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Theseus And The Minotaur (sculpture)
''Theseus and the Minotaur'' is a 1781-1782 white marble sculpture by Antonio Canova, now in the Victoria and Albert Museum in London, which bought it in 1962. The work was commissioned by Girolamo Zulian, Venetian ambassador to Rome and one of Canova's patrons, who also gave him the marble block for it, one of his earliest works after settling in Rome. Zulian left the choice of subject up to Canova, to whom Canova's friend Gavin Hamilton suggested Theseus just after killing the Minotaur from Ovid's ''Metamorphoses''. The subject is also intended as an Enlightenment allegory of reason triumphing over irrationality. Its physical and spiritual tranquility and Theseus' anatomy both directly refer to the "noble simplicity and quiet grandeur" which contemporary art critic Johann Joachim Winckelmann held to be the unique characteristic of Hellenistic art. So great is its debt to that era of art that its first viewers initially thought it to be a copy of a Greek original and were s ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Teseo E Minotauro, Canova
''Teseo'' ("Theseus", HWV 9; ) is an opera seria with music by George Frideric Handel, the only Handel opera that is in five acts. The Italian language, Italian-language libretto was by Nicola Francesco Haym, after Philippe Quinault's ''Thésée''. It was Handel's third London opera, intended to follow the success of ''Rinaldo (opera), Rinaldo'' after the unpopular ''Il pastor fido''. First performed on 10 January 1713,''Teseo'' featured "magical" effects such as flying dragons, transformation scenes and apparitions and had a cast of notable Italian opera singers. It was a success with London audiences, receiving thirteen performances even though the stage machinery for the "magical" effects broke down, and would have received more performances had not one of the theatre's managers run away with the box office receipts. Performance history The opera was premiered at the Her Majesty's Theatre, Queen's Theatre in the Haymarket (London), Haymarket on 10 January 1713. It received a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hellenistic Art
Hellenistic art is the art of the Hellenistic period generally taken to begin with the death of Alexander the Great in 323 BC and end with the conquest of the Greek world by the Romans, a process well underway by 146 BCE, when the Greek mainland was taken, and essentially ending in 30 BCE with the conquest of Ptolemaic Egypt following the Battle of Actium. A number of the best-known works of Greek sculpture belong to this period, including ''Laocoön and His Sons'', ''Venus de Milo'', and the ''Winged Victory of Samothrace''. It follows the period of Classical Greek art, while the succeeding Greco-Roman art was very largely a continuation of Hellenistic trends. The term ''Hellenistic'' refers to the expansion of Greek influence and dissemination of its ideas following the death of Alexander – the "Hellenizing" of the world, with Koine Greek as a common language. The term is a modern invention; the Hellenistic World not only included a huge area covering the whole of the Aege ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
1782 Sculptures
Year 178 ( CLXXVIII) was a common year starting on Wednesday (link will display the full calendar) of the Julian calendar. At the time, it was known as the Year of the Consulship of Scipio and Rufus (or, less frequently, year 931 ''Ab urbe condita''). The denomination 178 for this year has been used since the early medieval period, when the Anno Domini calendar era became the prevalent method in Europe for naming years. Events By place Roman Empire * Bruttia Crispina marries Commodus, and receives the title of '' Augusta''. * Emperor Marcus Aurelius and his son Commodus arrive at Carnuntum in Pannonia, and travel to the Danube to fight against the Marcomanni. Asia * Last (7th) year of ''Xiping'' era and start of ''Guanghe'' era of the Chinese Han Dynasty. * In India, the decline of the Kushan Empire begins. The Sassanides take over Central Asia. Religion * The Montanist heresy is condemned for the first time. Births * Lü Meng, Chinese general (d. 220) * Peng ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sculptures Of The Victoria And Albert Museum
