Théophile De Viau
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Théophile De Viau
Théophile de Viau (159025 September 1626) was a French Baroque poet and dramatist. Life Born at Clairac, near Agen in the Lot-et-Garonne and raised as a Huguenot, Théophile de Viau participated in the Huguenot rebellions in Guyenne from 1615–16 in the service of the Comte de Candale. After the war, he was pardoned and became a brilliant young poet in the royal court. Théophile came into contact with the epicurean ideas of Italian philosopher Lucilio Vanini, which questioned the immortality of the soul. (Vanini was accused of heresy and of practising magic, and after having his tongue cut out, was strangled and his corpse burned in Toulouse in 1619.) Because of his heretical views and his libertine lifestyle, de Viau was banished from France in 1619 and traveled in England, though he returned to the court in 1620. In 1622 a collection of licentious poems, ''Le Parnasse satyrique'', was published under his name, although many of the poems were written by others. However, de ...
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Théophile De Viau
Théophile de Viau (159025 September 1626) was a French Baroque poet and dramatist. Life Born at Clairac, near Agen in the Lot-et-Garonne and raised as a Huguenot, Théophile de Viau participated in the Huguenot rebellions in Guyenne from 1615–16 in the service of the Comte de Candale. After the war, he was pardoned and became a brilliant young poet in the royal court. Théophile came into contact with the epicurean ideas of Italian philosopher Lucilio Vanini, which questioned the immortality of the soul. (Vanini was accused of heresy and of practising magic, and after having his tongue cut out, was strangled and his corpse burned in Toulouse in 1619.) Because of his heretical views and his libertine lifestyle, de Viau was banished from France in 1619 and traveled in England, though he returned to the court in 1620. In 1622 a collection of licentious poems, ''Le Parnasse satyrique'', was published under his name, although many of the poems were written by others. However, de ...
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Notre Dame De Paris
Notre-Dame de Paris (; meaning "Our Lady of Paris"), referred to simply as Notre-Dame, is a medieval Catholic cathedral on the Île de la Cité (an island in the Seine River), in the 4th arrondissement of Paris. The cathedral, dedicated to the Virgin Mary, is considered one of the finest examples of French Gothic architecture. Several of its attributes set it apart from the earlier Romanesque style, particularly its pioneering use of the rib vault and flying buttress, its enormous and colourful rose windows, and the naturalism and abundance of its sculptural decoration. Notre Dame also stands out for its musical components, notably its three pipe organs (one of which is historic) and its immense church bells. Construction of the cathedral began in 1163 under Bishop Maurice de Sully and was largely completed by 1260, though it was modified frequently in the centuries that followed. In the 1790s, during the French Revolution, Notre-Dame suffered extensive desecration; much of i ...
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1590 Births
Year 159 (CLIX) was a common year starting on Sunday (link will display the full calendar) of the Julian calendar. At the time in Roman territories, it was known as the Year of the Consulship of Quintillus and Priscus (or, less frequently, year 912 ''Ab urbe condita''). The denomination 159 for this year has been used since the early medieval period, when the Anno Domini calendar era became the prevalent method in Europe for naming years. Events By place India * In India, the reign of Shivashri Satakarni, as King Satavahana of Andhra, begins. Births * December 30 – Lady Bian, wife of Cao Cao (d. 230) * Annia Aurelia Fadilla, daughter of Marcus Aurelius * Gordian I, Roman emperor (d. 238) * Lu Zhi, Chinese general (d. 192) Deaths * Liang Ji, Chinese general and regent A regent (from Latin : ruling, governing) is a person appointed to govern a state '' pro tempore'' (Latin: 'for the time being') because the monarch is a minor, absent, incapacitated or ...
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Roberto Rossellini
Roberto Gastone Zeffiro Rossellini (8 May 1906 – 3 June 1977) was an Italian film director, producer, and screenwriter. He was one of the most prominent directors of the Italian neorealist cinema, contributing to the movement with films such as ''Rome, Open City'' (1945), ''Paisan'' (1946), and ''Germany, Year Zero'' (1948). Early life Rossellini was born in Rome. His mother, Elettra (née Bellan), was a housewife born in Rovigo, Veneto, and his father, Angiolo Giuseppe "Peppino" Rossellini, who owned a construction firm, was born in Rome from a family originally from Pisa, Tuscany. His mother was of partial French descent, from immigrants who had arrived in Italy during the Napoleonic Wars. He lived on the Via Ludovisi, where Benito Mussolini had his first Roman hotel in 1922 when Fascism obtained power in Italy. Rossellini's father built the first cinema in Rome, the "Barberini", a theatre where movies could be projected, granting his son an unlimited free pass; the young R ...
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Romanticism
Romanticism (also known as the Romantic movement or Romantic era) was an artistic, literary, musical, and intellectual movement that originated in Europe towards the end of the 18th century, and in most areas was at its peak in the approximate period from 1800 to 1850. Romanticism was characterized by its emphasis on emotion and individualism, clandestine literature, paganism, idealization of nature, suspicion of science and industrialization, and glorification of the past with a strong preference for the medieval rather than the classical. It was partly a reaction to the Industrial Revolution, the social and political norms of the Age of Enlightenment, and the scientific rationalization of nature. It was embodied most strongly in the visual arts, music, and literature, but had a major impact on historiography, education, chess, social sciences, and the natural sciences. It had a significant and complex effect on politics, with romantic thinkers influencing conservatism, libe ...
