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Thoroughbred (album)
''Thoroughbred'' is the seventh album by American singer-songwriter Carole King, released in 1976. Her final release on Ode Records, it was produced by Lou Adler, who had been her collaborator since ''Tapestry'' (1971). After Carole King self produced for a number of years on Capitol and Atlantic Records, Lou Adler later rejoined King to produce her 1984 album ''Speeding Time''. The track " Only Love Is Real" was released as a lead single from the album, and became her 4th and final chart-topper on the U.S. Billboard Adult Contemporary chart. "High Out of Time", a song featuring David Crosby and Graham Nash on vocals, was also released as a single. '' Cash Box'' called "High Out of Time" "a sweet ballad, filled with Carole King's expected but always exciting melody hooks." '' Record World'' called "High Out of Time" a "thoughtful and moving story as only this songstress can relate." The track "There's a Space Between Us" features harmony vocals by James Taylor. Track listing ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Carole King
Carole King Klein (born Carol Joan Klein; February 9, 1942) is an American singer, songwriter, and musician who has been active since 1958, initially as one of the staff songwriters at 1650 Broadway and later as a solo artist. Regarded as one of the most significant and influential musicians of all time, King is the most successful female songwriter of the latter half of the 20th century in the US, having written or co-written 118 pop hits on the ''Billboard'' Hot 100. King also wrote 61 hits that charted in the UK, making her the most successful female songwriter on the UK singles charts between 1962 and 2005. King's major success began in the 1960s when she and her first husband, Gerry Goffin, wrote more than two dozen chart hits, many of which have become standards, for numerous artists. She has continued writing for other artists since then. King's success as a performer in her own right did not come until the 1970s, when she sang her own songs, accompanying herself on t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Record World
''Record World'' magazine was one of the three main music industry trade magazines in the United States, along with '' Billboard'' and '' Cashbox''. It was founded in 1946 under the name ''Music Vendor'', but in 1964 it was changed to ''Record World'', under the ownership of Sid Parnes and Bob Austin. It ceased publication on April 10, 1982. Many music industry personalities, writers, and critics began their careers there in the early 1970s to 1980s. History Growth ''Record World'' has been considered the hipper, faster-moving music industry publication, in contrast to the stodgier ''Billboard'' and ''Cashbox'', its sister magazine. ''Music Vendor'', as it was then known, published its first music chart for the week ending October 4, 1954. A weekly, like its competitors, it was housed in New York City at 1700 Broadway, at 53rd Street, just across the street from the Ed Sullivan Theater, and West Coast editorial offices in Los Angeles on Sunset and Vine. Rock bands frequented '' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
RPM (magazine)
''RPM'' ( and later ) was a Canadian music-industry publication that featured song and album charts for Canada. The publication was founded by Walt Grealis in February 1964, supported through its existence by record label owner Stan Klees. ''RPM'' ceased publication in November 2000. ''RPM'' stood for "Records, Promotion, Music". The magazine's title varied over the years, including ''RPM Weekly'' and ''RPM Magazine''. Canadian music charts ''RPM'' maintained several format charts, including Top Singles (all genres), Adult Contemporary, Dance, Urban, Rock/Alternative and Country Tracks (or Top Country Tracks) for country music. On 21 March 1966, ''RPM'' expanded its Top Singles chart from 40 positions to 100. On 6 December 1980, the main chart became a top-50 chart and remained this way until 4 August 1984, whereupon it reverted to a top-100 singles chart. For the first several weeks of its existence, the magazine did not compile a national chart, but simply printed the cur ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kent Music Report
