a German-Hungarian lawyer and musicologist. Life Born in Bratislava, Kneif, who after studying law received his doctorate from the Faculty of Law in Budapest in 1955, continued his studies at the Faculty of Law in Göttingen after emigrating to the Federal Republic of Germany in 1956, but from 1959 he turned his attention to musicology, philosophy and Romance studies and received his doctorate again in 1963, this time with the musicological topic ''Zur Entstehung der musikalischen Mediävistik'' with Heinrich Husmann. With a scholarship from the Deutsche Forschungsgemeinschaft he worked at the Frankfurt Institute for Social Research with Theodor W. Adorno from 1965 to 1967. In 1971 he completed his habilitation in musicology under Rudolf Stephan at Freie Universität Berlin and was appointed professor there in 1973 (1997: retired university professor). In addition to his academic profession, he also worked as a music c ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Der Tagesspiegel
''Der Tagesspiegel'' (meaning ''The Daily Mirror'') is a German daily newspaper. It has regional correspondent offices in Washington D.C. and Potsdam. It is the only major newspaper in the capital to have increased its circulation, now 148,000, since German reunification, reunification. ''Der Tagesspiegel'' is a Liberalism in Germany, liberal newspaper that is classified as Centrism, centrist media in the context of German politics. History and profile Founded on 27 September 1945 by Erik Reger, Walther Karsch and Edwin Redslob, ''Der Tagesspiegel'' main office is based in Berlin at Askanischer Platz in the locality of Kreuzberg, about from Potsdamer Platz and the former location of the Berlin Wall. For more than 45 years, ''Der Tagesspiegel'' was owned by an independent Financial endowment, trust. In 1993, in response to an increasingly competitive publishing environment, and to attract investments required for technical modernisation, such as commission of a new printing pla ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Archiv Für Musikwissenschaft
The ''Archiv für Musikwissenschaft'' is a quarterly German-English-speaking trade magazine devoted to music history and historical musicology, which publishes articles by well-known academics and young scholars. It was founded in 1918 as the successor of the ''Sammelbände der Internationalen Musikgesellschaft'' by Max Seiffert, Johannes Wolf and Max Schneider, who were also the first editors. It was under the patronage of the Fürstliches Institut für musikwissenschaftliche Forschung zu Bückeburg. The first two volumes 1918/1919 and 1919/1920 were published by Breitkopf & Härtel, then the volumes 1921 to 1926 by . With the 8th volume the publication of the journal was stopped in 1927, but resumed in 1952 with the 9th volume. Publisher of the quarterly was Wilibald Gurlitt (in connection with Heinrich Besseler, Walter Gerstenberg and Arnold Schmitz), who assigned the editorship to Hans Heinrich Eggebrecht. With the 19th/20th volume 1962/1963 the Archive for Musicology was ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
1932 Births
Year 193 ( CXCIII) was a common year starting on Monday (link will display the full calendar) of the Julian calendar. At the time, it was known as the Year of the Consulship of Sosius and Ericius (or, less frequently, year 946 ''Ab urbe condita''). The denomination 193 for this year has been used since the early medieval period, when the Anno Domini calendar era became the prevalent method in Europe for naming years. Events By place Roman Empire * January 1 – Year of the Five Emperors: The Roman Senate chooses Publius Helvius Pertinax, against his will, to succeed the late Commodus as Emperor. Pertinax is forced to reorganize the handling of finances, which were wrecked under Commodus, to reestablish discipline in the Roman army, and to suspend the food programs established by Trajan, provoking the ire of the Praetorian Guard. * March 28 – Pertinax is assassinated by members of the Praetorian Guard, who storm the imperial palace. The Empire is auctioned off ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Academic Staff Of The Free University Of Berlin
An academy (Attic Greek: Ἀκαδήμεια; Koine Greek Ἀκαδημία) is an institution of secondary or tertiary higher learning (and generally also research or honorary membership). The name traces back to Plato's school of philosophy, founded approximately 385 BC at Akademia, a sanctuary of Athena, the goddess of wisdom and skill, north of Athens, Greece. Etymology The word comes from the ''Academy'' in ancient Greece, which derives from the Athenian hero, ''Akademos''. Outside the city walls of Athens, the gymnasium was made famous by Plato as a center of learning. The sacred space, dedicated to the goddess of wisdom, Athena, had formerly been an olive grove, hence the expression "the groves of Academe". In these gardens, the philosopher Plato conversed with followers. Plato developed his sessions into a method of teaching philosophy and in 387 BC, established what is known today as the Old Academy. By extension, ''academia'' has come to mean the accumulation, dev ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Laurenz Lütteken
Laurenz Lütteken (born 9 September 1964 in Essen) is a German musicologist. Since 2001, he has been Ordinarius for musicology at the University of Zürich. on Wiko Berlin Since 2013, he is General editor of MGG Online. Writings ; As Author * ''Guillaume Dufay und die isorhythmic motet''. Hamburg 1993. * (with Christoph Wagner): ''Die Apotheose des Chorals Homo absconditus.'' Stuttgart 1997. * ''Das Monologische als Denkform in der Musik zwischen 1760 und 1785.'' Tübingen 1998. * Contribution to |
