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Thomas Banks (sculptor)
Thomas Banks (29 December 1735 – 2 February 1805) was an important 18th-century English sculptor. Life The son of William Banks, a surveyor who was land steward to the Duke of Beaufort, he was born in London. He was educated at Ross-on-Wye. Banks was taught drawing by his father, and from 1750 to 1756 was apprenticed to a woodcarver, William Barlow, in London. In his spare time he worked at sculpture, spending his evenings in the studio of the Flemish émigré sculptor Peter Scheemakers. During this period he is known to have worked for the architect William Kent. Before 1772, when he obtained a travelling studentship given by the Royal Academy and proceeded to Rome, he had already exhibited several fine works. Returning to England in 1779 Banks found that the taste for classical poetry, long the source of his inspiration, no longer existed, and he spent two years in Saint Petersburg, being employed by Catherine the Great, who purchased his ''Cupid Tormenting a Butterfly''. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
William Daniell
William Daniell (1769–1837) was an English Landscape art, landscape and Marine art, marine painter, and printmaker, notable for his work in aquatint. He travelled extensively in India in the company of his uncle Thomas Daniell, with whom he collaborated on one of the finest illustrated works of the period – ''Oriental Scenery.'' He later travelled around the coastline of Britain to paint watercolours for the equally ambitious book ''A Voyage Round Great Britain.'' His work was exhibited at the Royal Academy and the British Institution and he became a Royal Academician in 1822. Early life William Daniell was born in Kingston upon Thames, Surrey. His father was a bricklayer and owner of a public house called The Swan in nearby Chertsey. Daniell's future was dramatically changed when he was sent to live with his uncle, the landscape artist Thomas Daniell (1749–1840) after his father's premature death in 1779. In 1784 William accompanied his uncle to India, who wor ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Richard Rundle Burges
Captain Richard Rundle Burges (or Burgess; 10 September 1754 – 11 October 1797) was a Royal Navy officer noted for his actions in the Battle of Camperdown, where he perished while commanding . Career Burges was commissioned as a lieutenant in the Royal Navy on 21 November 1772. While serving on during the Anglo-French War, he was injured in the action of 18 October 1782 against the French ship . As commander Burges was posted as commander on 7 December 1782. He commanded a series of ships with this rank: * HMS ''Keppel'' (7–15 December 1782) * HMS ''Vaughan'' (15 December 1782 – 12 May 1783) * HMS ''Savage'' (23 June 1786 – 13 Aug 1790) As captain The Commissioned Sea Officers of the Royal Navy listed Burges as a captain on 21 September 1790, after which he commanded a series of warships: * ''Ferret'' * ''Culloden'' * ''Argo'' * ''Ardent'' As captain of ''Culloden'', a 74-gun ship of the line, Burges participated in the Glorious First of June, where his ship su ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hunterian Museum, London
The Hunterian Museum is a museum of anatomical specimens in London, located in the building of the Royal College of Surgeons of England. History In 1799 the government purchased the collection of the Scottish surgeon John Hunter which they presented to the college. This formed the basis of the Hunterian Collection, which has since been supplemented by others including an Odontological Collection (curated by A E W Miles until the early 1990s) and the natural history collections of Richard Owen. The first museum building was considered inadequate in terms of space, and was closed in April 1834 to allow for an expansion project which added additional East and West galleries, completed in February 1837. A third room was added in 1852, and two further galleries were added between 1888 and 1892. In May 1941 the college building was badly damaged by bombs, with Rooms IV and V of the museum being completely destroyed along with their contents. After a slow process of entirely new co ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pall Mall, London
Pall Mall is a street in the St James's area of the City of Westminster, Central London. It connects St James's Street to Trafalgar Square and is a section of the regional A4 road. The street's name is derived from pall-mall, a ball game played there during the 17th century, which in turn is derived from the Italian ''pallamaglio'', literally ball-mallet. The area was built up during the reign of Charles II with fashionable London residences. It is known for high-class shopping in the 18th century until the present, and gentlemen's clubs in the 19th. The Reform, Athenaeum and Travellers Clubs have survived to the 21st century. The War Office was based on Pall Mall during the second half of the 19th century, and the Royal Automobile Club's headquarters have been on the street since 1908. Geography The street is around long and runs east in the St James's area, from St James's Street across Waterloo Place, to the Haymarket and continues as Pall Mall East ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Boydell Shakespeare Gallery
