The Wounded Cuirassier
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The Wounded Cuirassier
''The Wounded Cuirassier'' (French: ''Le Cuirassier blessé quittant le feu'') is an oil painting of a single anonymous soldier descending a slope with his nervous horse by the French Romantic painter and lithographer Théodore Géricault (1791–1824). In this 1814 Salon entry, Géricault decided to turn away from scenes of heroism in favor of a subject that is on the losing side of the battle. On display in the aftermath of France's disastrous military campaign in Russia, this life-size painting captured the feeling of a nation in defeat. There are no visible wounds on the figure, and the title has sometimes been interpreted to refer to soldier's injured pride. The painting stood in stark contrast with Géricault's ''Charging Chasseur'', as it didn't focus on glory or the spectacle of battle. Only his ''Signboard of a Hoofsmith'', which is currently in a private collection, bears any resemblance in form or function to this painting. The final salon version of The Wounded Cuir ...
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Théodore Géricault
Jean-Louis André Théodore Géricault (; 26 September 1791 – 26 January 1824) was a French painter and lithographer, whose best-known painting is ''The Raft of the Medusa''. Although he died young, he was one of the pioneers of the Romantic movement. Early life Born in Rouen, France, Géricault was educated in the tradition of English sporting art by Carle Vernet and classical figure composition by Pierre-Narcisse Guérin, a rigorous classicist who disapproved of his student's impulsive temperament while recognizing his talent. Géricault soon left the classroom, choosing to study at the Louvre, where from 1810 to 1815 he copied paintings by Rubens, Titian, Velázquez and Rembrandt. During this period at the Louvre he discovered a vitality he found lacking in the prevailing school of Neoclassicism.See , p. 1. Much of his time was spent in Versailles, where he found the stables of the palace open to him, and where he gained his knowledge of the anatomy and action of horses. ...
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Signboard Of A Hoofsmith
Signage is the design or use of signs and symbols to communicate a message. A signage also means signs ''collectively'' or being considered as a group. The term ''signage'' is documented to have been popularized in 1975 to 1980. Signs are any kind of visual graphics created to display information to a particular audience. This is typically manifested in the form of wayfinding information in places such as streets or on the inside and outside buildings. Signs vary in form and size based on location and intent, from more expansive banners, billboards, and murals, to smaller street signs, street name signs, sandwich boards and lawn signs. Newer signs may also use digital or electronic displays. The main purpose of signs is to communicate, to convey information designed to assist the receiver with decision-making based on the information provided. Alternatively, promotional signage may be designed to persuade receivers of the merits of a given product or service. Signage is di ...
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Paintings In The Collection Of The Brooklyn Museum
Painting is the practice of applying paint, pigment, color or other medium to a solid surface (called the "matrix" or "support"). The medium is commonly applied to the base with a brush, but other implements, such as knives, sponges, and airbrushes, can be used. In art, the term ''painting ''describes both the act and the result of the action (the final work is called "a painting"). The support for paintings includes such surfaces as walls, paper, canvas, wood, glass, lacquer, pottery, leaf, copper and concrete, and the painting may incorporate multiple other materials, including sand, clay, paper, plaster, gold leaf, and even whole objects. Painting is an important form in the visual arts, bringing in elements such as drawing, composition, gesture (as in gestural painting), narration (as in narrative art), and abstraction (as in abstract art). Paintings can be naturalistic and representational (as in still life and landscape painting), photographic, abstract ...
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1814 Paintings
Events January * January 1 – War of the Sixth Coalition – The Royal Prussian Army led by Gebhard Leberecht von Blücher crosses the Rhine. * January 3 ** War of the Sixth Coalition – Siege of Cattaro: French garrison surrenders to the British after ten days of bombardment. ** War of the Sixth Coalition – Siege of Metz: Allied armies lay siege to the French city and fortress of Metz. * January 5 – Mexican War of Independence – Battle of Puruarán: Spanish Royalists defeat Mexican Rebels. * January 11 – War of the Sixth Coalition – Battle of Hoogstraten: Prussian forces under Friedrich Wilhelm Freiherr von Bülow defeat the French. * January 14 ** Treaty of Kiel: Frederick VI of Denmark cedes the Kingdom of Norway into personal union with Sweden, in exchange for west Pomerania. This marks the end of the real union of Denmark-Norway. ** War of the Sixth Coalition – Siege of Antwerp: Allied forces besiege French Antwe ...
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Paintings In The Louvre By French Artists
Painting is the practice of applying paint, pigment, color or other medium to a solid surface (called the "matrix" or "support"). The medium is commonly applied to the base with a brush, but other implements, such as knives, sponges, and airbrushes, can be used. In art, the term ''painting ''describes both the act and the result of the action (the final work is called "a painting"). The support for paintings includes such surfaces as walls, paper, canvas, wood, glass, lacquer, pottery, leaf, copper and concrete, and the painting may incorporate multiple other materials, including sand, clay, paper, plaster, gold leaf, and even whole objects. Painting is an important form in the visual arts, bringing in elements such as drawing, composition, gesture (as in gestural painting), narration (as in narrative art), and abstraction (as in abstract art). Paintings can be naturalistic and representational (as in still life and landscape painting), photographic, abstract, narrative, ...
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Louvre
The Louvre ( ), or the Louvre Museum ( ), is the world's most-visited museum, and an historic landmark in Paris, France. It is the home of some of the best-known works of art, including the ''Mona Lisa'' and the ''Venus de Milo''. A central landmark of the city, it is located on the Right Bank of the Seine in the city's 1st arrondissement (district or ward). At any given point in time, approximately 38,000 objects from prehistory to the 21st century are being exhibited over an area of 72,735 square meters (782,910 square feet). Attendance in 2021 was 2.8 million due to the COVID-19 pandemic, up five percent from 2020, but far below pre-COVID attendance. Nonetheless, the Louvre still topped the list of most-visited art museums in the world in 2021."The Art Newspaper", 30 March 2021. The museum is housed in the Louvre Palace, originally built in the late 12th to 13th century under Philip II. Remnants of the Medieval Louvre fortress are visible in the basement ...
