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Thémistocle
''Thémistocle'' (''Themistocles'') is an opera by the French composer François-André Danican Philidor, first performed at Fontainebleau on 13 October 1785. It transferred to the Académie Royale de Musique, Paris (the Paris Opera) on 23 May 1786. It takes the form of a '' tragédie lyrique'' in three acts. The libretto, by Étienne Morel de Chédeville, is based on the life of the ancient Greek statesman Themistocles. See also *Philidor's other works: ''Blaise le savetier'' (1759), ''Le maréchal ferrant'' (1761), '' Tom Jones'' (1765), '' Ernelinde'' (1767), ''Persée ''Persée'' (''Perseus'') is a tragédie lyrique with music by Jean-Baptiste Lully and a libretto by Philippe Quinault, first performed on 18 April 1682 by the Opéra at the Théâtre du Palais-Royal in Paris. Roles Synopsis ACT I: The Palac ...'' (1780) Sources Félix Clément and Pierre Larousse ''Dictionnaire des Opéras'' p.658 External links *Original edition of the score at Gallica BNF O ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Themistocles
Themistocles (; grc-gre, Θεμιστοκλῆς; c. 524–459 BC) was an Athenian politician and general. He was one of a new breed of non-aristocratic politicians who rose to prominence in the early years of the Athenian democracy. As a politician, Themistocles was a populist, having the support of lower-class Athenians, and generally being at odds with the Athenian nobility. Elected archon in 493 BC, he convinced the polis to increase the naval power of Athens, a recurring theme in his political career. During the first Persian invasion of Greece he fought at the Battle of Marathon (490 BC) and was possibly one of the ten Athenian ''strategoi'' (generals) in that battle. In the years after Marathon, and in the run-up to the second Persian invasion of 480–479 BC, Themistocles became the most prominent politician in Athens. He continued to advocate for a strong Athenian Navy, and in 483 BC he persuaded the Athenians to build a fleet of 200 triremes; these prove ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Étienne Morel De Chédeville
Étienne Morel de Chédeville (10 October 1751 in Paris - 13 July 1814 in Villeneuve-Saint-Georges) was a 19th-century French playwright and librettist. He wrote the librettos for the following operas: *1783 : ''La caravane du Caire'' by André Grétry *1783 : ''Alexandre aux Indes'' by Nicolas-Jean Lefroid de Méreaux *1785 : '' Thémistocle'' by François-André Danican Philidor *1785 : ''Panurge dans l'île des lanternes'' by André Grétry *1786 : ''Tamerlan'' by Johann Friedrich Reichardt Johann Friedrich Reichardt (25 November 1752 – 27 June 1814) was a German composer, writer and music critic. Early life Reichardt was born in Königsberg, East Prussia, to lutenist and ''Stadtmusiker'' Johann Reichardt (1720–1780). Johann Fr ... *1789 : ''Aspasie'' by André Grétry External links Morel de Chédeville, Étienne (1751-1814)on idref.fr ''La Caravane du Caire'', three-act opera presented in Fontainebleau 18th-century French dramatists and playwrights 19th-century ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Philidor Opera Paris More Bright
Philidor (''Filidor'') or Danican Philidor was a family of musicians that served as court musicians to the French kings. The original name of the family was Danican (D'Anican) and was of Scottish origin (Duncan). Philidor was a later addition to the family name, given first to Michel the elder by Louis XIII because his oboe playing reminded the king of an Italian virtuoso oboist named Filidori. Both Michel the younger and Jean played in the Grande Écurie (literally, the Great Stable; figuratively, the Military Band) in Paris. Later members of the family were known as composers as well. One of them (François-André Danican Philidor) was a chess master. * Michel Danican Philidor the elder (1580–1651) ** Michel Danican Philidor the younger (c. 1610–1659) was a renowned oboist and, together with Jean Hotteterre, co-invented the oboe by modifying the shawm so that the bore was narrower and the reed could be held near the end by the player's lips ** Jean Danican Philidor (c. 1620 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
François-André Danican Philidor
