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Thorgrim
''Thorgrim'' is an opera in four acts with music by the British composer Frederic H. Cowen to a libretto by Joseph Bennett after the Icelandic tale " Viglund the Fair", first performed at the Drury Lane Theatre, London, on 22 April 1890. The premiere cast included the mezzo-soprano Zélie de Lussan and the tenor Barton McGuckin. References Further reading * * Cowen, F. H., ''My Art and My Friends'', London, Arnold, 1913 * Sadie, S. (ed.) (1980) ''The New Grove Dictionary of Music and Musicians ''The New Grove Dictionary of Music and Musicians'' is an encyclopedic dictionary of music and musicians. Along with the German-language ''Die Musik in Geschichte und Gegenwart'', it is one of the largest reference works on the history and theo ...'', 5. External links * English-language operas Operas 1890 operas Operas by Frederic H. Cowen Operas based on fairy tales {{English-opera-stub ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Frederic Hymen Cowen
Sir Frederic Hymen Cowen (29 January 1852 – 6 October 1935), was an English composer, conductor and pianist. Early years and musical education Cowen was born Hymen Frederick Cohen at 90 Duke Street, Kingston, Jamaica, the fifth and last child of Frederick Augustus Cohen and Emily Cohen ''née'' Davis. His siblings were Elizabeth Rose Cohen (b. 1843); actress, Henrietta Sophia Cohen (b. 1845); painter, Lionel Jonas Cohen (b. 1847) and Emma Magnay Cohen (b. 1849). At the age of four years Frederic was brought to England, where his father became treasurer to the opera at Her Majesty's Opera, now Her Majesty's Theatre, and private secretary to William Humble Ward, 11th Lord Ward (1817–1885). The family initially lived at 11 Warwick Crescent, London, in the area known as Little Venice. His first teacher was Henry Russell, and his first published composition, ''Minna-waltz'', appeared when he was only six years old. He produced his first published operetta, ''Garibaldi'', ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Barton McGuckin
Barton McGuckin (28 July 1852 – 17 April 1913) was an Irish tenor singer of renown, who made his career principally in Britain with the Carl Rosa Opera Company, but also gained a wide success in oratorio and concert. Richard Ellmann put him forward as the model for Bartell D'Arcy in James Joyce's story " The Dead", but this identification has been questioned in recent years. Training and early days McGuckin was born in Dublin and began studying music as a choirboy in Armagh Cathedral, where he received instruction in singing, organ, violin and pianoforte. In 1871 he became first tenor at St Patrick's Cathedral, Dublin and was a pupil of Joseph Robinson.Eaglefield-Hull 1924. He appeared in concerts from 1874, and made a debut at the Crystal Palace Concerts in 1875. He then went to study further at Milan, under Trevulsi.Eaglefield-Hull, 1924. Career with Carl Rosa Opera Company He made his stage debut with the Carl Rosa Opera Company in 1880, and remained with them at Theatre ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Opera
Opera is a form of theatre in which music is a fundamental component and dramatic roles are taken by singers. Such a "work" (the literal translation of the Italian word "opera") is typically a collaboration between a composer and a librettist and incorporates a number of the performing arts, such as acting, scenery, costume, and sometimes dance or ballet. The performance is typically given in an opera house, accompanied by an orchestra or smaller musical ensemble, which since the early 19th century has been led by a conductor. Although musical theatre is closely related to opera, the two are considered to be distinct from one another. Opera is a key part of the Western classical music tradition. Originally understood as an entirely sung piece, in contrast to a play with songs, opera has come to include numerous genres, including some that include spoken dialogue such as '' Singspiel'' and '' Opéra comique''. In traditional number opera, singers employ two styles of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Libretto