The Kent Music Report was a weekly record chart of Australian music singles and albums which was compiled by music enthusiast David Kent from May 1974 through to January 1999. The chart was re-branded the Australian Music Report (AMR) in July 1987. From June 1988, the Australian Recording Industry Association, which had been using the top 50 portion of the report under licence since mid-1983, chose to produce their own listing as the ARIA Charts. Before the Kent Report, ''Go-Set'' magazine published weekly Top-40 Singles from 1966, and Album charts from 1970 until the magazine's demise in August 1974. David Kent later published Australian charts from 1940 to 1973 in a retrospective fashion, using state by state chart data obtained from various Australian radio stations. Background Kent had spent a number of years previously working in the music industry at both EMI and Phonogram records and had developed the report initially as a hobby. The Kent Music Report was first release ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hank Cicalo
Hank Cicalo (born June 25, 1932) is an American recording engineer whose career has spanned over fifty years. Among the artists recorded by Cicalo are The Monkees, Carole King, Barbra Streisand, and George Harrison. Early career In 1957, Cicalo started in the mastering room at Capitol Studios, then progressed to second engineer and worked with many great engineers like John Krause, Hugh Davies, John Palladino, and Pete Abbott. Some of the artists' albums he worked on were Frank Sinatra, Dean Martin and Nat King Cole. He moved up to engineer while at Capitol and worked with such notables as Cannonball Adderley, Peggy Lee, Ed Ames and Lou Rawls. In 1963, Cicalo began work for RCA Records in Hollywood. As one of the lead engineers at RCA, he worked with artists including Eddy Arnold, Vic Damone, Ann-Margret, Eddie Fisher, Peter Nero, Duke Ellington, Wayne Newton and Tommy Leonetti. In the mid-1960s, Cicalo also worked closely with Tom Mack, producer for Dot Record ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Waddy Wachtel
Robert "Waddy" Wachtel (born May 24, 1947) is an American musician, composer and record producer, most notable for his guitar work. Wachtel has worked as session musician for other artists such as Linda Ronstadt, Stevie Nicks, Kim Carnes, Randy Newman, Keith Richards, The Rolling Stones (lead guitar on "Saint of Me"), Jon Bon Jovi, James Taylor, Iggy Pop, Warren Zevon, Bryan Ferry, Michael Sweet, Jackson Browne, and Andrew Gold, both in the studio and live. Early years Wachtel was born May 24, 1947, in Jackson Heights in the New York City borough of Queens. At about age 9–10, Wachtel began to learn to play the guitar, taking lessons with teacher Gene Dell (who insisted that he learn to play right-handed despite being naturally left-handed) until about age 14. At that age, he says, he began writing songs. Wachtel also studied with Rudolph Schramm, who was the head of the NBC staff orchestra and went on to teach music at Carnegie Hall. Schramm tried to get Wachtel to take piano ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Leland Sklar
Leland Bruce Sklar (born May 28, 1947) is an American bassist and session musician. Sklar rose to prominence as a member of James Taylor's backing band, which coaleced into a group in its own right, The Section. This group of musicians so frequently supported many of the artists on Asylum Records, both on stage and in the studio, that they became known as Asylum's ''de facto'' house band. Those artists would become the standard bearers of the singer-songwriter era in the 1970s. Since then, Sklar has recorded and toured with artists such as James Taylor, Jackson Browne, Carole King, Linda Ronstadt, Phil Collins, Toto, Lyle Lovett and many, many more. As a group member, session player, or touring musician, Sklar has lent his talents to well over 2,000 albums. In addition, he has contributed to many motion picture and television show soundtracks. Sklar is currently the bass player for the group The Immediate Family. Early life Leland Bruce Sklar was born May 28, 1947 in Milwa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tom Scott (saxophonist)
Thomas Wright Scott (born May 19, 1948) is an American saxophonist, composer, and arranger. He was a member of The Blues Brothers and led the jazz fusion group L.A. Express. Early life, family and education Scott was born in Los Angeles, California, US. He is the son of film and television composer Nathan Scott, who had more than 850 television credits and more than 100 film credits as a composer, orchestrator, and conductor, including the theme songs for '' Dragnet'' and '' Lassie''. Career Tom Scott's career began as a teenager as leader of the jazz ensemble Neoteric Trio and the band Men of Note. After that, he worked as a session musician. In 1970, Quincy Jones said of him: "Tom Scott, the saxophonist; he's 21, and out of sight! Plays any idiom you can name, and blows like crazy on half a dozen horns." Scott wrote the theme songs for the television shows '' Starsky and Hutch'' and ''The Streets of San Francisco''. In 1974, with the L.A. Express he composed the score for th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ralph MacDonald
