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Theatro Municipal (São Paulo)
Municipal Theatre of São Paulo is a theatre in São Paulo, Brazil. It is regarded as one of the landmarks of the city, significant both for its architectural value as well as for its historical importance, having been the venue for the Week of Modern Art in 1922, which revolutionised the arts in Brazil. The building now houses the São Paulo Municipal Symphonic Orchestra, the ''Coral Lírico'' (Lyric Choir) and the City Ballet of São Paulo. History Design, construction and inauguration The idea of building a representative theatre for the city of São Paulo was inspired by its increasing importance on the international stage. From the beginning of 20th century it was inhabited by the Brazilian bourgeoisie, of which a great part was involved in the business of coffee farming. The city had also quite a large Italian population. So far, the city could only rely on the Teatro São José, which after a fire was no longer suitable for large foreign productions, and more modest theat ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Opera House
An opera house is a theatre building used for performances of opera. It usually includes a stage, an orchestra pit, audience seating, and backstage facilities for costumes and building sets. While some venues are constructed specifically for operas, other opera houses are part of larger performing arts centers. Indeed, the term ''opera house'' is often used as a term of prestige for any large performing-arts center. History Italy is a country where opera has been popular through the centuries among ordinary people as well as wealthy patrons and it continues to have many working opera houses such as Teatro Massimo in Palermo (the biggest in Italy), Teatro di San Carlo in Naples (the world's oldest working opera house) and Teatro La Scala in Milan. In contrast, there was no opera house in London when Henry Purcell was composing and the first opera house in Germany, the Oper am Gänsemarkt, was built in Hamburg in 1678, followed by the Oper am Brühl in Leipzig in 1693, and t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Il Guarany
''Il Guarany'' (''The Guarany'') is an opera ballo composed by Antônio Carlos Gomes, based on the novel '' O Guarani'' by José de Alencar. Its libretto, in Italian rather than Gomes' native Portuguese, was written by and . The work is notable as the first Brazilian opera to gain acclaim outside Brazil.Volpe, Maria Alice, "Remaking the Brazilian Myth of National Foundation: ''Il Guarany''" (Autumn–Winter 2002). '' Latin American Music Review''/''Revista de Música Latinoamericana'', 23 (2): pp. 179–194. Maria Alice Volpe has analysed the historical subtext of the indianism movement behind ''Il Guarany''. The operatic version of the story takes place near Rio de Janeiro in 1560, and the plot centers around an interracial love story between Pery, a Guarani indian prince, and Cecilia, the daughter of a Portuguese nobleman. The work emphasizes the Romanticized concept of the "noble savage" in an exotic Brazilian tropical setting as well as the concept of racial miscegenation, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Anita Malfatti
Anita Catarina Malfatti (December 2, 1889 – November 6, 1964) is heralded as the first Brazilian artist to introduce European and American forms of Modernism to Brazil. Her solo exhibition in Sao Paulo, from 1917–1918, was controversial at the time, and her expressionist style and subject were revolutionary for the complacently old-fashioned art expectations of Brazilians who were searching for a national identity in art, but who were not prepared for the influences Malfatti would bring to the country. Malfatti's presence was also highly felt during the Week of Modern Art (''Semana de Arte Moderna'') in 1922, where she and the ''Group of Five'' made huge revolutionary changes in the structure and response to modern art in Brazil. Historical background The cultural history throughout Brazil is relevant to the changing theories of art's purpose and the consequential role that Modernist artists played. There were not many art institutions in Brazil and the country lacked a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tarsila Do Amaral
Tarsila de Aguiar do Amaral (; 1 September 1886 – 17 January 1973) was a Brazilian painter, draftswoman, and translator. She is considered one of the leading Latin American modernist artists, and is regarded as the painter who best achieved Brazilian aspirations for nationalistic expression in a modern style.Lucie-Smith, Edward. Latin American Art of the 20th Century. London: Thames & Hudson Ltd, 2004: 42. As a member of the '' Grupo dos Cinco'', Tarsila is also considered a major influence in the modern art movement in Brazil, alongside Anita Malfatti, Menotti Del Picchia, Mário de Andrade, and Oswald de Andrade. She was instrumental in the formation of the aesthetic movement, ''Antropofagia'' (1928–1929); in fact, Tarsila was the one with her celebrated painting, ''Abaporu'', who inspired Oswald de Andrade's famous ''Manifesto Antropófago''.C. Jauregui "Antropofagia" https://www.academia.edu/6998258/Antropofagia_Cultural_cannibalism_ Early life and education Tarsila do A ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Oswald De Andrade
José Oswald de Souza Andrade (January 11, 1890 – October 22, 1954) was a Brazilian poet, novelist and cultural critic. He was born, spent most of his life and died in São Paulo. Andrade was one of the founders of Brazilian modernism and a member of the Group of Five, along with Mário de Andrade, Anita Malfatti, Tarsila do Amaral and Menotti del Picchia. He participated in the Modern Art Week (''Semana de Arte Moderna''). Biography Born into a wealthy bourgeois family in São Paulo, Andrade used his money and connections to support numerous modernist artists and projects. He sponsored the publication of several major novels of the period, produced a number of experimental plays, and supported several painters, including Tarsila do Amaral, with whom he had a long affair, and Lasar Segall. Andrade joined the Communist Party in 1931, but left it, disillusioned, in 1945. He remained controversial for his radical political views and his often belligerent outspokenness. His ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mário De Andrade
