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Thrown Away (song)
"Thrown Away" is a 1981 song by The Stranglers. It was the first single from their concept album A concept album is an album whose tracks hold a larger purpose or meaning collectively than they do individually. This is typically achieved through a single central narrative or theme, which can be instrumental, compositional, or lyrical. Som ..., '' The Gospel According to the Meninblack''. This was The Stranglers' attempt at a Euro disco song, and the band were confident it would be a hit. However, despite an appearance on Top of the Pops, it could only reach No. 42 in the UK Singles Chart, and continued a two-year period of relative commercial decline for the band. References {{Authority control The Stranglers songs 1981 singles 1980 songs ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Stranglers
The Stranglers are an English rock band who emerged via the punk rock scene. Scoring 23 UK top 40 singles and 19 UK top 40 albums to date in a career spanning five decades, the Stranglers are one of the longest-surviving bands to have originated in the UK punk scene. Formed as the Guildford Stranglers in Guildford, Surrey, in early 1974, they originally built a following within the mid-1970s pub rock scene. While their aggressive, no-compromise attitude had them identified by the media with the emerging UK punk rock scene that followed, their idiosyncratic approach rarely followed any single musical genre, and the group went on to explore a variety of musical styles, from new wave, art rock and gothic rock through the sophisti-pop of some of their 1980s output. They had major mainstream success with their 1982 single "Golden Brown". Their other hits include " No More Heroes", "Peaches", " Always the Sun", " Skin Deep" and " Big Thing Coming". The Stranglers' early sou ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Gospel According To The Meninblack
''The Gospel According to the Meninblack'' (or sometimes referred to as just ''The Meninblack'') is the fifth album by English rock band the Stranglers, an esoteric concept album released in 1981 on the Liberty label. The album deals with conspiratorial ideas surrounding alien visitations to Earth, the sinister governmental men in black, and the involvement of these elements in well-known biblical narratives. This was not the first time the Stranglers had used this concept; "Meninblack" on the earlier ''The Raven'' album and subsequent 1980 single-release " Who Wants the World?" had also explored it. History The album is an elaboration of concepts first introduced by the band on the aforementioned track from their preceding album, ''The Raven''. Hugh Cornwell, former singer-songwriter and guitarist with the group, has stated his belief that the album is the pinnacle of the Stranglers' artistic and creative output, and he cites it as his favourite album by the band. In a 202 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Musicland Studios
Musicland Studios was a recording studio located in Munich, Germany. It was established by Italian record producer, songwriter and performer Giorgio Moroder in the early 1970s.Billboard 6 Jun 1998 p.65. Retrieved 28 August 2011 The studio was situated in the basement of the . [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
New Wave Music
New wave is a loosely defined music genre that encompasses pop-oriented styles from the late 1970s and the 1980s. It was originally used as a catch-all for the various styles of music that emerged after punk rock, including punk itself. Later, critical consensus favored "new wave" as an umbrella term involving many popular music styles of the era, including power pop, synth-pop, ska revival, and more specific forms of punk rock that were less abrasive. It may also be viewed as a more accessible counterpart of post-punk. Common characteristics of new wave music include a humorous or quirky pop approach, the use of electronic sounds, and a distinctive visual style in music videos and fashion. In the early 1980s, virtually every new pop/rock act – and particularly those that employed synthesizers – were tagged as "new wave". Although new wave shares punk's do-it-yourself philosophy, the artists were more influenced by the styles of the 1950s along with the lighter s ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Post-punk
Post-punk (originally called new musick) is a broad genre of punk music that emerged in the late 1970s as musicians departed from punk's traditional elements and raw simplicity, instead adopting a variety of avant-garde sensibilities and non-rock influences. Inspired by punk's energy and DIY ethic but determined to break from rock cliches, artists experimented with styles like funk, electronic music, jazz, and dance music; the production techniques of dub and disco; and ideas from art and politics, including critical theory, modernist art, cinema and literature. These communities produced independent record labels, visual art, multimedia performances and fanzines. The early post-punk vanguard was represented by groups including Siouxsie and the Banshees, Wire, Public Image Ltd, the Pop Group, Cabaret Voltaire, Magazine, Pere Ubu, Joy Division, Talking Heads, Devo, Gang of Four, the Slits, the Cure, and the Fall. The movement was closely related to the development of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Liberty Records
Liberty Records was a record label founded in the United States by chairman Simon Waronker in 1955 with Al Bennett as president and Theodore Keep as chief engineer. It was reactivated in 2001 in the United Kingdom and had two previous revivals. History 1950s Liberty's early releases focused on film and orchestral music. Its first single was Lionel Newman's "The Girl Upstairs". Its first big hit, in 1955, was by Julie London singing her version of the torch song, " Cry Me a River", which climbed to No. 9 in the ''Billboard'' Hot 100. It helped Liberty sell her first album, ''Julie Is Her Name''. In 1956, Liberty signed Henry Mancini and released two singles and several albums by him. He left in 1958, signing with RCA Victor, where his record sales increased. Billy Rose and Lee David's song "Tonight You Belong to Me" reached number 4 (US) and number 28 (UK) when it was performed by teen sisters Patience and Prudence (McIntyre), selling over a million copies. Liberty also s ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Alan Winstanley
Alan Kenneth Winstanley (born 2 November 1952) is an English record producer and songwriter, active from the mid-1970s onwards. He usually works with Clive Langer. His early career during the mid-1970s was as an audio engineer, working on albums by The Stranglers in addition to releases by Joe Jackson and Generation X. He also worked with songwriter Brian Wade producing teen pop singer Nikki Richards' single "Oh Boy!" in 1978. Notable studio albums produced or co-produced by Winstanley * ''Generation X'' (1978) (Winstanley engineered). * '' One Step Beyond...'' – Madness (1979) * ''The Raven'' – The Stranglers (1979) * ''4 Out of 5 Doctors'' – 4 Out of 5 Doctors (1980) * '' Absolutely'' – Madness (1980) * ''Kilimanjaro'' – The Teardrop Explodes (1980) * '' 7'' – Madness (1981) * '' Eddie, Old Bob, Dick and Gary - Tenpole Tudor (1981) * '' Too-Rye-Ay'' – Dexys Midnight Runners (1982) * ''The Rise & Fall'' – Madness (1982) * '' Punch the Clock'' – Elvis Costell ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Who Wants The World?
