Thomas Lund (dancer)
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Thomas Lund (dancer)
Thomas Lund (born September 13, 1974 in Copenhagen, Denmark) is the head master of The Royal Danish School of Ballet in Copenhagen. Lund admitted to The Royal Danish School of Ballet in 1986 aged 11. He became apprentice in 1991, member of the corps de ballet of The Royal Danish Ballet in 1993, soloist in 1996 and was appointed principal dancer in 2000. In September 2012 Lund retired as a Principal Dancer to become the head master of The Royal Danish School of Ballet He held that position until June 2022. Lund is also a ballet master and a teacher at The Royal Danish Ballet, and he teaches at Bournonville seminars around the world. Since 2011 Lund has been staging Harald Lander's ballets '' Études'' around the world. Lund was knighted the Order of the Dannebrog in 2006, Knight 1st Class of the Order of the Dannebrog in 2011, and Commander of the Order of the Dannebrog in 2022 by Her Majesty the Queen of Denmark. The Bournonville Repertoire Lund is a Bournonville dancer w ...
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Royal Danish Ballet School
The Royal Danish Ballet School is a ballet school that trains dancers for the Royal Danish Ballet. It was founded in the 1770s. Beginnings In 1771, the first formalised ballet school at the Royal Danish Theater was founded by the French dancer and royal court dancing-master Pierre Laurent. The school was run on a rather humble scale with Laurent teaching six to eight pupils for two hours every day in the unheated vestibule of the Court Theater at Christiansborg Palace. But Laurent's school soon lost its dance lesson monopoly at the Royal Danish Theater. In 1775, the Italian dancer, choreographer, and teacher Vincenzo Galeotti Vincenzo Galeotti (5 March 1733 – 16 December 1816) was an Italian-born Danish dancer, choreographer and ballet master, who was influential as the director of the Royal Danish Ballet from 1775 until his death. Life Vincenzo Tomasselli was ... was engaged as ballet master. Galeotti, too, felt the need to establish a school of his own, and for some t ...
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Swan Lake
''Swan Lake'' ( rus, Лебеди́ное о́зеро, r=Lebedínoye ózero, p=lʲɪbʲɪˈdʲinəjə ˈozʲɪrə, link=no ), Op. 20, is a ballet composed by Russian composer Pyotr Ilyich Tchaikovsky in 1875–76. Despite its initial failure, it is now one of the most popular ballets of all time. The scenario, initially in two acts, was fashioned from Russian and German folk tales and tells the story of Odette, a princess turned into a swan by an evil sorcerer's curse. The choreographer of the original production was Julius Reisinger (Václav Reisinger). The ballet was premiered by the Bolshoi Ballet on at the Bolshoi Theatre in Moscow. Although it is presented in many different versions, most ballet companies base their stagings both choreographically and musically on the 1895 revival of Marius Petipa and Lev Ivanov, first staged for the Imperial Ballet on 15 January 1895, at the Mariinsky Theatre in St. Petersburg. For this revival, Tchaikovsky's score was revised by ...
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The Concert (ballet)
''The Concert (or The Perils of Everybody)'' is a ballet made by Jerome Robbins, subsequently New York City Ballet's ballet master, to Chopin's: : Polonaise in A major "Military", Op. 40, No. 1 : Berceuse in D flat major, Op. 57 : Prelude in F minor, Op. 28, No. 18 :Prelude in B flat minor, Op. 28, No. 16 : Waltz in E minor, Op. posth. :Prelude in A major, Op. 28, No. 7 :Prelude in E minor, Op. 28, No. 4 : Mazurka in G major, KK IIa/2 : Ballade No. 3 in A flat major, Op. 47 The décor was by Saul Steinberg, the costumes by Irene Sharaff and the lighting by Ronald Bates. The premiere took place at City Center of Music and Drama, New York, on Tuesday, 6 March 1956. Robbins made three subsequent ballets to Chopin's music: ''Dances at a Gathering'' (1969), '' In the Night'' (1970), and ''Other Dances'' (1976), made for Mikhail Baryshnikov and Natalia Makarova. Original cast *Tanaquil LeClercq *Todd Bolender *Yvonne Mounsey * Robert Barnett *Wilma Curley *John Mandia *Shaun ...
