Thein Han (weightlifter)
Thein Han may refer to: * Thein Han (basketball) * Thein Han (painter) * Thein Han, better known as Zawgyi (writer) Zawgyi ( my, ဇော်ဂျီ, Ashinsoma=Ashin Na Ga Vam Sa, ; born Thein Han (, ); 12 April 1907 – 26 September 1990) was a distinguished and leading Burmese poet, author, literary historian, critic, scholar and academic. His name, Zawgy ...

Thein Han (basketball)
Thein Han (born 20 March 1998) is a basketball player from Myanmar. He represented Myanmar's national basketball team at the 2017 SEABA Championship in Quezon City, Philippines. There, at only 19 years of age, he was the tournament’s dominant stealer as he averaged 3.0 steals per game, far ahead of the second placed Jio Jalalon of the Philippines who recorded 2.0 per game. Further, Han Thein was the tournament's top shot blocker as he averaged 2.3 per game. At the game against Vietnam, he came close to reaching a quadruple-double In basketball, a double-double is a single-game performance in which a player accumulates ten or more in two of the following five statistical categories: points, rebounds, assists, steals, and blocked shots. The first "double" in the term ..., an extremely rare achievement for a single player in a basketball game.
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Thein Han (painter)
Thein Han ( my, သိန်းဟန်, ; 1910–1986) was a major Yangon painter of the post- World War II era who produced a number of memorable works and who had an abiding influence on the evolution of the more conservative painting styles in Burma in the decades that followed. He should not be confused with Thein Han the writer and art critic, who is often quoted for his article written on Burmese painting published in the ''Atlantic Monthly'' in 1958. Overview Thein Han was one of the six original apprentices who lived with and studied under Ba Nyan after Ba Nyan returned from his art studies in London in 1930. Three of these apprentices became major painters in Burma and Thein Han was one of them. Other painters such as Ngwe Gaing and Kyaw Hlaing had spent long periods studying with Ba Nyan but not as a live-in apprentices at his home. In Burma, there is a certain sentimental attachment to those painters who studied under Ba Nyan as full-fledged apprentices, perhaps b ...
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