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Theodor Krüger
Theodor Krüger (13 January 1891Harald Müller (text), Ulrich Loeper (images): ''Biographisch-bibliographisches Lexikon Celler Musiker. Komponisten, Sänger, Instrumentalmusiker, Musikpädagogen, Musikwissenschaftler, Instrumentenbau'' – 28 December 1966) was a German music educator, choral conductor, pianist, composer and writer, especially on historical flutes. Life Born in Celle, Province of Hanover, Krüger grew up in Celle. Born at the time of the German Empire, Krüger received his first music lessons at the age of 9 from the pianist and flutist Friedrich Ferdinand Theodor Bach, who served in the Celle 2. Hannoversches Infanterie-Regiment Nr. 77 as a musician in martial music. During his training as a pianist at the "Louis-Krohn-Musikschule" in Braunschweig he already wrote his first compositions. In 1910 he returned to Celle, where he continued his studies in piano and theory with Fritz Reichert and Heinrich Lutter, with whom he founded the ''Verein der Musikfreund ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
1920 Der Musiklehrer Theodor Krüger (Pianist) Beim Spiel Mit Historischem Saiteninstrument In Celle
Nineteen or 19 may refer to: * 19 (number), the natural number following 18 and preceding 20 * one of the years 19 BC, AD 19, 1919, 2019 Films * 19 (film), ''19'' (film), a 2001 Japanese film * Nineteen (film), ''Nineteen'' (film), a 1987 science fiction film Music * 19 (band), a Japanese pop music duo Albums * 19 (Adele album), ''19'' (Adele album), 2008 * ''19'', a 2003 album by Alsou * ''19'', a 2006 album by Evan Yo * ''19'', a 2018 album by MHD (rapper), MHD * ''19'', one half of the double album ''63/19'' by Kool A.D. * ''Number Nineteen'', a 1971 album by American jazz pianist Mal Waldron * XIX (EP), ''XIX'' (EP), a 2019 EP by 1the9 Songs * 19 (song), "19" (song), a 1985 song by British musician Paul Hardcastle. * "Nineteen", a song by Bad4Good from the 1992 album ''Refugee (Bad4Good album), Refugee'' * "Nineteen", a song by Karma to Burn from the 2001 album ''Almost Heathen''. * Nineteen (song), "Nineteen" (song), a 2007 song by American singer Billy Ray Cyrus ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Photographic Plate
Photographic plates preceded photographic film as a capture medium in photography, and were still used in some communities up until the late 20th century. The light-sensitive emulsion of silver salts was coated on a glass plate, typically thinner than common window glass. History Glass plates were far superior to film for research-quality imaging because they were stable and less likely to bend or distort, especially in large-format frames for wide-field imaging. Early plates used the wet collodion process. The wet plate process was replaced late in the 19th century by gelatin dry plates. A view camera nicknamed "The Mammoth" weighing was built by George R. Lawrence in 1899, specifically to photograph "The Alton Limited" train owned by the Chicago & Alton Railway. It took photographs on glass plates measuring × . Glass plate photographic material largely faded from the consumer market in the early years of the 20th century, as more convenient and less fragile fil ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Nachlass
''Nachlass'' (, older spelling ''Nachlaß'') is a German word, used in academia to describe the collection of manuscripts, notes, correspondence, and so on left behind when a scholar dies. The word is a compound in German: ''nach'' means "after", and the verb ''lassen'' means "to leave". The plural can be either ''Nachlasse'' or (with Umlaut) ''Nachlässe''. The word is not commonly used in English; and when it is, it is often italicized or printed in capitalized form to indicate its foreign provenance. Editing and preserving a Nachlass The ''Nachlass'' of an important scholar is often placed in a research library or scholarly archive. Other workers in the scholar's area of specialization may obtain permission to comb through the Nachlass, seeking important unpublished scholarly contributions or biographical material. The content of a Nachlass can be catalogued, edited, and in some cases published in book form. Such publication is more difficult for a ''Nachlass'' that conta ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Johann Hermann Schein
Johann Hermann Schein (20 January 1586 – 19 November 1630) was a German composer of the early Baroque era. He was Thomaskantor in Leipzig from 1615 to 1630. He was one of the first to import the early Italian stylistic innovations into German music, and was one of the most polished composers of the period. Biography Schein was born in Grünhain. On the death of his father, Schein moved to Dresden where he joined the choir of the Elector of Saxony as a boy soprano. In addition to singing in the choir, he received a thorough musical training with Rogier Michael, the ''Kapellmeister,'' who recognized his extraordinary talent. From 1603 to 1607 he studied at Pforta, and from 1608 to 1612 attended the University of Leipzig, where he studied law in addition to liberal arts. Upon graduating, he was employed briefly by Gottfried von Wolffersdorff as the house music director and tutor to his children; later he became ''Kapellmeister'' at Weimar, and shortly thereafter became Thomaskant ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lied
In Western classical music tradition, (, plural ; , plural , ) is a term for setting poetry to classical music to create a piece of polyphonic music. The term is used for any kind of song in contemporary German, but among English and French speakers, is often used interchangeably with " art song" to encompass works that the tradition has inspired in other languages as well. The poems that have been made into lieder often center on pastoral themes or themes of romantic love. The earliest lied date from the late fourteenth or early fifteenth centuries, and can even refer to from as early as the 12th and 13th centuries. It later came especially to refer to settings of Romantic poetry during the late eighteenth and nineteenth centuries, and into the early twentieth century. Examples include settings by Joseph Haydn, Wolfgang Amadeus Mozart, Ludwig van Beethoven, Franz Schubert, Robert Schumann, Johannes Brahms, Hugo Wolf, Gustav Mahler or Richard Strauss. History For Ger ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Phonograph Record
A phonograph record (also known as a gramophone record, especially in British English), or simply a record, is an analog sound storage medium in the form of a flat disc with an inscribed, modulated spiral groove. The groove usually starts near the periphery and ends near the center of the disc. At first, the discs were commonly made from shellac, with earlier records having a fine abrasive filler mixed in. Starting in the 1940s polyvinyl chloride became common, hence the name vinyl. The phonograph record was the primary medium used for music reproduction throughout the 20th century. It had co-existed with the phonograph cylinder from the late 1880s and had effectively superseded it by around 1912. Records retained the largest market share even when new formats such as the compact cassette were mass-marketed. By the 1980s, digital media, in the form of the compact disc, had gained a larger market share, and the record left the mainstream in 1991. Since the 1990s, records co ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pianoforte
The piano is a stringed keyboard instrument in which the strings are struck by wooden hammers that are coated with a softer material (modern hammers are covered with dense wool felt; some early pianos used leather). It is played using a keyboard, which is a row of keys (small levers) that the performer presses down or strikes with the fingers and thumbs of both hands to cause the hammers to strike the strings. It was invented in Italy by Bartolomeo Cristofori around the year 1700. Description The word "piano" is a shortened form of ''pianoforte'', the Italian term for the early 1700s versions of the instrument, which in turn derives from ''clavicembalo col piano e forte'' (key cimbalom with quiet and loud)Pollens (1995, 238) and ''fortepiano''. The Italian musical terms ''piano'' and ''forte'' indicate "soft" and "loud" respectively, in this context referring to the variations in volume (i.e., loudness) produced in response to a pianist's touch or pressure on the keys: the grea ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
