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Thomas Manders
Thomas Manders (22 December 1797–28 October 1859) was an actor-manager and low comedian of the early 19th century. Early life and career Tom Manders was born in High Holborn in London in 1797. He was originally intended for a commercial life, and for that purpose joined the Bank of England in 1814 but was pensioned off in 1821 when his office was abolished by the withdrawal of one-pound notes. He married Louisa Powell (18011880) in 1820. A keen theatre-goer, he attended performances most evenings after work and having tried his hand as an amateur actor on numerous occasions decided to turn professional in 1822. On the recommendation of Charles Kemble he was taken on by John Saville Faucit but did not feel that his talents were being recognised under Faucit's management so instead Manders went out into the provinces. [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tom Manders 1838
Tom or TOM may refer to: * Tom (given name), a diminutive of Thomas or Tomás or an independent Aramaic given name (and a list of people with the name) Characters * Tom Anderson, a character in ''Beavis and Butt-Head'' * Tom Beck, a character in the 1998 American science-fiction disaster movie '' Deep Impact'' * Tom Buchanan, the main antagonist from the 1925 novel ''The Great Gatsby'' * Tom Cat, a character from the ''Tom and Jerry'' cartoons * Tom Lucitor, a character from the American animated series '' Star vs. the Forces of Evil'' * Tom Natsworthy, from the science fantasy novel '' Mortal Engines'' * Tom Nook, a character in ''Animal Crossing'' video game series * Tom Servo, a robot character from the ''Mystery Science Theater 3000'' television series * Tom Sloane, a non-adult character from the animated sitcom '' Daria'' * Talking Tom, the protagonist from the ''Talking Tom & Friends'' franchise * Tom, a character from the '' Deltora Quest'' books by Emily Rodda * Tom ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Edmund Kean
Edmund Kean (4 November 178715 May 1833) was a celebrated British Shakespearean stage actor born in England, who performed, among other places, in London, Belfast, New York, Quebec, and Paris. He was known for his short stature, tumultuous personal life, and controversial divorce. Biography Early life Kean was born in Westminster, London. His father was probably Edmund Kean, an architect's clerk, and his mother was an actress, Anne Carey, daughter of the 18th-century composer and playwright Henry Carey. Kean made his first appearance on the stage, aged four, as Cupid in Jean-Georges Noverre's ballet of ''Cymon''. As a child his vivacity, cleverness and ready affection made him a universal favorite, but his harsh circumstances and lack of discipline, both helped develop self-reliance and fostered wayward tendencies. About 1794 a few benevolent persons paid for him to go to school, where he did well; but finding the restraint intolerable, he shipped as a cabin boy at Po ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Long Acre
Long Acre is a street in the City of Westminster in central London. It runs from St Martin's Lane, at its western end, to Drury Lane in the east. The street was completed in the early 17th century and was once known for its coach-makers, and later for its car dealers. History After the dissolution of the Monasteries in 1540, Henry VIII confiscated the land belonging to Westminster Abbey, including the convent garden of Covent Garden and land to the north originally called the Elms and later Seven Acres. In 1552, his son, Edward VI, granted it to John Russell, 1st Earl of Bedford. The Russell family, who in 1694 were advanced in their peerage from Earl to Duke of Bedford, held the land from 1552 to 1918. At the time of Charles I it was renamed Long Acre after the length of the first pathway constructed across the land. Charles took offence at the condition of the road and houses along it, which were the responsibility of Russell and Henry Carey, 2nd Earl of Monmouth. Russell ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dickens Fellowship
The Dickens Fellowship was founded in 1902, and is an international association of people from all walks of life who share an interest in the life and works of Victorian era novelist Charles Dickens. The Dickens Fellowship's head office is based at the Charles Dickens Museum in Doughty Street in London, England, the home of Charles Dickens from 1837 to 1839. In 1923 Dickens's former home at 48 Doughy Street was threatened with demolition, but it was saved by three members of the Dickens Fellowship, who raised a mortgage and bought the freehold in 1925. The membership of the Fellowship raised funds and put together a collection to exhibit in it. The Dickens House Trust was established to run the house as a museum and library. Membership is open to anybody, anywhere in the world, who shares the Fellowship's interests. The Fellowship has 47 branches, which are in the UK, the United States and nine other countries. Each branch is independent and arranges its own programme of events. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Charles Dickens
Charles John Huffam Dickens (; 7 February 1812 – 9 June 1870) was an English writer and social critic. He created some of the world's best-known fictional characters and is regarded by many as the greatest novelist of the Victorian era.. His works enjoyed unprecedented popularity during his lifetime and, by the 20th century, critics and scholars had recognised him as a literary genius. His novels and short stories are widely read today. Born in Portsmouth, Dickens left school at the age of 12 to work in a boot-blacking factory when his father was incarcerated in a debtors' prison. After three years he returned to school, before he began his literary career as a journalist. Dickens edited a weekly journal for 20 years, wrote 15 novels, five novellas, hundreds of short stories and non-fiction articles, lectured and performed readings extensively, was an indefatigable letter writer, and campaigned vigorously for children's rights, for education, and for other social ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Martin Chuzzlewit
''The Life and Adventures of Martin Chuzzlewit'' (commonly known as ''Martin Chuzzlewit'') is a novel by Charles Dickens, considered the last of his picaresque novels. It was originally serialised between 1842 and 1844. While he was writing it Dickens told a friend that he thought it was his best work thus far, but it was one of his least popular novels, judged by sales of the monthly instalments. Characters in this novel gained fame, including Pecksniff and Mrs Gamp. Like nearly all of Dickens's novels, ''Martin Chuzzlewit'' was first published in monthly instalments. Early sales of the monthly parts were lower than those of previous works, so Dickens changed the plot to send the title character to the United States. Dickens had visited America in 1842 in part as a failed attempt to get the US publishers to honour international copyright laws. He satirized the country as a place filled with self-promoting hucksters, eager to sell land sight unseen. In later editions, and in hi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sarah Gamp
