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These Are My Songs
''These Are My Songs'' is a 1967 album released by Petula Clark. In a break with longtime collaborator Tony Hatch, Clark joined forces with producer Sonny Burke and arranger/conductor Ernie Freeman for this release. The album includes two songs that were released as singles. " This Is My Song", with words and music by Charlie Chaplin, had been composed as an instrumental theme for his film ''A Countess From Hong Kong''. It peaked at #1 in the United Kingdom and #3 in the US. "Don't Sleep In The Subway", the only track written by Hatch and Jackie Trent, who had written much of Clark's previous material, charted at #5 in the US and #12 in the UK. Hatch arranged and produced the song. "On The Path Of Glory" was a civil rights song co-written by Clark. It was the song she was singing with Harry Belafonte on her 1968 NBC special when she touched his hand. This incident set off controversy when the sponsor threatened to back out because a white woman touched a black man. Clark and Bela ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Album
An album is a collection of audio recordings issued on compact disc (CD), Phonograph record, vinyl, audio tape, or another medium such as Digital distribution#Music, digital distribution. Albums of recorded sound were developed in the early 20th century as individual Phonograph record#78 rpm disc developments, 78 rpm records collected in a bound book resembling a photograph album; this format evolved after 1948 into single vinyl LP record, long-playing (LP) records played at revolutions per minute, rpm. The album was the dominant form of recorded music expression and consumption from the mid-1960s to the early 21st century, a period known as the album era. Vinyl LPs are still issued, though album sales in the 21st-century have mostly focused on CD and MP3 formats. The 8-track tape was the first tape format widely used alongside vinyl from 1965 until being phased out by 1983 and was gradually supplanted by the cassette tape during the 1970s and early 1980s; the populari ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Don't Sleep In The Subway
"Don't Sleep in the Subway" is a song written by Tony Hatch and Jackie Trent and recorded by British singer Petula Clark, for whom it was an April 1967 single release. It received a 1968 Grammy award nomination for best contemporary song, losing to " Up, Up and Away" by The 5th Dimension. Background The song was constructed from three different sections of music previously composed by Hatch; it changes in musical style from pop to symphonic and then, for the chorus, to a Beach Boys-like melody. In the lyrics the narrator advises her sweetheart against storming out after an argument due to his "foolish pride". If he does, he will "sleep in the subway" or "stand in the pouring rain" merely to prove his point. Although in Scotland there has long existed the Glasgow Subway metro line, in England the term "subway" refers to a pedestrian underpass rather than to an underground transit system. Hatch employed the term in the North American sense. According to the song's co-writer Jack ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
John Phillips (musician)
John Edmund Andrew Phillips (August 30, 1935 – March 18, 2001) was an American singer, songwriter, and guitarist. He was the leader of the vocal group the Mamas & the Papas and remains frequently referred to as Papa John Phillips. In addition to writing the majority of the group's compositions, he also wrote "San Francisco (Be Sure to Wear Flowers in Your Hair)" in 1967 for former Journeymen bandmate Scott McKenzie, as well as the oft-covered " Me and My Uncle", which was a favorite in the repertoire of the Grateful Dead. Phillips was one of the chief organizers of the 1967 Monterey Pop Festival. Early life Phillips was born August 30, 1935, in Parris Island, South Carolina. His father, Claude Andrew Phillips, was a retired United States Marine Corps officer. On his way home from France following World War I, Claude Phillips managed to win a tavern located in Oklahoma from another Marine during a poker game. His mother, Edna Gertrude (née Gaines), who had English ancestry, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
San Francisco (Be Sure To Wear Flowers In Your Hair)
