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Thrash Waltz
Thrash may refer to: *Thrashing (computer science), where increasing resources are used to do a decreasing amount of work *Thrash (surname) *Thrash, mascot of the Atlanta Thrashers *'' Thrash Rally'', a top-down perspective rally racing video game developed by ADK *A synonym for a Strike (attack) Music *Thrash metal, a riff-driven subgenre of heavy metal **Crossover thrash, a fusion of thrash metal with hardcore punk **Groove metal, a subgenre of heavy metal also known as post-thrash *Thrashcore, a subgenre of hardcore punk **Bandana thrash, a subgenre of thrashcore *Thrash, the nickname of British electronic musician, record producer and remixer Kris Weston *''Thrash Anthems'', a 2007 compilation album released by thrash metal band Destruction *" Thrash Unreal", a 2007 single by punk group Against Me! *''Thrash Zone ''Thrash Zone'' is the fifth album by the American crossover thrash band D.R.I., released in 1989. It continues the thrash metal style of the previous album, ' ...
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Thrashing (computer Science)
In computer science, thrashing occurs when a computer's virtual memory resources are overused, leading to a constant state of paging and page faults, inhibiting most application-level processing. This causes the performance of the computer to degrade or collapse. The situation can continue indefinitely until either the user closes some running applications or the active processes free up additional virtual memory resources. After completing initialization, most programs operate on a small number of code and data pages compared to the total memory the program requires. The pages most frequently accessed are called the working set. When the working set is a small percentage of the system's total number of pages, virtual memory systems work most efficiently and an insignificant amount of computing is spent resolving page faults. As the working set grows, resolving page faults remains manageable until the growth reaches a critical point. Then faults go up dramatically and the time ...
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Thrash (surname)
Thrash is a surname. Notable people with the surname include: *Dox Thrash (1893–1965), American artist * James Thrash (born 1975), American football player * Thomas W. Thrash Jr. (born 1951), American judge *William G. Thrash William Gay Thrash (September 17, 1916 – July 4, 2011) was a United States Marine Corps Lieutenant general (United States), three-star general and highly decorated United States Naval Aviator, Naval Aviator. He retired from active duty on June ...
(1916–2011), United States Marine Corps general {{surname, Thrash ...
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List Of National Hockey League Mascots
This is a list of current and former National Hockey League (NHL) mascots, sorted alphabetically. The New York Rangers are the only team to have never had a mascot. Current mascots Al the Octopus Al the Octopus is the octopus mascot of the Detroit Red Wings. It is also the only mascot that is not costumed. In 1952, when east side fish merchants Pete and Jerry Cusimano threw a real octopus onto the Olympia arena ice, the eight legs represented the eight victories needed to secure a Stanley Cup in those six-team days. Since then, fans throw an octopus onto the ice for good luck. In the 1995 Playoffs, fans threw fifty-four onto the ice. Arena Manager and Zamboni driver Al Sobotka ceremoniously scoops them up and whirls them over his head, and play continues. NHL Commissioner Gary Bettman forbade Sobotka from doing so during the 2008 playoffs, claiming that debris flew off the octopuses and onto the ice. Sobotka and the Red Wings have denied that this occurs, but even so Sobotka ...
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Thrash Rally
is a top-down perspective rally racing video game developed by ADK and released by SNK Corporation for the Neo Geo system. It was released by SNK on December 20, 1991 and would be followed by an spiritual successor in 1996, ''Over Top''. Gameplay Players begin by choosing a vehicle based on handling, acceleration, and overall speed. The game is played from an overview perspective with the camera focused on the players car at all times. The races take place from the 1992 World Rally Championship and the 1992 Paris–Cape Town Dakar Rally with a variety of terrain. Reception In Japan, ''Game Machine'' listed ''Thrash Rally'' on their December 15, 1991 issue as being the sixteenth most-successful popular arcade game at the time. On release, '' Next Generation'' reviewed the Neo-Geo version of the game, rating it one star out of five, and stated that "for mindless fun, ''Rally Chase'' comes in at about average". ''Famicom Tsūshin'' scored the Neo Geo version a 22 out of ...
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Strike (attack)
A strike is a directed physical attack with either a part of the human body or with an inanimate object (such as a weapon) intended to cause blunt trauma or penetrating trauma upon an opponent. There are many different varieties of strikes. A strike with the hand closed into a fist is called a punch, a strike with the leg or foot is referred to as a kick and a strike with the head is called a headbutt. There are also other variations employed in martial arts and combat sports. "Buffet" or "beat" refer to repeatedly and violently striking an opponent; this is also commonly referred to as a combination, or combo, especially in boxing or fighting video games. Usage Strikes are the key focus of several sports and arts, including boxing, savate, karate, Muay Lao, taekwondo and wing chun. Some martial arts also use the fingertips, wrists, forearms, shoulders, back and hips to strike an opponent as well as the more conventional fists, palms, elbows, knees and feet that are commo ...
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Thrash Metal
Thrash metal (or simply thrash) is an extreme subgenre of heavy metal music characterized by its overall aggression and often fast tempo.Kahn-Harris, Keith, ''Extreme Metal: Music and Culture on the Edge'', pp. 2–3, 9. Oxford: Berg, 2007, . The songs usually use fast percussive beats and low-register guitar riffs, overlaid with shredding-style lead guitar work. The lyrical subject matter often includes criticism of The Establishment and concern over environmental destruction, and at times shares a disdain for Christian dogma with that of black metal. The language is typically direct and denunciatory, an approach borrowed from hardcore punk. The genre emerged in the early 1980s as musicians began fusing the double bass drumming and complex guitar stylings of the new wave of British heavy metal (NWOBHM) with the speed and aggression of hardcore punk. Philosophically, thrash metal developed as a backlash against both the conservatism of the Reagan Era and the much more moder ...