Sculpture is the branch of the visual arts that operates in three dimensions. Sculpture is the three-dimensional art work which is physically presented in the dimensions of height, width and depth. It is one of the plastic arts. Durable sculptural processes originally used carving (the removal of material) and modelling (the addition of material, as clay), in stone, metal, ceramics, wood and other materials but, since Modernism, there has been an almost complete freedom of materials and process. A wide variety of materials may be worked by removal such as carving, assembled by welding or modelling, or moulded or cast. Sculpture in stone survives far better than works of art in perishable materials, and often represents the majority of the surviving works (other than pottery) from ancient cultures, though conversely traditions of sculpture in wood may have vanished almost entirely. However, most ancient sculpture was brightly painted, and this has been lost. [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Marble Sculptures
Marble is a metamorphic rock composed of recrystallized carbonate minerals, most commonly calcite or dolomite. Marble is typically not foliated (layered), although there are exceptions. In geology, the term ''marble'' refers to metamorphosed limestone, but its use in stonemasonry more broadly encompasses unmetamorphosed limestone. Marble is commonly used for sculpture and as a building material. Etymology The word "marble" derives from the Ancient Greek (), from (), "crystalline rock, shining stone", perhaps from the verb (), "to flash, sparkle, gleam"; R. S. P. Beekes has suggested that a "Pre-Greek origin is probable". This stem is also the ancestor of the English word "marmoreal," meaning "marble-like." While the English term "marble" resembles the French , most other European languages (with words like "marmoreal") more closely resemble the original Ancient Greek. Physical origins Marble is a rock resulting from metamorphism of sedimentary carbonate rocks, mo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sculptures By Antonio Canova
Sculpture is the branch of the visual arts that operates in three dimensions. Sculpture is the three-dimensional art work which is physically presented in the dimensions of height, width and depth. It is one of the plastic arts. Durable sculptural processes originally used carving (the removal of material) and modelling (the addition of material, as clay), in stone, metal, ceramics, wood and other materials but, since Modernism, there has been an almost complete freedom of materials and process. A wide variety of materials may be worked by removal such as carving, assembled by welding or modelling, or moulded or cast. Sculpture in stone survives far better than works of art in perishable materials, and often represents the majority of the surviving works (other than pottery) from ancient cultures, though conversely traditions of sculpture in wood may have vanished almost entirely. However, most ancient sculpture was brightly painted, and this has been lost. [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Art Fund
Art Fund (formerly the National Art Collections Fund) is an independent membership-based British charity, which raises funds to aid the acquisition of artworks for the nation. It gives grants and acts as a channel for many gifts and bequests, as well as lobbying on behalf of museums and galleries and their users. It relies on members' subscriptions and public donations for funds and does not receive funding from the government or the National Lottery. Since its foundation in 1903 the Fund has been involved in the acquisition of over 860,000 works of art of every kind, including many of the most famous objects in British public collections, such as Velázquez's ''Rokeby Venus'' in the National Gallery, Picasso's '' Weeping Woman'' in the Tate collection, the Anglo-Saxon Staffordshire Hoard in Birmingham Museum and Art Gallery and the medieval Canterbury Astrolabe Quadrant in the British Museum. History The original idea for an arts charity can be traced to a lecture given by J ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Londonderry House
Londonderry House was an aristocratic townhouse situated on Park Lane in the Mayfair district of London, England. The mansion served as the London residence of the Marquesses of Londonderry. It remained their home until 1962. In that year Londonderry House was sold by the Trustees of the 7th Marquess of Londonderry's Will Trusts to a developer who built the "Londonderry Hotel" on the site, not (as is sometimes, erroneously, stated) the Hilton. The Hilton Hotel is on the other side of the street, and had already been opened. COMO Metropolitan London now occupies the site of Londonderry House. History Holderness House, later Londonderry House, was designed by Athenian Stuart for Robert Darcy, 4th Earl of Holderness in the period c. 1760–5, with ceilings based on Robert Wood's ''Ruins of Palmyra''. The Earl is thought to have acquired the building next door as well, but at a later date. He subsequently joined the two so that the house became a double-fronted London mansion. The ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Charles Vane, 3rd Marquess Of Londonderry
