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Three Crowns Of The Sailor
''Three Crowns of the Sailor'' (french: Les trois couronnes du matelot) is a 1983 French fabulation, fabulist film with Surrealist cinema, surrealist and oneiric (film theory), oneiric flourishes written and directed by Cinema of Chile, Chilean director Raúl Ruiz (director), Raúl Ruiz. Plot The film opens in black and white with the motiveless murder of a professor by his student in Warsaw in 1958. The student walks through the war-torn streets whereupon he meets a sailor who offers him passage from the country through a job on board a ship. They go into a dancehall to wine and dine while they negotiate the deal; the student agrees to listen to the sailor's life story as part of the payment and then to give him three Danish crowns. The sailor tells his story – depicted in colour – but is interrupted on several occasions by the student who either questions his logic or complains that he has heard this story told time and again. The story begins in Valparaíso where, in sear ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Raúl Ruiz (director)
Raúl Ernesto Ruiz Pino (french: Raoul Ruiz; 25 July 1941 – 19 August 2011) was an experimental Chilean filmmaker, writer and teacher whose work is best known in France. He directed more than 100 films. Biography The son of a ship's captain and a schoolteacher in southern Chile, Raúl Ruiz abandoned his university studies in theology and law to write 100 plays with the support of a Rockefeller Foundation grant. He went on to learn his craft working in Chilean and Mexican television and studying at film school in Argentina (1964). Back in Chile, he made his feature debut ''Three Sad Tigers'' (1968), sharing the Golden Leopard at the 1969 Locarno Film Festival. According to Ruiz in a 1991 interview, ''Three Sad Tigers'' "is a film without a story, it is the reverse of a story. Somebody kills somebody. All the elements of a story are there but they are used like a landscape, and the landscape is used like story."Klonarides, Carole Ann http://bombsite.com/issues/34/articles/1391, '' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mambo (music)
Mambo is a genre of Cuban dance music pioneered by the charanga Arcaño y sus Maravillas in the late 1930s and later popularized in the big band style by Pérez Prado. It originated as a syncopated form of the danzón, known as danzón-mambo, with a final, improvised section, which incorporated the ''guajeos'' typical of son cubano (also known as ''montunos''). These ''guajeos'' became the essence of the genre when it was played by big bands, which did not perform the traditional sections of the danzón and instead leaned towards swing and jazz. By the late 1940s and early 1950s, mambo had become a "dance craze" in the United States as its associated dance took over the East Coast thanks to Pérez Prado, Tito Puente, Tito Rodríguez and others. In the mid-1950s, a slower ballroom style, also derived from the danzón, cha-cha-cha, replaced mambo as the most popular dance genre in North America. Nonetheless, mambo continued to enjoy some degree of popularity into the 1960s and new ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mise-en-scène
''Mise-en-scène'' (; en, "placing on stage" or "what is put into the scene") is the stage design and arrangement of actors in scenes for a theatre or film production, both in visual arts through storyboarding, visual theme, and cinematography, and in narrative storytelling through direction. The term is also commonly used to refer to single scenes that are representative of a film. ''Mise-en-scène'' has been called film criticism's "grand undefined term." It has been criticized for its focus on the theatrical or dramatic design aspects rather than the plot itself, as those who utilize ''Mise-en-scène'' tend to look at what is "put before the camera," rather than the story. The use of ''mise-en-scène'' is significant as it allows the director to convey messages to the viewer through what is placed in the scene, not just the content of the scene. Definition in film studies When applied to the cinema, ''mise-en-scène'' refers to everything that appears before the camera and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Milton Caniff
Milton Arthur Paul Caniff (; February 28, 1907 – April 3, 1988) was an People of the United States, American cartoonist famous for the ''Terry and the Pirates (comic strip), Terry and the Pirates'' and ''Steve Canyon'' comic strips. Biography Caniff was born in Hillsboro, Ohio. He was an Eagle Scout (Boy Scouts of America), Eagle Scout and a recipient of the Distinguished Eagle Scout Award from the Boy Scouts of America. Caniff did cartoons for local newspapers while studying at Stivers High School (now Stivers School for the Arts) in Dayton Ohio. At Ohio State University, Caniff joined the Sigma Chi fraternity and later illustrated for ''The Magazine of Sigma Chi'' and ''The Norman Shield'' (the fraternity's pledgeship/reference manual). Graduating in 1930, Caniff began at the ''Columbus Dispatch'' where he worked with the noted cartoonists Billy Ireland and Dudley Fisher, but Caniff's position was eliminated during the Great Depression. Caniff related later that he had been un ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dutch Tilt
The Dutch angle, also known as Dutch tilt, canted angle, or oblique angle, is a type of camera shot which involves setting the camera at an angle on its roll axis so that the shot is composed with vertical lines at an angle to the side of the frame, or so that the horizon line of the shot is not parallel with the bottom of the camera frame. This produces a viewpoint akin to tilting one's head to the side. In cinematography, the Dutch angle is one of many cinematic techniques often used to portray psychological uneasiness or tension in the subject being filmed. The Dutch tilt is strongly associated with the German movie scene during the expressionist movement, which used the Dutch angle extensively. Etymology The word "Dutch" in this context is a bastardisation of the word ''Deutsch'', the German word for "German"; it is not related to the Dutch people or language. It originated in the First World War, as Navy blockades made the import (and export) of movies impossible. The ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Deep Focus