"San Francisco (Be Sure to Wear Flowers in Your Hair)" is an American pop music song, written by John Phillips, and sung by Scott McKenzie. It was produced and released in May 1967 by Phillips and Lou Adler, who used it to promote their Monterey International Pop Music Festival held in June of that year. John Phillips played guitar on the recording and session musician Gary L. Coleman played orchestra bells and chimes. Bass guitar was supplied by session musician Joe Osborn. Hal Blaine played drums. The song reached the fourth position on the US charts and the number one spot on the UK charts. In Ireland, it was number one for one week, in New Zealand the song spent five weeks at number one, and in Germany it was six weeks at number one. McKenzie's version has been called "the unofficial anthem of the counterculture movement of the 1960s, including the Hippie, Anti-Vietnam War and Flower power movements." The song has also been widely regarded as a defining song of the Summer ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ram Ramirez
Roger "Ram" Ramirez (September 15, 1913 – 11 January 1994) was a Puerto Rican jazz pianist and composer. He was a co-composer of the song "Lover Man (Oh, Where Can You Be?)" Early life Ramirez was born in San Juan, Puerto Rico on September 15, 1913. He grew up in New York and started playing the piano at a young age. Later life and career Ramirez's first professional performances were in the early 1930s. In 1933 he played with Monette Moore, then with Rex Stewart and Sid Catlett in New York. He joined Willie Bryant in 1935, and toured Europe with Bobby Martin in 1937. During the first half of the 1940s Ramirez played with Ella Fitzgerald, Frankie Newton, Charlie Barnet, John Kirby, and Catlett, in addition to leading his own band. Ramirez wrote "Lover Man (Oh, Where Can You Be?)" in 1942, which became a jazz standard following Billie Holiday's recording of it two years later. He was a freelance into the mid-1950s, when he added electronic organ to his instruments. In 1953 he w ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jimmy Davis (songwriter)
James Edward Davis (1915 – 1997) was an American songwriter, composer, singer, pianist and actor. He co-wrote the song "Lover Man (Oh, Where Can You Be?)". Davis was born in Madison, Georgia. He and his family moved to Gary, Illinois, and then to Englewood, New Jersey, where he completed his high school education. Being musically gifted, he was accepted into the Juilliard School in New York to study piano and composition, his fees being paid by a benefactress. In the late 1930s he wrote the song "Lover Man (Oh, Where Can You Be?)" with Ram Ramirez but could not initially place it, until he offered it to Billie Holiday in 1942. Because of the 1942–44 musicians' strike Holiday didn't record the song until October 1944, and although at first only a minor hit it soon achieved widespread success and went on to become a jazz standard, recorded by numerous artists including Linda Ronstadt, Barbra Streisand and Petula Clark. During the early 1940s Davis struggled to make a li ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lover Man
"Lover Man (Oh, Where Can You Be?)" (often called simply "Lover Man") is a 1941 popular song written by Jimmy Davis, Roger ("Ram") Ramirez, and James Sherman. It is particularly associated with Billie Holiday, for whom it was written, and her version was inducted into the Grammy Hall of Fame in 1989. Holiday's version reached No. 5 on the R&B chart and No. 16 on pop in 1945. In July 1946, Charlie Parker recorded a rendition of "Lover Man" while he was intoxicated. Dial Records producer Ross Russell had to hold him up to the microphone during the recording. Sonny Stitt played the song many times on alto saxophone in a virtuoso way, in the original key of D flat. Most jazz musicians play the song nevertheless in F. Barbra Streisand recorded a version for her album Simply Streisand in 1967, her version peaked #29 at Billboard Adult Contemporary chart. Cover versions * Sarah Vaughan recorded the song for the Guild label in 1945 with backing by an instrumental ensemble that inc ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Eddie Brigati
Edward Brigati Jr. (born October 22, 1945) is an American singer-songwriter. He was the co-lead vocalist, along with Felix Cavaliere, and percussionist in the rock group The Young Rascals from 1964 to 1970. Prior to his stint with The Young Rascals (who later shortened their name to The Rascals), Brigati had been a member of Joey Dee and the Starliters (having replaced his brother, original Starliter David Brigati, in that group). With the help of group founder Billy (Smith) Amato and manager Sid Bernstein, the Rascals became the first all-white group signed to Atlantic Records. They (along with The Righteous Brothers and The Box Tops), were practitioners of a genre of music coined ' blue-eyed soul'. Early life Born and raised in Garfield, New Jersey, Brigati graduated from Garfield High School in 1963.La Gorce, Tammy"Rascal on the Rebound: Eddie Brigati Back On Stage; Bitter memories aside, Eddie Brigati, singer of the hitmaking '60s group the Rascals, is stoked to be back o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Felix Cavaliere
