Théâtre Pigalle
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Théâtre Pigalle
The Théâtre Pigalle was a theatre in Paris, located in the rue Pigalle in the ninth ''arrondissement''. History Opened on June 20, 1929, financed by Philippe de Rothschild on the estate of his father Henri de Rothschild, the Rothschilds' ambition was to construct the most modern theatre in the world. The architects, Charles Siclis, Henri Just and Pierre Blum, were sent through Europe to research the latest technical developments in theatre design. Graphic artist Jean Carlu designed two well-known posters emphasizing its machine-age image. André Antoine was hired as art director, and Gabriel Astruc as manager. Antoine was replaced after two years with Gaston Baty following a disagreement with Rothschild. The 1500-seat venue opened with Sacha Guitry's piece, ''Histories of France''. The great German impresario Max Reinhardt staged a production of '' Die Fleidermaus'' here in November 1933 Through the 1930s and the war, directors and performers here included Louis Jouvet ( ...
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Huon De Bordeaux
Huon of Bordeaux is the title character of a 13th-century French epic poem with romance elements. ''Huon of Bordeaux'' The poem tells of Huon, a knight who unwittingly kills Charlot, the son of Emperor Charlemagne. He is given a reprieve from death on condition that he fulfil a number of seemingly impossible tasks: he must travel to the court of the Emir of Babylon and return with a handful of the Emir's hair and teeth, slay the Emir's mightiest knight, and three times kiss the Emir's daughter, Esclarmonde. Huon eventually accomplishes all these feats with the assistance of the fairy king Oberon. Editions and continuations The ''chanson de geste'' that survives (in three more or less complete manuscripts and two short fragments) comprises 10,553 decasyllable verses grouped in 91 assonanced laisses. Presumed dates for its composition vary, but 1216 and 1268 are generally given as ''terminus post quem'' (earliest possible date) and ''terminus ante quem'' (latest possible date ...
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Die Fleidermaus
' (, ''The Flittermouse'' or ''The Bat'', sometimes called ''The Revenge of the Bat'') is an operetta composed by Johann Strauss II to a German libretto by Karl Haffner and Richard Genée, which premiered in 1874. Background The original literary source for ' was ' (''The Prison''), a farce by German playwright Julius Roderich Benedix that premiered in Berlin in 1851. On 10 September 1872, a three-act French vaudeville play by Henri Meilhac and Ludovic Halévy, ', loosely based on the Benedix farce, opened at the Théâtre du Palais-Royal. Meilhac and Halévy had provided several successful libretti for Offenbach and ''Le Réveillon'' later formed the basis for the 1926 silent film '' So This Is Paris'', directed by Ernst Lubitsch. Meilhac and Halévy's play was soon translated into German by Karl Haffner (1804–1876), at the instigation of Max Steiner, as a non-musical play for production in Vienna. The French custom of a New Year's Eve ''réveillon'', or supper party, was ...
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Former Theatres In Paris
A former is an object, such as a template, gauge or cutting die, which is used to form something such as a boat's hull. Typically, a former gives shape to a structure that may have complex curvature. A former may become an integral part of the finished structure, as in an aircraft fuselage, or it may be removable, being using in the construction process and then discarded or re-used. Aircraft formers Formers are used in the construction of aircraft fuselage, of which a typical fuselage has a series from the nose to the empennage, typically perpendicular to the longitudinal axis of the aircraft. The primary purpose of formers is to establish the shape of the fuselage and reduce the column length of stringers to prevent instability. Formers are typically attached to longerons, which support the skin of the aircraft. The "former-and-longeron" technique (also called stations and stringers) was adopted from boat construction, and was typical of light aircraft built until the ad ...
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Raymond Rouleau
Raymond Rouleau (4 June 1904 – 11 December 1981) was a Belgian actor and film director. He appeared in more than 40 films between 1928 and 1979. He also directed 22 films between 1932 and 1981. Rouleau studied at the Royal Conservatory of Brussels, where he met Tania Balachova. They emigrated to Paris together and collaborated with a variety of directors at the cutting edge of French theatre, including Charles Dullin and Gaston Baty. They married in France and separated in 1940. He subsequently married the actress Françoise Lugagne. Partial filmography * ''L'Argent'' (1928) - Jantrou * ''The Nude Woman'' (1932) - Pierre Bernier * '' Suzanne'' (1932) * ''Le jugement de minuit'' (1933) - L'inspecteur Berry * ''Une vie perdue'' (1933) * '' Volga in Flames'' (1934) - Schalin * ''Vers l'abîme'' (1934) - Rist * ''Les beaux jours'' (1935) - Boris - le deuxième amoureux de Sylvie * ''Donogoo'' (1936) - Pierre * ''Le coeur dispose'' (1937) - Robert Levaltier * '' The Messenger'' ...
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Vincent Isola
Vincent Isola (24 July 1862 in Blida, Algeria – 31 August 1947 in Paris) was a French theatre director. Along with his older brother Émile Isola with whose life and career he was closely involved, he was a conjurer and theatre director in Paris; they were known as the Frères Isola – the Isola Brothers. Biography Born in Algeria of Italian parents, Vincent Isola arrived in Paris in 1880, and with his brother undertook a variety of jobs before they first showed their conjuring act in public. They acquired the Théâtre des Capucines in 1892 and renamed it Théâtre Isola attracting large audiences. At the end of 1895, the Isola brothers discovered the invention of the Frères Lumière, cinematography, and devised a projector called ''Isolatographe'' for which the films were provided by another pair of brothers, Frères Emile and Charles Pathé. By colouration of the films they were able to show ‘colour films’ at the Théâtre Isola. In 1897, they bought the Parisia ...