Mário Raul de Morais Andrade (October 9, 1893 – February 25, 1945) was a Brazilian poet, novelist, musicologist, art historian and critic, and photographer. He wrote one of the first and most influential collections of modern Brazilian poetry, ''Paulicéia Desvairada'' (''Hallucinated City''), published in 1922. He has had considerable influence on modern Brazilian literature, and as a scholar and essayist—he was a pioneer of the field of ethnomusicology—his influence has reached far beyond Brazil. Andrade was a central figure in the avant-garde movement of São Paulo for twenty years. Trained as a musician and best known as a poet and novelist, Andrade was personally involved in virtually every discipline that was connected with São Paulo modernism. His photography and essays on a wide variety of subjects, from history to literature and music, were widely published. He was the driving force behind the Week of Modern Art, the 1922 event that reshaped both literature an ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Modernist Movement
Modernism is both a philosophy, philosophical and arts movement that arose from broad transformations in Western world, Western society during the late 19th and early 20th centuries. The movement reflected a desire for the creation of new forms of art, philosophy, and social organization which reflected the newly emerging industrial society, industrial world, including features such as urbanization, architecture, new technologies, and war. Artists attempted to depart from traditional forms of art, which they considered outdated or obsolete. The poet Ezra Pound's 1934 injunction to "Make it New" was the touchstone of the movement's approach. Modernist innovations included abstract art, the stream-of-consciousness novel, montage (filmmaking), montage cinema, atonal and twelve-tone music, divisionist painting and modern architecture. Modernism explicitly rejected the ideology of Realism (arts), realism and made use of the works of the past by the employment of reprise, incorpor ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Modernism
Modernism is both a philosophy, philosophical and arts movement that arose from broad transformations in Western world, Western society during the late 19th and early 20th centuries. The movement reflected a desire for the creation of new forms of art, philosophy, and social organization which reflected the newly emerging industrial society, industrial world, including features such as urbanization, architecture, new technologies, and war. Artists attempted to depart from traditional forms of art, which they considered outdated or obsolete. The poet Ezra Pound's 1934 injunction to "Make it New" was the touchstone of the movement's approach. Modernist innovations included abstract art, the stream-of-consciousness novel, montage (filmmaking), montage cinema, atonal and twelve-tone music, divisionist painting and modern architecture. Modernism explicitly rejected the ideology of Realism (arts), realism and made use of the works of the past by the employment of reprise, incorpor ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Modernity
Modernity, a topic in the humanities and social sciences, is both a historical period (the modern era) and the ensemble of particular socio-cultural norm (social), norms, attitudes and practices that arose in the wake of the Renaissancein the "Age of Enlightenment, Age of Reason" of 17th-century thought and the 18th-century "Age of Enlightenment, Enlightenment". Some commentators consider the era of modernity to have ended by 1930, with World War II in 1945, or the 1980s or 1990s; the following era is called postmodernity. The term "contemporary history" is also used to refer to the post-1945 timeframe, without assigning it to either the modern or postmodern era. (Thus "modern" may be used as a name of a particular era in the past, as opposed to meaning "the current era".) Depending on the field, "modernity" may refer to different time periods or qualities. In historiography, the 16th to 18th centuries are usually described as early modern, while the long 19th century correspond ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Poetry
Poetry (derived from the Greek ''poiesis'', "making"), also called verse, is a form of literature that uses aesthetic and often rhythmic qualities of language − such as phonaesthetics, sound symbolism, and metre − to evoke meanings in addition to, or in place of, a prosaic ostensible meaning. A poem is a literary composition, written by a poet, using this principle. Poetry has a long and varied history, evolving differentially across the globe. It dates back at least to prehistoric times with hunting poetry in Africa and to panegyric and elegiac court poetry of the empires of the Nile, Niger, and Volta River valleys. Some of the earliest written poetry in Africa occurs among the Pyramid Texts written during the 25th century BCE. The earliest surviving Western Asian epic poetry, the '' Epic of Gilgamesh'', was written in Sumerian. Early poems in the Eurasian continent evolved from folk songs such as the Chinese ''Shijing'', as well as religious hymns (the S ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Music
Music is generally defined as the art of arranging sound to create some combination of form, harmony, melody, rhythm or otherwise expressive content. Exact definitions of music vary considerably around the world, though it is an aspect of all human societies, a cultural universal. While scholars agree that music is defined by a few specific elements, there is no consensus on their precise definitions. The creation of music is commonly divided into musical composition, musical improvisation, and musical performance, though the topic itself extends into academic disciplines, criticism, philosophy, and psychology. Music may be performed or improvised using a vast range of instruments, including the human voice. In some musical contexts, a performance or composition may be to some extent improvised. For instance, in Hindustani classical music, the performer plays spontaneously while following a partially defined structure and using characteristic motifs. In modal jazz ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Modernismo
''Modernismo'' is a literary movement that took place primarily during the end of the nineteenth and early twentieth-century in the Spanish-speaking world, best exemplified by Rubén Darío who is also known as the father of ''Modernismo''. The term ''Modernismo'' specifically refers to the literary movement that took place primarily in poetry. This literary movement began in 1888 after the publication of Rubén Darío's ''Azul...'' . It gave ''Modernismo'' a new meaning. The movement died around 1920, four years after the death of Rubén Darío. In ''Aspects of Spanish-American Literature'', the author writes (1963), “We must make art the basic element in our culture; the appreciation of beauty is a promise that we will arrive at the understanding of justice...” (pg. 35). ''Modernismo'' influences the meaning behind words and the impact of poetry on culture. ''Modernismo'', in its simplest form, is finding the beauty and advances within the language and rhythm of literary wor ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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