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Salvator Rosa
Salvator Rosa (1615 –1673) is best known today as an Italian Baroque painter, whose romanticized landscapes and history paintings, often set in dark and untamed nature, exerted considerable influence from the 17th century into the early 19th century. In his lifetime he was among the most famous painters,Jaffé, Hans L. C., editor. 1967. ''20,000 Years of World Painting.'' Harry N. Abrams, Inc., Publishers. New York. 418 pp. age 228/ref> known for his flamboyant personality, and regarded as an accomplished poet, satirist, actor, musician, and printmaker, as well. He was active in Naples, Rome, and Florence, where on occasion he was compelled to move between cities, as his caustic satire earned him enemies in the artistic and intellectual circles of the day. As a history painter, he often selected obscure and esoteric subjects from the Bible, mythology, and the lives of philosophers, that were seldom addressed by other artists. He rarely painted the common religious subjects, ...
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Baroque
The Baroque (, ; ) is a style of architecture, music, dance, painting, sculpture, poetry, and other arts that flourished in Europe from the early 17th century until the 1750s. In the territories of the Spanish and Portuguese empires including the Iberian Peninsula it continued, together with new styles, until the first decade of the 19th century. It followed Renaissance art and Mannerism and preceded the Rococo (in the past often referred to as "late Baroque") and Neoclassical styles. It was encouraged by the Catholic Church as a means to counter the simplicity and austerity of Protestant architecture, art, and music, though Lutheran Baroque art developed in parts of Europe as well. The Baroque style used contrast, movement, exuberant detail, deep colour, grandeur, and surprise to achieve a sense of awe. The style began at the start of the 17th century in Rome, then spread rapidly to France, northern Italy, Spain, and Portugal, then to Austria, southern Germany, and Russia. B ...
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François De Malherbe
François de Malherbe (, 1555 – 16 October 1628) was a French poet, critic, and translator. Life He was born in Le Locheur (near Caen, Normandie), to a family of standing, although the family's pedigree did not satisfy the heralds in terms of its claims to nobility pre-16th century. Francois the poet was the eldest son of another François de Malherbe, ''conseiller du roi'' in the magistracy of Caen. He himself was elaborately educated at Caen, at Paris, at Heidelberg and at Basel. At the age of twenty-one, preferring arms to the gown, he entered the household of Henri d'Angoulême, the illegitimate son of Henry II, governor of Provence. He served this prince as secretary in Provence, and married there in 1581. It seems that he wrote verses at this period, but, to judge from a quotation of Tallemant des Réaux, they must have been very bad ones. His patron died when Malherbe was on a visit in his native province, and for a time he had no particular employment, though by some s ...
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Pyramus And Thisbe
Pyramus and Thisbe are a pair of ill-fated lovers whose story forms part of Ovid's ''Metamorphoses''. The story has since been retold by many authors. Pyramus and Thisbe are two lovers in the city of Babylon who occupy connected houses. Their respective parents, driven by rivalry, forbid them to wed. Through a crack in one of the walls they whisper their love for each other. They arrange to meet near a tomb under a mulberry tree and state their feelings for each other. Thisbe arrives first, but upon seeing a lioness with a bloody mouth from a recent kill, she flees, leaving behind her cloak. When Pyramus arrives, he is horrified at the sight of Thisbe's cloak: the lioness had torn it and left traces of blood behind, as well as its tracks. Assuming that a wild beast has killed her, Pyramus kills himself, falling on his sword, a typical Babylonian way to commit suicide, and in turn splashing blood on the white mulberry leaves. Pyramus's blood stains the white mulberry fruits, turni ...
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Elegies
An elegy is a poem of serious reflection, and in English literature usually a lament for the dead. However, according to ''The Oxford Handbook of the Elegy'', "for all of its pervasiveness ... the 'elegy' remains remarkably ill defined: sometimes used as a catch-all to denominate texts of a somber or pessimistic tone, sometimes as a marker for textual monumentalizing, and sometimes strictly as a sign of a lament for the dead". History The Greek term ἐλεγείᾱ (''elegeíā''; from , , ‘lament’) originally referred to any verse written in elegiac couplets and covering a wide range of subject matter (death, love, war). The term also included epitaphs, sad and mournful songs, and commemorative verses. The Latin elegy of ancient Roman literature was most often erotic or mythological in nature. Because of its structural potential for rhetorical effects, the elegiac couplet was also used by both Greek and Roman poets for witty, humorous, and satirical subject matter. Other ...
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Sonnets
A sonnet is a poetic form that originated in the poetry composed at the Court of the Holy Roman Emperor Frederick II in the Sicilian city of Palermo. The 13th-century poet and notary Giacomo da Lentini is credited with the sonnet's invention, and the Sicilian School of poets who surrounded him then spread the form to the mainland. The earliest sonnets, however, no longer survive in the original Sicilian language, but only after being translated into Tuscan dialect. The term "sonnet" is derived from the Italian word ''sonetto'' (lit. "little song", derived from the Latin word ''sonus'', meaning a sound). By the 13th century it signified a poem of fourteen lines that followed a strict rhyme scheme and structure. According to Christopher Blum, during the Renaissance, the sonnet became the "choice mode of expressing romantic love". During that period, too, the form was taken up in many other European language areas and eventually any subject was considered acceptable for writers o ...
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Satirical
Satire is a genre of the visual, literary, and performing arts, usually in the form of fiction and less frequently non-fiction, in which vices, follies, abuses, and shortcomings are held up to ridicule, often with the intent of shaming or exposing the perceived flaws of individuals, corporations, government, or society itself into improvement. Although satire is usually meant to be humorous, its greater purpose is often constructive social criticism, using wit to draw attention to both particular and wider issues in society. A feature of satire is strong irony or sarcasm —"in satire, irony is militant", according to literary critic Northrop Frye— but parody, burlesque, exaggeration, juxtaposition, comparison, analogy, and double entendre are all frequently used in satirical speech and writing. This "militant" irony or sarcasm often professes to approve of (or at least accept as natural) the very things the satirist wishes to question. Satire is found in many artistic ...
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