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The Sweet Hello, The Sad Goodbye
"The Sweet Hello, The Sad Goodbye" is a song by Swedish pop duo Roxette, written by Per Gessle and recorded in the spring of 1990 for their third studio album '' Joyride''. However, the song was excluded from the album, and was instead recorded by former Modern Talking vocalist Thomas Anders, who in April 1991 issued his version as the lead single from his solo album '' Whispers''. Six months later, Roxette released their original recording as a limited edition promotional single exclusively in Sweden. In 1993, a version produced by Phil Ramone was recorded by American singer Laura Branigan for her seventh studio album, ''Over My Heart''. The same year, Phil Thornalley produced a version for Jason Donovan, which was included as a b-side to his single "All Around the World". Roxette included their original version as a b-side on the "Spending My Time" (1991) and " Vulnerable" (1995) singles, as well as their 1995 compilation '' Rarities''. It also appeared on ''The Rox Box/Roxette 86 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pop Duo
A pop duo is a pop music group with only two members. Examples of pop duos Male * A Great Big World * Associates *Charles & Eddie *Erasure * Go West *Godley & Creme *Hall & Oates *Heaven 17 *Lighthouse Family *Marcus & Martinus *Pet Shop Boys The Pet Shop Boys are an English synth-pop duo formed in London in 1981. Consisting of primary vocalist Neil Tennant and keyboardist Chris Lowe, they have sold more than 50 million records worldwide, and were listed as the most successful duo i ... *PJ & Duncan *Red Flag (band), Red Flag *Savage Garden *Tears for Fears *The Buggles *The Chainsmokers *The Proclaimers *The Righteous Brothers *The Summer Obsession *The Communards *Wham! *Jedward *Modern Talking *Junior Senior *Seona Dancing *Soft Cell *Climie Fisher *Fly By Midnight *Hurts *Contemplate_(pop_duo), Contemplate *Twenty One Pilots *Wax (British band), Wax *Static & Ben El Tavori *The Postal Service Female * Alisha's Attic * Althea & Donna * Aly & AJ * Appleton (music duo), A ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Roxette XXX – The 30 Biggest Hits
''Roxette XXX – The 30 Biggest Hits'' is the sixth greatest hits compilation album by Swedish pop duo Roxette, released on 3 November 2014 by Roxette Recordings in conjunction with Parlophone and Warner Music Group. Release The compilation was released throughout the world in tandem with dates of "The Neverending World Tour". It was first released in Russia on 3 November 2014, the country in which the duo began the "XXX – The 30th Anniversary Tour" leg of "The Neverending World Tour". It was issued in other parts of the world as the tour progressed. The album consists of two CDs containing thirty songs, twenty-eight of which were released as commercial singles. The two remaining tracks were taken from their 1991 album '' Joyride'', "Perfect Day" and "(Do You Get) Excited?". The latter had been issued as a promotional single in selected territories, peaking at number nine on the Spanish Airplay Chart in May 1992. Also included is a Bassflow remix of "The Sweet Hello, The Sad ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Octave
In music, an octave ( la, octavus: eighth) or perfect octave (sometimes called the diapason) is the interval between one musical pitch and another with double its frequency. The octave relationship is a natural phenomenon that has been referred to as the "basic miracle of music," the use of which is "common in most musical systems." The interval between the first and second harmonics of the harmonic series is an octave. In Western music notation, notes separated by an octave (or multiple octaves) have the same name and are of the same pitch class. To emphasize that it is one of the perfect intervals (including unison, perfect fourth, and perfect fifth), the octave is designated P8. Other interval qualities are also possible, though rare. The octave above or below an indicated note is sometimes abbreviated ''8a'' or ''8va'' ( it, all'ottava), ''8va bassa'' ( it, all'ottava bassa, sometimes also ''8vb''), or simply ''8'' for the octave in the direction indicated by placing ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Piano Solo
The piano is often used to provide harmonic accompaniment to a voice or other instrument. However, solo parts for the piano are common in many musical styles. These can take the form of a section in which the piano is heard more prominently than other instruments, or in which the piano may be played entirely unaccompanied. The term ''piano solo'' is also often used to mean a musical composition written solely for piano. Compositions for solo piano Composition or Compositions may refer to: Arts and literature *Composition (dance), practice and teaching of choreography * Composition (language), in literature and rhetoric, producing a work in spoken tradition and written discourse, to include ... Piano Music performance Solo music {{Music-theory-stub ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Refrain
A refrain (from Vulgar Latin ''refringere'', "to repeat", and later from Old French ''refraindre'') is the line or lines that are repeated in music or in poetry — the "chorus" of a song. Poetic fixed forms that feature refrains include the villanelle, the virelay, and the sestina. In popular music, the refrain or chorus may contrast with the verse melodically, rhythmically, and harmonically; it may assume a higher level of dynamics and activity, often with added instrumentation. Chorus form, or strophic form, is a sectional and/or additive way of structuring a piece of music based on the repetition of one formal section or block played repeatedly. Usage in history In music, a refrain has two parts: the lyrics of the song, and the melody. Sometimes refrains vary their words slightly when repeated; recognizability is given to the refrain by the fact that it is always sung to the same tune, and the rhymes, if present, are preserved despite the variations of the words. Such ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bridge (music)
In music, especially Western popular music, a bridge is a contrasting section that prepares for the return of the original material section. In a piece in which the original material or melody is referred to as the "A" section, the bridge may be the third eight-bar phrase in a thirty-two-bar form (the B in AABA), or may be used more loosely in verse-chorus form, or, in a compound AABA form, used as a contrast to a full AABA section. The bridge is often used to contrast with and prepare for the return of the verse and the chorus. "The b section of the popular song chorus is often called the ''bridge'' or ''release''." Etymology The term comes from a German word for bridge, ''Steg'', used by the Meistersingers of the 15th to the 18th century to describe a transitional section in medieval bar form. The German term became widely known in 1920s Germany through musicologist Alfred Lorenz and his exhaustive studies of Richard Wagner's adaptations of bar form in his popular 19th-cent ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
