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Théâtre Du Palais-Royal
The Théâtre du Palais-Royal () is a 750-seat Parisian theatre at 38 rue de Montpensier, located at the northwest corner of the Palais-Royal in the Galerie de Montpensier at its intersection with the Galerie de Beaujolais. Brief history Originally known as the Théâtre des Beaujolais, it was a puppet theatre with a capacity of about 750 that was built in 1784 to the designs of the architect Victor Louis. In 1790 it was taken over by Mademoiselle Montansier and became known as the Théâtre Montansier. She began using it for plays and Italian operas translated into French and the following year hired Louis to enlarge the stage and auditorium, increasing its capacity to 1300. After Napoleon's decree on the theatres in 1807 introduced significant constraints on the types of pieces that could be performed, it was used for lighter fare, such as acrobatics, rope dancing, performing dogs, and Neapolitan puppets. In 1812 the theatre was converted into a café with shows. Afte ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
1st Arrondissement Of Paris
The 1st arrondissement of Paris (''Ier arrondissement'') is one of the 20 arrondissements of the capital city of France. In spoken French, this arrondissement is colloquially referred to as ''le premier'' (the first). It is governed locally together with the 2nd, 3rd and 4th arrondissement, with which it forms the 1st sector of Paris ( Paris-Centre). Also known as ''Louvre'', the arrondissement is situated principally on the right bank of the River Seine. It also includes the west end of the Île de la Cité. The locality is one of the oldest areas in Paris, the Île de la Cité having been the heart of the city of Lutetia, conquered by the Romans in 52 BC, while some parts on the right bank (including Les Halles) date back to the early Middle Ages. It is the least populated of the city's arrondissements and one of the smallest by area, with a land area of only 1.83 km2 (0.705 sq. miles, or 451 acres). A significant part of the area is occupied by the Louvre Museum and t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Operetta
Operetta is a form of theatre and a genre of light opera. It includes spoken dialogue, songs, and dances. It is lighter than opera in terms of its music, orchestral size, length of the work, and at face value, subject matter. Apart from its shorter length, the operetta is usually of a light and amusing character. It sometimes also includes satirical commentaries. "Operetta" is the Italian diminutive of "opera" and was used originally to describe a shorter, perhaps less ambitious work than an opera. Operetta provides an alternative to operatic performances in an accessible form targeting a different audience. Operetta became a recognizable form in the mid-19th century in France, and its popularity led to the development of many national styles of operetta. Distinctive styles emerged across countries including Austria-Hungary, Germany, England, Spain, the Philippines, Mexico, Cuba, and the United States. Through the transfer of operetta among different countries, cultural cosmop ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sacha Guitry
Alexandre-Pierre Georges "Sacha" Guitry (; 21 February 188524 July 1957) was a French stage actor, film actor, director, screenwriter, and playwright of the boulevard theatre. He was the son of a leading French actor, Lucien Guitry, and followed his father into the theatrical profession. He became known for his stage performances, particularly in boulevardier roles. He was also a prolific playwright, writing 115 plays throughout his career. He was married five times, always to rising actresses whose careers he furthered. Probably his best-known wife was Yvonne Printemps to whom he was married between 1919 and 1932. Guitry's plays range from historical dramas to contemporary light comedies. Some have musical scores, by composers including André Messager and Reynaldo Hahn. When silent films became popular Guitry avoided them, finding the lack of spoken dialogue fatal to dramatic impact. From the 1930s to the end of his life he enthusiastically embraced the cinema, making as many ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Marcel Achard