Camille Durutte
François Antoine Camille Durutte, comte Durutte (15 October 1803 – 24 September 1881), was a French composer and music theorist. Life Born in Ypres, the son of General Pierre François Joseph Durutte, he was destined for a military career. He studied at the Lycée Louis-le-Grand and then at the École Polytechnique both in Paris from 1823 to 1825. It was only after the death of his father in 1827 that he turned to music. He conceived a mathematical musical theory based on the work of Josef Hoëné-Wronski and which he presented in his books ''Esthétique musical'' (1855) and ''Technie harmonique'' (1876). His theories were not very fruitful for musical practice and were only taken up in isolation, for example by Edgar Varèse. Durutte also composed several operas, religious music and chamber music Chamber music is a form of classical music that is composed for a small group of instruments—traditionally a group that could fit in a palace chamber or a large room. Most ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Das Judentum In Der Musik
"Das Judenthum in der Musik" (German for "Jewishness in Music", but normally translated ''Judaism in Music''; spelled after its first publications, according to modern German spelling practice, as ‘Judentum’) is an essay by Richard Wagner which attacks Jews in general and the composers Giacomo Meyerbeer and Felix Mendelssohn in particular. It was published under a pseudonym in the ''Neue Zeitschrift für Musik'' (''NZM'') of Leipzig in September 1850 and was reissued in a greatly expanded version under Wagner's name in 1869. It is regarded by some as an important landmark in the history of German antisemitism. The original article of 1850 The first version of the article appeared in the ''NZM'' under the pseudonym of K. Freigedank ("K. Freethought"). In an April 1851 letter to Franz Liszt, Wagner gave the excuse that he used a pseudonym "to prevent the question being dragged down by the Jews to a purely personal level". At the time Wagner was living in exile in Zurich, on th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Leoš Janáček
Leoš Janáček (, baptised Leo Eugen Janáček; 3 July 1854 – 12 August 1928) was a Czech composer, musical theorist, folklorist, publicist, and teacher. He was inspired by Moravian and other Slavic musics, including Eastern European folk music, to create an original, modern musical style.Sehnal and Vysloužil (2001), p. 175 Until 1895 he devoted himself mainly to folkloristic research. While his early musical output was influenced by contemporaries such as Antonín Dvořák, his later, mature works incorporate his earlier studies of national folk music in a modern, highly original synthesis, first evident in the opera ''Jenůfa'', which was premiered in 1904 in Brno. The success of ''Jenůfa'' (often called the "Moravian national opera") at Prague in 1916 gave Janáček access to the world's great opera stages. Janáček's later works are his most celebrated. They include operas such as ''Káťa Kabanová'' and ''The Cunning Little Vixen'', the Sinfonietta, the ''Glag ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Richard Wagner
Wilhelm Richard Wagner ( ; ; 22 May 181313 February 1883) was a German composer, theatre director, polemicist, and conductor who is chiefly known for his operas (or, as some of his mature works were later known, "music dramas"). Unlike most opera composers, Wagner wrote both the libretto and the music for each of his stage works. Initially establishing his reputation as a composer of works in the romantic vein of Carl Maria von Weber and Giacomo Meyerbeer, Wagner revolutionised opera through his concept of the ''Gesamtkunstwerk'' ("total work of art"), by which he sought to synthesise the poetic, visual, musical and dramatic arts, with music subsidiary to drama. He described this vision in a series of essays published between 1849 and 1852. Wagner realised these ideas most fully in the first half of the four-opera cycle ''Der Ring des Nibelungen'' (''The Ring of the Nibelung''). His compositions, particularly those of his later period, are notable for their complex textures, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Carl Dahlhaus
Carl Dahlhaus (10 June 1928 – 13 March 1989) was a German musicologist who was among the leading postwar musicologists of the mid to late 20th-century. A prolific scholar, he had broad interests though his research focused on 19th- and 20th-century classical music, both areas in which he made significant advancements. However, he remains best known in the English-speaking world for his writings on Wagner. Dahlhaus wrote on many other composers, including Josquin, Gesualdo, Bach and Schoenberg. He spent the bulk of his career as head of the Berlin Institute of Technology's musicology department, which he raised to an international standard. Dahlhaus pioneered the development of numerous musicological fields, particularly the aesthetics of music, which he raised to a central status. Active as a historian, analyst, editor and organizer, he was massively influential and his work has since incited considerable discussion and debate. Life and career Dahlhaus was born in Hanover ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
