The Ultimate Collection (Grace Jones Album)
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The Ultimate Collection (Grace Jones Album)
''The Ultimate Collection'' is a 3-CD anthology of recordings by Grace Jones, released in 2006 by Universal. Background Although usually listed as a box set, ''The Ultimate Collection'' is packaged in a double gatefold cardboard sleeve, and was released by the Dutch label CCM, a subsidiary of Universal Music Holland. CCM had previously issued similar 3-CD sets by artists like Donna Summer, Barry White, Diana Ross, Kool & the Gang, Dusty Springfield and others. ''The Ultimate Collection'' features songs newly remastered in 32-bit sound. The album includes tracks from Jones' disco period (1976–79), most noticeably the album version of her 1978 hit " Do or Die", which was then available on compact disc for the first time in more than a decade. ''The Ultimate Collection'' was not intended to be a singles collection, as several single releases are missing (most notably " On Your Knees", the primary single from the album ''Muse''). ''The Ultimate Collection'' is more or less an expa ...
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Grace Jones
Grace Beverly Jones (born 19 May 1948) is a model, singer and actress. Born in Jamaica, she and her family moved to Syracuse, New York, when she was a teenager. Jones began her modelling career in New York state, then in Paris, working for fashion houses such as Yves St. Laurent and Kenzo, and appearing on the covers of ''Elle'' and ''Vogue''. She notably worked with photographers such as Jean-Paul Goude, Helmut Newton, Guy Bourdin, and Hans Feurer, and became known for her distinctive androgynous appearance and bold features. Beginning in 1977, Jones embarked on a music career, securing a record deal with Island Records and initially becoming a high-profile figure of New York City's Studio 54-centered disco scene. In the early 1980s, she moved toward a new wave style that drew on reggae, funk, post-punk, and pop music, frequently collaborating with both the graphic designer Jean-Paul Goude and the musical duo Sly & Robbie. She scored Top 40 entries on the UK Single ...
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32-bit
In computer architecture, 32-bit computing refers to computer systems with a processor, memory, and other major system components that operate on data in 32-bit units. Compared to smaller bit widths, 32-bit computers can perform large calculations more efficiently and process more data per clock cycle. Typical 32-bit personal computers also have a 32-bit address bus, permitting up to 4 GB of RAM to be accessed; far more than previous generations of system architecture allowed. 32-bit designs have been used since the earliest days of electronic computing, in experimental systems and then in large mainframe and minicomputer systems. The first hybrid 16/32-bit microprocessor, the Motorola 68000, was introduced in the late 1970s and used in systems such as the original Apple Macintosh. Fully 32-bit microprocessors such as the Motorola 68020 and Intel 80386 were launched in the early to mid 1980s and became dominant by the early 1990s. This generation of personal computers coincided ...
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Sex Drive (Grace Jones Song)
"Sex Drive" is a 1993 single by Grace Jones. Background "Sex Drive" is a cover version of the Sheep on Drugs 1992 song "Track X". It was written by band members themselves and produced for Grace by Mark Pistel and Philip Steir. It was released on 23 September 1993 by Island Records with a cover of the Consolidated song "Typical Male" as the B-side. The single met with considerable success, topping the US dance chart. Both songs were to be featured on Jones' then-forthcoming ''Black Marilyn'' album, planned for a 1994 release, but eventually shelved due to an unknown reason. Two remixes of "Sex Drive" were later included in a 1996 compilation ''Island Life 2'', a France-only re-release of ''Island Life'', as well as an edited version of the song on the 2006 compilation ''The Grace Jones Story ''The Grace Jones Story'' is a 2006 anthology of recordings by Grace Jones, spanning from 1977 to 1993. Background ''The Grace Jones Story'' was Island Records/Universal Music's first at ...