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Onegin (Cranko)
''Onegin'' is a ballet created by John Cranko for the Stuttgart Ballet, premiered on 13 April 1965 at Staatstheater Stuttgart. The ballet was based on Alexander Pushkin's 1825-1832 novel ''Eugene Onegin'', to music by Pyotr Ilyich Tchaikovsky and arrangements by Kurt-Heinz Stolze. The ballet had since been in the repertoires of The Australian Ballet, National Ballet of Canada, American Ballet Theatre and The Royal Ballet. Background and production Cranko first discovered Alexander Pushkin's verse-novel ''Eugene Onegin'' when he choreographed the dances for Tchaikovsky's opera of the same name in 1952. He first proposed a ballet based on Pushkin's story to the Royal Opera House board in the 1960s, but it was turned down, and he pursued the idea when he moved to Stuttgart. The Stuttgart Ballet premiered the work in 1965. The Royal Ballet did not present the work until 2001. The choreography for his ballet includes a wide range of styles, including folk, modern, ballroom and acrob ...
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Rubies (ballet)
''Jewels'' is a three-act ballet created for the New York City Ballet by co-founder and founding choreographer George Balanchine. It premièred on Thursday, 13 April 1967 at the New York State Theater, with sets designed by Peter Harvey and lighting by Ronald Bates. ''Jewels'' has been called the first full-length abstract ballet. It has three related movements: ''Emeralds'', ''Rubies'', and ''Diamonds'' (usually separated by intermissions). It can also be seen as three separate ballets, linked by their jewel-colored costumes. Balanchine commented: "The ballet had nothing to do with jewels. The dancers are just dressed like jewels." Each of the three acts features the music of a different composer: ''Emeralds'' is set to the music of Gabriel Fauré, ''Rubies'' to the music of Igor Stravinsky and ''Diamonds'' to music by Pyotr Ilyich Tchaikovsky. Costumes The costumes were created by Balanchine's long-time collaborator Barbara Karinska, who created a distinct look for each diff ...
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Jewels (ballet)
''Jewels'' is a three-act ballet created for the New York City Ballet by co-founder and founding choreographer George Balanchine. It premièred on Thursday, 13 April 1967 at the New York State Theater, with sets designed by Peter Harvey and lighting by Ronald Bates. ''Jewels'' has been called the first full-length abstract ballet. It has three related movements: ''Emeralds'', ''Rubies'', and ''Diamonds'' (usually separated by intermissions). It can also be seen as three separate ballets, linked by their jewel-colored costumes. Balanchine commented: "The ballet had nothing to do with jewels. The dancers are just dressed like jewels." Each of the three acts features the music of a different composer: ''Emeralds'' is set to the music of Gabriel Fauré, ''Rubies'' to the music of Igor Stravinsky and ''Diamonds'' to music by Pyotr Ilyich Tchaikovsky. Costumes The costumes were created by Balanchine's long-time collaborator Barbara Karinska, who created a distinct look for each differen ...
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Symphony In C (ballet)
''Symphony in C'', originally titled ''Le Palais de Cristal'', is a ballet choreographed by George Balanchine, to Georges Bizet's Symphony in C. The ballet was originally created for the Paris Opera Ballet, and premiered on July 28, 1947 at Théâtre National de l'Opéra. Production Georges Bizet (1838 – 1875) wrote Symphony in C when he was 17-year-old student, and the score was not found until 1933. Composer Igor Stravinsky informed choreographer George Balanchine about this discovery. In 1947, as a guest ballet master at the Paris Opera Ballet, Balanchine choreographed the ballet, then titled ''Le Palais de Cristal'', to "showcase for the talent of the whole company." Balanchine paid homage to Léo Staats, a French choreographer he admired. According to NYCB, Balanchine created the ballet within two weeks. The following year, he restaged the ballet for Ballet Society, under the title ''Symphony in C'', and this version was featured in New York City Ballet's first program. ...
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George Balanchine
George Balanchine (; Various sources: * * * * born Georgiy Melitonovich Balanchivadze; ka, გიორგი მელიტონის ძე ბალანჩივაძე; January 22, 1904 (O. S. January 9) – April 30, 1983) was an ethnic Georgian American ballet choreographer who was one of the most influential 20th-century choreographers. Styled as the father of American ballet, he co-founded the New York City Ballet and remained its artistic director for more than 35 years.Joseph Horowitz (2008)''Artists in Exile: How Refugees from 20th-century War and Revolution Transformed the American Performing Arts.''HarperCollins. His choreography is characterized by plotless ballets with minimal costume and décor, performed to classical and neoclassical music. Born in St. Petersburg, Balanchine took the standards and technique from his time at the Imperial Ballet School and fused it with other schools of movement that he had adopted during his tenure on Broadway and in ...
