|
The Women's Conquest
''The Women's Conquest'' is a 1670 tragedy by the English writer Edward Howard. It was first staged by the Duke's Company at the Lincoln's Inn Fields Theatre with a cast that included Henry Harris as Tysamnes, William Smith as Foscaris, John Crosby as Andrages, John Young as Bassanes, Samuel Sandford as Toxaris, Philip Cademan as Alvanes, Henry Norris as Araxis, Mary Betterton as Parisatis, Jane Long as Mandana, Anne Shadwell as Clarina, Elinor Dixon Elinor Leigh was a British stage actor of the seventeenth century. Born Elinor Dixon, she was billed as Mrs Leigh or Mrs Lee after she married the actor Anthony Leigh in 1671. This has led to some difficulty distinguishing on playbills between he ... as Melvissa and Mary Lee as Doranthe.Van Lennep p.176 References Bibliography * Van Lennep, W. ''The London Stage, 1660-1800: Volume One, 1660-1700''. Southern Illinois University Press, 1960. 1670 plays West End plays Tragedy plays Plays by Edward Howard {{17thC-p ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Edward Howard (playwright)
Edward Howard (baptised 1624 – 1712) was an English dramatist and author of the Restoration era. He was the fifth son of Thomas Howard, 1st Earl of Berkshire, and one of four playwriting brothers: Sir Robert Howard, Colonel Henry Howard, and James Howard were the others. The brothers were sometimes confused in their own era, and Edward was sometimes given credit for his brother Henry's play ''The United Kingdoms''. Biography Edward Howard was christened on 2 November 1624, at St. Martin-in-the-Fields. Howard had a reputation as an exacting and difficult author. In their famous satire '' The Rehearsal'', the Duke of Buckingham and his collaborators mocked Howard for being demanding and contentious during the actors' rehearsals of his plays. Howard himself acknowledged his reputation; he wrote a Prologue to his ''Man of Newmarket'' in which the actors Robert Shatterell and Joseph Haynes criticize Howard for not allowing cuts or improvisations in his dramas. Howard complai ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Philip Cademan
Philip Cademan (born. 1643) was an English stage actor of the Restoration era. The son of an apothecary Thomas Cross, he adopted his stepfather's surname of Cademan after his mother remarried. In 1651 she married again this time to the playwright William Davenant, who following the return of Charles II to the throne and the reopening of theatres, brought Cademan into the newly formed Duke's Company. His first known role as Sylvio in ''The Duchess of Malfi'' in 1662. He continued acting with the company, at Lincoln's Inn Fields and then the Dorset Gardens Theatre until 1673, when he was involved in a stage accident. During a performance of '' The Man's the Master'' he was wounded in the head with a sword during a stagefight with fellow actor Henry Harris. Unable to resume his career, he was paid a pension of thirty shillings a week.Highfill, Burnim & Langhans p.4 Selected roles * Arviedo in '' The Slighted Maid'' by Robert Stapylton (1663) * Haly in '' Mustapha'' by Roger B ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
West End Plays
West or Occident is one of the four cardinal directions or points of the compass. It is the opposite direction from east and is the direction in which the Sun sets on the Earth. Etymology The word "west" is a Germanic word passed into some Romance languages (''ouest'' in French, ''oest'' in Catalan, ''ovest'' in Italian, ''oeste'' in Spanish and Portuguese). As in other languages, the word formation stems from the fact that west is the direction of the setting sun in the evening: 'west' derives from the Indo-European root ''*wes'' reduced from ''*wes-pero'' 'evening, night', cognate with Ancient Greek ἕσπερος hesperos 'evening; evening star; western' and Latin vesper 'evening; west'. Examples of the same formation in other languages include Latin occidens 'west' from occidō 'to go down, to set' and Hebrew מַעֲרָב maarav 'west' from עֶרֶב erev 'evening'. Navigation To go west using a compass for navigation (in a place where magnetic north is the same dire ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
1670 Plays