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She's Lost Control
"She's Lost Control" is a song by British post-punk band Joy Division. Released on their 1979 debut album, ''Unknown Pleasures'', "She's Lost Control" was first performed live by the band in June 1978 and draws primary lyrical inspiration from a young woman experiencing a violent epileptic seizure. Two separate recordings of the song have been released: the version appearing on the band's debut album, and an extended, more electronic version released in 1980 as a 12" single. This 12" single version contains an additional verse not present on the initial version of the song, and was recorded in March 1980 at Strawberry Studios, Stockport, making this song one of the last studio recordings recorded by the band prior to the May 1980 suicide of their lead singer, Ian Curtis. On the US release of the 12" single, "She's Lost Control" appeared as the A-side (with "Atmosphere" as the B-side), as opposed the UK version, where the song appeared as the B-side to "Atmosphere". Lyrical ...
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Victor Should Have Been A Jazz Musician
"Victor Should Have Been a Jazz Musician" is a 1987 single by Grace Jones. Background The song was the third European single from Grace Jones' 1986 album '' Inside Story'', co-produced by Jones and Nile Rodgers. It was released simultaneously with " Crush", which promoted ''Inside Story'' in North America. The horns on the track were played by Lenny Pickett, Stan Harrison, Steve Elson, and Mac Gollehon under the collective name The Borneo Horns. The 12" single featured remixes of "Victor Should Have Been a Jazz Musician" as well as "I'm Not Perfect (But I'm Perfect for You)" by Ben Liebrand, all of which remain unreleased on CD. Track listing *7" single :A. "Victor Should Have Been a Jazz Musician" – 4:42 :B. " Crush" – 3:27 *12" single :A. "Victor Should Have Been a Jazz Musician" (The JAZZclubmillionminutemix) – 6:58 :B. "I'm Not Perfect (But I'm Perfect for You) "I'm Not Perfect (But I'm Perfect for You)" is a song by Jamaican singer and songwriter Grace Jones, released ...
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Slave To The Rhythm (Grace Jones Song)
"Slave to the Rhythm" is a 1985 song written by Trevor Horn, Bruce Woolley, Stephen Lipson, and Simon Darlow, and performed by Jamaican-American singer Grace Jones. It was taken from Jones' seventh album of the same name (1985), on which it is retitled "Ladies and Gentlemen: Miss Grace Jones". Background "Slave to the Rhythm" was the first single from Grace Jones' album of the same name, which was released in 1985. The song and the album were written by Bruce Woolley, Simon Darlow, Stephen Lipson and Trevor Horn, and was produced by Horn. This was Jones' first album in three years, and it contained eight variations of the same song (the single's B-side is another variation, yet to be released on CD). "Slave to the Rhythm" was originally intended for Frankie Goes to Hollywood as a follow-up to their hit debut single "Relax". A demo version of the song was recorded by the band. The song was assembled and produced by Horn after "Two Tribes", but the project was ultimately given to Jo ...
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The Hunter Gets Captured By The Game
"The Hunter Gets Captured by the Game" is a 1966 song written by Smokey Robinson. It was a hit single in 1967 for the American girl group The Marvelettes for the Motown label, from their self-titled album released that same year. In 1980, Jamaican singer Grace Jones remade the song and had minor success with her version in the US. The song has had several cover versions over the years. Blondie included a cover as the closing track on their 1982 conceptual album ''The Hunter''. Massive Attack and Tracey Thorn (of Everything but the Girl) recorded a cover for the soundtrack to ''Batman Forever'' in 1995. Most recently, Bette Midler performed a rendition included in the deluxe edition of her 2014 studio album '' It's The Girls!''. Another cover also appeared on Jerry Garcia Compliments in 1974 and was performed live by the Jerry Garcia Band until into the early 90s. The Marvelettes version Background The Marvelettes single peaked in the United States in spring 1967 at number 13 on ...
