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Theotokos Of Smolensk
A Hodegetria , ; russian: Одиги́трия, Odigítria ; Romanian: Hodighitria, or Virgin Hodegetria, is an iconographic depiction of the Theotokos (Virgin Mary) holding the Child Jesus at her side while pointing to him as the source of salvation for humankind. The Virgin's head usually inclines towards the child, who raises his hand in a blessing gesture. In the Western Church this type of icon is sometimes called Our Lady of the Way. The most venerated icon of the Hodegetria type, regarded as the original, was displayed in the Monastery of the Panaghia Hodegetria in Constantinople, which was built specially to contain it. Unlike most later copies it showed the Theotokos standing full-length. It was said to have been brought back from the Holy Land by Eudocia, the wife of emperor Theodosius II (408–450), and to have been painted by Saint Luke the apostle himself. The icon was double-sided, with a crucifixion on the other side, and was "perhaps the most prominent cult o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Odigitriya Smolenskaya Dionisiy
A Hodegetria , ; russian: Одиги́трия, Odigítria ; Romanian: Hodighitria, or Virgin Hodegetria, is an iconographic depiction of the Theotokos (Virgin Mary) holding the Child Jesus at her side while pointing to him as the source of salvation for humankind. The Virgin's head usually inclines towards the child, who raises his hand in a blessing gesture. In the Western Church this type of icon is sometimes called Our Lady of the Way. The most venerated icon of the Hodegetria type, regarded as the original, was displayed in the Monastery of the Panaghia Hodegetria in Constantinople, which was built specially to contain it. Unlike most later copies it showed the Theotokos standing full-length. It was said to have been brought back from the Holy Land by Eudocia, the wife of emperor Theodosius II (408–450), and to have been painted by Saint Luke the apostle himself. The icon was double-sided, with a crucifixion on the other side, and was "perhaps the most prominent cult obje ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Zeyrek Mosque
'' '' tr, Zeyrek Camii'' , image = Molla Zeyrek Camii.jpg , image_size = 300px , caption =The mosque viewed from north east. From left to right, one can see the apses of the ''Church of Christ Pantocrator'', the ''Imperial Chapel'' and the ''Church of the Theotokos Eleousa''. , image_upright = 1.2 , map_type = Istanbul Fatih , map_size = , map_caption = Location in the Fatih district of Istanbul , location = Istanbul, Turkey , coordinates = , latitude = , longitude = , religious_affiliation = Sunni Islam , rite = , region = , state = , province = , territory = , prefecture = , sector = , consecration_year = Shortly after 1453 , status = , architecture = yes , architect = , architecture_type ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Salus Populi Romani
''Salus Populi Romani'' (''Protectress'', or more literally ''health'' or ''salvation'', ''of the Roman People'') is a Roman Catholic title associated with the venerated image of the Blessed Virgin Mary in Rome. This Byzantine art, Byzantine icon of the Mary, mother of Jesus, Madonna and Child Jesus holding a Gospel book on a gold ground, now heavily Overpainting, overpainted, is kept in the Borghese (Pauline) Chapel of the Basilica of Saint Mary Major.''Relics'' by Joan Carroll Cruz 1984 page 96 The image arrived in Rome in 590 A.D. during the reign of Pope Gregory I. Pope Gregory XVI granted the image a canonical coronation on 15 August 1838 through the papal bull ''Cælestis Regina''. Pope Pius XII crowned the image again and ordered a public religious procession during the Marian year of 1 November 1954. The image was cleaned and restored by the Vatican Museum, then given a Pontifical Mass on 28 January 2018. The phrase ''Salus Populi Romani'' goes back to the legal syst ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Byzantine Art
Byzantine art comprises the body of Christian Greek artistic products of the Eastern Roman Empire, as well as the nations and states that inherited culturally from the empire. Though the empire itself emerged from the decline of Rome and lasted until the Fall of Constantinople in 1453, the start date of the Byzantine period is rather clearer in art history than in political history, if still imprecise. Many Eastern Orthodox states in Eastern Europe, as well as to some degree the Islamic states of the eastern Mediterranean, preserved many aspects of the empire's culture and art for centuries afterward. A number of contemporary states with the Byzantine Empire were culturally influenced by it without actually being part of it (the "Byzantine commonwealth"). These included the Rus, as well as some non-Orthodox states like the Republic of Venice, which separated from the Byzantine Empire in the 10th century, and the Kingdom of Sicily, which had close ties to the Byzantine Empire a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Iconoclasm (Byzantine)
The Byzantine Iconoclasm ( gr, Εικονομαχία, Eikonomachía, lit=image struggle', 'war on icons) were two periods in the history of the Byzantine Empire when the use of religious images or icons was opposed by religious and imperial authorities within the Orthodox Church and the temporal imperial hierarchy. The First Iconoclasm, as it is sometimes called, occurred between about 726 and 787, while the Second Iconoclasm occurred between 814 and 842. According to the traditional view, Byzantine Iconoclasm was started by a ban on religious images promulgated by the Byzantine Emperor Leo III the Isaurian, and continued under his successors. It was accompanied by widespread destruction of religious images and persecution of supporters of the veneration of images. The Papacy remained firmly in support of the use of religious images throughout the period, and the whole episode widened the growing divergence between the Byzantine and Carolingian traditions in what was still a un ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Berlinghiero Berlinghieri 005
Berlinghiero also known as Berlinghiero Berlinghieri or Berlinghiero of Lucca (floruit, fl. 1228 – between 1236 and 1242), was an Italian painter in the Italo-Byzantine style of the early thirteenth century. He was the father of the painters Barone Berlinghieri, Bonaventura Berlinghieri, and Marco Berlinghieri. His actual name is unknown, as he is known from the inscription "Berlingerius me pinxit" on the crucifix which is the basis of attributing other works to the name. The form "Berlinghiero Berlinghieri", once common in art history, is certainly not his name according to Edward B. Garrison and most recent sources and he should be called Berlinghiero. He is also mentioned in a parchment of March 22, 1228 among the names of the residents of Lucca who swore to keep the peace with Pisa after a five-year war. The original document has been lost since the mid-19th century and only a somewhat garbled 17th-century transcription exists today, giving rise to the mistaken interpret ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Chora Church
