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Three Graces (Raphael)
''The Three Graces'' is an oil painting by Italian painter Raphael, housed in the Musée Condé of Chantilly, France. The date of origin has not been positively determined, though it seems to have been painted at some point after his arrival to study with Pietro Perugino in about 1500, possibly 1503-1505. According to James Patrick in 2007's ''Renaissance and Reformation'', the painting represents the first time that Raphael had depicted the nude female form in front and back views. Inspiration and theme The image depicts three of the Graces of classical mythology. It is frequently asserted that Raphael was inspired in his painting by a ruined Roman marble statue displayed in the Piccolomini Library of the Siena Cathedral—19th-century art historian an Kheld that it was a not very skillful copy of that original—but other inspiration is possible, as the subject was a popular one in Italy. Julia Cartwright in ''Early Work of Raphael'' (2006) proposes that the painting bears far ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Raphael
Raffaello Sanzio da Urbino, better known as Raphael (; or ; March 28 or April 6, 1483April 6, 1520), was an Italian painter and architect of the High Renaissance. List of works by Raphael, His work is admired for its clarity of form, ease of composition, and visual achievement of the Renaissance Neoplatonism, Neoplatonic ideal of human grandeur. Together with Leonardo da Vinci and Michelangelo, he forms the traditional trinity of great masters of that period. His father was court painter to the ruler of the small but highly cultured city of Urbino. He died when Raphael was eleven, and Raphael seems to have played a role in managing the family workshop from this point. He trained in the workshop of Perugino, and was described as a fully trained "master" by 1500. He worked in or for several cities in north Italy until in 1508 he moved to Rome at the invitation of the pope, to work on the Vatican Palace. He was given a series of important commissions there and elsewhere in the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Vision Of A Knight (Raphael)
''The Vision of a Knight'', also called ''The Dream of Scipio'' or ''Allegory'', is a small egg tempera painting on poplar by the Italian Renaissance artist Raphael, finished in 1503–1504. It is in the National Gallery in London. It probably formed a pair with the Three Graces panel, also 17 cm square, now in the Château de Chantilly museum. There are a number of theories as to what the panel is intended to represent. Some art historians think the sleeping knight represents the Roman general Scipio Aemilianus (185–129 BC) who, according to Cicero's ''Somnium Scipionis'', dreamed that he had to choose between Virtue (behind whom is a steep and rocky path) and Pleasure (in looser robes). "This sleepy Lancelot also conjures up memories of another ancient hero: the Roman general Publius Cornelius Scipio Africanus Aemilianus, who toured the cosmos in a dream and learned (at least according to Cicero) that the reward of virtue is a place among the stars in heaven." Ho ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Paintings In The Collection Of The Musée Condé
Painting is the practice of applying paint, pigment, color or other medium to a solid surface (called the "matrix" or "support"). The medium is commonly applied to the base with a brush, but other implements, such as knives, sponges, and airbrushes, can be used. In art, the term ''painting ''describes both the act and the result of the action (the final work is called "a painting"). The support for paintings includes such surfaces as walls, paper, canvas, wood, glass, lacquer, pottery, leaf, copper and concrete, and the painting may incorporate multiple other materials, including sand, clay, paper, plaster, gold leaf, and even whole objects. Painting is an important form in the visual arts, bringing in elements such as drawing, Composition (visual arts), composition, gesture (as in gestural painting), narrative, narration (as in narrative art), and abstraction (as in abstract art). Paintings can be naturalistic and representational (as in still life and landscape art, lands ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
1500s Paintings
