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Theseus Painter
The Theseus Painter was a decorator of vases in the black-figure style, active in Attica c. 515 to 475 BCE. Later published as He was the leading producer of larger Heron Class skyphoi. Life and work The true name of the Theseus Painter and the circumstances of his life have not been preserved. He is conventionally called the Theseus Painter because of the frequency with which he and his followers depicted various episodes of the ''Theseid'', the peregrinations of Theseus. Stylistic evidence indicates that he was contemporaneous with and a "dominant influence" among the Sub-krokotos group, and was perhaps a student of Pamphaios. He established his own workshop in Attica with the Athena Painter, and together they specialized in the production of skyphoi, lekythoi, and oinochoai in the black-figure style. Although the more fashionable red-figure style had largely displaced the black-figure style at the turn of the sixth century, his work nonetheless enjoyed a certain meas ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pankration Met 06
Pankration (; el, παγκράτιον) was a sporting event introduced into the Greek Olympic Games in 648 BC, which was an empty-hand submission sport with few rules. The athletes used boxing and wrestling techniques but also others, such as kicking, holds, joint-locks, and chokes on the ground, making it similar to modern mixed martial arts. The term comes from the Greek , meaning 'all of power', from (''pan'') 'all' and (''kratos'') 'strength, might, power'. History In Greek mythology, it was said that the heroes Heracles and Theseus invented pankration as a result of using both wrestling and boxing in their confrontations with opponents. Theseus was said to have used pankration to defeat the Minotaur in the Labyrinth. Heracles too was often depicted in ancient artworks subduing the Nemean lion using pankration. In this context, pankration was also referred to as ''pammachon'' or ''pammachion'' (πάμμαχον or παμμάχιον), meaning "total combat," from ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Black-figure Style
Black-figure pottery painting, also known as the black-figure style or black-figure ceramic ( grc, , }), is one of the styles of Ancient Greek vase painting, painting on pottery of ancient Greece, antique Greek vases. It was especially common between the 7th and 5th centuries BCE, although there are specimens dating as late as the 2nd century BCE. Stylistically it can be distinguished from the preceding orientalizing period and the subsequent red-figure pottery style. Figures and ornaments were painted on the body of the vessel using shapes and colors reminiscent of silhouettes. Delicate contours were incised into the paint before firing, and details could be reinforced and highlighted with opaque colors, usually white and red. The principal centers for this style were initially the commercial hub Corinth, and later Athens. Other important production sites are known to have been in Laconia, Boeotia, eastern Greece, and Italy. Particularly in Italy individual styles developed w ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Attica
Attica ( el, Αττική, Ancient Greek ''Attikḗ'' or , or ), or the Attic Peninsula, is a historical region that encompasses the city of Athens, the capital of Greece and its countryside. It is a peninsula projecting into the Aegean Sea, bordering on Boeotia to the north and Megaris to the west. The southern tip of the peninsula, known as Laurion, was an important mining region. The history of Attica is tightly linked with that of Athens, and specifically the Golden Age of Athens during the classical period. Ancient Attica ( Athens city-state) was divided into demoi or municipalities from the reform of Cleisthenes in 508/7 BC, grouped into three zones: urban (''astu'') in the region of Athens main city and Piraeus (port of Athens), coastal (''paralia'') along the coastline and inland (''mesogeia'') in the interior. The modern administrative region of Attica is more extensive than the historical region and includes Megaris as part of the regional unit West Attica, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Skyphoi
A ''skyphos'' ( grc, σκύφος; plural ''skyphoi'') is a two-handled deep wine-cup on a low flanged base or none. The handles may be horizontal ear-shaped thumbholds that project from the rim (in both Corinthian and Athenian shapes), or they may be loop handles at the rim or that stand away from the lower part of the body. ''Skyphoi'' of the type called '' glaux'' (owl) have one horizontal and one vertical thumbhold handle. Examples Early ''skyphoi'' were made during the Geometric period. Corinth set the conventions that Athens followed. Over a long period the shape remained the same while the style of decoration changed. ''Skyphoi'' were also made of precious metals, generally silver and gold leaf, many examples exist. One possible, well-preserved example is the Warren cup,In his notes, John Pollini states that uncertainty about the correct name of many ancient drinking vessels exists, however he refers to the object with the "established classificatory term scyphus", Specif ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Theseus
Theseus (, ; grc-gre, Θησεύς ) was the mythical king and founder-hero of Athens. The myths surrounding Theseus his journeys, exploits, and friends have provided material for fiction throughout the ages. Theseus is sometimes described as the son of Aegeus, King of Athens, and sometimes as the son of the god Poseidon. He was raised by his mother, Aethra, and, upon discovering his connection to Aegeus, travels overland to Athens, having many adventures on the way. When he reaches Athens, he finds that Aegeus is married to Medea (formerly wife of Jason), who plots against him. The most famous legend about Theseus is his slaying of the Minotaur, half man and half bull. He then goes on to unite Attica under Athenian rule: the ''synoikismos'' ('dwelling together'). As the unifying king, he is credited with building a palace on the fortress of the Acropolis. Pausanias reports that after ''synoikismos'', Theseus established a cult of Aphrodite ('Aphrodite of all the People' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pamphaios
