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The United States Of America (album)
''The United States of America'' is the only studio album by American rock band the United States of America. Produced by David Rubinson, it was released in 1968 by Columbia Records. The album combined rock and electronic instrumentation, experimental composition, and lyrics reflecting leftist political themes. ''The United States of America'' received positive reviews on its release and charted at number 181 on the ''Billboard'' 200. The album has been reissued several times and continues to receive critical acclaim decades after its original release. Production ''The United States of America'' was produced by David Rubinson, who also signed the group to Columbia Records. Rubinson previously knew members Joseph Byrd and Dorothy Moskowitz. Creating the electronic sounds on the album was difficult because of the technical limitations. Byrd recalled "the only available functioning keyable synthesizers were Robert Moog's at +$20,000. We were left with whatever sounds I could squeez ...
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The United States Of America (band)
The United States of America was an American experimental rock band founded in Los Angeles in 1967 by composer Joseph Byrd and vocalist Dorothy Moskowitz, with electric violinist Gordon Marron, bassist Rand Forbes and drummer Craig Woodson. Their 1968 self-titled album, often cited as an early showcase for the use of electronic devices in rock music, was met with critical acclaim and minor chart success. They disbanded shortly after its release. The group’s sound was grounded in both psychedelia and the avant-garde. Unusually, the band had no guitar player; instead, they used strings, keyboards and electronics, including primitive synthesizers, and various audio processors, including the ring modulator. Many of the songs' lyrics reflected Byrd's leftist political views. AllMusic described them as "among the most revolutionary bands of the late '60s." History Background and formation Composer Joseph Byrd, and lyricist and singer Dorothy Moskowitz, first met in New York Cit ...
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Joseph Byrd
Joseph Hunter Byrd, Jr. (born December 19, 1937) is an American composer, musician and academic. After first becoming known as an experimental composer in New York City and Los Angeles in the early and mid-1960s, he became the leader of The United States of America, an innovative but short-lived band that integrated electronic sound and radical political ideas into rock music. In 1968 he recorded the album ''The American Metaphysical Circus'', credited to Joe Byrd and the Field Hippies. After working as a record producer, arranger, and soundtrack composer, he became a university teacher in music history and theory. Early life and career Byrd was born in Louisville, Kentucky, and was raised in Tucson, Arizona after his father purchased a mine near the Mexican border. His sister, Elizabeth would become a notable writer. As a teenager, Byrd played accordion and vibraphone in a series of pop and country bands, started writing his own arrangements, and performed on some local TV s ...
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Columbia, The Gem Of The Ocean
"Columbia, the Gem of the Ocean" is an American patriotic song which was popular in the United States during the 19th and early 20th centuries. Composed 1843, it was long used as an unofficial national anthem of the United States, in competition with other songs. Under the title "Three Cheers for the Red, White, and Blue," the song is mentioned in Chapter IX of MacKinlay Kantor's Pulitzer Prize-winning novel '' Andersonville'' (1955). It was also featured in the 1957 musical ''The Music Man''. In 1969, "Columbia, the Gem of the Ocean" was the music performed by a U.S. Navy Band embarked aboard USS ''Hornet'' as one of the ship's helicopters recovered the Apollo 11 astronauts from their capsule named ''Columbia'' after a splashdown in the Pacific Ocean. The melody of "Columbia, the Gem of the Ocean" is identical to that of the British patriotic song "Britannia, the Pride of the Ocean" and there is disagreement as to which song was adapted from the other. History The origin ...
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Marching Through Georgia
"Marching Through Georgia" (sometimes spelled as "Marching Thru' Georgia" or "Marching Thro Georgia") is a marching song written by Henry Clay Work at the end of the American Civil War in 1865. The title and lyrics of the song refer to U.S. Army major general William T. Sherman's " March to the Sea" to capture the Confederate city of Savannah, Georgia in late 1864. History The song became widely popular with Union Army veterans after the American Civil War. The song, sung from the point of view of a Union soldier, tells of marching through Georgian territory, freeing slaves, meeting Southern Unionist men glad to once again see the U.S. flag, and punishing the Confederacy for their starting the war. After the war, in parts of the southern United States, and particularly in Georgia, ex-Confederates and some white Southerners saw the song as a symbol of perceived excessive damage and political domination the United States army and government exercised over the former Confederacy a ...
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Ragtime
Ragtime, also spelled rag-time or rag time, is a musical style that flourished from the 1890s to 1910s. Its cardinal trait is its syncopated or "ragged" rhythm. Ragtime was popularized during the early 20th century by composers such as Scott Joplin, James Scott and Joseph Lamb. Ragtime pieces (often called "rags") are typically composed for and performed on piano, though the genre has been adapted for a variety of instruments and styles. " Maple Leaf Rag", " The Entertainer", "Fig Leaf Rag", "Frog Legs Rag", and "Sensation Rag" are among the most popular songs of the genre. The genre emerged from African American communities in the Southern and Midwestern United States, evolving from folk and minstrel styles and popular dances such as the cakewalk and combining with elements of classical and march music. Ragtime significantly influenced the development of jazz. In the 1960's, the genre had began to be revived with the publication '' The All Played Ragtime'' and artists re ...
