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Thumris
Thumri () is a vocal genre or style of Indian music. The term "thumri" is derived from the Hindi verb ''thumuknaa'', which means "to walk with a dancing gait in such a way that the ankle-bells tinkle." The form is, thus, connected with dance, dramatic gestures, mild eroticism, evocative love poetry and folk songs, especially from Uttar Pradesh, though there are regional variations. The text is romantic or devotional in nature, the lyrics are usually in Uttar Pradesh dialects of Hindi called Awadhi and Brij Bhasha. Thumree is characterized by its sensuality, and by a greater flexibility with the ''raga''. ''Thumri'' is also used as a generic name for some other, even lighter, forms such as Dadra, Hori, Kajari, Sawani, Jhoola, and Chaiti, even though each of them have their own structure and content — either lyrical or musical or both—and so the exposition of these forms vary. Like Indian classical music itself, some of these forms have their origin in folk literature and m ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Chhannulal Mishra
Pandit Chhannulal Mishra (born 3 August 1936) is a celebrated Hindustani classical singer from Banaras, a noted exponent of the Kirana gharana (school) of the Hindustani classical music and especially the Khayal and the 'Purab Ang' – Thumri. He has won 'Shiromani Award' of Sur Singar Sansad, Bombay; Uttar Pradesh Sangeet Natak Akademi Award; Naushad Award of U.P. Govt; Yash Bharti Award of U.P Government and the Bihar Sangeet Shiromani Award.Artists Pandit Chhannulal Mishra at .Artist details Channulal Mishra at worldwiderecordsindia.com. He was ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Music Genre
A music genre is a conventional category that identifies some pieces of music as belonging to a shared tradition or set of conventions. It is to be distinguished from ''musical form'' and musical style, although in practice these terms are sometimes used interchangeably. Music can be divided into genres in varying ways, such as popular music and art music, or religious music and secular music. The artistic nature of music means that these classifications are often subjective and controversial, and some genres may overlap. Definitions In 1965, Douglass M. Green distinguishes between genre and Musical form, form in his book ''Form in Tonal Music''. He lists madrigal (music), madrigal, motet, canzona, ricercar, and dance as examples of genres from the Renaissance music, Renaissance period. To further clarify the meaning of ''genre'', Green writes "Beethoven's Op. 61" and "Mendelssohn's Op. 64 ". He explains that both are identical in genre and are Violin concerto, violin concertos ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Wajid Ali Shah
Mirza Wajid Ali Shah ( ur, ) (30 July 1822 – 1 September 1887) was the eleventh and last King of Awadh, holding the position for 9 years, from 13 February 1847 to 11 February 1856. Wajid Ali Shah's first wife was Alam Ara who was better known as Khas Mahal () because of her exquisite beauty. She was one of two Nikahi wives. His second wife, Muhammadi Khanum, better known as the Begum Hazrat Mahal, rose against the British East India Company during the Indian Rebellion of 1857 as the regent of Awadh. His kingdom, long protected by the East India Company (EIC) under treaty, was annexed by the EIC on 11 February 1856, two days before the ninth anniversary of his coronation. The Nawab was exiled to Garden Reach in Metiabruz, then a suburb of Kolkata, where he lived out the rest of his life on a generous pension. He was a poet, playwright, dancer and great patron of the arts. He is widely credited with the revival of Kathak as a major form of classical Indian dance. As a King ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Noor Jehan
Noor Jehan ( Punjabi: ) (born () Allah Rakhi Wasai ; 23 September 1926 – 23 December 2000; sometimes spelled Noorjehan),Ashish Rajadhyaksha and Paul Willemen, ''Encyclopaedia of Indian Cinema,'' British Film Institute, Oxford University Press, New Delhi, 2002, pp. 166. also known by her honorific title Malika-e-Tarannum (Queen of Melody), was a Punjabi playback singer and actress who worked first in India and then in the cinema of Pakistan. Her career spanned more than six decades (the 1930s–1990s). Considered to be one of the greatest and most influential singers in Indian subcontinent, she was given the honorific title of ''Malika-e-Tarannum'' in Pakistan. She had a command of Hindustani classical music as well as other music genres. Along with Ahmed Rushdi, she holds the record for having given voice to the largest number of film songs in the history of Pakistani cinema. She recorded about 20,000 songs in various languages including Urdu, Hindi, Punjabi and Sindhi. She ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Shobha Gurtu
Shobha Gurtu (1925–2004) was an Indian singer in the light Hindustani classical style. Though she had equal command over pure classical style, it was with light classical music that she received her fame, and in time came to be known as the ''Thumri Queen'', and for the 'Abhinaya' sung in her full-throated voice. Background and personal life Bhanumati Shirodkar was born in Belgaum, (present Karnataka) in 1925. Her mother, Menekabai Shirodkar, was a professional dancer. Menakabai was a 'gayaki' disciple of Ustad Alladiya Khan of the Jaipur-Atrauli gharana.Shobha Gurtu Celebrated Masters, . It was from her that Shobha received her training in music from ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Begum Akhtar
Akhtari Bai Faizabadi (7 October 1914 – 30 October 1974), also known as Begum Akhtar, was an Indian singer and actress. Dubbed "Mallika-e-Ghazal" (Queen of Ghazals), she is regarded as one of the greatest singers of ghazal, dadra, and thumri genres of Hindustani classical music. Begum Akhtar received the Sangeet Natak Akademi Award for vocal music in 1972, was awarded Padma Shri, and later a Padma Bhushan Award posthumously by the government of India. Early life Akhtari Bai Faizabadi was born on 7 October 1914 to Asghar Hussain, a lawyer and his second wife Mushtari. Asghar Hussain subsequently disowned Mushtari and his twin daughters Zohra and Bibbi (later known as Begum Akhtar). Career Akhtar was barely seven when she was captivated by the music of Chandra Bai, an artist attached to a touring theatre group. However at her uncle's insistence she was sent to train under Ustad Imdad Khan, the great sarangi exponent from Patna, and later under Ata Mohammed Khan of Patiala. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gauhar Jan
