The World Before The Flood
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The World Before The Flood
''The World Before the Flood'' is an oil-on-canvas painting by the English artist William Etty, first exhibited in 1828 and currently in the Southampton City Art Gallery. It depicts a scene from John Milton's ''Paradise Lost'' in which, among a series of visions of the future shown to Adam, he sees the world immediately before the Genesis flood narrative, Great Flood. The painting illustrates the stages of courtship as described by Milton; a group of men select wives from a group of dancing women, drag their chosen woman from the group, and settle down to married life. Behind the courting group, an oncoming storm looms, foreshadowing the destruction which the dancers and lovers are about to bring upon themselves. When first exhibited at the 1828 Royal Academy Summer Exhibition the painting attracted large crowds, and strongly divided critical opinion. It was greatly praised by many critics, who counted it among the finest works of art in the country. Other reviewers condemned ...
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William Etty
William Etty (10 March 1787 – 13 November 1849) was an English artist best known for his history paintings containing nude figures. He was the first significant British painter of nudes and still lifes. Born in York, he left school at the age of 12 to become an apprentice printer in Hull. He completed his apprenticeship seven years later and moved to London, where in 1807 he joined the Royal Academy Schools. There he studied under Thomas Lawrence and trained by copying works by other artists. Etty earned respect at the Royal Academy of Arts for his ability to paint realistic flesh tones, but had little commercial or critical success in his first few years in London. Etty's '' Cleopatra's Arrival in Cilicia'', painted in 1821, featured numerous nudes and was exhibited to great acclaim. Its success prompted several further depictions of historical scenes with nudes. All but one of the works he exhibited at the Royal Academy in the 1820s contained at least one nude ...
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Old Masters
In art history, "Old Master" (or "old master")Old Masters Department
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refers to any painting, painter of skill who worked in Europe before about 1800, or a painting by such an artist. An "old master print" is an original printmaking, print (for example an engraving or etching) made by an artist in the same period. The term "old master drawing" is used in the same way. In theory, "Old Master" applies only to artists who were fully trained, were Master craftsman, Masters of their local Guild of Saint Luke, artists' guild, and worked independently, but in practice, paintings produced by pupils or workshops are often included in the scope of the term. Therefore, beyond a certain level of competence, date rather than quality is the criterion for using the term.


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Nicolas Poussin
Nicolas Poussin (, , ; June 1594 – 19 November 1665) was the leading painter of the classical French Baroque style, although he spent most of his working life in Rome. Most of his works were on religious and mythological subjects painted for a small group of Italian and French collectors. He returned to Paris for a brief period to serve as First Painter to the King under Louis XIII and Cardinal Richelieu, but soon returned to Rome and resumed his more traditional themes. In his later years he gave growing prominence to the landscape in his paintings. His work is characterized by clarity, logic, and order, and favors line over color. Until the 20th century he remained a major inspiration for such classically-oriented artists as Jacques-Louis David, Jean-Auguste-Dominique Ingres and Paul Cézanne. Details of Poussin's artistic training are somewhat obscure. Around 1612 he traveled to Paris, where he studied under minor masters and completed his earliest surviving works. Hi ...
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A Bacchanalian Revel Before A Term Of Pan
''A Bacchanalian Revel Before a Term'' is an oil painting by Nicolas Poussin, dated to 1632–1633, which is now in the National Gallery in London. Description The principal group consists of two nymphs and two fauns (emblem of the four seasons), dancing joyously in a ring. While thus performing their rounds, one of the former is squeezing the juice of grapes from her hand on two bacchanalian boys, who are struggling together to catch it; a third, overcome with its potent effects, lies asleep near them. In the opposite side is a term adorned with flowers, in front of which is a satyr endeavouring to embrace a nymph who in her struggles has fallen. One of her companions has seized the sylvan by the horn, and is about to inflict a blow on him with an empty golden vase, but is prevented by the prostrate female, and also by one of the dancers. A thick grove bounds the view on this side and on the other is a rocky landscape represented under the aspect of a fine evening. Engr ...
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Book Of Genesis
The Book of Genesis (from Greek ; Hebrew: בְּרֵאשִׁית ''Bəreʾšīt'', "In hebeginning") is the first book of the Hebrew Bible and the Christian Old Testament. Its Hebrew name is the same as its first word, ( "In the beginning"). Genesis is an account of the creation of the world, the early history of humanity, and of Israel's ancestors and the origins of the Jewish people. Tradition credits Moses as the author of Genesis, as well as the books of Exodus, Leviticus, Numbers and most of Deuteronomy; however, modern scholars, especially from the 19th century onward, place the books' authorship in the 6th and 5th centuries BC, hundreds of years after Moses is supposed to have lived.Davies (1998), p. 37 Based on scientific interpretation of archaeological, genetic, and linguistic evidence, most scholars consider Genesis to be primarily mythological rather than historical. It is divisible into two parts, the primeval history (chapters 1–11) and the ancestr ...
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Fall Of Man
The fall of man, the fall of Adam, or simply the Fall, is a term used in Christianity to describe the transition of the first man and woman from a state of innocent obedience to God in Christianity, God to a state of guilty disobedience. * * * * The doctrine of the Fall comes from a biblical interpretation of Book of Genesis, Genesis, chapters 1–3. At first, Adam and Eve lived with God in the Garden of Eden, but the Serpents in the Bible, serpent tempted them into Taboo#In religion and mythology, eating the Forbidden fruit, fruit from the tree of knowledge of good and evil, which God had forbidden. After doing so, they became ashamed of their nakedness and God expelled them from the Garden to prevent them from eating from the Tree of life (biblical), tree of life and becoming Immortality, immortal. In Nicene Christianity, mainstream (Nicene) Christianity, the doctrine of the Fall is closely related to that of original sin or ancestral sin. They believe that the Fall brought sin ...