Felix Cavaliere (born November 29, 1942) is an American musician and singer-songwriter. He is best known for being the lead vocalist and keyboard player for the Young Rascals. Although he was a member of Joey Dee and the Starliters, known for their hit "Peppermint Twist", he is best known for his association with the Young Rascals during the 1960s. The other members of the Rascals were Eddie Brigati, Dino Danelli and Gene Cornish. Cavaliere sang vocals on six of their successful singles and played the Hammond B-3 organ. Early life and education Cavaliere was born to an Italian American family in Pelham, New York on November 29, 1942. At an early age, he studied piano at the Allaire School of Music at his mother's behest from age 6 until her death when he was 14. He enrolled at Syracuse University in the early 1960s as a pre-med major and performed at fraternity and sorority parties with his band ''The Escorts''. At the beginning of his junior year, he left Syracuse to pursue ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Groovin'
"Groovin" is a single released in 1967 by American rock band the Young Rascals that became a number-one hit and one of the group's signature songs. It has been covered by many artists, including the Young Rascals themselves in other languages. A slightly different version was later released on their third studio album, ''Groovin'''. Written by group members Felix Cavaliere and Eddie Brigati and with a lead vocal from Cavaliere, it is a slow, relaxed groove, based on Cavaliere's newfound interest in Afro-Cuban music. The instrumentation of the song includes a conga, a Cuban-influenced bass guitar line from session musician Chuck Rainey, and a harmonica part, performed first for the single version by New York session musician Michael Weinstein, and later for the album version by Gene Cornish. Background "Groovin was inspired by Cavaliere's then-girlfriend, Adrienne Buccheri. He said of her, "I believe she was divinely sent for the purpose of inspiring my creativity." Lyrically, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Disques Vogue
Disques Vogue was a jazz record company founded in France by Léon Cabat and Charles Delaunay in 1947, the year after the American Vogue label ceased. They originally specialized in jazz, featuring American performers such as Sidney Bechet, Dizzy Gillespie, and Gigi Gryce (sessions reissued on CD under Clifford Brown's name), in addition to local musicians Django Reinhardt and Martial Solal. In the late 1950s Vogue expanded into pop music, recording artists such as Petula Clark. In the 1960s and early 1970s the label added Jacques Dutronc and Françoise Hardy. They licensed recordings by ABBA for release in Belgium and France and European distribution of Recordings of Monsieur Tranquille. Vogue Records, a British offshoot, was founded in 1951 and absorbed by English Decca (then separate from the American company) around 1956, but the rights to the name reverted to the French parent in 1962, whereupon Decca renamed its Vogue label Vocalion. A new Disques Vogue sister label was ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pseudonym
A pseudonym (; ) or alias () is a fictitious name that a person or group assumes for a particular purpose, which differs from their original or true name (orthonym). This also differs from a new name that entirely or legally replaces an individual's own. Many pseudonym holders use pseudonyms because they wish to remain anonymous, but anonymity is difficult to achieve and often fraught with legal issues. Scope Pseudonyms include stage names, user names, ring names, pen names, aliases, superhero or villain identities and code names, gamer identifications, and regnal names of emperors, popes, and other monarchs. In some cases, it may also include nicknames. Historically, they have sometimes taken the form of anagrams, Graecisms, and Latinisations. Pseudonyms should not be confused with new names that replace old ones and become the individual's full-time name. Pseudonyms are "part-time" names, used only in certain contexts – to provide a more clear-cut separation between o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