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National Emblem
A national emblem is an emblem or seal that is reserved for use by a nation state or multi-national state as a symbol of that nation. Many nations have a seal or emblem in addition to a national flag and a national coat of arms. Other national symbols, such as national birds, trees, flowers, etc., are listed at lists of national symbols. In Africa In the Americas In Asia In Europe In Oceania See also *Armorial of sovereign states This armorial of sovereign states shows the coat of arms, national emblem, or seal for every sovereign state. Although some countries do not have an official national emblem, unofficial emblems which are ''de facto'' used as national emblems are ... {{Authority control Insignia ...
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Calliope (music)
A calliope (see below for pronunciation) is an American and Canadian musical instrument that produces sound by sending a gas, originally steam or, more recently, compressed air, through large whistles—originally locomotive whistles. A calliope is typically very loud. Even some small calliopes are audible for miles. There is no way to vary tone or loudness. Musically, the only expression possible is the pitch, rhythm, and duration of the notes. The steam calliope is also known as a steam organ (''orgue à vapeur'' in Quebec) or steam piano (''piano à vapeur'' in Quebec). The air-driven calliope is sometimes called a calliaphone, the name given to it by Norman Baker, but the "Calliaphone" name is registered by the Miner Company for instruments produced under the Tangley name. In the age of steam, the steam calliope was particularly used on riverboats and in circuses. In both cases, a steam supply was readily available for other purposes. Riverboats supplied steam from thei ...
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Dixieland
Dixieland jazz, also referred to as traditional jazz, hot jazz, or simply Dixieland, is a style of jazz based on the music that developed in New Orleans at the start of the 20th century. The 1917 recordings by the Original Dixieland Jass Band (which shortly thereafter changed the spelling of its name to "Original Dixieland Jazz Band"), fostered awareness of this new style of music. A revival movement for traditional jazz began in the 1940s, formed in reaction to the orchestrated sounds of the swing era and the perceived chaos of the new bebop sounds (referred to as "Chinese music" by Cab Calloway), Led by the Assunto brothers' original Dukes of Dixieland, the movement included elements of the Chicago style that developed during the 1920s, such as the use of a string bass instead of a tuba, and chordal instruments, in addition to the original format of the New Orleans style. That reflected that virtually all of the recorded repertoire of New Orleans musicians was from the perio ...
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Che Guevara
Ernesto Che Guevara (; 14 June 1928The date of birth recorded on /upload.wikimedia.org/wikipedia/commons/7/78/Ernesto_Guevara_Acta_de_Nacimiento.jpg his birth certificatewas 14 June 1928, although one tertiary source, (Julia Constenla, quoted by Jon Lee Anderson), asserts that he was actually born on 14 May of that year. Constenla alleges that she was told by Che's mother, Celia de la Serna, that she was already pregnant when she and Ernesto Guevara Lynch were married and that the date on the birth certificate of their son was forged to make it appear that he was born a month later than the actual date to avoid scandal. ( Anderson 1997, pp. 3, 769.) – 9 October 1967) was an Argentine Marxist revolutionary. A major figure of the Cuban Revolution, his stylized visage has become a ubiquitous countercultural symbol of rebellion and global insignia in popular culture. As a young medical student, Guevara traveled throughout South America and was radicalized by the poverty, hunger, ...
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Communist Party USA
The Communist Party USA, officially the Communist Party of the United States of America (CPUSA), is a communist party in the United States which was established in 1919 after a split in the Socialist Party of America following the Russian Revolution. The history of the CPUSA is closely related to the history of the Communists in the United States Labor Movement (1919–37), American labor movement and the history of communist parties worldwide. Initially operating underground due to the Palmer Raids which started during the First Red Scare, the party was influential in Politics of the United States, American politics in the first half of the 20th century and it also played a prominent role in the history of the labor movement from the 1920s through the 1940s, becoming known for Anti-racism, opposing racism and Racial segregation in the United States, racial segregation after sponsoring the defense for the Scottsboro Boys in 1931. Its membership increased during the Great Depres ...
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Electronic Music
Electronic music is a genre of music that employs electronic musical instruments, digital instruments, or circuitry-based music technology in its creation. It includes both music made using electronic and electromechanical means ( electroacoustic music). Pure electronic instruments depended entirely on circuitry-based sound generation, for instance using devices such as an electronic oscillator, theremin, or synthesizer. Electromechanical instruments can have mechanical parts such as strings, hammers, and electric elements including magnetic pickups, power amplifiers and loudspeakers. Such electromechanical devices include the telharmonium, Hammond organ, electric piano and the electric guitar."The stuff of electronic music is electrically produced or modified sounds. ... two basic definitions will help put some of the historical discussion in its place: purely electronic music versus electroacoustic music" ()Electroacoustic music may also use electronic effect units to ...
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Avant-garde Music
Avant-garde music is music that is considered to be at the forefront of innovation in its field, with the term "avant-garde" implying a critique of existing aesthetic conventions, rejection of the status quo in favor of unique or original elements, and the idea of deliberately challenging or alienating audiences. Avant-garde music may be distinguished from experimental music by the way it adopts an extreme position within a certain tradition, whereas experimental music lies outside tradition. Distinctions Avant-garde music may be distinguished from experimental music by the way it adopts an extreme position within a certain tradition, whereas experimental music lies outside tradition. In a historical sense, some musicologists use the term "avant-garde music" for the radical compositions that succeeded the death of Anton Webern in 1945,Paul Du Noyer (ed.), "Contemporary", in the ''Illustrated Encyclopedia of Music: From Rock, Pop, Jazz, Blues and Hip Hop to Classical, Folk, Worl ...
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