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Thomas Abiel Prior
Thomas Abiel Prior (5 November 1809 – 1886) was a British engraver. Life Prior was born in 1809. He made a reputation in 1846, with the print ''Heidelberg Castle and Town'', engraved from a drawing by J. M. W. Turner, and under Turner's supervision; it was published by subscription. A plate in mezzotint, ''More frightened than hurt'', after James Bateman (1814–1849), was an isolated experiment. He exhibited twice, at the Royal Academy. In later life Prior lived in Calais, to be near his son who had settled there, and taught drawing. He died there on 8 November 1886. Works In his early career, Prior made plates of landscapes for publishers. After Turner, he went on to engrave: * ''Zurich'', 1852; ''Dido building Carthage'', 1863; ''Apollo and the Sibyl''(Bay of Baiæ), 1873; ''The Sun rising in a Mist'', begun by William Chapman, 1874; and ''The Fighting Téméraire'', 1886, his last work; * ''The Goddess of Discord choosing the Apple of Contention in the Garden of the H ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
James Bateman (1814–1849)
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James Bateman may refer to: *James Bateman (horticulturist) (1811–1897), British landowner and horticulturist *James Bateman (artist) (1893–1959), English painter of rural scenes *James Bateman (MP), MP for Carlisle *James Bateman (banker) (c. 1660–1718), English merchant, Lord Mayor of London and Governor of the Bank of England * Jamie Bateman (born 1954), Canadian former professional ice hockey *Henry Gibson (1935–2009), American actor and comedian, born James Bateman See also *Bateman (other) Bateman may refer to: Places *Bateman, Western Australia, a suburb of Perth, Australia **Electoral district of Bateman, an electorate of the Western Australian Legislative Assembly, centred on the suburb *Batemans Bay, a town and bay in New South W ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sir Edwin Landseer
Sir Edwin Henry Landseer (7 March 1802 – 1 October 1873) was an English painter and sculptor, well known for his paintings of animals – particularly horses, dogs, and stags. However, his best-known works are the lion sculptures at the base of Nelson's Column in Trafalgar Square. Life Landseer was born in London, the son of the engraver John Landseer A.R.A. and Jane Potts. He was something of a prodigy whose artistic talents were recognised early on. He studied under several artists, including his father, and the history painter Benjamin Robert Haydon, who encouraged the young Landseer to perform dissections in order to fully understand animal musculature and skeletal structure. Landseer's life was entwined with the Royal Academy. At the age of just 13, in 1815, he exhibited works there as an “Honorary Exhibitor”. He was elected an Associate at the minimum age of 24, and an Academician five years later in 1831. He was an acquaintance of Charles Robert Leslie, who des ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
1809 Births
Eighteen or 18 may refer to: * 18 (number), the natural number following 17 and preceding 19 * one of the years 18 BC, AD 18, 1918, 2018 Film, television and entertainment * ''18'' (film), a 1993 Taiwanese experimental film based on the short story ''God's Dice'' * ''Eighteen'' (film), a 2005 Canadian dramatic feature film * 18 (British Board of Film Classification), a film rating in the United Kingdom, also used in Ireland by the Irish Film Classification Office * 18 (''Dragon Ball''), a character in the ''Dragon Ball'' franchise * "Eighteen", a 2006 episode of the animated television series ''12 oz. Mouse'' Music Albums * ''18'' (Moby album), 2002 * ''18'' (Nana Kitade album), 2005 * '' 18...'', 2009 debut album by G.E.M. Songs * "18" (5 Seconds of Summer song), from their 2014 eponymous debut album * "18" (One Direction song), from their 2014 studio album ''Four'' * "18", by Anarbor from their 2013 studio album '' Burnout'' * "I'm Eighteen", by Alice Cooper common ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jacobus Jacobs
A Jacobus is an English gold coin of the reign of James I, worth 25 shillings. The name of the coin comes from the Latin inscription surrounding the King's head on the obverse of the coin, IACOBUS D G MAG BRIT FRA ET HI REX ("James, by the grace of God, of Britain, France and Ireland King"). Isaac Newton refers to the coin in a letter to John Locke: '' The Jacobus piece coin'd for 20 shillings is the : part of a pound Troy, and a Carolus 20s piece is of the same weight. But a broad Jacobus (as I find by weighing some of them) is the 38th part of a pound Troy.'' dated September 19, 1698, to , concerning the weight and fineness of various coins.< ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Clarkson Stanfield
Clarkson Frederick Stanfield (3 December 179318 May 1867) was a prominent English painter (often inaccurately credited as William Clarkson Stanfield) who was best known for his large-scale paintings of dramatic marine subjects and landscapes. He was the father of the painter George Clarkson Stanfield and the composer Francis Stanfield. Early life Stanfield was born in Sunderland, the son of James Field Stanfield (1749–1824) an Irish-born author, actor and former seaman, and Mary Hoad, an artist and actress. Stanfield was likely to have inherited artistic talent from his mother, who is said to have been an accomplished artist, but died in 1801. His father remarried, to Maria Kell, a year later. Stanfield was named after Thomas Clarkson, the slave trade abolitionist, whom his father knew, and this was the only forename he used, although there is reason to believe Frederick was a second one. He was briefly apprenticed to a coach decorator in 1806, but left owing to the dru ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
George Chambers (painter)