Marcel Achard (5 July 1899 – 4 September 1974) was a French playwright and screenwriter whose popular sentimental comedies Garzanti p. 3 maintained his position as a highly recognizable name in his country's theatrical and literary circles for five decades.New York Times He was elected to the Académie française in 1959. Themes and variations within a philosophical outlook A native of the Rhône département's Urban Community of Lyon, France's second largest metropolitan area, Marcel-Auguste Ferréol was born in Sainte-Foy-lès-Lyon, one of the city's suburbs, and adopted his pen name at the start of his writing career in the early 1920s. Able to absorb knowledge quickly, he became, in 1916, in the midst of World War I, a village schoolteacher at the age of 17. In 1919, a few months after the end of the war, the 20-year-old aspiring writer arrived in Paris and found jobs as a prompter at the Théâtre du Vieux-Colombier and as a journalist for various publications, includi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Madeleine Renaud
Lucie Madeleine Renaud (; 21 February 1900 – 23 September 1994) was a French actress best remembered for her work in the theatre. She did though appear in several films directed by Jean Grémillon including ''Remorques'' (''Stormy Waters'', 1941) and ''Lumière d'été'' (''Summer Light'', 1943). Personal life Renaud had a son, Jean-Pierre Granval (10 December 1923 – 28 May 1998), by her first marriage to Charles Granval. In 1940, Renaud married her second husband, actor-director Jean-Louis Barrault (1910 – 1994). They remained married until his death in 1994. She died the same year. The couple acted together and co-founded a number of theater companies, touring extensively throughout North and South America. Selected filmography * ''Vent debout'' (1923) * ''La Terre qui meurt'' (1927) - Roussille Lumineau * ''Jean de la Lune'' (1929) - Marceline * ''Serments'' (1931) - Maria * '' Mistigri'' (1931) - Nell 'Mistigri' Marignan * ''La couturière de Lunéville'' (1932) ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jean-Louis Barrault
Jean-Louis Bernard Barrault (; 8 September 1910 – 22 January 1994) was a French actor, director and mime artist who worked on both screen and stage. Biography Barrault was born in Le Vésinet in France in 1910. His father was 'a Burgundian pharmacist who died in the First World War.':87 He studied at the Collége Chaptal until 1930, when he began his studies at the École du Louvre.:87 Theatre From 1931 to 1935 Barrault studied and acted at Charles Dullin's ''L'Atelier''.:32 His first performance was a small role in Ben Jonson's ''Volpone''. At the time, Barrault was unable to afford rent and Dullin allowed him to sleep in the theatre on Volpone's bed.:16 It was ''L'Atelier'' that he first met and studied under Étienne Decroux,:41 with whom he would create the pantomime ''La Vie Primitive'' in 1931.:87 He was a member of the Comédie-Française from 1942 to 1946, performing lead roles in Shakespeare's ''Hamlet'' and Corneille's ''Le Cid.'':32 He and his wife, actress ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Paul Claudel
Paul Claudel (; 6 August 1868 – 23 February 1955) was a French poet, dramatist and diplomat, and the younger brother of the sculptor Camille Claudel. He was most famous for his verse dramas, which often convey his devout Catholicism. Early life He was born in Villeneuve-sur-Fère (Aisne), into a family of farmers and government officials. His father, Louis-Prosper, dealt in mortgages and bank transactions. His mother, the former Louise Cerveaux, came from a Champagne family of Catholic farmers and priests. Having spent his first years in Champagne, he studied at the ''lycée'' of Bar-le-Duc and at the Lycée Louis-le-Grand in 1881, when his parents moved to Paris. An unbeliever in his teenage years, Claudel experienced a conversion at age 18 on Christmas Day 1886 while listening to a choir sing Vespers in the cathedral of Notre Dame de Paris: "In an instant, my heart was touched, and I believed." He remained an active Catholic for the rest of his life. In addition, he discovere ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Raimu
Jules Auguste Muraire (18 December 1883 – 20 September 1946), whose stage name was Raimu, was a French actor. He is most famous for playing César in the 'Marseilles trilogy' ('' Marius'', '' Fanny'' and '' César''). Life and career Born in Toulon in the Var department, Muraire made his stage debut there in 1899. After coming to the attention of the great music hall star Félix Mayol who was also from Toulon, in 1908 he was given a chance to work as a secondary act in the Paris theatre scene. He worked primarily in comedy. In 1916, writer/director Sacha Guitry gave him significant parts in productions at the Folies Bergère and other major venues. In addition to his appearances on stage, Raimu also developed a successful career in films, sometimes under the name ''Jules Raimu''. He starred in the premiere of André Messager's operetta '' Coups de roulis'' in 1928. The following year, already a leading actor, he gained wide acclaim for his starring role in the stage production ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mistinguett
