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Thrasos Kastanakis
In Greek mythology, Thrasos (Ancient Greek: Θράσος) is the personified concept of boldness. Although the word θράσος itself could be used both in the positive ("courage") and the negative ("over-boldness, insolence") senses, in the only context where Thrasos appears as a personification (a daemon), it is definitely a malicious and suspicious being, mentioned together with Hybris and Atë and opposed to Dike. According to Euripides in his play ''Agamemnon'': : But an old Hubris tends to bring forth in evil men, sooner or later, at the fated hour of birth, a young Hubris and that irresistible, unconquerable, unholy spirit, Recklessness hrasos and for the household black Curses, which resemble their parents.Aeschylus, ''Agamemnon'763–771 Notes References * Aeschylus, ''Agamemnon'' in ''Aeschylus, with an English translation by Herbert Weir Smyth, Ph. D. in two volumes'', Vol 2, Cambridge, Massachusetts, Harvard University Press Harvard University Press ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Greek Mythology
A major branch of classical mythology, Greek mythology is the body of myths originally told by the Ancient Greece, ancient Greeks, and a genre of Ancient Greek folklore. These stories concern the Cosmogony, origin and Cosmology#Metaphysical cosmology, nature of the world, the lives and activities of List of Greek mythological figures, deities, Greek hero cult, heroes, and List of Greek mythological creatures, mythological creatures, and the origins and significance of the ancient Greeks' own cult (religious practice), cult and ritual practices. Modern scholars study the myths to shed light on the religious and political institutions of ancient Greece, and to better understand the nature of myth-making itself. The Greek myths were initially propagated in an oral tradition, oral-poetic tradition most likely by Minoan civilization, Minoan and Mycenaean Greece, Mycenaean singers starting in the 18th century BC; eventually the myths of the heroes of the Trojan War and its after ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ancient Greek
Ancient Greek includes the forms of the Greek language used in ancient Greece and the ancient world from around 1500 BC to 300 BC. It is often roughly divided into the following periods: Mycenaean Greek (), Dark Ages (), the Archaic period (), and the Classical period (). Ancient Greek was the language of Homer and of fifth-century Athenian historians, playwrights, and philosophers. It has contributed many words to English vocabulary and has been a standard subject of study in educational institutions of the Western world since the Renaissance. This article primarily contains information about the Epic and Classical periods of the language. From the Hellenistic period (), Ancient Greek was followed by Koine Greek, which is regarded as a separate historical stage, although its earliest form closely resembles Attic Greek and its latest form approaches Medieval Greek. There were several regional dialects of Ancient Greek, of which Attic Greek developed into Koine. Dia ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Boldness
Boldness is the opposite of shyness. To be bold implies a willingness to get things done despite risks. Boldness may be a property that only certain individuals are able to display. For example, in the context of sociability, a bold person may be willing to risk shame or rejection in social situations, or to bend rules of etiquette or politeness. An excessively bold person could aggressively ask for money, or persistently push someone to fulfill a request. The word "bold" may also be used as a synonym of " impudent"; for example, a child may be punished for being "bold" by acting disrespectfully toward an adult or by misbehaving. Boldness may be contrasted with courage in that the latter implies having fear but confronting it. History Words of Spartan admiral from 405 BC, Lysander, from "Tides of War": “The bold man is prideful, brazen, ambitious,”, “The brave man calm, God-fearing, steady.”, “Boldness honors two things only: novelty and success. It feeds on them an ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Courage