Year 167 ( CLXVII) was a common year starting on Wednesday (link will display the full calendar) of the Julian calendar. At the time, it was known as the Year of the Consulship of Aurelius and Quadratus (or, less frequently, year 920 '' Ab urbe condita''). The denomination 167 for this year has been used since the early medieval period, when the Anno Domini calendar era became the prevalent method in Europe for naming years. Events By place Roman Empire * Lucius Aurelius Verus Augustus and Marcus Ummidius Quadratus Annianus become Roman Consuls. * The Marcomanni tribe wages war against the Romans at Aquileia. They destroy aqueducts and irrigation conduits. Marcus Aurelius repels the invaders, ending the Pax Romana (Roman Peace) that has kept the Roman Empire free of conflict since the days of Emperor Augustus. * The Vandals (Astingi and Lacringi) and the Sarmatian Iazyges invade Dacia. To counter them, Legio V ''Macedonica'', returning from the Parthian War, moves it ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mary Slingsby
Mary, Lady Slingsby, born Aldridge (perhaps died 1693), was an English actress. After a marriage lasting 1670 to 1680 to John Lee, an actor, during which she was on the stage as Mrs. Lee, she was widowed. She then married Sir Charles Slingsby, 2nd Baronet, a nephew of Sir Robert Slingsby, and performed as Lady Slingsby. Theatre historians have pointed out the difficulty in identifying her roles in the period when Elinor Leigh, wife of Anthony Leigh, was performing as Mrs. Leigh, because the homophones "Lee" and "Leigh" were not consistently spelled at the time. Stage career In 1671 Mrs Lee appeared at Lincoln's Inn Fields in the character of Daranthe in Edward Howard's tragi-comedy ''Woman's Conquest'', and as Leticia in ''Town-Shifts, or the Suburb-Justice'', attributed to Edward Revet, and licensed on 2 May 1672. Next, at Dorset Garden, where Mrs Lee remained for ten years, she played opposite Æmilia in Joseph Arrowsmith's ''Reformation'' (1672). In ''Henry VI, Part I, wi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Elinor Dixon
Elinor Leigh was a British stage actor of the seventeenth century. Born Elinor Dixon, she was billed as Mrs Leigh or Mrs Lee after she married the actor Anthony Leigh in 1671. This has led to some difficulty distinguishing on playbills between her and the actress Mary Slingsby who also acted under her married name of Lee at the time. In addition another actress with the name Elizabeth Leigh was also active during the period. She was a member of the Duke's Company in the 1670s which was then merged into the United Company from 1682, acting mainly at Drury Lane. Her husband died in 1692, and in 1695 she joined those who left to form a new company under Thomas Betterton at the Lincoln's Inn Fields TheatreThe Routledge Anthology of Restoration and Eighteenth-Century Drama p.lvi Selected roles * Melvissa in ''The Women's Conquest'' by Edward Howard (1670) * Petilla in ''The Six Days' Adventure'' by Edward Howard (1671) * Orinda in ''Cambyses, King Of Persia'' by Elkanah Settle (16 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Anne Shadwell
Anne Shadwell was an English stage actor of the seventeenth century. She was one of the first English actresses to appear on stage following the Restoration She was one of six actors recruited in 1660 by William Davenant for the new Duke's Company, acting under her maiden name Anne Gibbs. Sometime between 1663 and 1667 she married the playwright Thomas Shadwell with whom she had four children. While some sources have her acting late into the century, it may be she effectively retired with the formation of the United Company in 1682. Her appearances had decreased since 1672. Following her husband's death in 1692 she was left the bulk of his estate. She had an investment in the Drury Lane Theatre in 1709, when she joined a petition to Queen Anne by the manager Christopher Rich, but nothing is known about her after this point.Highfill, Burnim & Langhans p.275-277 Selected roles * Lucia in ''The Cutter of Coleman Street'' by Abraham Cowley (1661) * Decio in '' The Slighted Maid'' by ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jane Long (actress)
Jane Long was an English stage actor of the seventeenth century. She was recruited into the Duke's Company after the theatres were repopened following the Restoration and became a noted comedienne, at a time when the Restoration comedy genre was flourishing.Howe p.75-76 Selected roles * Laughing Jane in ''The Cutter of Coleman Street'' by Abraham Cowley (1661) * Flora in ''The Adventures of Five Hours'' by Samuel Tuke (1663) * Diacelia in '' The Slighted Maid'' by Robert Stapylton (1663) * Brianella in '' The Stepmother'' by Robert Stapylton (1663) * Widow in ''The Comical Revenge'' by George Etheredge (1664) * Leucippe in ''The Rivals'' by William Davenant (1664) * Zarma in '' Mustapha'' by Roger Boyle (1665) * Mandanda in ''The Women's Conquest'' by Edward Howard (1670) * Mrs Brittle in '' The Amorous Widow'' by Thomas Betterton (1670) * Crispina in ''The Six Days' Adventure'' by Edward Howard (1671) * Fickle in ''The Town Shifts'' by Edward Revet (1671) * Paulina in ''Jul ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mary Betterton