"Who Wants the World?" is a 1980 single by The Stranglers. The song, about alien visitation to Earth, is regarded as a precursor to '' The Gospel According to the Meninblack'' album - which explored similar concepts in more depth. Like the band's previous single, "Bear Cage "Bear Cage" is a 1980 single by The Stranglers. The non-album track (although later released on reissues of ''The Raven'') reached number 36 in the UK Singles Chart. References {{authority control The Stranglers songs 1980 singles Mus ...", it was a non-album track. "Who Wants the World?" peaked at No. 39 in the UK Singles Chart. References {{The Stranglers The Stranglers songs 1980 singles 1980 songs United Artists Records singles ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Concept Album
A concept album is an album whose tracks hold a larger purpose or meaning collectively than they do individually. This is typically achieved through a single central narrative or theme, which can be instrumental, compositional, or lyrical. Sometimes the term is applied to albums considered to be of "uniform excellence" rather than an LP with an explicit musical or lyrical motif. There is no consensus among music critics as to the specific criteria for what a "concept album" is. The format originates with folk singer Woody Guthrie's ''Dust Bowl Ballads'' (1940) and was subsequently popularized by traditional pop/jazz singer Frank Sinatra's 1940s–50s string of albums, although the term is more often associated with rock music. In the 1960s several well-regarded concept albums were released by various rock bands, which eventually led to the invention of progressive rock and rock opera. Since then, many concept albums have been released across numerous musical genres. Definiti ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Euro Disco
Eurodisco (also spelled as Euro disco) is the variety of European forms of electronic dance music that evolved from disco in the late 1970s, incorporating elements of pop and rock into a disco-like continuous dance atmosphere. Many Eurodisco compositions feature lyrics sung in English, although the singers often share a different mother tongue. Eurodisco derivatives generally include Europop and Eurodance, with the most prominent sub-genres being space disco of the late 1970s and Italo disco of the early 1980s. The genre declined in popularity after 1986 in preference to electronic rock and hi-NRG, with a small revival of Italo disco in at least the late 1990s. History Eurodisco is largely an offshoot of contemporary American music trends going far back to the early times of R&B, soul, disco, pop and rock. During the 1960s, Europop hits spread around France, Italy and Germany, because of the French Scopitone (jukebox) and the Italian Cinebox/Coilorama Video-jukebox machines ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Top Of The Pops
''Top of the Pops'' (''TOTP'') is a British Record chart, music chart television programme, made by the BBC and originally broadcast weekly between 1January 1964 and 30 July 2006. The programme was the world's longest-running weekly music show. For most of its history, it was broadcast on Thursday evenings on BBC One. Each show consisted of performances of some of the week's best-selling popular music records, usually excluding any tracks moving down the chart, including a rundown of that week's singles chart. This was originally the Top 20, though this varied throughout the show's history. The Top 30 was used from 1969, and the Top 40 from 1984. Dusty Springfield's "I Only Want to Be with You" was the first song featured on ''TOTP'', while the Rolling Stones were the first band to perform, with "I Wanna Be Your Man". Snow Patrol were the last act to play live on the weekly show when they performed their single "Chasing Cars". Special editions were broadcast on Christmas Day ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
UK Singles Chart
The UK Singles Chart (currently titled Official Singles Chart, with the upper section more commonly known as the Official UK Top 40) is compiled by the Official Charts Company (OCC), on behalf of the British record industry, listing the top-selling Single (music), singles in the United Kingdom, based upon physical sales, paid-for downloads and music streaming, streaming. The Official Chart, broadcast on BBC Radio 1 and MTV (Official UK Top 40), is the UK music industry's recognised official measure of singles and albums popularity because it is the most comprehensive research panel of its kind, today surveying over 15,000 retailers and digital services daily, capturing 99.9% of all singles consumed in Britain across the week, and over 98% of albums. To be eligible for the chart, a Single (music), single is currently defined by the Official Charts Company (OCC) as either a 'single bundle' having no more than four tracks and not lasting longer than 25 minutes or one digital audio ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