Mistinguett (, born Jeanne Florentine Bourgeois; 5 April 1873 – 5 January 1956) was a French actress and singer. She was at one time the highest-paid female entertainer in the world. Early life The daughter of Antoine Bourgeois, a 31-year-old day-labourer, and Jeannette Debrée, a 21-year-old seamstress, Jeanne Bourgeois was born at 5 Rue du Chemin-de-Fer (today Rue Gaston-Israël), in Enghien-les-Bains, Val-d'Oise, Île-de-France, France. The family moved to Soisy-sous-Montmorency where she spent her childhood; her parents later worked as mattress-makers.Flanner, Janet, ''Paris Journal, Volume Two, 1956—1964'' (Harcourt Brace Jovanovich, 1965), page 6 At an early age Bourgeois aspired to be an entertainer. She began as a flower seller in a restaurant in her hometown, singing popular ballads as she sold blossoms. Entertainer After taking classes in theatre and singing, she began her career as an entertainer in 1885. One day on the train to Paris for a violin lesson ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Maurice Hennequin
Maurice Hennequin (10 December 1863 – 3 September 1926) was a French-naturalized Belgian playwright. Biography A great-grandson of the painter Philippe-Auguste Hennequin, Maurice Hennequin was the son of Alfred Hennequin (1842–1887), himself a playwright, who created a kind of vaudeville, with a complex plot but rigorously structured, nicknamed "hennequinade" The young Maurice began in the world of theater at the age of 19 in 1882, sometimes helped by his father during his early years. In a 45-year long career, he gave nearly a hundred plays, mostly comedies and vaudevilles, written either alone or in collaboration. Many of these works experienced vivid success, such as ''Le Système Ribadier'', written in collaboration with Georges Feydeau, or ''Vous n'avez rien à déclarer ?'', quoted by one character in the play ''A Flea in Her Ear'' by Feydeau, and twice adapted for film. Some of his plays even experienced real triumph, like ''Le Monsieur de cinq heures'' with 568 per ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tristan Bernard
Tristan Bernard (7 September 1866 – 7 December 1947) was a French playwright, novelist, journalist and lawyer. Life He studied law, and after his military service, he started his career as the manager of an aluminium smelter. In the 1890s, he managed the ''Vélodrome de la Seine'' at Levallois-Perret and the Vélodrome Buffalo, events that were an integral part of Parisian life, being regularly attended by personalities such as Toulouse-Lautrec. He reputedly introduced the bell to signify the last lap of a race. He identified as an anarchist. Works Plays *''Les Pieds nickelés'' (1895) *' (''French Without a Master'') (1899) *''Triplepatte'' (with André Godfernaux, 1905) *''The Brighton Twins'' (''Les Jumeaux de Brighton'') (1908) *''Le Danseur inconnu'' (1909) *''Le Costaud des épinettes'' (with Alfred Athis, 1910) *'' The Little Cafe'' (''Le petit café'') (1911) *''Les Deux Canards'' (with Alfred Athis, 1913) *''Jeanne Doré'' (1913) *''Coeur de lilas'' (with , 192 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gustave Quinson
Victor Gustave Quinson (21 January 1868 – 1 August 1943) was a French playwright and theatre director. Born in Marseille, Quinson successively or even simultaneously directed, among others, the Theatre moderne, the Gymnase, the Vaudeville, the Bouffes-Parisiens and especially the Théâtre du Palais-Royal from 1910 to 1942. He is also the author of comedies and operettas in collaboration with authors such as Pierre Veber, Tristan Bernard, Albert Willemetz and especially Yves Mirande. Life In June 1919, he founded, with Jacques Rouché, Alphonse Franck and Paul Gavault, the Société amicale des directeurs de théâtre, of which Albert Carré was appointed honorary president. He was knighted in the Legion of Honour in 1920 and became an officer in 1925. Quinson died in Paris on 1 August 1943 at age 75. Works * ''Le Chasseur de chez Maxim's'', comedy in three acts with Yves Mirande, Palais-Royal, 23 December 1920 * ''Ta bouche'', operetta in three acts by Yves Mirand ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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