François-André Danican Philidor (7 September 1726 – 31 August 1795), often referred to as André Danican Philidor during his lifetime, was a French composer and chess player. He contributed to the early development of the ''opéra comique''. He is widely regarded as the best chess player of his age; his book ''Analyse du jeu des Échecs'' was considered a standard chess manual for at least a century. A well-known chess opening, an endgame position, and a checkmate method are all named after him. Musical family François-André Danican Philidor came from the well-known musical Philidor family. The original name of his family was Danican, but François-André's grandfather, Jean Danican Philidor, was given the nickname of Philidor by Louis XIII because his oboe playing reminded the king of an Italian virtuoso oboist named Filidori. Music career Philidor joined the royal choir of Louis XV in 1732 at the age of 6, and made his first attempt at the composition of a song at th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Palace Of Fontainebleau
Palace of Fontainebleau (; ) or Château de Fontainebleau, located southeast of the center of Paris, in the commune of Fontainebleau, is one of the largest French royal châteaux. The medieval castle and subsequent palace served as a residence for the French monarchs from Louis VII to Napoleon III. Francis I and Napoleon were the monarchs who had the most influence on the palace as it stands today. It became a national museum in 1927 and was designated a UNESCO World Heritage Site in 1981 for its unique architecture and historical importance. History Medieval palace (12th century) The earliest record of a fortified castle at Fontainebleau dates to 1137. It became a favorite residence and hunting lodge of the Kings of France because of the abundant game and many springs in the surrounding forest. It took its name from one of the springs, the fountain de Bliaud, located now in the English garden, next to the wing of Louis XV. It was used by King Louis VII, for whom Thomas B ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Paris Opera
The Paris Opera (, ) is the primary opera and ballet company of France. It was founded in 1669 by Louis XIV as the , and shortly thereafter was placed under the leadership of Jean-Baptiste Lully and officially renamed the , but continued to be known more simply as the . Classical ballet as it is known today arose within the Paris Opera as the Paris Opera Ballet and has remained an integral and important part of the company. Currently called the , it mainly produces operas at its modern 2,723-seat theatre Opéra Bastille which opened in 1989, and ballets and some classical operas at the older 1,979-seat Palais Garnier which opened in 1875. Small scale and contemporary works are also staged in the 500-seat Amphitheatre under the Opéra Bastille. The company's annual budget is in the order of 200 million euros, of which €100M come from the French state and €70M from box office receipts. With this money, the company runs the two houses and supports a large permanent staff, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tragédie En Musique
Tragédie en musique (, ''musical tragedy''), also known as tragédie lyrique (, ''lyric tragedy''), is a genre of French opera introduced by Jean-Baptiste Lully and used by his followers until the second half of the eighteenth century. Operas in this genre are usually based on stories from Classical mythology or the Italian romantic epics of Tasso and Ariosto. The stories may not necessarily have a tragic ending – in fact, most do not – but the works' atmospheres are suffused throughout with an affect of nobility and stateliness. The standard ''tragédie en musique'' has five acts. Earlier works in the genre were preceded by an allegorical prologue and, during the lifetime of Louis XIV, these generally celebrated the king's noble qualities and his prowess in war. Each of the five acts usually follows a basic pattern, opening with an aria in which one of the main characters expresses their feelings, followed by dialogue in recitative interspersed with short arias (''petits airs'' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Blaise Le Savetier
''Blaise le savetier'' (''Blaise the Cobbler'') is a 1759 one-act ''opéra comique'', by the French composer François-André Danican Philidor. The libretto was by Michel-Jean Sedaine, after a story by Jean de La Fontaine entitled ''Conte d'une chose arrivée à Château-Thierry''. Performance history The first complete ''opéra comique'' by the composer, it was premiered by the Opéra-Comique at the Foire St Germain in Paris on 9 March 1759. Very successful in Paris, the work was also performed in French in Brussels in January 1760, and The Hague in 1760.Loewenberg 1978, column 241. It was revived at the Hôtel de Bourgogne on 3 February 1762 in a double-bill with Monsigny's ''On ne s'avise jamais de tout'' for the inaugural performance of the new company formed by the merger of the Opera-Comique with the Théâtre-Italien.Wild and Charlton 2005, p. 165. Further performances in French were given in Amsterdam beginning on 26 May 1762, Turin in the spring of 1765, Hanover on 17 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Le Maréchal Ferrant