George Hyde Chambers (23 October 1803 – 29 October 1840) was an English marine painter. Life and work Chambers was born in a poor working-class area of Whitby, Yorkshire, the second son of a seaman; his mother took in lodgers. At the age of 8 years, he was working on the coal sloops in the town harbour. At the age of 10, he served as a cabin boy on a coasting vessel, and was afterwards apprenticed to the master of a brig trading in the Mediterranean and Baltic. He proved to have an innate talent for art, and so impressed local captains and crews with his decoration of their ships, that the ship-owner released him from his apprenticeship so that he could devote himself full-time to painting. Returning to Whitby, he took up employment as a house painter and took lessons in drawing in his spare time. Chambers worked his way on a trading vessel to London in 1825, where he was greatly helped by Christopher Crawford, formerly of Whitby, but then landlord of the Waterman's Arms a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
David Teniers The Younger
David Teniers the Younger or David Teniers II (bapt. 15 December 1610 – 25 April 1690) was a Flemish Baroque painter, printmaker, draughtsman, miniaturist painter, staffage painter, copyist and art curator. He was an extremely versatile artist known for his prolific output.Teniers the Younger, David at the National Gallery of Art He was an innovator in a wide range of genres such as history painting, genre painting, , |
Jacob Isaackszoon Van Ruisdael
Jacob Isaackszoon van Ruisdael (; 1629 – 10 March 1682) was a Dutch painter, draughtsman, and etcher. He is generally considered the pre-eminent landscape painter of the Dutch Golden Age, a period of great wealth and cultural achievement when Dutch painting became highly popular. Prolific and versatile, Ruisdael depicted a wide variety of landscape subjects. From 1646 he painted Dutch countryside scenes of remarkable quality for a young man. After a trip to Germany in 1650, his landscapes took on a more heroic character. In his late work, conducted when he lived and worked in Amsterdam, he added city panoramas and seascapes to his regular repertoire. In these, the sky often took up two-thirds of the canvas. In total he produced more than 150 Scandinavian views featuring waterfalls. Ruisdael's only registered pupil was Meindert Hobbema, one of several artists who painted figures in his landscapes. Hobbema's work has at times been confused with Ruisdael's. Ruisdael ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Art Journal
''The Art Journal'' was the most important British 19th-century magazine on art. It was founded in 1839 by Hodgson & Graves, print publishers, 6 Pall Mall, with the title ''Art Union Monthly Journal'' (or ''The Art Union''), the first issue of 750 copies appearing 15 February 1839. It was published in London but its readership was global in reach. History Hodgson & Graves hired Samuel Carter Hall as editor of ''Art Union Monthly Journal'', assisted by James Dafforne. Hall soon became the principal proprietor, but he was unable to turn a profit on his own. The London publisher George Virtue bought a share of the business in 1848, with Hall remaining as editor, and they renamed the periodical ''The Art Journal'' in 1849. In 1851, as part of the "Great Exhibition" of that year, ''The Art Journal'' featured Hall's engravings of 150 pictures from the private collections of Queen Victoria and Prince Albert. Although this project was popular, the publication remained unprofitable, f ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
John Linnell (painter)
John Linnell (16 June 179220 January 1882) was an English engraver, and portrait and landscape painter. He was a naturalist and a rival to the artist John Constable. He had a taste for Northern European art of the Renaissance, particularly Albrecht Dürer. He also associated with the amateur artist Edward Thomas Daniell, and with William Blake, to whom he introduced the painter and writer Samuel Palmer and others of the Ancients. Life and work John Linnell was born in Bloomsbury, London on 16 June 1792., where his father was a carver and gilder. He was in contact with artists from an early age, and by the age of ten was drawing and selling portraits in chalk and pencil. His first art teacher was the American-born artist Benjamin West, and he spent a year in the house of the painter John Varley, where William Hunt and William Mulready were also pupils, and made the acquaintance of Shelley, Godwin and others. In 1805 he was admitted to study at the Royal Academy, where h ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Royal Academy
The Royal Academy of Arts (RA) is an art institution based in Burlington House on Piccadilly in London. Founded in 1768, it has a unique position as an independent, privately funded institution led by eminent artists and architects. Its purpose is to promote the creation, enjoyment and appreciation of the visual arts through exhibitions, education and debate. History The origin of the Royal Academy of Arts lies in an attempt in 1755 by members of the Society for the Encouragement of Arts, Manufactures and Commerce, principally the sculptor Henry Cheere, to found an autonomous academy of arts. Prior to this a number of artists were members of the Society for the Encouragement of Arts, Manufactures and Commerce, including Cheere and William Hogarth, or were involved in small-scale private art academies, such as the St Martin's Lane Academy. Although Cheere's attempt failed, the eventual charter, called an 'Instrument', used to establish the Royal Academy of Arts over a decad ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
James Ward (English Artist)
James Ward (23 October 1769 – 17 November 1859) was an English painter, particularly of animals, and an engraver. Biography Born in London to James Ward and Rachael Goldsmith, and younger brother of William Ward the engraver, James Ward was influenced by many people, but his career is conventionally divided into two periods: until 1803, his single greatest influence was his brother in law George Morland; from that time, it was Rubens. From 1810 or so onward, Ward specialised in painting horses within landscapes; slightly later, he turned to very large-scale landscapes, of which ''Gordale Scar'' (Tate, London), completed in 1814 or 1815 and depicting Gordale Scar (Yorkshire) as an example of the sublime, is considered his masterpiece and a masterpiece of English Romantic painting. Ward devoted much of the period 1815–21 to the painting of a gigantic work titled '' Allegory of Waterloo'' (now lost); this neither was much praised nor brought in the revenue Ward had ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