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Michael (archangel)
Michael (; he, מִיכָאֵל, lit=Who is like El od, translit=Mīḵāʾēl; el, Μιχαήλ, translit=Mikhaḗl; la, Michahel; ar, ميخائيل ، مِيكَالَ ، ميكائيل, translit=Mīkāʾīl, Mīkāl, Mīkhāʾīl), also called Saint Michael the Archangel, Saint Michael the Taxiarch in Orthodoxy and Archangel Michael is an archangel in Judaism, Christianity, Islam and the Baha'i faith. The earliest surviving mentions of his name are in 3rd- and 2nd-century BC Jewish works, often but not always apocalyptic, where he is the chief of the angels and archangels and responsible for the care of Israel. Christianity adopted nearly all the Jewish traditions concerning him, and he is mentioned explicitly in Revelation 12:7–12, where he does battle with Satan, and in the Epistle of Jude, where the author denounces heretics by contrasting them with Michael. Second Temple Jewish writings The earliest surviving mention of Michael is in a 3rd century BC Jewish ...
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Tate Britain
Tate Britain, known from 1897 to 1932 as the National Gallery of British Art and from 1932 to 2000 as the Tate Gallery, is an art museum on Millbank in the City of Westminster in London, England. It is part of the Tate network of galleries in England, with Tate Modern, Tate Liverpool and Tate St Ives. It is the oldest gallery in the network, having opened in 1897. It houses a substantial collection of the art of the United Kingdom since Tudor times, and in particular has large holdings of the works of J. M. W. Turner, who bequeathed all his own collection to the nation. It is one of the largest museums in the country. The museum had 525,144 visitors in 2021, an increase of 34 percent from 2020 but still well below pre- COVID-19 pandemic levels. but still ranked 50th on the list of most-visited art museums in the world. History The gallery is on Millbank, on the site of the former Millbank Prison. Construction, undertaken by Higgs and Hill, commenced in 1893, and the gallery ...
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Society For The Suppression Of Vice
The Society for the Suppression of Vice, formerly the Proclamation Society Against Vice and Immorality, or simply Proclamation Society, was a 19th-century English society dedicated to promoting public morality. It was established in 1802, based on a proclamation by George III in 1787, and as a successor to the 18th-century Society for the Reformation of Manners, and continued to function until 1885. History The Society was founded by William Wilberforce following a Royal Proclamation by George III in 1787, the ''Proclamation for the Discouragement of Vice'', on the urging of Wilberforce, as a remedy for the rising tide of immorality. The proclamation commanded the prosecution of those guilty of "excessive drinking, blasphemy, profane swearing and cursing, lewdness, profanation of the Lord's Day, and other dissolute, immoral, or disorderly practices". Greeted largely with public indifference, Wilberforce sought to increase its impact by mobilising public figures to the cause, and b ...
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Nude (art)
The nude, as a form of visual art that focuses on the unclothed human figure, is an enduring tradition in Western art. It was a preoccupation of Ancient Greek art, and after a semi-dormant period in the Middle Ages returned to a central position with the Renaissance. Unclothed figures often also play a part in other types of art, such as history painting, including allegorical and religious art, portraiture, or the decorative arts. From prehistory to the earliest civilizations, nude female figures are generally understood to be symbols of fertility or well-being. In India, the Khajuraho Group of Monuments built between 950 and 1050 CE are known for their erotic sculptures, which comprise about 10% of the temple decorations. Japanese prints are one of the few non-western traditions that can be called nudes, but the activity of communal bathing in Japan is portrayed as just another social activity, without the significance placed upon the lack of clothing that exists in th ...
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The Arrival Of Cleopatra In Cilicia
''The Triumph of Cleopatra'', also known as ''Cleopatra's Arrival in Cilicia'' and ''The Arrival of Cleopatra in Cilicia'', is an oil painting by English artist William Etty. It was first exhibited in 1821, and is now in the Lady Lever Art Gallery in Port Sunlight, Merseyside. During the 1810s Etty had become widely respected among staff and students at the Royal Academy of Arts, in particular for his use of colour and ability to paint realistic flesh tones. Despite having exhibited at every Summer Exhibition since 1811, he attracted little commercial or critical interest. In 1820, he exhibited '' The Coral Finder'', which showed nude figures on a gilded boat. This painting attracted the attention of Sir Francis Freeling, who commissioned a similar painting on a more ambitious scale. ''The Triumph of Cleopatra'' illustrates a scene from Plutarch's '' Life of Antony'' and Shakespeare's ''Antony and Cleopatra'', in which Cleopatra, Queen of Egypt, travels to Tarsus in Cilicia ...
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British Institution
The British Institution (in full, the British Institution for Promoting the Fine Arts in the United Kingdom; founded 1805, disbanded 1867) was a private 19th-century society in London formed to exhibit the works of living and dead artists; it was also known as the Pall Mall Picture Galleries or the British Gallery. Unlike the Royal Academy it admitted only connoisseurs, dominated by the nobility, rather than practising artists to its membership, which along with its conservative taste led to tensions with the British artists it was intended to encourage and support. In its gallery in Pall Mall the Institution held the world's first regular temporary exhibitions of Old Master paintings, which alternated with sale exhibitions of the work of living artists; both quickly established themselves as popular parts of the London social and artistic calendar. From 1807 prizes were given to artists and surplus funds were used to buy paintings for the nation. Although it continued to att ...
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