Pamphaios was an Attic potter active around the end of the 6th century BC. Pamphaios was the successor of Nikosthenes in that artist's workshop, and thus took over from one of the most influential and creative potters of antiquity. He probably took over the workshop before 510 BC and continued the tradition of his predecessor by producing typical shapes the latter had developed, such as the Nikosthenic amphora, the Nikosthenic pyxis or the Chalkidian style cup. At times, he developed these shapes further. Unlike Nikostehenes, Pamphaios favoured painters of the red-figure style, which was at the time replacing the previously dominant technique of black-figure vase painting. He also continued to employ many of the painters that had worked for Nikosthenes, such as Oltos, Epiktetos and the Nikosthenes Painter. Pamphaios signature survives on more than fifty vases – spelled different ways by various artists, it probably functioned as a trademark on his workshop's products. File:At ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Athena Painter
The Athena Painter was an Attic black-figure vase painter, active about 490 to 460 BC. His speciality were white-ground '' lekythoi'' painted in the black-figure style. His pseudonym, for his real name is unknown, refers to his preference for Athena in his choice of subjects. He was one of the last generation of black figure technique painters. The Athena Painter, along with the Theseus Painter, continued the tradition of painting large standard ''lekythoi''. His black-figure work was of high quality. Apart from ''lekythoi'', he mainly painted '' oinochai''. Some archaeologists identify him with the red-figure Bowdoin Painter.Haspels, 1936. ''Attic Black-figured Lekythoi''. (Cambridge University Press), pp. 157–60. They may, however, simply have worked in the same workshop. His workshop was one of the production centres that developed the painting of white-ground ''lekythoi'', which was to become especially important in the 5th century BC. See also * List of Greek vase pain ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lekythoi
A lekythos (plural lekythoi) is a type of ancient Greek vessel used for storing oil (Greek λήκυθος), especially olive oil. It has a narrow body and one handle attached to the neck of the vessel, and is thus a narrow type of jug, with no pouring lip; the oinochoe is more like a modern jug. In the "shoulder" and "cylindrical" types which became the most common, especially the latter, the sides of the body are usually vertical by the shoulder, and there is then a sharp change of direction as the neck curves in; the base and lip are normally prominent and flared. However, there are a number of varieties, and the word seems to have been used even more widely in ancient times than by modern archeologists. They are normally in pottery, but there are also carved stone examples. Lekythoi were especially associated with funerary rites, and with the white ground technique of vase painting, which was too fragile for most items in regular use. Because of their handle they were normal ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Oinochoai
An oenochoe, also spelled oinochoe ( grc, οἰνοχόη; from grc, οἶνος ''oînos'', "wine" and grc, χέω ''khéō'', "I pour," sense "wine-pourer"; plural ''oinochoai''; New Latin ''oenochoë,'' plural ''oenochoae,'' English plural ''oenochoes'' or ''oinochoes''), is a wine jug and a key form of ancient Greek pottery. Intermediate between a pithos (large storage vessel) or amphora (transport vessel), and individual cups or bowls, it held fluid for several persons temporarily until it could be poured. The term ''oinos'' (Linear B wo-no) appears in Mycenaean Greek, but not the compound. The characteristic form was popular throughout the Bronze Age, especially at prehistoric Troy. In classical times for the most part the term ''oinochoe'' implied the distribution of wine. As the word began to diversify in meaning, the shape became a more important identifier than the word. The oinochoe could pour any fluid, not just wine. The English word, pitcher, is perhaps the close ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Red-figure
Red-figure vase painting is one of the most important styles of figural Greek vase painting. It developed in Athens around 520 BCE and remained in use until the late 3rd century BCE. It replaced the previously dominant style of black-figure vase painting within a few decades. Its modern name is based on the figural depictions in red color on a black background, in contrast to the preceding black-figure style with black figures on a red background. The most important areas of production, apart from Attica, were in Southern Italy. The style was also adopted in other parts of Greece. Etruria became an important center of production outside the Greek World. Attic red-figure vases were exported throughout Greece and beyond. For a long time, they dominated the market for fine ceramics. Few centers of pottery production could compete with Athens in terms of innovation, quality and production capacity. Of the red-figure vases produced in Athens alone, more than 40,000 specimens and fra ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Thasos
Thasos or Thassos ( el, Θάσος, ''Thásos'') is a Greek island in the North Aegean Sea. It is the northernmost major Greek island, and 12th largest by area. The island has an area of and a population of about 13,000. It forms a separate regional unit within the East Macedonia and Thrace region. Before the local administration reform of 2011, it was part of the Kavala Prefecture. The largest town and the capital is Thasos, officially known as ''Limenas Thasou'', "Port of Thasos", situated at the northern side. It is connected with the mainland by regular ferry lines between Keramoti and Thassos town, and between the regional centre of Kavala and Skala Prinou. Thasos's economy relies on timber from its forests, marble quarries, olive oil, and honey. Tourism has also become important since the 1960s, although not to the level of other Greek islands. History Mythology Staphylus ( grc, Στάφυλος), the beloved son of god Dionysus, lived in Thasos. Prehistory Lying clo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cyrene, Libya
Cyrene ( ) or Kyrene ( ; grc, Κυρήνη, Kyrḗnē, arb, شحات, Shaḥāt), was an ancient Greek and later Roman city near present-day Shahhat, Libya. It was the oldest and most important of the five Greek cities, known as the pentapoleis, in the region. It gave eastern Libya the classical name ''Cyrenaica'' that it has retained to modern times. Located nearby is the ancient Necropolis of Cyrene. The traditional founder of the city was Battus the Lacedemonian, though the exact relationship between the fledgling city and other cities has led historians to question that narrative. Particularly, the idea that Thera was the sole "mother city" is disputed; and the relationship with other cities, such as Sparta and Samnium merchants, is unclear. Cyrene lies in a lush valley in the Jebel Akhdar uplands. The city was named after a spring, Kyre, which the Greeks consecrated to Apollo. It became the seat of the Cyrenaics, a famous school of philosophy in the fourth century BC, fo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