Fifteen or 15 may refer to: *15 (number), the natural number following 14 and preceding 16 *one of the years 15 BC, AD 15, 1915, 2015 Music *Fifteen (band), a punk rock band Albums * ''15'' (Buckcherry album), 2005 * ''15'' (Ani Lorak album), 2007 * ''15'' (Phatfish album), 2008 * ''15'' (mixtape), a 2018 mixtape by Bhad Bhabie * ''Fifteen'' (Green River Ordinance album), 2016 * ''Fifteen'' (The Wailin' Jennys album), 2017 * ''Fifteen'', a 2012 album by Colin James Songs * "Fifteen" (song), a 2008 song by Taylor Swift *"Fifteen", a song by Harry Belafonte from the album '' Love Is a Gentle Thing'' *"15", a song by Rilo Kiley from the album ''Under the Blacklight'' *"15", a song by Marilyn Manson from the album ''The High End of Low'' *"The 15th", a 1979 song by Wire Other uses *Fifteen, Ohio, a community in the United States * ''15'' (film), a 2003 Singaporean film * ''Fifteen'' (TV series), international release name of ''Hillside'', a Canadian-American teen drama *Fi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Paintings By Raphael
Painting is the practice of applying paint, pigment, color or other medium to a solid surface (called the "matrix" or "support"). The medium is commonly applied to the base with a brush, but other implements, such as knives, sponges, and airbrushes, can be used. In art, the term ''painting ''describes both the act and the result of the action (the final work is called "a painting"). The support for paintings includes such surfaces as walls, paper, canvas, wood, glass, lacquer, pottery, leaf, copper and concrete, and the painting may incorporate multiple other materials, including sand, clay, paper, plaster, gold leaf, and even whole objects. Painting is an important form in the visual arts, bringing in elements such as drawing, composition, gesture (as in gestural painting), narration (as in narrative art), and abstraction (as in abstract art). Paintings can be naturalistic and representational (as in still life and landscape painting), photographic, abstract, narrative, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
List Of Paintings By Raphael
The following is a list of paintings by Italian Renaissance painter Raphael. Together with Michelangelo and Leonardo da Vinci he forms the traditional trinity of great masters of that period. He was enormously prolific, despite his early death at 37, and a large body of work remains, especially in the Vatican, where Raphael and a large team of assistants, executing his drawings under his direction, frescoed the Raphael Rooms known as the Stanze. He was extremely influential in his lifetime, but after his death the influence of his rival Michelangelo was more widespread until the 18th and 19th centuries, when his more tranquil qualities were again widely taken as models. List of paintings See also *Portrait of a Young Man (Raphael) * St John the Baptist in the Desert (Raphael) Footnotes Notes References * * Further reading * Christof Thoenes. ''Raphael''. TASCHEN. 2007. * Official sites of the museums External links * Wikimedia's catalog of Raphael's paintings {{Lists o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Virtus (virtue)
''Virtus'' () was a specific virtue in Ancient Rome. It carries connotations of valor, manliness, excellence, courage, character, and worth, perceived as masculine strengths (from Latin ''vir'', "man"). It was thus a frequently stated virtue of Roman emperors, and was personified as a deity—Virtus. Origins The origins of the word ''virtus'' can be traced back to the Latin word ''vir'', "man". The common list of attributes associated with ''virtus'' are typically perceived masculine strengths, which may indicate its derivation from ''vir''. From the early to the later days of the Roman Empire, there appears to have been a development in how the concept was understood. Originally ''virtus'' was used to describe specifically martial courage, but it eventually grew to be used to describe a range of Roman virtues. It was often divided into different qualities including ''prudentia'' (prudence), ''iustitia'' (justice), '' temperantia'' (temperance, self-control), and ''forti ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Venus (mythology)
Venus (), , is a Roman goddess, whose functions encompass love, beauty, desire, sex, fertility, prosperity, and victory. In Roman mythology, she was the ancestor of the Roman people through her son, Aeneas, who survived the fall of Troy and fled to Italy. Julius Caesar claimed her as his ancestor. Venus was central to many religious festivals, and was revered in Roman religion under numerous cult titles. The Romans adapted the myths and iconography of her Greek counterpart Aphrodite for Roman art and Latin literature. In the later classical tradition of the West, Venus became one of the most widely referenced deities of Greco-Roman mythology as the embodiment of love and sexuality. She is usually depicted nude in paintings. Etymology The Latin theonym ''Venus'' and the common noun ''venus'' ('love, charm') stem from a Proto-Italic form reconstructed as ''*wenos-'' ('desire'), itself from Proto-Indo-European (PIE) ' ('desire'; cf. Messapic ''Venas'', Old Indic ''vánas'' 'de ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Nicholas Penny