A libretto (Italian for "booklet") is the text used in, or intended for, an extended musical work such as an opera, operetta, masque, oratorio, cantata or Musical theatre, musical. The term ''libretto'' is also sometimes used to refer to the text of major liturgical works, such as the Mass (liturgy), Mass, requiem and sacred cantata, or the story line of a ballet. ''Libretto'' (; plural ''libretti'' ), from Italian, is the diminutive of the word ''wiktionary:libro#Italian, libro'' ("book"). Sometimes other-language equivalents are used for libretti in that language, ''livret'' for French works, ''Textbuch'' for German and ''libreto'' for Spanish. A libretto is distinct from a synopsis or scenario of the plot, in that the libretto contains all the words and stage directions, while a synopsis summarizes the plot. Some ballet historians also use the word ''libretto'' to refer to the 15 to 40 page books which were on sale to 19th century ballet audiences in Paris and contained a ve ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Joseph Bennett (critic)
Joseph Bennett (29 November 1831 – 12 June 1911) was an English music critic and librettist. After an early career as a schoolmaster and organist, he was engaged as a music critic by ''The Sunday Times'' in 1865. Within five years he was appointed List of chief music critics, chief music critic of ''The Daily Telegraph'', a post he held from 1870 to 1906. Among Bennett's other work was writing or adapting libretti for cantatas and other large-scale orchestral and choral works by British composers such as Arthur Sullivan, Frederic Hymen Cowen, Frederic Cowen and Alexander Mackenzie (composer), Alexander Mackenzie. Life and career Early years Bennett was born in Berkeley, Gloucestershire, Berkeley, Gloucestershire. He attended the local church, and became a member of its choir, and joined a local musical society in whose orchestra he played the viola."Joseph ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Víglundar Saga
Víglundar saga () is one of the sagas of Icelanders. ''Víglundar saga'' utilizes the style and romance that also characterize the chivalric sagas. It is one of the latest of the Icelandic family sagas, dating to the end of the 14th or beginning of the 15th century. The saga is preserved in two leather manuscripts from the 15th century. The saga tells the story of the love between Víglundr and Ketilríðr who were attached to each other since childhood. Plot In Norway, Þorgrímr Eiríksson and the beautiful Olof Þórisdóttir fall in love, but Olof's father arranges for her to be betrothed to a wealthy man named Ketill instead. Þorgrímr and Olof therefore elope and flee to Iceland, where they settle down and have two sons, Víglundr and Trausti, and a daughter, Helga. As an adult, Víglundr Þorgrímsson begins courting Ketilríðr Hólmkelsdóttir, the daughter of his father's neighbour and friend Hólmkell. This upsets her mother Þorbjǫrg and brothers Einarr and Jǫk ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Theatre Royal, Drury Lane
The Theatre Royal, Drury Lane, commonly known as Drury Lane, is a West End theatre and Grade I listed building in Covent Garden, London, England. The building faces Catherine Street (earlier named Bridges or Brydges Street) and backs onto Drury Lane. The building is the most recent in a line of four theatres which were built at the same location, the earliest of which dated back to 1663, making it the oldest theatre site in London still in use. According to the author Peter Thomson, for its first two centuries, Drury Lane could "reasonably have claimed to be London's leading theatre". For most of that time, it was one of a handful of patent theatres, granted monopoly rights to the production of "legitimate" drama in London (meaning spoken plays, rather than opera, dance, concerts, or plays with music). The first theatre on the site was built at the behest of Thomas Killigrew in the early 1660s, when theatres were allowed to reopen during the English Restoration. Initially ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mezzo-soprano
A mezzo-soprano or mezzo (; ; meaning "half soprano") is a type of classical female singing voice whose vocal range lies between the soprano and the contralto voice types. The mezzo-soprano's vocal range usually extends from the A below middle C to the A two octaves above (i.e. A3–A5 in scientific pitch notation, where middle C = C4; 220–880 Hz). In the lower and upper extremes, some mezzo-sopranos may extend down to the F below middle C (F3, 175 Hz) and as high as "high C" (C6, 1047 Hz). The mezzo-soprano voice type is generally divided into the coloratura, lyric, and dramatic mezzo-soprano. History While mezzo-sopranos typically sing secondary roles in operas, notable exceptions include the title role in Bizet's '' Carmen'', Angelina (Cinderella) in Rossini's ''La Cenerentola'', and Rosina in Rossini's ''Barber of Seville'' (all of which are also sung by sopranos and contraltos). Many 19th-century French-language operas give the leading female role to mezzos, includin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Zélie De Lussan
