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The Weather Station (film)
''The Weather Station'' (German: ''Der Wetterwart'') is a 1923 German silent film directed by Carl Froelich and starring Mady Christians, Albert Steinrück and Hans Brausewetter. The film's sets were designed by the art directors Otto Erdmann and Hans Sohnle. Cast *Mady Christians as lady *Albert Steinrück as weatherman *Hans Brausewetter as son *Julius Falkenstein as baron *Albert Paulig Albert Paulig (14 January 1873 – 19 March 1933) was a German film actor who was popular during the silent era. Paulig made his first film in 1914. The following year he appeared in one of Ernst Lubitsch's first directorial attempts, '' A Trip on ... References External links * Films of the Weimar Republic Films directed by Carl Froelich German silent feature films German black-and-white films Films set in the Alps UFA GmbH films {{Germany-silent-film-stub ...
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Carl Froelich
Carl August Hugo Froelich (5 September 1875 – 12 February 1953) was a German film pioneer and film director. He was born and died in Berlin. Biography Apparatus builder and cameraman From 1903 Froelich was a colleague of Oskar Messter, one of the advance guard of German cinema, for whom initially he worked on the construction of cinematographic equipment. As cameraman for Messter's weekly newsreels he filmed among many other things the aftermath of a train accident on the Berlin elevated railway on 28 September 1908, one of the worst transport disasters of the time. Film director and producer Between 1912 and 1951 he made 77 films. In 1913 Froelich made his directorial debut with ''Richard Wagner (film), Richard Wagner''. In 1920 he founded his own production company, Froelich-Film GmbH, among the productions of which were ''Kabale und Liebe'' (1921), ''Die Brüder Karamasoff'' (1922), and ''Mutter und Kind'' (1924). During these years he often filmed with the actress Henny Po ...
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Art Director
Art director is the title for a variety of similar job functions in theater, advertising, marketing, publishing, fashion, film industry, film and television, the Internet, and video games. It is the charge of a sole art director to supervise and unify the vision of an artistic production. In particular, they are in charge of its overall visual appearance and how it visual communication, communicates visually, stimulates moods, contrasts features, and psychologically appeals to a target audience. The art director makes decisions about visual elements, what artistic style (visual arts), style(s) to use, and when to use motion graphic design, motion. One of the biggest challenges art directors face is translating desired moods, messages, concepts, and underdeveloped ideas into imagery. In the brainstorming process, art directors, colleagues and clients explore ways the finished piece or scene could look. At times, the art director is responsible for solidifying the vision of the col ...
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German Black-and-white Films
German(s) may refer to: * Germany (of or related to) ** Germania (historical use) * Germans, citizens of Germany, people of German ancestry, or native speakers of the German language ** For citizens of Germany, see also German nationality law **Germanic peoples (Roman times) * German language **any of the Germanic languages * German cuisine, traditional foods of Germany People * German (given name) * German (surname) * Germán, a Spanish name Places * German (parish), Isle of Man * German, Albania, or Gërmej * German, Bulgaria * German, Iran * German, North Macedonia * German, New York, U.S. * Agios Germanos, Greece Other uses * German (mythology), a South Slavic mythological being * Germans (band), a Canadian rock band * "German" (song), a 2019 song by No Money Enterprise * ''The German'', a 2008 short film * "The Germans", an episode of ''Fawlty Towers'' * ''The German'', a nickname for Congolese rebel André Kisase Ngandu See also * Germanic (other) * Ger ...
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German Silent Feature Films
German(s) may refer to: * Germany (of or related to) **Germania (historical use) * Germans, citizens of Germany, people of German ancestry, or native speakers of the German language ** For citizens of Germany, see also German nationality law **Germanic peoples (Roman times) * German language **any of the Germanic languages * German cuisine, traditional foods of Germany People * German (given name) * German (surname) * Germán, a Spanish name Places * German (parish), Isle of Man * German, Albania, or Gërmej * German, Bulgaria * German, Iran * German, North Macedonia * German, New York, U.S. * Agios Germanos, Greece Other uses * German (mythology), a South Slavic mythological being * Germans (band), a Canadian rock band * "German" (song), a 2019 song by No Money Enterprise * ''The German'', a 2008 short film * "The Germans", an episode of ''Fawlty Towers'' * ''The German'', a nickname for Congolese rebel André Kisase Ngandu See also * Germanic (other) * Germ ...
