Three Dimensional E.C. Classics
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Three Dimensional E.C. Classics
''Three Dimensional E.C. Classics'' was a quarterly comic book anthology series published by EC Comics in 1954. It began publication with its Spring 1954 issue and ceased with its March 1954 issue, producing a total of two issues. The stories it contained were '' classics'' in that they were recyclings of stories that had already appeared in earlier EC comic books. However, ''all new artwork was done'' for these books, rather than applying the 3-D process to the original illustrations from the first presentations of the stories. They were ''three-dimensional'' because they were presented in Anaglyph 3-D. Two 3-D viewers were included with each issue. Conception and characteristics ''Three Dimensional E.C. Classics'' was conceived in 1953, when 3-D comic books were enjoying a period of great popularity. Its conception was a direct response to the popularity of the form. When ''Three Dimension Comics'', the "World's First" 3-D comic book, sold a million copies, other comic b ...
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EC Comics
Entertaining Comics, more commonly known as EC Comics, was an American publisher of comic books, which specialized in horror fiction, crime fiction, satire, military fiction, dark fantasy, and science fiction from the 1940s through the mid-1950s, notably the ''Tales from the Crypt'' series. Initially, EC was owned by Maxwell Gaines and specialized in educational and child-oriented stories. After Max Gaines' death in a boating accident in 1947, his son William Gaines took over the company and began to print more mature stories, delving into genres of horror, war, fantasy, science-fiction, adventure, and others. Noted for their high quality and shock endings, these stories were also unique in their socially conscious, progressive themes (including racial equality, anti-war advocacy, nuclear disarmament, and environmentalism) that anticipated the Civil Rights Movement and dawn of 1960s counterculture. In 1954–55, censorship pressures prompted it to concentrate on the humor mag ...
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Crime SuspenStories
''Crime SuspenStories'' was a bi-monthly anthology crime comic published by EC Comics in the early 1950s. The title first arrived on newsstands with its October/November 1950 issue and ceased publication with its February/March 1955 issue, producing a total of 27 issues. Years after its demise, the title was reprinted in its entirety, and four stories were adapted for television in the HBO's ''Tales From The Crypt''. Writers and artists Each issue contained four stories centering on a wide variety of criminal activities, and it differed from other crime comic books of the period because the content was strongly influenced both by ''film noir'' and the writers of short fiction for magazines. Issues three through 16 featured a guest appearance from ''The Haunt of Fears Old Witch. Artists included Al Feldstein, Johnny Craig, George Evans, Jack Kamen, Wally Wood, Graham Ingels, Harvey Kurtzman, Jack Davis, George Roussos, Sid Check, Al Williamson, Fred Peters, Joe Orlando, Will El ...
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Witzend
''witzend'', published on an irregular schedule spanning decades, is an underground comic showcasing contributions by comic book professionals, leading illustrators and new artists. ''witzend'' was launched in 1966 by the writer-artist Wallace Wood, who handed the reins to Bill Pearson (Wonderful Publishing Company) from 1968 to 1985. The title was printed in lower-case. Origin When the illustrator Dan Adkins began working at the Wood Studio in 1965, he showed Wood pages he had been creating for his planned comics-oriented publication, ''Outlet''. This inspired Wood to become an editor-publisher, and he began assembling art and stories for a magazine he titled ''et cetera''. A front cover paste-up with the ''et cetera'' logo was prepared and even used in advance solicitation print ads, but when Wood learned of another magazine with a similar title, there was a last-minute title change. Wally Wood era Wood launched ''witzend'' in the summer of 1966, with a statement of "no policy" ...
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Al Williamson
Alfonso Williamson (March 21, 1931 – June 12, 2010) was an American cartoonist, comic book artist and illustrator specializing in adventure, Western, science fiction and fantasy. Born in New York City, he spent much of his early childhood in Bogotá, Colombia before moving back to the United States at the age of 12. In his youth, Williamson developed an interest in comic strips, particularly Alex Raymond's ''Flash Gordon''. He took art classes at Burne Hogarth's Cartoonists and Illustrators School, there befriending future cartoonists Wally Wood and Roy Krenkel, who introduced him to the work of illustrators who had influenced adventure strips. Before long, he was working professionally in the comics industry. His most notable works include his science-fiction/ heroic-fantasy art for EC Comics in the 1950s, on titles including '' Weird Science'' and ''Weird Fantasy''. In the 1960s, he gained recognition for continuing Raymond's illustrative tradition with his work on the ''Fl ...
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Reed Crandall
Reed Leonard Crandall (February 22, 1917 – September 13, 1982) Reed Crandall
at the , via GenealogyBank.com; and vi
FamilySearch.org
citing U.S. Social Security Administration, Death Master File, database (Alexandria, Virginia: National Technical Information Service, ongoing. Retrieved on 22 February 2013. Neither gives specific day of death. First cit

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Weird Fantasy
''Weird Fantasy'' is an American dark fantasy and science fiction anthology comic that was part of the EC Comics line in the early 1950s. The companion comic for ''Weird Fantasy'' was '' Weird Science''. Over a four-year span, ''Weird Fantasy'' ran for 22 issues, ending with the November–December 1953 issue. Publication history The bi-monthly science-fiction comic, published by Bill Gaines and edited by Al Feldstein, replaced romance comic '' A Moon, A Girl... Romance'' with the May/June 1950 issue. Although the title and format change took effect with issue 13, Gaines and Feldstein decided not to restart the numbering in order to save money on second class postage. The Post Office took note, and starting with issue #6, all the issues were numbered correctly. Because of this, "''Weird Fantasy'' #13" could refer to either the May/June 1950 issue or the actual 13th issue of the title, published in 1952. The same confusion exists for issues #14–17, #17 being the last issue publish ...