Charles William Vane, 3rd Marquess of Londonderry, (born Charles William Stewart; 1778–1854), was an Anglo-Irish nobleman, a British soldier and a politician. He served in the French Revolutionary Wars, in the suppression of the Irish Rebellion of 1798, and in the Napoleonic wars. He excelled as a cavalry commander in the Peninsular War (1807–1814) under John Moore and Arthur Wellesley (became Wellington in 1809). On resigning from his post under Wellington in 1812, his half-brother Lord Castlereagh helped him to launch a diplomatic career. He was posted to Berlin in 1813, and then as ambassador to Austria, where his half-brother was the British plenipotentiary at the Congress of Vienna. He married Lady Catherine Bligh in 1804 and then, in 1819, Lady Frances Anne Vane, a rich heiress, changing his surname to hers, thus becoming Charles Vane instead of Charles Stewart. In 1822 he succeeded his half-brother as 3rd Marquess of Londonderry, inheriting estates in the north ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Count Moritz Von Fries
Moritz Christian Johann Reichsgraf von Fries (6 May 1777 – 26 December 1826) was an Austrian nobleman, banker and patron of the arts. Early life He was born in Vienna as the youngest son of Count Johann von Fries (1719-1785), one of the richest men in the Holy Roman Empire, thanks to many successful financial and industrial ventures and his wife Anna d’Escherny (1737-1807). They lived in their Palais Fries (now Palais Pallavicini) in Vienna. He had three surviving siblings, Count Joseph Johann von Fries (1755-1788), Countess Ursula Viktoria von Schönfeld (1767-1805) and Countess Anna Philippina von Haugwitz (1769-1842). Personal life In 1800, at the time when Moritz von Fries married Princess Maria Theresia zu Hohenlohe-Waldenburg-Schillingsfürst (1779-1819) he owned 80% of the family bank, which was itself worth 2.5 million guilders. However, this was the height of von Fries' social and financial success, as the inflation and other economic troubles of the Napole ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Raffaello Sanzio Morghen
Raffaello Morghen (19 June 1758 – 8 April 1833) was an Italian engraver. Life He was born in Naples, apparently to a German family of engravers. He received his earliest instructions from his father, himself an engraver; but, to obtain more advanced training, he was placed as a pupil under the celebrated Giovanni Volpato. He assisted this master in engraving the famous pictures of Raphael in the Vatican City, and the print which represents the ''miracle of Bolsena'' is inscribed with his name. He married Volpato's daughter, and, being invited to Florence to engrave the masterpieces of the Florentine Gallery, he removed thither with his wife in 1782. His reputation now became so great as to induce the artists of Florence to recommend him to the grand duke as a fit person to engrave the ''Last Supper'' of Leonardo da Vinci; apart, however, from the dilapidated state of the picture itself, the drawing made for Morghen was unworthy of the original, and the print, in consequen ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Johann Joachim Winckelmann
Johann Joachim Winckelmann (; ; 9 December 17178 June 1768) was a German art historian and archaeologist. He was a pioneering Hellenist who first articulated the differences between Greek, Greco-Roman and Roman art. "The prophet and founding hero of modern archaeology", Boorstin, 584 Winckelmann was one of the founders of scientific archaeology and first applied the categories of style on a large, systematic basis to the history of art. Many consider him the father of the discipline of art history. He was one of the first to separate Greek Art into periods, and time classifications. He had a decisive influence on the rise of the Neoclassical movement during the late 18th century. His writings influenced not only a new science of archaeology and art history but Western painting, sculpture, literature and even philosophy. Winckelmann's ''History of Ancient Art'' (1764) was one of the first books written in German to become a classic of European literature. His subsequent influe ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
