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The Unnamables
''The Unnamables'' is the only album recorded by Magma under the alias Univeria Zekt. Released in 1972, the album shows a more accessible jazz fusion sound, in an attempt to reach a broader audience, compared to the harsher, less accessible sounds of Magma's self-titled debut album. Recording ''The Unnamables'' was designed to ease listeners into the musical world of Magma. Recorded by essentially the same line-up as on ''1001° Centigrades'' (1971), the album basically repeats the stylistic development shown through Magma's first two albums, while abandoning the science fiction concept of the Kobaïan story. Three tracks from Lasry and one from Cahen on the first half of the album approximate the accessibility of the better-known jazz-rock of the time. Vander's pieces on the second half of the album, however, begin to explore similar musical ground to that found on ''1001° Centigrades''. Two of Vander's pieces can also be found on the 1970 soundtrack to '' 24 heures seulement' ...
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Magma (band)
Magma is a French progressive rock band founded in Paris in 1969 by classically trained drummer Christian Vander, who claimed as his inspiration a "vision of humanity's spiritual and ecological future" that profoundly disturbed him. In the course of their first album, the band tells the story of a group of people fleeing a doomed Earth to settle on the planet Kobaïa. Later, conflict arises when the Kobaïans—descendants of the original colonists—encounter other Earth refugees. The style of progressive rock that Vander developed with Magma is termed Zeuhl, and has been applied to other bands in France operating in the same period, and to some recent Japanese bands. Vander created a fictional language, Kobaïan, in which most lyrics are sung. In a 1977 interview with Vander and long-time Magma vocalist Klaus Blasquiz, Blasquiz said that Kobaïan is a "phonetic language made by elements of the Slavonic and Germanic languages to be able to express some things musically. The l ...
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Jazz Fusion
Jazz fusion (also known as fusion and progressive jazz) is a music genre that developed in the late 1960s when musicians combined jazz harmony and jazz improvisation, improvisation with rock music, funk, and rhythm and blues. Electric guitars, amplifiers, and keyboards that were popular in rock and roll started to be used by jazz musicians, particularly those who had grown up listening to rock and roll. Jazz fusion arrangements vary in complexity. Some employ groove-based vamps fixed to a single key or a single chord with a simple, repeated melody. Others use elaborate chord progressions, unconventional time signatures, or melodies with counter-melodies. These arrangements, whether simple or complex, typically include improvised sections that can vary in length, much like in other forms of jazz. As with jazz, jazz fusion can employ brass and woodwind instruments such as trumpet and saxophone, but other instruments often substitute for these. A jazz fusion band is less likely to ...
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1001° Centigrades
''1001° Centigrades'', alternative title ''2'', is the second album by French rock band Magma (band), Magma, released on 5 October 1971 in music, 1971. Future reissues use both titles as ''2: 1001° Centigrades''. The first track, "Rïah Sahïltaahk" was later re-recorded as a full length studio album, ''Rïah Sahïltaahk'', in 2014, as Christian Vander did not consider himself satisfied with the arrangement on this album. Background For this album, Track listing Legacy On ''1001° Centigrades'' the "zeuhl" sound that later came to define Magma develops, but it lacks the operatic female vocals and primal driving rhythm of the following album, ''Mëkanïk Dëstruktïẁ Kömmandöh''. Between the release of this album and ''Mëkanïk Dëstruktïẁ Kömmandöh, MDK'', a number of band members left the band due to disagreements on its future sound. Two (saxophonist Yochk'o Seffer, Yochk'o "Jeff" Seffer and keyboardist François Cahen) left to form Zao (French band), Zao, a ...
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Mëkanïk Dëstruktïẁ Kömmandöh
''Mekanïk Destruktïẁ Kommandöh'', also abbreviated as ''MDK'', is the third studio album by French rock band Magma, released on 6 May 1973. The album marks a shift away from the jazz style of the band's first two albums, encompassing progressive rock, contemporary classical, avant-garde music, funk and gospel in its musical style. Magma's original recording of the composition that makes up the album was refused by the record company at the time, but was eventually released as ''Mekanïk Kommandöh'' in 1989. ''MDK'' is the group's most famous and acclaimed record. The French edition of ''Rolling Stone'' magazine named the album the 33rd greatest French rock album. In 2015, Rolling Stone ranked the album 24th on its list of the '50 Greatest Prog Rock Albums of All Time'. Track listing Track 8 is a (mostly) instrumental demo of the piece that also appears on the double-CD rarities compilation ''Archiẁ I & II'', available only on the 12 disc box set '' Studio Zünd: ...
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Jazz Fusion
Jazz fusion (also known as fusion and progressive jazz) is a music genre that developed in the late 1960s when musicians combined jazz harmony and jazz improvisation, improvisation with rock music, funk, and rhythm and blues. Electric guitars, amplifiers, and keyboards that were popular in rock and roll started to be used by jazz musicians, particularly those who had grown up listening to rock and roll. Jazz fusion arrangements vary in complexity. Some employ groove-based vamps fixed to a single key or a single chord with a simple, repeated melody. Others use elaborate chord progressions, unconventional time signatures, or melodies with counter-melodies. These arrangements, whether simple or complex, typically include improvised sections that can vary in length, much like in other forms of jazz. As with jazz, jazz fusion can employ brass and woodwind instruments such as trumpet and saxophone, but other instruments often substitute for these. A jazz fusion band is less likely to ...