Courage (also called bravery or valor) is the choice and willingness to confront agony, pain, danger, uncertainty, or intimidation. Valor is courage or bravery, especially in battle. Physical courage is bravery in the face of physical pain, hardship, even death, or threat of death; while moral courage is the ability to act rightly in the face of popular opposition, shame, scandal, discouragement, or personal loss. The classical virtue of fortitude (''andreia, fortitudo'') is also translated "courage", but includes the aspects of perseverance and patience. In the Western tradition, notable thoughts on courage have come from philosophers Socrates, Plato, Aristotle, Aquinas, and Kierkegaard, as well as Christian beliefs and texts. In the Hindu tradition, mythology has given many examples of bravery, valor and courage, with examples of both physical and moral courage exemplified. In the Eastern tradition, the Chinese text ''Tao Te Ching'' offers a great deal of thoughts on cou ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Daemon (classical Mythology)
Daimon or Daemon (Ancient Greek: , "god", "godlike", "power", "fate") originally referred to a lesser deity or guiding spirit such as the daimons of ancient Greek religion and mythology and of later Hellenistic religion and philosophy. The word is derived from Proto-Indo-European ''daimon'' "provider, divider (of fortunes or destinies)," from the root ''*da-'' "to divide". Daimons were possibly seen as the souls of men of the golden age acting as tutelary deities, according to entry at Liddell & Scott. See also daimonic: a religious, philosophical, literary and psychological concept. Description Daimons are lesser divinities or spirits, often personifications of abstract concepts, beings of the same nature as both mortals and deities, similar to ghosts, chthonic heroes, spirit guides, forces of nature, or the deities themselves (see Plato's '' Symposium''). According to Hesiod's myth, "great and powerful figures were to be honoured after death as a daimon…" A daimon is ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hubris
Hubris (; ), or less frequently hybris (), describes a personality quality of extreme or excessive pride or dangerous overconfidence, often in combination with (or synonymous with) arrogance. The term ''arrogance'' comes from the Latin ', meaning "to feel that one has a right to demand certain attitudes and behaviors from other people". To ''arrogate'' means "to claim or seize without justification... To make undue claims to having", or "to claim or seize without right... to ascribe or attribute without reason". The term ''pretension'' is also associated with the term ''hubris'', but is not synonymous with it. According to studies, hubris, arrogance, and pretension are related to the need for victory (even if it does not always mean winning) instead of reconciliation, which "friendly" groups might promote. Hubris is usually perceived as a characteristic of an individual rather than a group, although the group the offender belongs to may suffer collateral consequences from wrong ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Atë
In Greek mythology, Atë, Até or Aite (; Ancient Greek: Ἄτη) was the goddess of mischief, delusion, ruin, and blind folly, rash action and reckless impulse who led men down the path of ruin. She also led both gods and men to rash and inconsiderate actions and to suffering. ''Até'' also refers to an action performed by a hero that leads to their death or downfall. Family Parentage Hesiod's account Atë was represented as the daughter of Eris, the goddess of strife, through parthenogenesis. : "And hateful Eris bore painful Ponos ("Hardship"), : Lethe ("Forgetfulness") and Limos ("Starvation") and the tearful Algea ("Pains"), : Hysminai ("Battles"), Makhai ("Wars"), Phonoi ("Murders"), and Androktasiai ("Manslaughters"); : Neikea ("Quarrels"), Pseudea ("Lies"), Logoi ("Stories"), Amphillogiai ("Disputes") : Dysnomia ("Anarchy") and Ate ("Ruin"), near one another, : and Horkos ("Oath"), who most afflicts men on earth, : Then willing swears a false oath." Homer's ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dike (mythology)
In Greek mythology, Dike or Dice ( or ; Greek: ) is the goddess of justice and the spirit of moral order and fair judgement as a transcendent universal ideal or based on immemorial custom, in the sense of socially enforced norms and conventional rules. According to Hesiod (''Theogony'', l. 901), she was fathered by Zeus upon his second consort, Themis. She and her mother are both personifications of justice. She is depicted as a young, slender woman carrying a balance scale and wearing a laurel wreath. The constellation Libra (the Scales) was anciently thought to represent her distinctive symbol. She is often associated with Astraea, the goddess of innocence and purity. ''Astraea'' is also one of her epithets, referring to her appearance in the nearby constellation Virgo which is said to represent Astraea. This reflects her symbolic association with Astraea, who, too, has a similar iconography. Depiction The sculptures of the Temple of Zeus at Olympia have as their unifying ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Aeschylus