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Napoleon III
Napoleon III (Charles Louis Napoléon Bonaparte; 20 April 18089 January 1873) was the first President of France (as Louis-Napoléon Bonaparte) from 1848 to 1852 and the last monarch of France as Emperor of the French from 1852 to 1870. A nephew of Napoleon I, he was the last monarch to rule over France. Elected to the presidency of the Second Republic in 1848, he seized power by force in 1851, when he could not constitutionally be reelected; he later proclaimed himself Emperor of the French. He founded the Second Empire, reigning until the defeat of the French Army and his capture by Prussia and its allies at the Battle of Sedan in 1870. Napoleon III was a popular monarch who oversaw the modernization of the French economy and filled Paris with new boulevards and parks. He expanded the French overseas empire, made the French merchant navy the second largest in the world, and engaged in the Second Italian War of Independence as well as the disastrous Franco-Prussian War, dur ...
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Rouen
Rouen (, ; or ) is a city on the River Seine in northern France. It is the prefecture of the Regions of France, region of Normandy (administrative region), Normandy and the Departments of France, department of Seine-Maritime. Formerly one of the largest and most prosperous cities of Middle Ages, medieval Europe, the population of the metropolitan area (french: functional area (France), aire d'attraction) is 702,945 (2018). People from Rouen are known as ''Rouennais''. Rouen was the seat of the Exchequer of Normandy during the Middle Ages. It was one of the capitals of the Anglo-Normans, Anglo-Norman dynasties, which ruled both England and large parts of modern France from the 11th to the 15th centuries. From the 13th century onwards, the city experienced a remarkable economic boom, thanks in particular to the development of textile factories and river trade. Claimed by both the French and the English during the Hundred Years' War, it was on its soil that Joan of Arc was tried ...
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Lorenz Eitner
Lorenz Edwin Alfred Eitner (27 August 1919 – 11 March 2009) was an art historian and museum director of the Stanford University Museum of Art. He served in the Office of Strategic Services, and, after World War II ended, provided materials for the Ministries Trial and the Judges' Trial. His research interest focused on the work of French Romantic artist Théodore Géricault (1791–1824). Early life Lorenz Edwin Alfred Eitner was born on August 27, 1919, in Brno, Czechoslovakia, to Katherina (née Thonet) and William Eitner, who were Austrians. William Eitner was a doctor of law, though never practised, born in Vienna in 1884; prior to World War I, he worked in an Austrian ministry. His parents married after the war. His mother, born from an American father, was from a family of industrialist makers of bentwood furniture. Tubular steel was added to the business by his father. He was baptized as a Catholic, but his family was not particularly observant. His younger brother ...
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The Charging Chasseur
''The Charging Chasseur'', or ''An Officer of the Imperial Horse Guards Charging'' is an oil painting on canvas of about 1812 by the French painter Théodore Géricault, portraying a mounted Napoleonic cavalry officer who is ready to attack. The painting was Géricault's first exhibited work and it is an example of Géricault's attempt to condense both movement and structure in its art. It represents French romanticism and has a motif similar to Jacques-Louis David's ''Napoleon Crossing the Alps'', but non- classical characteristics of the picture include its dramatic diagonal arrangement and vigorous paint handling. In ''The Charging Chasseur'', the horse appears to be rearing away from an unseen attacker. The turning figure on a rearing horse is derived from the large early Rubens ''Saint George'' (Museo del Prado, 1605–07), though there the view is from the side. Géricault would continue to move away from classicism, as exemplified in his later masterpiece ''The Raft o ...
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Oil Painting
Oil painting is the process of painting with pigments with a medium of drying oil as the binder. It has been the most common technique for artistic painting on wood panel or canvas for several centuries, spreading from Europe to the rest of the world. The advantages of oil for painting images include "greater flexibility, richer and denser colour, the use of layers, and a wider range from light to dark". But the process is slower, especially when one layer of paint needs to be allowed to dry before another is applied. The oldest known oil paintings were created by Buddhist artists in Afghanistan and date back to the 7th century AD. The technique of binding pigments in oil was later brought to Europe in the 15th century, about 900 years later. The adoption of oil paint by Europeans began with Early Netherlandish painting in Northern Europe, and by the height of the Renaissance, oil painting techniques had almost completely replaced the use of tempera paints in the majority ...
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Salon (Paris)
The Salon (french: Salon), or rarely Paris Salon (French: ''Salon de Paris'' ), beginning in 1667 was the official art exhibition of the Académie des Beaux-Arts in Paris. Between 1748 and 1890 it was arguably the greatest annual or biennial art event in the Western world. At the 1761 Salon, thirty-three painters, nine sculptors, and eleven engravers contributed. Levey, Michael. (1993) ''Painting and sculpture in France 1700–1789''. New Haven: Yale University Press, p. 3. From 1881 onward, it has been managed by the Société des Artistes Français. Origins In 1667, the royally sanctioned French institution of art patronage, the Académie royale de peinture et de sculpture (a division of the Académie des beaux-arts), held its first semi-public art exhibit at the Salon Carré. The Salon's original focus was the display of the work of recent graduates of the École des Beaux-Arts, which was created by Cardinal Mazarin, chief minister of France, in 1648. Exhibition at the Salo ...
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