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Crossover Thrash
Crossover thrash (often abbreviated to crossover) is a fusion genre of thrash metal and hardcore punk. The genre lies on a continuum between heavy metal and hardcore punk. Other genres on the same continuum, such as metalcore and grindcore, may overlap with crossover thrash. Terminological ambiguity The genre is often confused with thrashcore, which is essentially a faster hardcore punk rather than a more punk-oriented form of metal."Powerviolence: The Dysfunctional Family of Bllleeeeaaauuurrrgghhh!!". ''Terrorizer'' no. 172. July 2008. p. 36-37. Throughout the early and mid 1980s, the term "thrash" was often used as a synonym for hardcore punk (as in the ''New York Thrash'' compilation of 1982). The term "thrashcore" to distinguish acts of the genre from others was not coined until at least 1993. Many crossover bands, such as D.R.I., began as influential thrashcore bands. The "-core" suffix of "thrashcore" is sometimes used to distinguish it from crossover thrash and thrash ...
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Groove Metal
Groove metal is a subgenre of heavy metal music that began in the early 1990s. The genre achieved success in the 1990s and continued having success in the 2000s. Inspired by thrash metal and traditional heavy metal, groove metal features raspy singing and screaming, down-tuned guitars, heavy guitar riffs, and syncopated rhythms. Unlike thrash metal, groove metal is usually slower and also uses elements of traditional heavy metal. Pantera are often considered the pioneers of groove metal, and groove metal expanded in the 1990s with bands like White Zombie, Machine Head, and Sepultura. The genre continued in the 2000s with bands like Lamb of God, DevilDriver, and Five Finger Death Punch. Characteristics Groove metal is heavily influenced by thrash metal, but is focused more on heaviness as opposed to speed, even though fast songs are still common within the genre. Emphasis lies in heavy guitar riffs, often accompanied by syncopated rhythms, and guitar solos are commonplace. ...
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Thrashcore
Thrashcore (also known as fastcore) is a fast-tempo subgenre of hardcore punk that emerged in the early 1980s. Thrashcore is essentially sped-up hardcore, often using blast beats. Songs can be very brief, and thrashcore is in many ways a less dissonant, less metallic forerunner of grindcore. The genre is sometimes associated with the skateboarder subculture. Terminological ambiguity Thrashcore is often confused with crossover thrash and sometimes thrash metal.Felix von Havoc''Maximum Rock'n'Roll'' #198 Retrieved June 20, 2008."Powerviolence: The Dysfunctional Family of Bllleeeeaaauuurrrgghhh!!". ''Terrorizer'' no. 172. July 2008. p. 36-37. Further confusion is added by the fact that many crossover bands, such as D.R.I., began as influential thrashcore bands. Throughout the '80s, the term "thrash" was in use as a synonym for hardcore punk (as in the ''New York Thrash'' compilation of 1982). It eventually came to be used for the faster, more intense style of hardcore punk. The te ...
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Bandana Thrash
Bandana thrash is a movement within thrashcore, that is sometimes associated with powerviolence that explored their debt to an earlier form of extreme punk rock. The term is in reference to the headgear preferred by many of the performers. The ideology of bandana thrash is DIY ethic, in many cases straight edge Straight edge (sometimes abbreviated sXe or signified by XXX or X) is a subculture of hardcore punk whose adherents refrain from using alcohol, tobacco, and other recreational drugs, in reaction to the excesses of punk subculture. For some, thi ..., street life, anticonsumerism, and worldwide unity, the latter is referred in many songs like "Bandana United Us" by GxHx, "Intercontinental Bandana Union", by What Happens Next?, as well in the manifesto in Conquest for Death's ''Many Nations, One Underground''". The style was prominent into the early to mid 2000s. References 20th-century music genres Hardcore punk genres Punk rock genres {{punk-music-stu ...
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Kris Weston
Kristian "Kris" Weston (a.k.a. Thrash) (born 1972) is a British electronic musician, record producer and remixer best known for his work as a member of The Orb. Around the beginning of his career, he worked with Andrew Weatherall on remixes of Meat Beat Manifesto, remixed for Saint Etienne, U2 and others. He was still a teen when working on the first few albums by The Orb. Thrash was with The Orb for less than five years, from around 1990 to the end of 1995. He appeared on the Orb albums and the many remixes they did during this period, including the album '' FFWD'', a collaboration with Robert Fripp that is credited to Fripp, Thomas Fehlmann, Weston, and Alex Paterson. He also worked with Fortran 5 on their first album ''Blues''. Late 1980s-early 1990s In 1990 and 1991, Weston performed remixes for many pop groups including Depeche Mode, Miranda Sex Garden, and Bananarama under the name ''Thrash''. The Orb In 1991 while working as a studio engineer, Kris Weston was invit ...
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Thrash Anthems
''Thrash Anthems'' is an album released by the German thrash metal band Destruction on January 19, 2007. It is a compilation of re-recordings of old songs and two new songs: "Deposition (Your Heads Will Roll)" and "Profanity". The limited digipak edition includes one bonus track ("Eternal Ban") and a video clip for "Total Desaster". The 2-LP version does not include the bonus track and the running order of the tracks is partly different. A sequel to this album titled ''Thrash Anthems II'' was released in November 2017 and features a compilation of other classic songs that have been newly re-recorded. Track listing Credits Writing, performance and production credits are adapted from the album's liner notes. Personnel ;Destruction * Schmier – bass, lead vocals * Mike Sifringer – guitars * Marc Reign – drums, backing vocals ;Guest musicians * Harry Wilkens – guitar solo on "Release from Agony", "Cracked Brain" * Jacob Hansen – guitar solo on "Death Trap", "Invi ...
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