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Tibia Clausa
A Tibia Clausa is a type of pipe organ pipe. It is a large-scale, stopped wood flute pipe, usually with a leathered lip. The rank was invented by Robert Hope-Jones. Tibia Clausas provides the basic foundation tone of the organ with few overtones or harmonics. The Tibia Clausa is arguably the most important rank of pipes in a theatre pipe organ, with some organs having as many as 5. The stop shares similarities with the '' Bourdon'' and the ''Gedackt'' found in some church pipe organs. In the 18th and 19th centuries, Tibia Clausa was sometimes used as an alternate name for Doppelflöte. Most tibias are made from wood, as by Wurlitzer The Rudolph Wurlitzer Company, usually referred to as simply Wurlitzer, is an American company started in Cincinnati in 1853 by German immigrant (Franz) Rudolph Wurlitzer. The company initially imported stringed, woodwind and brass instruments ... etc., although examples of metal tibias may be found made by the John Compton Organ Company. The Ti ...
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Pipe Organ
The pipe organ is a musical instrument that produces sound by driving pressurized air (called ''wind'') through the organ pipes selected from a keyboard. Because each pipe produces a single pitch, the pipes are provided in sets called ''ranks'', each of which has a common timbre and volume throughout the keyboard compass. Most organs have many ranks of pipes of differing timbre, pitch, and volume that the player can employ singly or in combination through the use of controls called stops. A pipe organ has one or more keyboards (called '' manuals'') played by the hands, and a pedal clavier played by the feet; each keyboard controls its own division, or group of stops. The keyboard(s), pedalboard, and stops are housed in the organ's ''console''. The organ's continuous supply of wind allows it to sustain notes for as long as the corresponding keys are pressed, unlike the piano and harpsichord whose sound begins to dissipate immediately after a key is depressed. The smallest po ...
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Robert Hope-Jones
Robert Hope-Jones (9 February 1859 – 13 September 1914) was an English musician who is considered to be the inventor of the theatre organ in the early 20th century. He thought that a pipe organ should be able to imitate the instruments of an orchestra, and that the console should be detachable from the organ. Early life Jones was born in Hooton, Cheshire, one of nine children of William and Agnes Hope-Jones. His younger brother was the horologist Frank Hope-Jones. He started learning the organ at an early age, and by the age of nine, he was playing for occasional services at St Mary's Church, Eastham. When fifteen he became voluntary organist and choir-master to the Birkenhead School Chapel. Two or three years later he simultaneously held a similar office at St Luke's Church, Tranmere, where he trained a boy choir that became widely celebrated. For this church he bought and set up a fine organ. He subsequently served as churchwarden and was active in many other church ...
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Overtone
An overtone is any resonant frequency above the fundamental frequency of a sound. (An overtone may or may not be a harmonic) In other words, overtones are all pitches higher than the lowest pitch within an individual sound; the fundamental is the lowest pitch. While the fundamental is usually heard most prominently, overtones are actually present in any pitch except a true sine wave. The relative volume or amplitude of various overtone partials is one of the key identifying features of timbre, or the individual characteristic of a sound. Using the model of Fourier analysis, the fundamental and the overtones together are called partials. Harmonics, or more precisely, harmonic partials, are partials whose frequencies are numerical integer multiples of the fundamental (including the fundamental, which is 1 times itself). These overlapping terms are variously used when discussing the acoustic behavior of musical instruments. Alexander J. Ellis (translating Hermann von Helmholtz ...
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Theatre Organ
A theatre organ (also known as a theater organ, or, especially in the United Kingdom, a cinema organ) is a type of pipe organ developed to accompany silent films, from the 1900s to the 1920s. Theatre organs have horseshoe-shaped arrangements of stop tabs (tongue-shaped switches) above and around the instrument's keyboards on their consoles. Theatre organ consoles were typically decorated with brightly colored stop tabs, with built-in console lighting. Organs in the UK had a common feature: large translucent surrounds extending from both sides of the console, with internal colored lighting. Theatre organs began to be installed in other venues, such as civic auditoriums, sports arenas, private residences, and churches. One of the largest theatre organs ever built was the 6 manual 52 rank Barton installed in the Chicago Stadium. There were over 7,000 such organs installed in America and elsewhere from 1915 to 1933, but fewer than 40 instruments remain in their original venues. Th ...