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Magma (Magma Album)
''Magma'' is the self-titled debut album by French rock band Magma. Released as a double- LP in 1970, it is a concept album which tells the story of a group of people fleeing a doomed Earth to settle on the fictional planet Kobaïa. Except for the first song, which is sung in English, all lyrics are sung in the Kobaïan language invented by the band. Although initially self-titled, the album was later reissued under the name ''Kobaïa''. Track listing Legacy The title track, "Kobaïa", has been played as a regular part of Magma concerts since its original recording, although in a jazzier version akin to that of the version on the live album ''Live/Hhaï'' (1975), which also featured new lyrics, in Kobaïan, instead of English. Personnel Performance * Klaus Blasquiz – vocals * François Cahen – piano * Alain "Paco" Charlery – trumpet, percussion * Claude Engel – guitars, flute, vocals * Teddy Lasry – soprano sax, flute * Francis Moze – electric bass, contrabass ...
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Kobaïan
Magma is a French progressive rock band founded in Paris in 1969 by classically trained drummer Christian Vander, who claimed as his inspiration a "vision of humanity's spiritual and ecological future" that profoundly disturbed him. In the course of their first album, the band tells the story of a group of people fleeing a doomed Earth to settle on the planet Kobaïa. Later, conflict arises when the Kobaïans—descendants of the original colonists—encounter other Earth refugees. The style of progressive rock that Vander developed with Magma is termed Zeuhl, and has been applied to other bands in France operating in the same period, and to some recent Japanese bands. Vander created a fictional language, Kobaïan, in which most lyrics are sung. In a 1977 interview with Vander and long-time Magma vocalist Klaus Blasquiz, Blasquiz said that Kobaïan is a "phonetic language made by elements of the Slavonic and Germanic languages to be able to express some things musically. The ...
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24 Heures Seulement
4 (four) is a number, numeral and digit. It is the natural number following 3 and preceding 5. It is the smallest semiprime and composite number, and is considered unlucky in many East Asian cultures. In mathematics Four is the smallest composite number, its proper divisors being and . Four is the sum and product of two with itself: 2 + 2 = 4 = 2 x 2, the only number b such that a + a = b = a x a, which also makes four the smallest squared prime number p^. In Knuth's up-arrow notation, , and so forth, for any number of up arrows. By consequence, four is the only square one more than a prime number, specifically three. The sum of the first four prime numbers two + three + five + seven is the only sum of four consecutive prime numbers that yields an odd prime number, seventeen, which is the fourth super-prime. Four lies between the first proper pair of twin primes, three and five, which are the first two Fermat primes, like seventeen, which is the third. On the other hand, t ...
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40 Ans D'Evolution
4 (four) is a number, numeral and digit. It is the natural number following 3 and preceding 5. It is the smallest semiprime and composite number, and is considered unlucky in many East Asian cultures. In mathematics Four is the smallest composite number, its proper divisors being and . Four is the sum and product of two with itself: 2 + 2 = 4 = 2 x 2, the only number b such that a + a = b = a x a, which also makes four the smallest squared prime number p^. In Knuth's up-arrow notation, , and so forth, for any number of up arrows. By consequence, four is the only square one more than a prime number, specifically three. The sum of the first four prime numbers two + three + five + seven is the only sum of four consecutive prime numbers that yields an odd prime number, seventeen, which is the fourth super-prime. Four lies between the first proper pair of twin primes, three and five, which are the first two Fermat primes, like seventeen, which is the third. On the other ha ...
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Francis Moze
Francis Moze (born 2 February 1946) is a French bass player, best known for his work in Magma, Gong and Pierre Moerlen's Gong. Moze played in an early line-up with Magma. When he left the group, Giorgio Gomelsky introduced him to Gong. He played on the album '' Flying Teapot'' (1973). He re-joined what had by then become Pierre Moerlen's Gong for the ''Gazeuse!'' (1976) album (in the U.S., it was called ''Expresso''). After Pierre Moerlen's departure, Moze stayed in London, joining Peter Lemer's trio, also with Laurie Allan on drums. In the late 1980s, John Greaves (playing keyboards), Pip Pyle Phillip "Pip" Pyle (4 April 1950 – 28 August 2006) was an English-born drummer from Sawbridgeworth, Hertfordshire, who later resided in France. He is best known for his work in the progressive rock Canterbury scene bands Gong, Hatfield a ... (drums) and Moze formed a short-lived band. External sources Calyx history of Gong Canterbury scene Living people French bass guita ...
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Christian Vander (musician)
Christian Vander (born 21 February 1948) is a French drummer, musician, and founder of the band Magma. Career Vander is known for his extended compositions, drumming, and shrill falsetto improvisational/scat singing. His music fuses jazz, rock, classical and operatic influences, and draws on the work of musicians as diverse as John Coltrane and Carl Orff. Family Christian Vander is the adopted child of famous French jazz piano player Maurice Vander (who was a long time sideman of the French singer Claude Nougaro). Most of Vander and Magma's recorded work is still available through Vander's own record label, Seventh Records. He was married to singer Stella Vander who released many EPs herself in the 1960s and has performed vocal duties for Magma since 1972.Speaking In Tongues: ...
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Discogs
Discogs (short for discographies) is a database of information about audio recordings, including commercial releases, promotional releases, and bootleg or off-label releases. While the site was originally created with a goal of becoming the largest online database of electronic music, the site now includes releases in all genres on all formats. After the database was opened to contributions from the public, rock music began to become the most prevalent genre listed. , Discogs contains over 15.7 million releases, by over 8.3 million artists, across over 1.9 million labels, contributed from over 644,000 contributor user accounts – with these figures constantly growing as users continually add previously unlisted releases to the site over time. The Discogs servers, currently hosted under the domain name discogs.com, are owned by Zink Media, Inc. and located in Portland, Oregon, United States. History The discogs.com domain name was registered in August 2000, and Discogs itself ...
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