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George Roussos
George Roussos (; August 20, 1915 – February 19, 2000), also known under the pseudonym George Bell, was an American comic book artist best known as one of Jack Kirby's Silver Age inkers, including on landmark early issues of Marvel Comics' ''Fantastic Four''. Over five decades, he created artwork for numerous publishers, including EC Comics, and he was a staff colorist for Marvel Comics. Biography Early life and career George Roussos was born in Washington, D.C., the son of Greek-Americans William and Helen Roussos. After he and his sisters Helen and Alice were orphaned as children, George was sent to live at the Brooklyn Orphan Asylum in New York City, and attended Public School 125 in the Woodside neighborhood of Queens. Roussos was influenced by the art of cartoonist Frank Miller in the aviation comic strip ''Barney Baxter in the Air''. Other influences included Chester Gould, Stan Kaye, Robert Fawcett and Hal Foster. "I had no schooling n artexcept the things I learned ...
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Gardner Fox
Gardner Francis Cooper Fox (May 20, 1911 – December 24, 1986) was an American writer known best for creating numerous comic book characters for DC Comics. He is estimated to have written more than 4,000 comics stories, including 1,500 for DC Comics. Fox was also a science fiction author and wrote many novels and short stories. Fox is known as the co-creator of DC Comics heroes Barbara Gordon, the original Flash, Hawkman, Doctor Fate, Zatanna and the original Sandman, and was the writer who first teamed several of those and other heroes as the Justice Society of America, and later recreated the team as the Justice League of America. Fox introduced the concept of the Multiverse to DC Comics in the 1961 story "Flash of Two Worlds!" Early life and career Gardner F. Fox was born in Brooklyn, New York City, the son of Julia Veronica (Gardner) and Leon Francis Fox, an engineer. Fox recalled being inspired at an early age by the great fantasy fiction writers. On or about his eleve ...
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Bernie Krigstein
Bernard Krigstein (; March 22, 1919 – January 8, 1990), was an American illustrator and gallery artist who received acclaim for his innovative and influential approach to comic book art, notably in EC Comics. His artwork usually displayed the signature B. Krigstein. His best-known work in comic books is the eight-page story "Master Race", originally published in the debut issue (cover-dated April 1955) of EC Comics' ''Impact''. Biography Born in Brooklyn, New York City to a Jewish household, Krigstein studied art at Brooklyn College. Krigstein's earliest confirmed work in comics is penciling and inking the 10-page, patriotic "kid gang" feature "The Liberty Lads" in Harvey Comics' ''Champ Comics'' #25 (cover-dated April 1943). He went on to draw for Harvey and for Prize Comics through 1943, during the period fans and historians call the Golden Age of Comic Books. Following his service in World War II, he returned to comic books in 1945, working for publishers including Fawcett ...
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The Thing From The Grave 3d
''The'' () is a grammatical article in English, denoting persons or things that are already or about to be mentioned, under discussion, implied or otherwise presumed familiar to listeners, readers, or speakers. It is the definite article in English. ''The'' is the most frequently used word in the English language; studies and analyses of texts have found it to account for seven percent of all printed English-language words. It is derived from gendered articles in Old English which combined in Middle English and now has a single form used with nouns of any gender. The word can be used with both singular and plural nouns, and with a noun that starts with any letter. This is different from many other languages, which have different forms of the definite article for different genders or numbers. Pronunciation In most dialects, "the" is pronounced as (with the voiced dental fricative followed by a schwa) when followed by a consonant sound, and as (homophone of the archaic ...
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The Vault Of Horror (comics)
''The Vault of Horror'' was an American bi-monthly horror comic anthology series published by EC Comics in the early 1950s. Along with ''Tales from the Crypt'' and ''The Haunt of Fear'', it formed a trifecta of popular EC horror anthologies. ''The Vault of Horror'' hit newsstands with its April/May 1950 issue and ceased publication with its December/January 1955 issue, producing a total of 40 issues. Origin In 1950, William Gaines and his editor Al Feldstein discovered they shared similar tastes in horror and began experimenting with such stories in EC's crime comic ''War Against Crime'' and its companion title, ''Crime Patrol''. With issue #12 the ''War Against Crime'' title was replaced with ''The Vault of Horror''. Due to an attempt to save money on second-class postage permits, characteristic of comics publishing of the era, the numbering did not change with the title; the first issue of ''The Vault of Horror'' was thus labelled "No. 12". There is, however, evidence of an in ...
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Tales From The Crypt (comics)
''Tales from the Crypt'' was an American bi-monthly horror comic anthology series published by EC Comics from 1950 to 1955, producing 27 issues (the first issue with the title was #20, previously having been ''International Comics'' (#1–#5); ''International Crime Patrol'' (#6); ''Crime Patrol'' (#7–#16) and ''The Crypt of Terror'' (#17–#19) for a total of 46 issues in the series). Along with its sister titles, ''The Haunt of Fear'' and '' The Vault of Horror'', ''Tales from the Crypt'' was popular, but in the late 1940s and early 1950s comic books came under attack from parents, clergymen, schoolteachers and others who believed the books contributed to illiteracy and juvenile delinquency. In April and June 1954, highly publicized congressional subcommittee hearings on the effects of comic books upon children left the industry shaken. With the subsequent imposition of a highly restrictive Comics Code, EC Comics publisher Bill Gaines cancelled ''Tales from the Crypt'' and its ...
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