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Bourdon (organ Pipe)
Bourdon, bordun, or bordone normally denotes a stopped flute/flue type of pipe in an organ characterized by a dark tone, strong in fundamental, with a quint transient but relatively little overtone development. Its half-length construction makes it especially well suited to low pitches, and economical as well. The name is derived from the French word for 'bumblebee' or 'buzz'. Description This stop is most commonly found in the manuals and the pedal at 16′ pitch. In lower registers, it provides the foundation but does not provide much pitch definition. It is also found in the pedal division at 32′ pitch, where its roll of sound can actually shake the building it is installed in. When installed in the pedal division, it is often known as ''Subbass'' or ''Soubasse'' (Fr.). The Bourdon is also frequently found at 8′, especially in French organs, and is equivalent to the German Gedackt and English Stopped Diapason, which give a similar sound. Although varying ...
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Gedackt
Gedackt (also spelled gedeckt) is the name of a family of stops in pipe organ building. They are one of the most common types of organ flue pipe. The name stems from the Middle High German word ''gedact'', meaning "capped" or "covered". History The concept of the stopped flute pipe (of which gedackt is a prime example) is almost as old as organ construction. As early as 1600, in Germanic organs, stopped flutes were common additions to the specification. Besides giving a distinct flute-like tone (in contrast to the more open and expressive tone of the diapason, the organ's basic voice) the stopped flutes offer a perfect ensemble stop for making combinations. Stopped flutes like the gedackt are extremely versatile in an organ specification. Certain types of organ stops go in and out of fashion over the centuries, but the stopped flute ranks like the gedackt are always present on instruments of all sizes. Even the very smallest pipe organs frequently have some form of stopped flu ...
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Wurlitzer
The Rudolph Wurlitzer Company, usually referred to as simply Wurlitzer, is an American company started in Cincinnati in 1853 by German immigrant (Franz) Rudolph Wurlitzer. The company initially imported stringed, woodwind and brass instruments from Germany for resale in the United States. Wurlitzer enjoyed initial success, largely due to defense contracts to provide musical instruments to the U.S. military. In 1880, the company began manufacturing pianos and eventually relocated to North Tonawanda, New York. It quickly expanded to make band organs, orchestrions, player pianos and pipe or theatre organs popular in theatres during the days of silent movies. Wurlitzer is most known for their production of entry level pianos. During the 1960s, they manufactured Spinet, Console, Studio and Grand Pianos. Over time, Wurlitzer acquired a number of other companies which made a variety of loosely related products, including kitchen appliances, carnival rides, player piano rolls and radi ...
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John Compton (organ Builder)
John Compton (1876–1957), born in Newton Burgoland, Leicestershire was a pipe organ builder. His business based in Nottingham and London flourished between 1902 and 1965. Life John Compton was educated at King Edward's School, Birmingham and then studied as an apprentice with Halmshaw & Sons in Birmingham. In 1898 he joined Brindley and Foster in Sheffield.Douglas Earl Bush, Richard Kassel, ''The organ: an encyclopedia''. Routledge, 2006, p.122. Then he joined Charles Lloyd in Nottingham. He set up the business Musson & Compton in 1902 in Nottingham with James Frederick Musson. The partnership dissolved in 1904. In 1919, the business moved to workshops at Turnham Green Terrace, Chiswick, London, which had been vacated by August Gern. He occupied a new factory at Chase Road, Park Royal, North Acton, London in 1930. Compton worked primarily on electric-action pipe organs and electronic organs. Compton's first electronic instrument was the Melotone (a solo voice added to th ...
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Flue Pipe
A flue pipe (also referred to as a ''labial'' pipe) is an organ pipe that produces sound through the vibration of air molecules, in the same manner as a recorder or a whistle. Air under pressure (called ''wind'') is driven through a flue and against a sharp lip called a ''labium'', causing the column of air in the pipe to resonate at a frequency determined by the pipe length (see wind instrument). Thus, there are no moving parts in a flue pipe. This is in contrast to reed pipes, whose sound is driven by beating reeds, as in a clarinet. Flue pipes are common components of pipe organs. Stop Flue pipes include all stops of the "Principal", "Flute", and "String" classes, and some stops from the "Hybrid" class. Construction Flue pipes may be metallic or wooden. Metal pipes are usually circular in cross section; wooden pipes are usually square or rectangular, though triangular and round wooden pipes do exist. A flue pipe has two major parts, a foot and a resonator. The ''foot'' i ...
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