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Films Directed By Carl Froelich
A film also called a movie, motion picture, moving picture, picture, photoplay or (slang) flick is a work of visual art that simulates experiences and otherwise communicates ideas, stories, perceptions, feelings, beauty, or atmosphere through the use of moving images. These images are generally accompanied by sound and, more rarely, other sensory stimulations. The word "cinema", short for cinematography, is often used to refer to filmmaking and the film industry, and to the art form that is the result of it. Recording and transmission of film The moving images of a film are created by photography, photographing actual scenes with a movie camera, motion-picture camera, by photographing drawings or miniature models using traditional animation techniques, by means of computer-generated imagery, CGI and computer animation, or by a combination of some or all of these techniques, and other visual effects. Before the introduction of digital production, series of still imag ...
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Films Of The Weimar Republic
A film also called a movie, motion picture, moving picture, picture, photoplay or (slang) flick is a work of visual art that simulates experiences and otherwise communicates ideas, stories, perceptions, feelings, beauty, or atmosphere through the use of moving images. These images are generally accompanied by sound and, more rarely, other sensory stimulations. The word "cinema", short for cinematography, is often used to refer to filmmaking and the film industry, and to the art form that is the result of it. Recording and transmission of film The moving images of a film are created by photographing actual scenes with a motion-picture camera, by photographing drawings or miniature models using traditional animation techniques, by means of CGI and computer animation, or by a combination of some or all of these techniques, and other visual effects. Before the introduction of digital production, series of still images were recorded on a strip of chemically sensitize ...
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Albert Paulig
Albert Paulig (14 January 1873 – 19 March 1933) was a German film actor who was popular during the silent era. Paulig made his first film in 1914. The following year he appeared in one of Ernst Lubitsch's first directorial attempts, '' A Trip on the Ice'' (1915). Paulig was in a number of Harry Piel, thrillers including '' The Man Without Nerves'' (1924).Grange p. 184 Selected filmography * '' The Firm Gets Married'' (1914) * '' The Platonic Marriage'' (1919) * '' The Maharaja's Favourite Wife'' (1921) * '' Love at the Wheel'' (1921) * ''The Adventuress of Monte Carlo'' (1921) * ''The Bull of Olivera'' (1921) * '' Peter Voss, Thief of Millions'' (1921) *''The Lost House'' (1922) * ''The Flight into Marriage'' (1922) * ''Only One Night'' (1922) * ''Miss Rockefeller Is Filming'' (1922) * ''Rivals'' (1923) * ''The Weather Station'' (1923) * '' Man Against Man'' (1924) * '' The Man Without Nerves'' (1924) * '' The Brigantine of New York'' (1924) * '' The Creature'' (1924) * ''Zigano ...
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Julius Falkenstein
Julius Falkenstein (25 February 1879 – 9 December 1933) was a German stage and film actor of the silent era. He appeared in more than 180 films between 1914 and 1933. Falkenstein was Jewish, but secured a special permit to continue making films following the Nazi rise to power in 1933. He died of natural causes the same year, having made only one further film. Selected filmography * ''Die geheimnisvolle Villa'' (1914) * '' The Princess of Neutralia'' (1917) *'' The Toboggan Cavalier'' (1918) * ''The Oyster Princess'' (1919) * ''The Dancer Barberina'' (1920) * ''The Love of a Thief'' (1920) * ''The Princess of the Nile'' (1920) * '' Romeo and Juliet in the Snow'' (1920) * '' The Haunted Castle'' (1921) * ''The Story of Christine von Herre'' (1921) * '' The Convict of Cayenne'' (1921) * ''Lola Montez, the King's Dancer'' (1922) * '' Dr. Mabuse the Gambler'' (1922) * ''His Excellency from Madagascar'' (1922) * ''Don Juan'' (1922) * ''Das Milliardensouper'' (1923) * '' Earth ...