Mary Saunderson (1637–1712), later known as Mary Saunderson Betterton after her marriage to Thomas Betterton, was an actress and singer in England during the 1660s and 1690s. She is considered one of the first English actresses. Stage career Her most notable accomplishments are her being the first female actress to portray several of Shakespeare's woman characters on the professional stage. She was the first to portray Juliet in ''Romeo and Juliet'', Lady Macbeth in ''Macbeth'', and other female roles in '' The Tempest'', ''Hamlet'' (as Ophelia), ''Measure for Measure'', ''Much Ado About Nothing'', ''Twelfth Night'', ''King Lear''. In Shakespeare's day, female roles were played by teenage boys, as women and young girls were not allowed on the stage. By the 1660s, however, the laws in England had changed, allowing females to act professionally. Mary's connections through her husband, Thomas, who was also a famous actor, allowed her to play several significant roles. Saunderso ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Samuel Sandford
Samuel Sandford ( fl. 1661–1699) was an English character actor, known for his roles as villains. Career He joined William D'Avenant's company at Lincoln's Inn Fields about a year after its formation, and was, on 16 December 1661, the original Worm in Abraham Cowley's ''Cutter of Coleman Street''. On 1 March 1662 he was Sampson in ''Romeo and Juliet'', and on 20 October Maligni (the villain) in Thomas Porter's ''The Villain''. Early in January 1663 he was Ernesto in Samuel Tuke's ''Adventures of Five Hours'', and on 28 May Vindex in Robert Stapylton's ''Slighted Maid''. During the same season he was Sylvanus in the ''Stepmother'', also by Stapleton, and in 1664 was Wheadle in George Etherege's ''Comical Revenge, or Love in a Tub'', and Provost in ''The Rivals'', D'Avenant's alteration of ''The Two Noble Kinsmen''. After the break of performances on account of the Great Plague, Sandford on 26 March 1668, sang with Harris, as two ballad singers, the epilogue to D'Avenant's ''Man ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lincoln's Inn Fields Theatre
Lisle's Tennis Court was a building off Portugal Street in Lincoln's Inn Fields in London. Originally built as a real tennis court, it was used as a playhouse during two periods, 1661–1674 and 1695–1705. During the early period, the theatre was called Lincoln's Inn Fields Playhouse, also known as The Duke's Playhouse, The New Theatre or The Opera. The building was demolished and replaced by a purpose-built theatre for a third period, 1714–1728. The tennis court theatre was the first public playhouse in London to feature the moveable scenery that would become a standard feature of Restoration theatres. Historical background The period beginning in England in 1642 and lasting until 1660 is known as the Interregnum, meaning "between kings." At this time, there was no monarch on the throne, and theatre was against the law. Spanning from 1642 to 1649, the English Civil War occurred. This war was an uprising against the current King of England, King Charles ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
John Young (stage Actor)
John Young was an English stage actor of the seventeenth century. He was active as a member of the Duke's Company during the Restoration Era, appearing at Lincoln's Inn Fields and then at the Dorset Garden Theatre when the company relocated. While not much is known about his background, he was repeatedly in debt during his acting career. In 1667 he stood in for Thomas Betterton after he fell ill during the run of '' Macbeth'' appearing as the title role. Samuel Pepys described him as "a bad actor at best".Roberts p.99 Selected roles * Cardinal in ''The Duchess of Malfi'' by John Webster (1662) * Bontefeu in '' The Villain'' by Thomas Porter (1663) * Octavio in ''The Adventures of Five Hours'' by Samuel Tuke (1663) * Corbulo in '' The Slighted Maid'' by Robert Stapylton (1663) * Adolph in '' The Stepmother'' by Robert Stapylton (1663) * Arcon in ''The Rivals'' by William Davenant (1664) * Cardinal of Veradium in '' Mustapha'' by Roger Boyle (1665) * Lord Dartmouth in '' Sir ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