Deep focus is a photographic and cinematographic technique using a large depth of field. Depth of field is the front-to-back range of focus in an image, or how much of it appears sharp and clear. In deep focus, the foreground, middle ground, and background are all in focus. Deep focus is normally achieved by choosing a small aperture. Since the aperture of a camera determines how much light enters through the lens, achieving deep focus requires a bright scene or long exposure. A wide-angle lens also makes a larger portion of the image appear sharp. It is also possible to achieve the illusion of deep focus with optical tricks (split-focus diopter) or by compositing two or more images together. The opposite of deep focus is shallow focus, in which the plane of the image that is in focus is very shallow. For example, the foreground might be in focus while the middle-ground and background are out-of-focus. When avoiding deep focus is used specifically for aesthetic effect—especiall ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cinematographer
The cinematographer or director of photography (sometimes shortened to DP or DOP) is the person responsible for the photographing or recording of a film, television production, music video or other live action piece. The cinematographer is the chief of the camera and light crews working on such projects and would normally be responsible for making artistic and technical decisions related to the image and for selecting the camera, film stock, lenses, filters, etc. The study and practice of this field is referred to as cinematography. The cinematographer is a subordinate of the director, tasked with capturing a scene in accordance with director’s vision. Relations between the cinematographer and director vary. In some instances, the director will allow the cinematographer complete independence, while in others, the director allows little to none, even going so far as to specify exact camera placement and lens selection. Such a level of involvement is less common when the director ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Film Noir
Film noir (; ) is a cinematic term used primarily to describe stylish Hollywood crime dramas, particularly those that emphasize cynical attitudes and motivations. The 1940s and 1950s are generally regarded as the "classic period" of American ''film noir''. Film noir of this era is associated with a low-key, black-and-white visual style that has roots in German Expressionist cinematography. Many of the prototypical stories and much of the attitude of classic noir derive from the hardboiled school of crime fiction that emerged in the United States during the Great Depression. The term ''film noir'', French for 'black film' (literal) or 'dark film' (closer meaning), was first applied to Hollywood films by French critic Nino Frank in 1946, but was unrecognized by most American film industry professionals of that era. Frank is believed to have been inspired by the French literary publishing imprint Série noire, founded in 1945. Cinema historians and critics defined the category ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Photographic Filter
In photography and cinematography, a filter is a camera accessory consisting of an optical filter that can be inserted into the optical path. The filter can be of a square or oblong shape and mounted in a holder accessory, or, more commonly, a glass or plastic disk in a metal or plastic ring frame, which can be screwed into the front of or clipped onto the camera lens. Filters modify the images recorded. Sometimes they are used to make only subtle changes to images; other times the image would simply not be possible without them. In monochrome photography, coloured filters affect the relative brightness of different colours; red lipstick may be rendered as anything from almost white to almost black with different filters. Others change the colour balance of images, so that photographs under incandescent lighting show colours as they are perceived, rather than with a reddish tinge. There are filters that distort the image in a desired way, diffusing an otherwise sharp image, adding ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Diogo Dória
Diogo Dória (born 16 April 1953) is a Portuguese film actor who has worked in France and Portugal and is most associated with his films for director Manoel de Oliveira. Selected filmography * 1981 ''Francisca'' * 1985 ''The Satin Slipper'' * 1988 '' The Cannibals'' * 1990 ''No, or the Vain Glory of Command'' * 1991 ''The Divine Comedy'' * 1992 '' Day of Despair'' * 1993 ''Abraham's Valley'' * 1994 '' The Box'' * 1997 ''Voyage to the Beginning of the World'' * 1998 ''Anxiety'' * 2000 ''Word and Utopia ''Word and Utopia'' (''Palavra e Utopia'') is a 2000 Portuguese film directed by Manoel de Oliveira. It was screened in competition at the 2000 Venice Film Festival. Cast * Lima Duarte as Padre António Vieira (Old) * Luís Miguel Cintra as P ...'' * 2002 '' The Uncertainty Principle'' * 2005 '' Magic Mirror'' * 2009 '' Eccentricities of a Blonde-haired Girl'' References External links * 1953 births Living people Portuguese male film actors Male actors from Lisbon [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lisa Lyon
Lisa Lyon (born 1953) is a female bodybuilder and photo model from the United States, and is regarded as one of female bodybuilding's pioneers. Biography Born in Los Angeles, California in 1953. Lisa Lyon studied art at the University of California at Los Angeles. There she became accomplished in the Japanese art of fencing, kendo, but found herself lacking sufficient upper body strength so she began weight training. This eventually led her into bodybuilding. Lyon entered and won the first International Federation of BodyBuilders Women's World Pro Bodybuilding Championship in Los Angeles on June 16, 1979. This was the only bodybuilding competition of her career. She appeared in many magazines and on television talk shows, promoting bodybuilding for women. She also wrote a book on weight training for women titled ''Lisa Lyon’s Body Magic'' (), which was published in 1981. Her stats as taken in October 1980: Bust 37A, Waist 24", Hips 35", Height 5' 4", Weight 120 lbs, Hair Colo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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