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Théâtre Grévin
The Théâtre Grévin is a Parisian theatre situated at 10 boulevard Montmartre in the 9th arrondissement of Paris and located within the Musée Grévin. It also overlooks the Passage Jouffroy. This site can be reached by the Grands Boulevards métro station. History From 1883 to 1900, a small room was used for magic acts, replaced from 1892 onwards by coloured projections by Émile Reynaud called Pantomimes lumineuses, cartoon ancestors. The current venue, named ''Cabinet fantastique'', was built in 1900 for the Universal Exposition within a complex initiated by the financier Gabriel Thomas and built by the architect Eugène-Émile Esnault-Pelterie, in which can also be found the Musée Grévin, the Palais des Mirages, the Coupole and the Salle des Colonnes. The famous Georges Méliès, inventor of film special effects, gave performances there. Throughout the end of the 19th century, before Méliès worked for film, at a fixed time during the day, visitors to the museum ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Georges Méliès
Marie-Georges-Jean Méliès (; ; 8 December 1861 – 21 January 1938) was a French illusionist, actor, and film director. He led many technical and narrative developments in the earliest days of cinema. Méliès was well known for the use of special effects, popularizing such techniques as substitution splices, multiple exposures, time-lapse photography, dissolves, and hand-painted colour. He was also one of the first filmmakers to use storyboards. His films include '' A Trip to the Moon'' (1902) and ''The Impossible Voyage'' (1904), both involving strange, surreal journeys somewhat in the style of Jules Verne, and are considered among the most important early science fiction films, though their approach is closer to fantasy. The 2011 film ''Hugo'' was inspired by the life and work of Méliès. Early life and education Marie-Georges-Jean Méliès was born 8 December 1861 in Paris, son of Jean-Louis Méliès and his Dutch wife, Johannah-Catherine Schuering. His father h ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Buildings And Structures In The 9th Arrondissement Of Paris
A building, or edifice, is an enclosed structure with a roof and walls standing more or less permanently in one place, such as a house or factory (although there's also portable buildings). Buildings come in a variety of sizes, shapes, and functions, and have been adapted throughout history for a wide number of factors, from building materials available, to weather conditions, land prices, ground conditions, specific uses, prestige, and aesthetic reasons. To better understand the term ''building'' compare the list of nonbuilding structures. Buildings serve several societal needs – primarily as shelter from weather, security, living space, privacy, to store belongings, and to comfortably live and work. A building as a shelter represents a physical division of the human habitat (a place of comfort and safety) and the ''outside'' (a place that at times may be harsh and harmful). Ever since the first cave paintings, buildings have also become objects or canvasses of much artistic ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Theatres In Paris
Theatre or theater is a collaborative form of performing art that uses live performers, usually actors or actresses, to present the experience of a real or imagined event before a live audience in a specific place, often a stage. The performers may communicate this experience to the audience through combinations of gesture, speech, song, music, and dance. Elements of art, such as painted scenery and stagecraft such as lighting are used to enhance the physicality, presence and immediacy of the experience. The specific place of the performance is also named by the word "theatre" as derived from the Ancient Greek θέατρον (théatron, "a place for viewing"), itself from θεάομαι (theáomai, "to see", "to watch", "to observe"). Modern Western theatre comes, in large measure, from the theatre of ancient Greece, from which it borrows technical terminology, classification into genres, and many of its themes, stock characters, and plot elements. Theatre artist Patrice Pavi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Compagnie Des Alpes
Compagnie des Alpes () is a French company created in 1989 to operate many ski resorts in Europe. Compagnie des Alpes is a part of Caisse des dépôts et consignations. History Compagnie des Alpes was first established in 1989 as a ski resort operator. Since 2001, Compagnie des Alpes's activity has extended to theme parks including the Walibi parks. The Walibi group was a company specializing in the management of amusement parks. Originally constituted around the Walibi amusement park located in Wavre in Belgium, it quickly developed and Walibi has become the name of several parks in Europe. The group was bought three times between 1998 and 2006 to end up in the fold of the leisure parks division of Compagnie des Alpes alongside Parc Astérix and the Grévin Museums. The Walibi parks used to be owned by an independent company, run by Belgian Eddy Meeus. They were then sold off to American company Six Flags Six Flags Entertainment Corporation is an American amusement park co ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Parc Astérix
Parc Astérix is a theme park in France based on the comic book series ''Asterix'' by Albert Uderzo and René Goscinny. With around 2.3 million visitors yearly, Parc Astérix is France's second largest theme park, behind only Disneyland Paris with its 14 million annual visitors. It is especially renowned in France for its large variety of roller coasters; it has begun incorporating rides and themes from historic cultures like the Gauls, the Romans, Ancient Greece and recently Ancient Egypt, but always in the visual style of the societies. It is situated approximately north of Paris, from Disneyland Paris and from the historic Château de Chantilly, in the commune of Plailly, in the department of Oise. Opened in 1989, the park is operated by Compagnie des Alpes. History Conception and inauguration Largely funded by the Barclays financial company, with 20 other investors including Compagnie Générale des Eaux, the Havas group, Union des Assurances de Paris and the Picardy r ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pediment