'' '' tr, Kariye Mosque'' , image = Chora Church Constantinople 2007 panorama 002.jpg , caption = Exterior rear view , map_type = Istanbul Fatih , map_size = 220px , map_caption = Location within the Fatih district of Istanbul , location = Istanbul, Turkey , coordinates = , latitude = , longitude = , religious_affiliation = Greek Orthodox Church (before 1500), Sunni Islam (1500–1945, 2020–present), Directorate of Religious Affairs of Turkey (1924–1945, 2020–present) , status = , functional_status = Mosque , heritage_designation = , leadership = , website = , architecture = yes , architect = , architecture_type = Church , architecture_style = Byzantine architecture, Greek architecture, Ottoman architecture, Islamic , capacity = , length ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Fall Of Constantinople
The Fall of Constantinople, also known as the Conquest of Constantinople, was the capture of the capital of the Byzantine Empire by the Ottoman Empire. The city fell on 29 May 1453 as part of the culmination of a 53-day siege which had begun on 6 April. The city's collapse is usually agreed on as marking the end of the Middle Ages. The attacking Ottoman Army, which significantly outnumbered Constantinople's defenders, was commanded by the 21-year-old Sultan Mehmed II (later nicknamed "the Conqueror"), while the Byzantine army was led by Emperor Constantine XI Palaiologos. After conquering the city, Mehmed II made Constantinople the new Ottoman capital, replacing Adrianople. The conquest of Constantinople and the fall of the Byzantine Empire was a watershed of the Late Middle Ages, marking the effective end of the last remains of the Roman Empire, a state which began in roughly 27 BC and had lasted nearly 1500 years. Among many modern historians, the Fall of Constantinop ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lectern
A lectern is a reading desk with a slanted top, on which documents or books are placed as support for reading aloud, as in a scripture reading, lecture, or sermon. A lectern is usually attached to a stand or affixed to some other form of support. To facilitate eye contact and improve posture when facing an audience, lecterns may have adjustable height and slant. People reading from a lectern, called lectors, generally do so while standing. In pre-modern usage, the word ''lectern'' was used to refer specifically to the "reading desk or stand ... from which the Scripture lessons ('' lectiones'') ... are chanted or read." One 1905 dictionary states that "the term is properly applied only to the class mentioned hurch book standsas independent of the pulpit." By the 1920s, however, the term was being used in a broader sense; for example, in reference to a memorial service in Carnegie Hall, it was stated that "the lectern from which the speakers talked was enveloped in black." Academi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hamilton Psalter
The Hamilton Psalter (Breviario Greco, with illuminations, 4to MS on velum am. 119 is an illustrated manuscript that consists of Psalms 1-150 and twelve canonical Odes. It is most notable among Byzantine manuscripts due to being one of the few surviving bilingual manuscripts from the Byzantine era, written primarily in Greek and Latin. There’s no sole author of the manuscript but it’s in fact a compilation of multiple scribes' writing. Its name is derived from being a part of the Hamilton Collection, arranged to be purchased from Alexander Hamilton (10th Duke of Hamilton) in 1882 by Wilhelm von Bode and Karl Friedrich Lippmann for the Royal Library in Berlin. It is currently housed within the Staatliche Museen Preussischer Kulturbesitz, Kupferstichkabinett Berlin. Patronage and Dating The 10th Duke of Hamilton had acquired the manuscript at the beginning of the nineteenth century, when Northern Italy dispersed a larger number of books due to the secularization of churches duri ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Manuscript Illumination
An illuminated manuscript is a formally prepared document where the text is often supplemented with flourishes such as borders and miniature illustrations. Often used in the Roman Catholic Church for prayers, liturgical services and psalms, the practice continued into secular texts from the 13th century onward and typically include proclamations, enrolled bills, laws, charters, inventories and deeds. While Islamic manuscripts can also be called illuminated, and use essentially the same techniques, comparable Far Eastern and Mesoamerican works are described as ''painted''. The earliest illuminated manuscripts in existence come from the Kingdom of the Ostrogoths and the Eastern Roman Empire and date from between 400 and 600 CE. Examples include the Codex Argenteus and the Rossano Gospels, both of which are from the 6th century. The majority of extant manuscripts are from the Middle Ages, although many survive from the Renaissance, along with a very limited number from Late Antiqu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Latin Empire
The Latin Empire, also referred to as the Latin Empire of Constantinople, was a feudal Crusader state founded by the leaders of the Fourth Crusade on lands captured from the Byzantine Empire. The Latin Empire was intended to replace the Byzantine Empire as the Western-recognized Roman Empire in the east, with a Catholic emperor enthroned in place of the Eastern Orthodox Roman emperors. The Fourth Crusade had originally been called to retake the Muslim-controlled city of Jerusalem but a sequence of economic and political events culminated in the Crusader army sacking the city of Constantinople, the capital of the Byzantine Empire. Originally, the plan had been to restore the deposed Byzantine Emperor Isaac II Angelos, who had been usurped by Alexios III Angelos, to the throne. The crusaders had been promised financial and military aid by Isaac's son Alexios IV, with which they had planned to continue to Jerusalem. When the crusaders reached Constantinople the situation quickly ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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