Gauhar Jaan (born Angelina Yeoward; 26 June 1873 – 17 January 1930) was an Indian singer and dancer from Kolkata. She was one of the first performers to record music on 78 rpm records in India, which was later released by the Gramophone Company of India and resulted in her being known as "the Gramophone girl" and "the first recording superstar of India". Having recorded more than 600 songs in more than ten languages between 1902 and 1920, Jaan is credited with popularising Hindustani classical music such as ''thumri'', ''dadra'', ''kajri'', and ''tarana'' during the period. Early life Gauhar Jaan was born as Eleen Angelina Yeoward on 26 June 1873 in Azamgarh, of Armenian descent. Her father, Robert William Yeoward, worked as an engineer in a dry ice factory, and married her mother, Adeline Victoria Hemmings, in 1872. Victoria, an Indian by birth, had been trained in music and dance. In 1879 the marriage ended, causing hardships to both mother and daughter, who moved to Banar ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mahadev Prasad Mishra
Mahadev Prasad Mishra (1906 – 13 December 1995) was an Indian thumri singer from Benares (Varanasi). Career He was accompanied many times by Baccha Lal Mishra on sarangi and Ishwar Lal Mishra on tabla A tabla, bn, তবলা, prs, طبلا, gu, તબલા, hi, तबला, kn, ತಬಲಾ, ml, തബല, mr, तबला, ne, तबला, or, ତବଲା, ps, طبله, pa, ਤਬਲਾ, ta, தபலா, te, తబల .... Death Mishra died on 13 December 1995 at the age of 88. References {{DEFAULTSORT:Mishra, Mahadev Prasad 1906 births 1995 deaths People from Allahabad People from Varanasi Indian classical musicians ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Girija Devi
Girija Devi (8 May 1929 – 24 October 2017) was an Indian classical singer of the Seniya and Banaras gharanas. She performed classical and light classical music and helped elevate the profile of thumri. She was dubbed as the 'Queen of Thumri' for her contribution in the genre. She died on 24 October 2017. Early life Girija Devi was born in Varanasi, on 8 May 1929, to Ramdeo Rai, a zamindar. Her father played the harmonium and taught music, and had Girija Devi take lessons in singing ''khyal'' and ''tappa'' from vocalist and sarangi player Sarju Prasad Misra starting at the age of five. She starred in the movie ''Yaad rahe'' aged nine and continued her studies under Chand Misra in a variety of styles. Performing career Girija Devi made her public debut in 1949 on All India Radio Allahabad, after marrying a businessman circa 1946, but faced opposition from her mother and grandmother because it was traditionally believed that no upper-class woman should perform publicly. Girija ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Siddheshwari Devi
Siddheswari Devi (1908 – 18 March 1977) was a legendary Hindustani singer from Varanasi, India, known as ''Maa'' (mother). Born in 1908, she lost her parents early and was brought up by her aunt, the noted singer Rajeshwari Devi. Initiation into music Despite living in a musical household, Siddheswari came to music by accident. Rajeshwari had arranged musical training for her own daughter, Kamleshwari, while Siddheswari would do small chores around the house. Once, while the noted sarangi player ''Siyaji Mishra'' was teaching Kamleshwari, she was unable to repeat the tappa that she was being taught. Rajeshwari ran out of patience, and started to cane Kamleshwari, who cried out for help. The only person to help her was her close friend Siddheswari, who ran from the kitchen to hug her cousin, and took the thrashing on her own body. At this point, Siddheswari told her weeping cousin, "It's not so difficult to sing what Siyaji Maharaj was telling you." Siddheswari then show ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rasoolan Bai
Rasoolan hussain (1902 – 15 December 1974) was a leading Indian Hindustani classical music vocal musician. Belonging to the Benaras gharana, she specialized in the romantic Thumri#Purab Ang, Purab Ang of the Thumri musical genre and tappa. Early life and training Rasoolan Hussain was born in 1902 at Kachhwa Baazar, Mirzapur, Uttar Pradesh, in a poor family, though she inherited the musical legacy of her mother Adalat, and displayed her grasp over classical Ragas at an early age. Recognising this at the age of five, she was sent to learn music from Ustad Shammu Khan, and later from ''sarangiyas'' (sarangi players) Ashiq Khan and Ustad Najju Khan. Career Rasoolanbai became an expert in ''Tappa'' singing as well as Purab Ang, Thumri, besides dadra, poorbi geet, Hori (music), hori, kajri and chaiti. Her first performance was held in Dhananjaygarh court, after its success she started getting invitations from local Rajas of the time, thus she went on to dominated the Hindustan ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Benaras Gharana
Benares gharānā (Hindi: बनारस घराना) is one of the six most common styles of playing of the Indian tabla. History The Benares tabla gharana was developed a little over 200 years ago by Pandit Ram Sahai (1780–1826). At the age of nine, Ram moved to Lucknow to become a disciple of Modhu Khan of the Lucknow gharana. After some time performing in Benares, Pandit Ram Sahai felt the need to make a significant change in his tabla playing. For six months, he withdrew into seclusion, and worked to develop what is now known as the Benares baj or style of tabla playing. The philosophy behind this new style of tabla playing is that it would be versatile enough to perform solo, and to accompany any form of music or dance. The tabla would be able to play delicately, as required for khyal, or more aggressively, like pakhawaj, for the accompaniment of dhrupad or kathak dance. Ram Sahai developed a new way of fingering the tabla strokes; especially important is the soun ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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