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Fancy Free (ballet)
''Fancy Free'' is a ballet composed in 1944 by Leonard Bernstein. The Ballet Theatre premiered the ballet with choreography by Jerome Robbins, scenery by Oliver Smith, costumes by Kermit Love, and lighting by Ronald Bates. The premiere took place on Tuesday, 18 April 1944 at the old Metropolitan Opera House, New York. The New York City Ballet premiere took place on Thursday, 31 January 1980. ''Fancy Free'' provided the basis for the later musical, '' On the Town''. A portion of the score was also used in the opening scenes of Alfred Hitchcock's ''Rear Window''. Synopsis The scene is a bar and the outside sidewalk in New York City, in wartime. Three sailors on liberty boisterously arrive, have a drink (two of their number conning the third into paying), and head outside looking for female companionship. A beautiful girl passes by and the three sailors vie for her attention. She demurs and escapes, pursued by two of the sailors. The Third, having been left in the dust, encount ...
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Jerome Robbins
Jerome Robbins (born Jerome Wilson Rabinowitz; October 11, 1918 – July 29, 1998) was an American dancer, choreographer, film director, theatre director and producer who worked in classical ballet, on stage, film, and television. Among his numerous stage productions were '' On the Town'', ''Peter Pan'', ''High Button Shoes'', ''The King and I'', ''The Pajama Game'', '' Bells Are Ringing'', ''West Side Story'', ''Gypsy'', and '' Fiddler on the Roof''. Robbins was a five-time Tony Award-winner and a recipient of the Kennedy Center Honors. He received two Academy Awards, including the 1961 Academy Award for Best Director with Robert Wise for ''West Side Story'' and a special Academy Honorary Award for his choreographic achievements on film. A documentary about Robbins's life and work, ''Something to Dance About'', featuring excerpts from his journals, archival performance and rehearsal footage, and interviews with Robbins and his colleagues, premiered on PBS in 2009 and won both ...
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Flemming Flindt
Flemming Flindt (30 June 1936 – 3 March 2009) was a Denmark, Danish choreographer born in Copenhagen. He studied at the Royal Danish Ballet and Ballet de l'Opéra National de Paris, Paris Opera Ballet schools, joined the Royal Danish Ballet and was promoted to soloist in 1955. He guested with the London Festival Ballet in 1955, the Ballet Rambert in 1960, the Royal Ballet 1963 and the Bolshoi Ballet in 1968, becoming an ''étoile'' at the Ballet de l'Opéra National de Paris, Paris Opera Ballet in 1961. His first ballet was ''Enetime'', a 1963 adaptation of Eugène Ionesco, Ionesco's ''La Leçon'', original English title of the ballet ''The Private Lesson'', to a score by Georges Delerue and was commissioned by Danish television, later being adapted for the stage, making its premiere with Royal Danish Ballet on tour in Paris in 1964; Flindt returned to the Royal Danish Ballet as artistic director from 1966 to 1978. Other ballets he made on the Royal Danish Ballet include ''Gala V ...
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Maurice Béjart
Maurice Béjart (; 1 January 1927 – 22 November 2007) was a French-born dancer, choreographer and opera director who ran the Béjart Ballet Lausanne in Switzerland. He developed a popular expressionistic form of modern ballet, talking vast themes. He was awarded Swiss citizenship posthumously. Biography Maurice-Jean Berger was born in Marseille, France, in 1927, the son of French philosopher Gaston Berger. Fascinated by a recital of Serge Lifar, he decided to devote himself entirely to dance. In South France days, he had studied under Mathilde Kschessinska. In 1945, he enrolled as a corps de ballet at the Opéra de Marseille. From 1946, he had studied under Madam Rousanne (Sarkissian), Léo Staats, Madam Lyubov Yegorova and Olga Preobrajenska at "Studio Wacker", etc. in Paris. In 1948, he also trained with Janine Charrat, Yvette Chauviré and then with Roland Petit, in addition he had studied under Vera Volkova at London. In 1954, he founded the Ballet de l'Étoile compa ...
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