Sarah or Sairey Gamp, Mrs. Gamp as she is more commonly known, is a nurse in the novel ''Martin Chuzzlewit'' by Charles Dickens, first published as a serial in 1843–1844. Mrs. Gamp is dissolute, sloppy and generally drunk. She became a notorious stereotype of untrained and incompetent nurses of the early Victorian era, before the reforms of campaigners like Florence Nightingale. The caricature was popular with the British public. A type of umbrella became known as a ''gamp'' because Mrs. Gamp always carries one, which she displays with "particular ostentation". The character was based upon a real nurse described to Dickens by his friend, Angela Burdett-Coutts. Adaptions and other works In an 1844 stage version of ''Martin Chuzzlewit'' authorised by Dickens at the Queen's Theatre Sarah Gamp was played by the actor and comedian Thomas Manders Thomas Manders (22 December 1797–28 October 1859) was an actor-manager and low comedian of the early 19th century. Early li ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Low Comedy
Low comedy, also known as lowbrow humor, in association to comedy, is a dramatic or literary form of popular entertainment without any primary purpose other than to create laughter through boasting, boisterous jokes, drunkenness, scolding, fighting, buffoonery and other riotous activity. It is also characterized by "horseplay", slapstick or farce. Examples include the throwing of a custard pie into another's face. This definition has also expanded to include lewd types of comedy that rely on obvious physical jokes, such as, the wedgie. The term "low comedy" was coined by John Dryden in his preface to his play ''An Evening's Love''. History This type of comedy has been a fixture ever since Greek plays. For instance Sophocles once wrote a satyr play, no longer extant, about satyrs who seek to persuade a king that they are worthy suitors of his daughter by bragging about their capacity for flatulence. Aristophanes claimed that he hoped his plays would not be too highbrow for the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Lady's Magazine
London fashionable spencer ">Spencer_(clothing).html" ;"title="walking dresses, July 1812, including a Spencer (clothing)">spencer ''The Lady's Magazine; or Entertaining Companion for the Fair Sex, Appropriated Solely to Their Use and Amusement'', was an early British women's magazine published monthly from 1770 until 1847. Priced at sixpence per copy, it began publication in August 1770 by the London bookseller John Coote and the publisher John Wheble. It featured articles on fiction, poetry, fashion, music, and social gossip and was, according to the Victoria and Albert Museum, "the first woman's magazine to enjoy lasting success." The magazine claimed a readership of 16,000, a figure that has been considered high when contemporary literacy levels and underdeveloped printing technologies are taken into account. ''The Lady's Magazine'' dominated the market for most of its run, and led to imitations like the '' Lady's Monthly Museum'' and the '' New Lady's Magazine''. Histo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Farce
Farce is a comedy that seeks to entertain an audience through situations that are highly exaggerated, extravagant, ridiculous, absurd, and improbable. Farce is also characterized by heavy use of physical humor; the use of deliberate absurdity or nonsense; satire, parody, and mockery of real-life situations, people, events, and interactions; unlikely and humorous instances of miscommunication; ludicrous, improbable, and exaggerated characters; and broadly stylized performances. Genre Despite involving absurd situations and characters, the genre generally maintains at least a slight degree of realism and narrative continuity within the context of the irrational or ludicrous situations, often distinguishing it from completely absurdist or fantastical genres. Farces are often episodic or short in duration, often being set in one specific location where all events occur. Farces have historically been performed for the stage and film. Historical context The term ''farce'' is deri ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Scala Theatre
The Scala Theatre was a theatre in Charlotte Street, London, off Tottenham Court Road. The first theatre on the site opened in 1772, and the theatre was demolished in 1969, after being destroyed by fire. From 1865 to 1882, the theatre was known as the Prince of Wales's Theatre (not to be confused with Prince of Wales Theatre). Origins The theatre began on this site as The New Rooms where concerts were performed, in Charlotte Street, in 1772, under the management of Francis Pasquali. Popularity, and royal patronage led to the building's enlargement by James Wyatt, and its renaming as the King's Concert Rooms (1780–1786). It then became Rooms for Concerts of Ancient Music and Hyde's Rooms (1786–1802, managed by ''The Directors of Concerts and Ancient Music''). In 1802, a private theatre club managed by Captain Caulfield, the ''"Pic-Nics"'', occupied the building and named it the Cognoscenti Theatre (1802–1808). It became the New Theatre (1808–1815) and was extended ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Olympic Theatre
The Olympic Theatre, sometimes known as the Royal Olympic Theatre, was a 19th-century London theatre, opened in 1806 and located at the junction of Drury Lane, Wych Street and Newcastle Street. The theatre specialised in comedies throughout much of its existence. Along with three other Victorian era, Victorian theatres (Opera Comique, Globe Theatre (Newcastle Street), Globe and Gaiety Theatre, London, Gaiety), the Olympic was eventually demolished in 1904 to make way for the development of the Aldwych. Newcastle and Wych streets also vanished. 1806-1849: Early days and Madame Vestris The first Olympic theatre was built in 1806 on the site of Drury House (later Craven House), for the impresario Philip Astley, a retired cavalry officer. The original name of the house was the Olympic Pavilion. It was said to be built from the timbers of the French warship ''French ship Ville de Paris (1764), Ville de Paris''. It opened on 1 December 1806 [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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