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Pull Up To The Bumper
"Pull Up to the Bumper" is a 1981 song by Jamaican singer Grace Jones, released as the third single from her fifth album, '' Nightclubbing'' (1981). Sonically, it is an uptempo electro-disco, post-punk, dance-pop and reggae-disco song with dub production, "pulsing drums and chic new-wave licks", as well as elements of funk and R&B music. Its lyrics were written by Jones alone, while she, along with Kookoo Baya and Dana Manno, are credited as its composers. The song's instrumental part was originally recorded in 1980 during the ''Warm Leatherette'' sessions; however, it did not make the album as Chris Blackwell found its sound not fitting in the rest of the material. It was completed for the 1981 critically acclaimed ''Nightclubbing'' album and became its third single in June 1981. The song peaked at number two on the ''Billboard'' Hot Dance Club Songs chart in the US and number 53 in the UK. When re-released in 1986, it peaked at number 12 in the UK. The track has come to be o ...
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Warm Leatherette
"Warm Leatherette" is a song by Daniel Miller's project the Normal, released in 1978. The Normal original Overview The lyrics of "Warm Leatherette" reference J. G. Ballard's controversial 1973 novel ''Crash'', which had heavily influenced Daniel Miller. Together with his college friend he had worked on a film script based on the book, but after the project was abandoned Miller decided to "write a song encapsulating he scriptin 2 and a half minutes". The song was recorded in Miller's apartment using two Revox B-77 tape machines. A series of sawtooth waves were recorded on a Korg 700S synthesizer. Miller took the record to a few independent music shops, including Rough Trade in London, where it would be played to customers. "Warm Leatherette" was released as the B-side to "T.V.O.D.", the only single by Miller's musical project the Normal, and the very first release on his Mute Records label. However, since it was "Warm Leatherette" that gained more public attention, it was feat ...
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Love Is The Drug
"Love Is the Drug" is a 1975 song from English rock band Roxy Music's fifth studio album ''Siren'', released as a single in September 1975. Co-written by Bryan Ferry and Andy Mackay, the song originated as a slower, dreamier track until the band transformed its arrangement to become more dance-friendly and uptempo. Ferry's lyrics recount a man going out looking for action. The single was a commercial hit for the band, peaking at number two in the United Kingdom. It also gave the group its first substantial exposure in the United States, reaching number 30 in early 1976 on the US ''Billboard'' Hot 100. Since its release, the song has been hailed as an early influence on new wave and has been praised for its groove and bassline. Background Saxophonist Andy Mackay wrote the basic groove for the song in London in early 1975, explaining, "I came up with chords for an unusual song on my Wurlitzer electric piano. My chords had a distinctly English-y sound inspired by 20th century ...
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Private Life (song)
"Private Life" is a 1980 song written by Chrissie Hynde, and released by both English band The Pretenders, and Jamaican singer Grace Jones in 1980. Background The song was written by Chrissie Hynde, the leader and singer of The Pretenders, and included on that band's 1980 debut album ''Pretenders''. The same year the track was covered by Grace Jones on her first post-disco album ''Warm Leatherette'', recorded at the Compass Point Studios in the Bahamas with among others Sly and Robbie. In the liner notes to Island Records' 1998 compilation '' Private Life: The Compass Point Sessions'', Hynde is quoted as saying: "Private Life" was released as the third single from the ''Warm Leatherette'' album. However, it marked a new era in Jones' career as she left her disco persona behind her and adopted an entirely different image, exploring genres like reggae, rock and new wave. It became Grace Jones' first ever chart entry in the UK, peaking at number 17. The single's B-side was a non ...
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Muse (Grace Jones Album)
''Muse'' is the third studio album by Grace Jones, released on September 4, 1979, by Island Records. Production and release ''Muse'' was the last album of Jones's disco trilogy recorded with producer Tom Moulton, which began in 1977 with debut ''Portfolio''. As in the case of two previous records, the first side of the album is a continuous medley of four songs, joined by a narrative about someone who has sinned. The second side, however, consists of disco songs with no lyrical relation to one another. All album art, including the cover image, is by Richard Bernstein. The album features a re-recorded version "I'll Find My Way to You", which Jones released three years prior to ''Muse''. It was originally featured in a 1976 Italian movie ''Quelli della calibro 38'' (international title: ''Colt 38 Special Squad'') in which she played a club singer. The original version along with a song called "Again and Again" were included on a single produced by composer Stelvio Cipriani. Icelan ...
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