Aeschylus (, ; grc-gre, Αἰσχύλος ; c. 525/524 – c. 456/455 BC) was an ancient Greek tragedian, and is often described as the father of tragedy. Academic knowledge of the genre begins with his work, and understanding of earlier Greek tragedy is largely based on inferences made from reading his surviving plays. According to Aristotle, he expanded the number of characters in the theatre and allowed conflict among them. Formerly, characters interacted only with the chorus.The remnant of a commemorative inscription, dated to the 3rd century BC, lists four, possibly eight, dramatic poets (probably including Choerilus, Phrynichus, and Pratinas) who had won tragic victories at the Dionysia before Aeschylus had. Thespis was traditionally regarded the inventor of tragedy. According to another tradition, tragedy was established in Athens in the late 530s BC, but that may simply reflect an absence of records. Major innovations in dramatic form, credited to Aeschylus by Aristotle ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Agamemnon (play)
The ''Oresteia'' ( grc, Ὀρέστεια) is a trilogy of Greek tragedies written by Aeschylus in the 5th century BCE, concerning the murder of Agamemnon by Clytemnestra, the murder of Clytemnestra by Orestes, the trial of Orestes, the end of the curse on the House of Atreus and the pacification of the Erinyes. The trilogy—consisting of ''Agamemnon'' (), '' The Libation Bearers'' (), and ''The Eumenides'' ()—also shows how the Greek gods interacted with the characters and influenced their decisions pertaining to events and disputes. The only extant example of an ancient Greek theatre trilogy, the ''Oresteia'' won first prize at the Dionysia festival in 458 BCE. The principal themes of the trilogy include the contrast between revenge and justice, as well as the transition from personal vendetta to organized litigation. ''Oresteia'' originally included a satyr play, ''Proteus'' (), following the tragic trilogy, but all except a single line of ''Proteus'' has been lost. ''Ag ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Euripides
Euripides (; grc, Εὐριπίδης, Eurīpídēs, ; ) was a tragedian Tragedy (from the grc-gre, τραγῳδία, ''tragōidia'', ''tragōidia'') is a genre of drama based on human suffering and, mainly, the terrible or sorrowful events that befall a main character. Traditionally, the intention of tragedy i ... of classical Athens. Along with Aeschylus and Sophocles, he is one of the three ancient Greek tragedians for whom any plays have survived in full. Some ancient scholars attributed ninety-five plays to him, but the ''Suda'' says it was ninety-two at most. Of these, eighteen or nineteen have survived more or less complete (''Rhesus (play), Rhesus'' is suspect). There are many fragments (some substantial) of most of his other plays. More of his plays have survived intact than those of Aeschylus and Sophocles together, partly because his popularity grew as theirs declinedMoses Hadas, ''Ten Plays by Euripides'', Bantam Classic (2006), Introduction, p. ixhe became, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Oresteia
The ''Oresteia'' ( grc, Ὀρέστεια) is a trilogy of Greek tragedies written by Aeschylus in the 5th century BCE, concerning the murder of Agamemnon by Clytemnestra, the murder of Clytemnestra by Orestes, the trial of Orestes, the end of the curse on the House of Atreus and the pacification of the Erinyes. The trilogy—consisting of ''Agamemnon'' (), '' The Libation Bearers'' (), and ''The Eumenides'' ()—also shows how the Greek gods interacted with the characters and influenced their decisions pertaining to events and disputes. The only extant example of an ancient Greek theatre trilogy, the ''Oresteia'' won first prize at the Dionysia festival in 458 BCE. The principal themes of the trilogy include the contrast between revenge and justice, as well as the transition from personal vendetta to organized litigation. ''Oresteia'' originally included a satyr play, ''Proteus'' (), following the tragic trilogy, but all except a single line of ''Proteus'' has been lost. ''Agame ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