The Boydell Shakespeare Gallery in London, England, was the first stage of a three-part project initiated in November 1786 by engraver and publisher John Boydell in an effort to foster a school of British history painting. In addition to the establishment of the gallery, Boydell planned to produce an illustrated edition of William Shakespeare's plays and a folio of prints based upon a series of paintings by different contemporary painters. During the 1790s the London gallery that showed the original paintings emerged as the project's most popular element. The works of William Shakespeare enjoyed a renewed popularity in 18th-century Britain. Several new editions of his works were published, his plays were revived in the theatre and numerous works of art were created illustrating the plays and specific productions of them. Capitalising on this interest, Boydell decided to publish a grand illustrated edition of Shakespeare's plays that would showcase the talents of British painte ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
John Boydell
John Boydell (; 19 January 1720 (New Style) – 12 December 1804) was a British publisher noted for his reproductions of engravings. He helped alter the trade imbalance between Britain and France in engravings and initiated a British tradition in the art form. A former engraver himself, Boydell promoted the interests of artists as well as patrons and as a result his business prospered. The son of a land surveyor, Boydell apprenticed himself to William Henry Toms, an artist he admired, and learned engraving. He established his own business in 1746 and published his first book of engravings around the same time. Boydell did not think much of his own artistic efforts and eventually started buying the works of others, becoming a print dealer as well as an artist. He became a successful importer of French prints during the 1750s but was frustrated by their refusal to trade prints in kind. To spark reciprocal trade, he commissioned William Wollett's spectacular engraving of Richard W ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Stratford-upon-Avon
Stratford-upon-Avon (), commonly known as just Stratford, is a market town and civil parish in the Stratford-on-Avon district, in the county of Warwickshire, in the West Midlands region of England. It is situated on the River Avon, north-west of London, south-east of Birmingham and south-west of Warwick. The town is the southernmost point of the Arden area on the edge of the Cotswolds. In the 2021 census Stratford had a population of 30,495; an increase from 27,894 in the 2011 census and 22,338 in the 2001 Census. Stratford was originally inhabited by Britons before Anglo-Saxons and remained a village before the lord of the manor, John of Coutances, set out plans to develop it into a town in 1196. In that same year, Stratford was granted a charter from King Richard I to hold a weekly market in the town, giving it its status as a market town. As a result, Stratford experienced an increase in trade and commerce as well as urban expansion. Stratford is a popular touris ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
New Place
New Place () was William Shakespeare's final place of residence in Stratford-upon-Avon. He died there in 1616. Though the house no longer exists, the site is owned by the Shakespeare Birthplace Trust, which maintains it as a specially-designed garden for tourists. Early history The house stood on the corner of Chapel Street and Chapel Lane, and was apparently the second largest dwelling in the town. The current site of New Place was initially within the plot of an Iron Age farmstead sometime around 700BC-43AD, as indicated by pottery that also dates to the same time period. New Place was built atop the site of a former 13th-century timber building in 1483 by Sir Hugh Clopton, a wealthy London mercer and Lord Mayor. Built of timber and brick (then an innovation in Stratford) it had ten fireplaces, five handsome gables, and grounds large enough to incorporate two barns and an orchard. In 1496 Sir Hugh Clopton left New Place in his will to his great-nephew William Clopton I ( ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sculpture Of Shakespeare In The Garden Of New Place, Stratford-upon-Avon
Sculpture is the branch of the visual arts that operates in three dimensions. Sculpture is the three-dimensional art work which is physically presented in the dimensions of height, width and depth. It is one of the plastic arts. Durable sculptural processes originally used carving (the removal of material) and modelling (the addition of material, as clay), in stone, metal, ceramics, wood and other materials but, since Modernism, there has been an almost complete freedom of materials and process. A wide variety of materials may be worked by removal such as carving, assembled by welding or modelling, or moulded or cast. Sculpture in stone survives far better than works of art in perishable materials, and often represents the majority of the surviving works (other than pottery) from ancient cultures, though conversely traditions of sculpture in wood may have vanished almost entirely. However, most ancient sculpture was brightly painted, and this has been lost. [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