Ralph Anthony MacDonald (March 15, 1944 – December 18, 2011) was a Trinidadian and Tobagonian American, Trinbagonian-American percussionist, songwriter, musical arranger, record producer, steelpan virtuoso and philanthropist. His compositions include "Where Is the Love (Roberta Flack and Donny Hathaway song), Where Is the Love", a Grammy Award winner for the duet of Roberta Flack and Donny Hathaway; "Just the Two of Us (Grover Washington Jr. song), Just the Two of Us", recorded by Bill Withers and Grover Washington Jr.; and "Mister Magic" recorded by Grover Washington Jr. Career Growing up in Harlem, New York City, New York, United States, under the close mentorship of his Trinbagonian father, Patrick MacDonald (a calypsonian and bandleader originally from Trinidad and Tobago who used the stage name "Macbeth the Great"), MacDonald began showing his musical talent, particularly with the steelpan, and when he was 17 years old started playing pan for the Harry Belafonte show. He ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Russ Kunkel
Russell Kunkel (born September 27, 1948) is an American drummer who has worked as a session musician with many popular artists, including Jackson Browne, Joni Mitchell, Jimmy Buffett, Harry Chapin, Rita Coolidge, Neil Diamond, Bob Dylan, Dan Fogelberg, Glenn Frey, Art Garfunkel, Nitty Gritty Dirt Band, Carole King, Lyle Lovett, Reba McEntire, Stevie Nicks, Linda Ronstadt, Bob Seger, Carly Simon, Stephen Stills, James Taylor, Joe Walsh, Steve Winwood, Neil Young, and Warren Zevon. He was the studio and touring drummer for Crosby & Nash in the 1970s, and has played on all four of their studio albums. Early life and education Kunkel was born in Pittsburgh, Pennsylvania but by the age of nine he moved to Southern California. There, he was part of an orchestra at the local elementary school. Prior to moving, he was influenced by his brother and the song " Wipe Out" to play drums. During his high school years he lived in Long Beach, California. He played for approximately ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Danny Kortchmar
Daniel "Danny Kootch" Kortchmar (born April 6, 1946) is an American guitarist, session musician, producer and songwriter. Kortchmar's work with singer-songwriters such as Linda Ronstadt, James Taylor, David Crosby, Carole King, David Cassidy, Graham Nash, Neil Young, Steve Perry, and Carly Simon helped define the signature sound of the singer-songwriter era of the 1970s. Jackson Browne and Don Henley have recorded many songs written or co-written by Kortchmar, and Kortchmar was Henley's songwriting and producing partner in the 1980s. Biography Kortchmar is the son of manufacturer Emil Kortchmar and author Lucy Cores. Kortchmar first came to prominence in the mid-1960s playing with bands in his native New York City, such as The King Bees and The Flying Machine, which included a then-unknown James Taylor (Kortchmar having been a long-time friend of Taylor's as both summered on Martha's Vineyard in their teens). In Taylor's autobiographical composition " Fire and Rain", t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
David Palmer (vocalist)
David Palmer is an American vocalist, songwriter, and photographer, best known as a former member of Steely Dan and as the lyricist of the Carole King number two hit, "Jazzman". Musical career Palmer grew up in the New Jersey communities of Warren Township and Watchung and attended Watchung Hills Regional High School. His first band was the Myddle Class, formed in 1964 under the initial name The King Bees while members were still in high school. As the Myddle Class, the band performed at such clubs as the Night Owl in Greenwich Village, and released several 45s on the Tomorrow record label before disbanding in 1969. Palmer next formed the Quinaimes Band with several Myddle Class members, which recorded an album for Elektra Records before disbanding shortly thereafter. At the insistence of ABC Records executives, Palmer joined Steely Dan in an early incarnation in 1972. He sang lead on two tracks on their debut album, ''Can't Buy A Thrill'' – " Dirty Work" and "Brooklyn ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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