Sir Nicholas Beaver Penny (born 21 December 1949) is a British art historian. From 2008 to 2015 he was director of the National Gallery in London. Early life Penny was educated at Shrewsbury School before he studied English at St Catharine's College, Cambridge. He then studied for a doctorate at The Courtauld Institute of Art in London, where he was taught by Michael Kitson. While a student at the Courtauld, Penny contributed photographs to the Art & Architecture section of the Conway Library collection. Career Penny's academic career began with a research fellowship at Clare Hall, Cambridge, after which he went on to teach art history at Manchester University. While still in his early thirties, Penny was appointed to the Slade Professorship at Oxford University and to a senior research fellowship at King's College, Cambridge. He was the co-author, with Francis Haskell, of ''Taste and the Antique'', a study of the formation of the canon of classical sculpture published in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Labours Of Hercules
The Labours of Hercules or Labours of Heracles ( grc-gre, οἱ Ἡρακλέους ἆθλοι, ) are a series of episodes concerning a penance carried out by Heracles, the greatest of the Greek heroes, whose name was later romanised as Hercules. They were accomplished at the service of King Eurystheus. The episodes were later connected by a continuous narrative. The establishment of a fixed cycle of twelve labours was attributed by the Greeks to an epic poem, now lost, written by Peisander, dated about 600 BC. Having tried to kill Heracles ever since he was born, Hera induced a madness in him that made him kill his wife and children. Afterwards, Heracles went to the Oracle of Delphi to atone, where he prayed to the god Apollo for guidance. Heracles was told to serve Eurystheus, king of Mycenae, for ten years. During this time, he was sent to perform a series of difficult feats, called labours. History Driven mad by Hera (queen of the gods), Heracles slew his sons ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Golden Apple
The golden apple is an element that appears in various national and ethnic folk legends or fairy tales. Recurring themes depict a hero (for example Hercules or Făt-Frumos) retrieving the golden apple (symbolism), apples hidden or stolen by a monstrous antagonist. Gold apples also appear on the Silver Branch of the Celtic Otherworld, Otherworld in Irish mythology. Greek mythology Golden apples appear in three Greek mythology, Greek myths: Atalanta and Melanion A huntress named Atalanta who raced against a suitor named Melanion, also known as Hippomenes. Melanion used golden apples to distract Atalanta so that he could win the race. Though abandoned by her father as an infant, Atalanta became a skilled hunter and received acclaim for her role in the hunt for the Calydonian boar. Her father claimed her as his daughter and wished to marry her off. However, Atalanta was reluctant to marry due to a prophecy that marriage would be her downfall. Because of her beauty, she gaine ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hesperides
In Greek mythology, the Hesperides (; , ) are the nymphs of evening and golden light of sunsets, who were the "Daughters of the Evening" or "Nymphs of the West". They were also called the Atlantides () from their reputed father, the Titan Atlas.Diodorus Siculus. ''Library4.27.2' Etymology The name means ''originating from Hesperos'' (evening). ''Hesperos'', or ''Vesper'' in Latin, is the origin of the name Hesperus, the evening star (i.e. the planet Venus) as well as having a shared root with the English word "west". Mythology The nymphs of the evening Ordinarily, the Hesperides number three, like the other Greek triads (the Three Graces and the Three Fates). "Since the Hesperides themselves are mere symbols of the gifts the apples embody, they cannot be actors in a human drama. Their abstract, interchangeable names are a symptom of their impersonality", classicist Evelyn Byrd Harrison has observed. They are sometimes portrayed as the evening daughters of Night ( Nyx) ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