''Le maréchal ferrant'' (''The Blacksmith'') is a 1761 French two-act ''opéra comique'' with spoken dialogue and music composed by François-André Danican Philidor as well as several '' vaudevilles'' (popular old songs with new words), which were typically included in ''opéras comiques'' of the time. The libretto is by Antoine-François Quétant, after one of the stories in Boccaccio's ''Decameron'' ( VII, 1), with verses for the ''ariettes'' by Louis Anseaume and a plan devised by Serrière. Performance history The work was first performed by the Opéra-Comique at the Théâtre de la Foire St Laurent in Paris, on 22 August 1761, and was later performed by the same company at the Hôtel de Bourgogne on 10 February 1762 and for the royal court at Palace of Fontainebleau on 3 November 1762. It became one of Philidor's most popular works, and performances in French followed in cities in many other countries, including Amsterdam in 1762, Vienna on 26 June 1763, Frankfurt on 25 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tom Jones (Philidor)
''Tom Jones'' is a comédie mêlée d'ariettes, a kind of opéra comique, by the French composer and chess champion François-André Danican Philidor which first appeared at the Comédie-Italienne, Paris, on 27 February 1765. Its French libretto, by Antoine-Alexandre-Henri Poisenet and Bertin Davesne, is loosely based on the The History of Tom Jones, a Foundling, 1749 novel by Henry Fielding. The opera was initially a failure but Philidor had the libretto revised by Michel-Jean Sedaine and this new version, first performed on 30 January 1766, proved one of the most popular ''opéras comiques'' of the late 18th century. It was produced in a number of other countries, and translated into German, Swedish and Russian. Roles Recordings François-André Danican Philidor: ''Tom Jones'', Lausanne Opera and Le Sinfonietta de Lausanne *Conductor: Jean-Claude Malgoire *Principal singers: Sébastien Droy, Sophie Marin-Degor, Marc Barrard, Sibyl Zanganelli, Carine Séchehaye, Rodolphe Bria ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ernelinde, Princesse De Norvège
''Ernelinde, princesse de Norvège'' (''Ernelinde, Princess of Norway'') is a three-act operatic tragédie lyrique, by the French composer François-André Danican Philidor. The libretto was by Antoine-Alexandre-Henri Poinsinet, after opera libretto ''La fede tradita, e vendicata''. Performance history The work was first performed on 24 November 1767 by the Paris Opera at the Salle des Machines in the Palais des Tuileries in Paris. The first version was given about eighteen times, with the final performance on 10 January 1768. Revised as ''Sandomir, prince de Dannemarck'', it was given in the same theatre on 24 January 1769. This version was also performed in Brussels in 1772. The libretto was further revised in five acts by Michel-Jean Sedaine, this time as ''Ernelinde'' with fully orchestrated recitatives by Philidor, and given at the Théâtre Gabriel at the Palace of Versailles on 11 December 1773 and in Brussels in 1774. Philidor and Sedaine revised the five-act version for ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Persée (Philidor)
''Persée'' (''Perseus'') is an opera by the French composer François-André Danican Philidor first performed at the Académie Royale de Musique, Paris (the Paris Opera) on 24 October 1780. It takes the form of a '' tragédie lyrique'' in three acts. The text is a reworking, by Jean-François Marmontel, of a libretto by Philippe Quinault, originally set by Jean-Baptiste Lully Jean-Baptiste Lully ( , , ; born Giovanni Battista Lulli, ; – 22 March 1687) was an Italian-born French composer, guitarist, violinist, and dancer who is considered a master of the French Baroque music style. Best known for his operas, he ... in 1682. Philidor's version was not a success. Roles Notes Sources *Félix Clément and Pierre Larousse ''Dictionnaire des Opéras'' p.525. *Original libretto on Gallica BNF {{DEFAULTSORT:Persee (Philidor) Operas by François-André Danican Philidor Tragédies en musique French-language operas 1780 operas Operas ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