Pediments are gables, usually of a triangular shape. Pediments are placed above the horizontal structure of the lintel, or entablature, if supported by columns. Pediments can contain an overdoor and are usually topped by hood moulds. A pediment is sometimes the top element of a portico. For symmetric designs, it provides a center point and is often used to add grandness to entrances. The tympanum, the triangular area within the pediment, is often decorated with a pedimental sculpture which may be freestanding or a relief sculpture. The tympanum may hold an inscription, or in modern times, a clock face. Pediments are found in ancient Greek architecture as early as 600 BC (e.g. the archaic Temple of Artemis). Variations of the pediment occur in later architectural styles such as Classical, Neoclassical and Baroque. Gable roofs were common in ancient Greek temples with a low pitch (angle of 12.5° to 16°). History The pediment is found in classical Greek temples, Et ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Antoine Bourdelle
Antoine Bourdelle (30 October 1861 – 1 October 1929), born Émile Antoine Bordelles, was an influential and prolific French sculptor and teacher. He was a student of Auguste Rodin, a teacher of Giacometti and Henri Matisse, and an important figure in the Art Deco movement and the transition from the Beaux-Arts style to modern sculpture. His studio became the Musée Bourdelle, an art museum dedicated to his work, located at 18, rue Antoine Bourdelle, in the 15th arrondissement of Paris, France. Early life and education Émile Antoine Bourdelle was born at Montauban, Tarn-et-Garonne in France on 30 October 1861. His father was a wood craftsman and cabinet-maker. In 1874, at the age of thirteen, he left school to work in his father's workshop, and also began carving his first sculptures of wood. In 1876, with the assistance of writer Émile Pouvillon, he received a scholarship to attend the School of Fine Arts in Toulouse, though he remained fiercely independent and resisted the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Relief
Relief is a sculptural method in which the sculpted pieces are bonded to a solid background of the same material. The term ''relief'' is from the Latin verb ''relevo'', to raise. To create a sculpture in relief is to give the impression that the sculpted material has been raised above the background plane. When a relief is carved into a flat surface of stone (relief sculpture) or wood (relief carving), the field is actually lowered, leaving the unsculpted areas seeming higher. The approach requires a lot of chiselling away of the background, which takes a long time. On the other hand, a relief saves forming the rear of a subject, and is less fragile and more securely fixed than a sculpture in the round, especially one of a standing figure where the ankles are a potential weak point, particularly in stone. In other materials such as metal, clay, plaster stucco, ceramics or papier-mâché the form can be simply added to or raised up from the background. Monumental bronze reliefs a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Commedia Dell'Arte
(; ; ) was an early form of professional theatre, originating from Italian theatre, that was popular throughout Europe between the 16th and 18th centuries. It was formerly called Italian comedy in English and is also known as , , and . Characterized by masked "types", was responsible for the rise of actresses such as Isabella Andreini and improvised performances based on sketches or scenarios. A , such as ''The Tooth Puller'', is both scripted and improvised. Characters' entrances and exits are scripted. A special characteristic of is the , a joke or "something foolish or witty", usually well known to the performers and to some extent a scripted routine. Another characteristic of is pantomime, which is mostly used by the character Arlecchino, now better known as Harlequin. The characters of the usually represent fixed social types and stock characters, such as foolish old men, devious servants, or military officers full of false bravado. The characters are exaggerated " ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jules Chéret
Jules Chéret (31 May 1836 – 23 September 1932) was a French painter and lithographer who became a master of ''Belle Époque'' poster art. He has been called the father of the modern poster. Early life and career Born in Paris to a poor but creative family of artisans, Chéret had a very limited education. At age thirteen, he began a three-year apprenticeship with a lithographer and then his interest in painting led him to take an art course at the École Nationale de Dessin. Like most other fledgling artists, Chéret studied the techniques of various artists, past and present, by visiting Paris museums. From 1859 to 1866, he was trained in lithography in London, England, where he was strongly influenced by the British approach to poster design and printing. On returning to France, Chéret created vivid poster ads for the cabarets, music halls, and theaters such as the Eldorado, the Olympia, the Folies Bergère, Théâtre de l'Opéra, the Alcazar d'Été and the Moulin Roug ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Monument Historique
''Monument historique'' () is a designation given to some national heritage sites in France. It may also refer to the state procedure in France by which National Heritage protection is extended to a building, a specific part of a building, a collection of buildings, a garden, a bridge, or other structure, because of their importance to France's architectural and historical cultural heritage. Both public and privately owned structures may be listed in this way, as well as movable objects. As of 2012 there were 44,236 monuments listed. The term "classification" is reserved for designation performed by the French Ministry of Culture for a monument of national-level significance. Monuments of lesser significance may be "inscribed" by various regional entities. Buildings may be given the classification (or inscription) for either their exteriors or interiors. A monument's designation could be for a building's décor, its furniture, a single room, or even a staircase. An example is ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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