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Hans Sohnle
Hans Sohnle (17 September 1895 – 24 March 1976) was a German art director.Chandler p.270 He frequently collaborated with Otto Erdmann on set designs. Selected filmography * ''The Loves of Käthe Keller'' (1919) * '' The Woman in Doctor's Garb'' (1920) * ''Kean'' (1921) * ''The Solemn Oath'' (1921) * '' Seafaring Is Necessary'' (1921) * ''The Curse of Silence'' (1922) * '' The Homecoming of Odysseus'' (1922) * '' Two Worlds'' (1922) * ''The Weather Station'' (1923) * ''Horrido'' (1924) * ''Prater'' (1924) * ''The Stolen Professor'' (1924) * '' The Woman in Flames'' (1924) * ''Joyless Street'' (1925) * ''Flight Around the World'' (1925) * '' The Golden Calf'' (1925) * ''Shadows of the Metropolis'' (1925) * ''The Third Squadron'' (1926) * ''The Great Duchess'' (1926) * '' The Poacher'' (1926) * ''Professor Imhof '' (1926) * ''Tea Time in the Ackerstrasse'' (1926) * ''The Pride of the Company'' (1926) * '' The White Slave'' (1927) * ''The City of a Thousand Delights'' (1927) * ''Qu ...
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Otto Erdmann (art Director)
Otto Erdmann (16 November 1898 – 23 January 1965) was a German art director.Chandler p. 270 During the 1920s and 1930s he often worked alongside Hans Sohnle. Filmography * ''The Weather Station'' (1923) * ''Horrido'' (1924) * ''The Girl from Capri'' (1924) * ''Mother and Child'' (1924) * ''The Stolen Professor'' (1924) * '' The Woman in Flames'' (1924) * ''Prater'' (1924) * ''Joyless Street'' (1925) * '' The Golden Calf'' (1925) * ''Shadows of the Metropolis'' (1925) * ''Flight Around the World'' (1925) * ''The Third Squadron'' (1926) * '' The Poacher'' (1926) * ''The Great Duchess'' (1926) * ''Tea Time in the Ackerstrasse'' (1926) * ''Professor Imhof'' (1926) * '' The Marriage Hotel'' (1926) * ''Circus Romanelli'' (1926) * ''The Pride of the Company'' (1926) * ''The Woman Who Couldn't Say No'' (1927) * '' The Impostor'' (1927) * ''The Bordello in Rio'' (1927) * ''The City of a Thousand Delights'' (1927) * ''Hello Caesar!'' (1927) * '' The White Slave'' (1927) * ''Queen of the ...
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Berghahn Books
Berghahn Books is a New York and Oxford-based publisher Publishing is the activity of making information, literature, music, software and other content available to the public for sale or for free. Traditionally, the term refers to the creation and distribution of printed works, such as books, newsp ... of scholarly books and academic journals in the humanities and social sciences, with a special focus on Social anthropology, social & cultural anthropology, European history, politics, and Film studies, film & media studies. It was founded in 1994 by Marion Berghahn. Books division Berghahn Books publishes ca 140 new titles and some 80 paperback editions each year and has a backlist of nearly 2,500 titles in print. New titles are published in both print and online, with the select digitization of the backlist currently being undertaken as part of the Berghahn Books Online platform. Many Berghahn titles have been reviewed on ''Choice: Current Reviews for Academic Libraries, C ...
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Erich Pommer
Erich Pommer (20 July 1889 – 8 May 1966) was a German-born film producer and executive. Pommer was perhaps the most powerful person in the German and European film industries in the 1920s and early 1930s. As producer, Erich Pommer was involved in the German Expressionist film movement during the silent era. As the head of production at Decla Film, Decla-Bioskop, and, from 1924 to 1926, at UFA, Pommer was responsible for many of the best known movies of the Weimar Republic such as '' The Cabinet of Dr. Caligari'' (1920), '' Dr. Mabuse, the Gambler'' (1922), ''Die Nibelungen'' (1924), ''Michael'' (1924), '' Der Letzte Mann / The Last Laugh'' (1924), ''Variety'' (1925), ''Tartuffe'' (1926), ''Manon Lescaut'' (1926), ''Faust'' (1926), ''Metropolis'' (1927) and ''The Blue Angel'' (1930). He later worked in American exile before returning to Germany to help rebuild the German film industry after World War II. Early life and career Pommer was born in Hildesheim, Province of Hanover ...
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