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Émile Isola
Émile Isola was born on 4 September 1860 in Blida, Algeria and died in Paris on 17 May 1945. Along with his younger brother Vincent Isola with whose life and career he was closely involved, he was a conjurer and theatre director in Paris; they were known as the Frères Isola – the Isola Brothers. Biography Born in Algeria of Italian parents, Émile Isola arrived in Paris in 1880, and with his brother undertook a variety of jobs before they first showed their conjuring act in public. They acquired the Théâtre des Capucines in 1892 and renamed it Théâtre Isola attracting large audiences. At the end of 1895, the Isola brothers discovered the invention of the Frères Lumière, cinematography, and devised a projector called ''Isolatographe'' for which the films were provided by another pair of brothers, Frères Emile and Charles Pathé. By colouration of the films they were able to show 'colour films' at the Théâtre Isola. In 1897, they bought the Parisiana and stopped thei ...
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Jean Giraudoux
Hippolyte Jean Giraudoux (; 29 October 1882 – 31 January 1944) was a French novelist, essayist, diplomat and playwright. He is considered among the most important French dramatists of the period between World War I and World War II. His work is noted for its stylistic elegance and poetic fantasy. Giraudoux's dominant theme is the relationship between man and woman—or in some cases, between man and some unattainable ideal. Biography Giraudoux was born in Bellac, Haute-Vienne, where his father, Léger Giraudoux, worked for the Ministry of Transport. Giraudoux studied at the Lycée Lakanal in Sceaux and upon graduation traveled extensively in Europe. After his return to France in 1910, he accepted a position with the Ministry of Foreign Affairs. With the outbreak of World War I, he served with distinction and in 1915 became the first writer ever to be awarded the wartime Legion of Honour. He married in 1918 and in the subsequent inter-war period produced the majority of ...
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Judith (Giraudoux)
'' Judith '' is a play written in 1931 by French dramatist Jean Giraudoux. Synopsis In ancient Palestine, an Assyrian army is attacking a community of Jewish people. The Assyrians are led by Holofernes. The Jews see their own doom coming, and they believe that they can be saved only if the fairest and purest one of their women is sent to Holofernes to plead to spare them. They pick Judith–a virgin, 20 years old, beautiful, brilliant and wealthy. Judith doesn’t want to go–she thinks the mission she’s being sent on is ridiculous and based on superstition. But confronted with the possibility that her country might be destroyed, she agrees to try it. A captain in the Jewish army named John wants to marry her. He sends a prostitute to Holofernes, who will pretend to be Judith. But Judith gets to Holofernes’ tent first. One of Holofernes’ officers, Egon, a pederast, is persuaded by the prostitute to disguise himself as Holofernes. Judith is taken in by this trick, and fee ...
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Louis Jouvet
Jules Eugène Louis Jouvet (24 December 1887 – 16 August 1951) was a French actor, theatre director and filmmaker. Early life Jouvet was born in Crozon. He had a stutter as a young man and originally trained as a pharmacist. He received an advanced degree in pharmacy in 1913, though he never actually practiced, instead pursuing a career in theatre.:91 Career Jouvet was 'refused three times by the ''Conservatoire''' in Paris before being accepted to Jacques Copeau's Théâtre du Vieux-Colombier as a stage manager in 1913.:345 Copeau's training included a varied and demanding schedule, regular exercise for agility and stamina, and pressing his cast and crew to invent theatrical effects in a bare-bones space. It was there Jouvet developed his considerable stagecraft skills, particularly makeup and lighting (he developed a kind of accent light named the ''jouvet''). These years included a successful tour to the United States. While influential, Copeau's theater was never ...
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Meyer Weisgal
Meyer Wolf Weisgal (מאיר וולף וייסגאל / וייסגל; November 10, 1894 – September 29, 1977) was an American journalist, publisher, playwright, fundraiser, and Zionist activist who served as the President of the Weizmann Institute of Science and as the founding President of Beit Hatfutsot (the Jewish Diaspora Museum). Biography Born in Kikół, Congress Poland, in the Pale of Settlement, he emigrated to New York City, US in 1905 with his parents at age 11, where he finished high school at Morris High School in the Bronx and studied journalism at Columbia University. He married Shirley (née Hirshfeld) in 1923. In 1926, he published the first English translation of the works of Chaim Nachman Bialik. In 1932, he saw stage success with the play "The romance of a people", and he continued to produce stage plays from then on. He conceived the opera-oratorio '' The Eternal Road'' to alert the then-ignorant public to Hitler's persecution of the Jews in 1937 Ger ...
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Max Reinhardt
Max Reinhardt (; born Maximilian Goldmann; 9 September 1873 – 30 October 1943) was an Austrian-born Theatre director, theatre and film director, theater manager, intendant, and theatrical producer. With his innovative stage productions, he is regarded as one of the most prominent directors of German-language theatre in the early 20th century. In 1920, he established the Salzburg Festival with the performance of Hugo von Hofmannsthal's ''Jedermann (play), Jedermann''. Life and career Reinhardt was born Maximilian Goldmann in the spa town of Baden bei Wien, Baden near Vienna, the son of Wilhelm Goldmann (1846–1911), a History of the Jews in Austria, Jewish merchant from Stupava, Slovakia, Stupava, Austro-Hungarian Monarchy, and his wife Rachel Lea Rosi "Rosa" Goldmann (''née'' Wengraf; 1851–1924). Having finished school, he began an apprenticeship at a bank, but already took acting lessons. In 1890, he gave his debut on a private stage in Vienna with the stage name ''Max ...
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