Zélie de Lussan (21 December 1861 – 18 December 1949) was an American opera singer of French descent who was successful in her native country but made most of her career in England. The wide range of her voice allowed her to sing both mezzo-soprano and soprano roles. Among de Lussan's most famous roles was the title role in Bizet's ''Carmen'', which she performed 2,000 times. She appeared with Sir Thomas Beecham's opera companies, at Covent Garden and with the Carl Rosa Opera Company. After retiring from the stage she made her home in London, where she continued to teach singing for many years. Life and career Early years Zélie de Lussan was born in Brooklyn, New York, to French parents, Jean de Lussan and his wife, a professional soprano. The young Zélie first appeared on stage at the age of nine but her parents forbade her to embark on a professional musical career. The Swedish singer Christina Nilsson heard her sing and persuaded the de Lussans to change their minds.Ste ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tenor
A tenor is a type of classical music, classical male singing human voice, voice whose vocal range lies between the countertenor and baritone voice types. It is the highest male chest voice type. The tenor's vocal range extends up to C5. The low extreme for tenors is widely defined to be B2, though some roles include an A2 (two As below middle C). At the highest extreme, some tenors can sing up to the second F above middle C (F5). The tenor voice type is generally divided into the ''leggero'' tenor, lyric tenor, spinto tenor, dramatic tenor, heldentenor, and tenor buffo or . History The name "tenor" derives from the Latin word ''wikt:teneo#Latin, tenere'', which means "to hold". As Fallows, Jander, Forbes, Steane, Harris and Waldman note in the "Tenor" article at ''Grove Music Online'': In polyphony between about 1250 and 1500, the [tenor was the] structurally fundamental (or 'holding') voice, vocal or instrumental; by the 15th century it came to signify the male voice that ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Stanley Sadie
Stanley John Sadie (; 30 October 1930 – 21 March 2005) was an influential and prolific British musicologist, music critic, and editor. He was editor of the sixth edition of the '' Grove Dictionary of Music and Musicians'' (1980), which was published as the first edition of ''The New Grove Dictionary of Music and Musicians''. Along with Thurston Dart, Nigel Fortune and Oliver Neighbour he was one of Britain's leading musicologists of the post-World War II generation. Career Born in Wembley, Sadie was educated at St Paul's School, London, and studied music privately for three years with Bernard Stevens. At Gonville and Caius College, Cambridge he read music under Thurston Dart. Sadie earned Bachelor of Arts and Bachelor of Music degrees in 1953, a Master of Arts degree in 1957, and a PhD in 1958. His doctoral dissertation was on mid-eighteenth-century British chamber music. After Cambridge, he taught at Trinity College of Music, London (1957–1965). Sadie then turned to musi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The New Grove Dictionary Of Music And Musicians
''The New Grove Dictionary of Music and Musicians'' is an encyclopedic dictionary of music and musicians. Along with the German-language ''Die Musik in Geschichte und Gegenwart'', it is one of the largest reference works on the history and theory of music. Earlier editions were published under the titles ''A Dictionary of Music and Musicians'', and ''Grove's Dictionary of Music and Musicians''; the work has gone through several editions since the 19th century and is widely used. In recent years it has been made available as an electronic resource called ''Grove Music Online'', which is now an important part of ''Oxford Music Online''. ''A Dictionary of Music and Musicians'' ''A Dictionary of Music and Musicians'' was first published in London by Macmillan and Co. in four volumes (1879, 1880, 1883, 1889) edited by George Grove with an Appendix edited by J. A. Fuller Maitland in the fourth volume. An Index edited by Mrs. E. Wodehouse was issued as a separate volume in 1890. In ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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