F-sharp Major
F-sharp major (or the key of F) is a major scale based on F, consisting of the pitches F, G, A, B, C, D, and E. Its key signature has six sharps. The F-sharp major scale is: : Its relative minor is D-sharp minor (or enharmonically E-flat minor) and its parallel minor is F-sharp minor. Its direct enharmonic, G-flat major, contains the same number of flats in its key signature. Music in F-sharp major F-sharp major is the key of the minuet in Haydn's "Farewell" Symphony, of Beethoven's Piano Sonata No. 24, Op. 78, Verdi's "Va, pensiero" from ''Nabucco'', a part of Franz Liszt's Hungarian Rhapsody No. 2, Mahler's unfinished Tenth Symphony, Korngold's Symphony Op. 40, and Scriabin's Fourth Piano Sonata. The key was the favorite tonality of Olivier Messiaen, who used it repeatedly throughout his work to express his most exciting or transcendent moods, most notably in the ''Turangalîla-Symphonie''. Like G-flat major, F-sharp major is rarely used in orchestral musi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
C-sharp Minor
C-sharp minor is a minor scale based on C, with the pitches C, D, E, F, G, A, and B. Its key signature consists of four sharps. The C-sharp natural minor scale is: : Changes needed for the melodic and harmonic versions of the scale are written in with accidentals as necessary. The C-sharp harmonic minor and melodic minor scales are: : : Its relative major is E major. Its parallel major, C-sharp major, is usually written instead as the enharmonic key of D-flat major, since C-sharp major’s key signature with seven sharps is not normally used. Its enharmonic equivalent, D-flat minor, having eight flats including the B, has a similar problem. Therefore, C-sharp minor is often used as the parallel minor for D-flat major. (The same enharmonic situation occurs with the keys of A-flat major and G-sharp minor.) Classical music in this key There are only two known symphonies in the 18th century written in this key. One of them is by Joseph Martin Kraus, who appears t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
A-flat Minor
A-flat minor is a minor scale based on A♭ (musical note), A, consisting of the pitches A, B♭ (musical note), B, C♭ (musical note), C, D♭ (musical note), D, E♭ (musical note), E, F♭ (musical note), F, and G♭ (musical note), G. Its key signature has seven flats. Its Relative key, relative major is C-flat major (or enharmonically B major), its parallel key, parallel major is A-flat major, and its enharmonic equivalent is G-sharp minor. The A-flat natural minor scale is: : Changes needed for the melodic and harmonic versions of the scale are written in with accidentals as necessary. The A-flat Harmonic minor scale, harmonic minor and Melodic minor scale, melodic minor scales are: : : Music in A-flat minor Although A-flat minor occurs in modulation in works in other keys, it is only rarely used as the principal key of a piece of music. Some well-known uses of the key in classical and romantic piano music include: * The Funeral March in Ludwig van Beethoven's P ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Verse (music)
Song structure is the arrangement of a song, and is a part of the songwriting process. It is typically sectional, which uses repeating forms in songs. Common forms include bar form, 32-bar form, verse–chorus form, ternary form, strophic form, and the 12-bar blues. Popular music songs traditionally use the same music for each verse or stanza of lyrics (as opposed to songs that are "through-composed"—an approach used in classical music art songs). Pop and traditional forms can be used even with songs that have structural differences in melodies. The most common format in modern popular music is introduction (intro), verse, pre-chorus, chorus, verse, pre-chorus, chorus, bridge, and chorus. In rock music styles, notably heavy metal music, there is usually one or more guitar solos in the song, often found after the middle chorus part. In pop music, there may be a guitar solo, or a solo performed with another instrument such as a synthesizer or a saxophone. The foundation of popular ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Beats Per Minute
Beat, beats or beating may refer to: Common uses * Patrol, or beat, a group of personnel assigned to monitor a specific area ** Beat (police), the territory that a police officer patrols ** Gay beat, an area frequented by gay men * Battery (crime), a criminal offense involving unlawful physical contact * Assault, inflicting physical harm or unwanted physical contact * Corporal punishment, punishment intended to cause physical pain * Strike (attack), repeatedly and violently striking a person or object * Victory, success achieved in personal combat, military operations or in any competition People * Beat (name), a German male given name * Jackie Beat, drag persona of Kent Fuher (born 1963) * Aone Beats (born 1984) Nigerian record producer * Billy Beats (1871-1936) British footballer * Cohen Beats (Michael Cohen, born 1986), Israeli record producer * Eno Beats (Enock Kisakye, born 1991), Ugandan record producer * Laxio Beats (Bernard Antwi-Darko, born 1987), Ghanaian recor ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tempo
In musical terminology, tempo (Italian, 'time'; plural ''tempos'', or ''tempi'' from the Italian plural) is the speed or pace of a given piece. In classical music, tempo is typically indicated with an instruction at the start of a piece (often using conventional Italian terms) and is usually measured in beats per minute (or bpm). In modern classical compositions, a "metronome mark" in beats per minute may supplement or replace the normal tempo marking, while in modern genres like electronic dance music, tempo will typically simply be stated in BPM. Tempo may be separated from articulation and meter, or these aspects may be indicated along with tempo, all contributing to the overall texture. While the ability to hold a steady tempo is a vital skill for a musical performer, tempo is changeable. Depending on the genre of a piece of music and the performers' interpretation, a piece may be played with slight tempo rubato or drastic variances. In ensembles, the tempo is often ind ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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